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A recreation of a village in Palestine and its characters, each gently and carefully called back from the past to tell their stories in a literary narrative. In 1917, the members of a spy ring who sought to assist the British in driving the Turks from Palestine were betrayed. It was said that four women of the town were seen laughing at the arrests of their neighbors. Each met a strange fate: one died prematurely, the second went mad, the third was an invalid and the fourth lived out her life in disrepute. When Halkin read this story of the village that he lived in, it inspired him to begin a journey into the past. His friends and neighbors each offered a different version of the events, and Halkin discovered that each of them was in some way affected by the legendary fate of the spy ring

An older man is writing to and about his wife, who has left him... in this the debut novel by the illustrious translator and political commentator, who is a sixtysomething debutant.

A complex masterpiece that reveals the mind of a contemporary woman beyond the confines of family, love, and duty to one's self. Lexie, a married woman with four children, undergoes a midlife crisis and questions her role as wife, mother, and lover. From within a Victorian house in the Hudson River Valley, Lexie dissects her life experiences in hopes of gaining a deeper understanding of her unhappiness. Through rich symbolism, lively dialogue, and acute commentary, Hortense Calisher conjures a cohesive map of Lexie's personal awakening.

The name "Tito" has become legendary in the annals of our common struggle against Hitlerism. Yet less is known about him today than most men of equal renown. Howard Fast, that distinguished American author of "Citizen Tom Paine" fame, made a careful study of the facts and wrote this incredible account of a man and a people who refused to understand the meaning of the word "defeat."

The studies comprising this volume, most of them appearing for the first time in English, deal with some of the main topics in Maimonides' philosophy and that of his followers in Provence. At the heart of these topics lies the issue of whether they adopted a completely naturalistic picture of the workings of the world order, or left room for the volitional activity of God in history. These topics include divine law, creation, the Account of the Chariot, prophet and sage, Mosaic prophecy, reasons for the commandments, and prayer. Special attention is paid to three lesser known but highly significant Provençal Jewish thinkers: Moses Ibn Tibbon, Levi ben Avraham, and Nissim ben Moses of Marseille.

"My grandfather was a horse thief, My grandmother a bootlegger, My father a bookmaker and my brother a scalper; so there was nothing left for me but politics." Thus begins Call Me Pisher: A Madcap Romp Through City Hall, the hilarious, informative and undoubtedly (to some) maddening account of City Councillor Howard Moscoe's 32 years in public office. As you'll discover, Moscoe used the tradecraft of all those questionable vocations to cajole, manipulate and beguile his council colleagues. While he advanced an agenda that often focused on derailing his political opponents, it was always driven by the ultimate goal of improving the quality of life in his ward and in the city as a whole. You will also discover why the name Moscoe elicited widely varying, and sometimes extreme, reactions. Former Mayor Mel Lastman derided Moscoe as "the best excuse for birth control I know." Councillor Adam Vaughan hailed Moscoe's "ability to drive those in power crazy. In fact, if he were on your side he could drive you crazy too. His style could inspire and confound you all at the same time." Toronto Life, marking his retirement from politics in 2010, expressed "hope that the next council can live up to the same level of wit and absurdity." And Toronto Star columnist Royson James offered this assessment: "Moscoe is no angel. He is a blustery, bombastic, hard-nosed advocate for the disabled, the downtrodden, and anyone else that comes up against the wall of bureaucracy that is often erected at city hall. His advocacy often brings him into conflict with the bureaucrats who really run the city. What the councillor lacks in finesse he makes up in integrity." There are bugs under every rock and in 32 years of public office Howard Moscoe managed to turn over a lot of boulders. You can read about them by snagging a copy of this insightful and provocative chronicle. Who knows? You may even be in it.

Hailed by Thomas Pynchon as “daringly imagined and darkly romantic—a moral thriller,” Destiny Express captures both the glamour and the terror of an era, dramatizing the perilous moment when art, politics, and destiny converged on the tracks out of Berlin. Berlin, the last day of February, 1933. The Reichstag lies in smoldering ruins, a new world about to spring from its ashes. And now for German filmmakers the choices are stark: stay and collaborate with a government that believes in cinema’s power to shape reality, or leave everything behind. Destiny Express is the story of Fritz Lang and Thea von Harbou, husband and wife, director and screenwriter—together, they made some of the greatest films of all time: M, Metropolis, Doctor Mabuse. As each day is torn from the calendar they watch as one by one Bertolt Brecht, Max Ophuls, Billy Wilder, take the next train out. Destiny Express follows Lang, von Harbou, and a host of real and fictional others––novelist-turned-minister-of-culture Joseph Goebbels, American café Surrealist Sam Harrison, Mercedes racing champ Otto Merz, film star Rudolf Klein-Rogge, a pair of not-so-secret police—as their paths converge, intertwine, and separate across the grid of Berlin, from the artificial daylight of the UFA soundstage to the artificial night of Berlin's most exclusive and decadent nightclubs. Harsh lights, long shadows: the perfect setting for a deeply researched, deftly imagined tale, as one character puts it, of "crime, gambling, cocaine, jazz, stock exchange maneuvers, smuggling, hypnosis, counterfeiting, violence, Expressionism." Destiny Express is the story of a marriage at the end of its passion, at the edge of history—all at the end of an era when film was to mean more than it ever would again.

This book advances the intriguing hypothesis that human beings bend to construct the world they inhabit from their bodies and families outward to nature and society.

This volume presents a selection of Hubert Dreyfus's pioneering work in bringing phenomenology and existentialism to bear on the philosophical and scientific study of the mind. Each of the thirteen essays interprets, develops, and extends the insights of his predecessors working in the European philosophical tradition. One of Dreyfus' central contributions to reading the historical canon of philosophy comes from his recognition that great philosophers help us to understand the 'background practices' of a culture - the practices that shape and embody our most basic understanding of ourselves and the things and situations we encounter in our world. Background practices are all too often overlooked completely, or else their importance is misunderstood. Each chapter in this volume shows in one way or another how a broad range of philosophical topics can only be properly understood when we recognize how they are grounded in the background practices that shape our lives and give meaning to our activities, our tasks, our normative commitments, our aims and our goals

"Retrieving Realism offers a radical critique of the Cartesian epistemic picture that has captivated philosophy for too long and restores a realist view affirming our direct access to the everyday world and to the physical universe."

"Through airtight prose which allows no overtones of pity, Nissenson has written a relentless assessment of the martyr's way in religion's less-than-grand designs". -- Kirkus Reviews Set in the year 1912, this is the dramatic portrayal of Jake Brody, an orphaned fifteen-year-old immigrant; of Hannele Isaacs, the rabbi's daughter; and of the Jewish pimp Schlifka, who ruthlessly makes her one of his girls. In the struggle to save Hannele, Jake comes of age abruptly, discovering violence, perversity, and mysticism in the bitter reality of life in a turn-of-the-century American ghetto. Copyright © Libri GmbH. All rights reserved.

Even before his birth, Johnny Baker's life is in danger. His mother breaks the law when she has her fertilized egg endowed with genes that will give her son the potential to become a visual artist. Born in 2038, John Firth Baker is the first genetically engineered artist. At the age of nineteen, at the threshold of his career, he is murdered. Now, ten years after his death, Baker has become famous. An art curator has organized a show of his work, and his biography-culled from journals, e-mails, and interviews with those who knew him best-is published. The Song of the Earth is this "biography." It presents a powerful and haunting portrait of an artist as a young man in the twenty-first century. Baker is born into a world transformed by technology: genetic profiles, space travel, and controlled housing communities are commonplace. Global warming has altered the environment. A planetary gender war is raging, familial structures are shattered, and new religions contend with the old. Yet human needs remain the same: the search for love, the desire for approval, the longing for fame, and the quest for knowledge. The Song of the Earth is a hypnotic novel about our desire to control our destinies, our yearning for immortality, and the very human impulse to create art. With prose, poetry, and images, Nissenson tells an original tale that brilliantly captures the experience of another time and place.

One was a plan to equip certain cities with huge tanks of chloroform (or similar narcotic gases). Then, when a 10-Ball descended over a house in that city, the special gas was to be diverted into the city's regular gas mains. Citizens about to be kidnapped would quickly open their gas burners, freeing the narcotic gasses. These gases would then go up through the purple tube and render the Xenos unconscious.

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