Genocide: The Basics is an engaging introduction to the study of a controversial and widely debated topic. This concise and comprehensive book explores key questions such as; how successful have efforts been in the prevention of genocide? How prevalent has genocide been throughout history? and how has the concept been defined? Real world case studies address significant issues including: The killing of indigenous peoples by colonial powers The Holocaust and the question of "uniqueness" Peacekeeping efforts in the 1990s Legal attempts to create a genocide-free world With suggestions for further reading, discussion questions at the end of each chapter and a glossary of key terms, Genocide: The Basics is the ideal starting point for students approaching the topic for the first time.

"This tabloid-size masterpiece reprints a classic Superboy and the Legion of Super-Heroes story by Paul Levitz and Mike Grell in full size for the first time. Superboy arrives in the future for the wedding of Saturn Girl and Lightning Lad only to find a world totally different from the one he is used to visiting. The future is now an armed camp and the Legionnaires insist it has always been that way. With Superboy unable to convince his teammates that something is wrong, the wedding proceeds as planned, only to have the bride and groom kidnapped by the Lunarites. Convinced that the altering of history is the real issue, Superboy leads a group of legionnaires back in time, while the rest of the group attempts to rescue their teammates. Can Superboys team correct the flow of time and save all the future? Includes a 2-page pin up of the entire Legion by Mike Grell and an 8-page feature containing information on each of the legionnaires by Paul Levitz, illustrated by James Sherman and Jack Abel"--

From the bestselling novelist and author of "The Invention of Solitude," a moving and highly personal meditation on the body, time, and language itself ""That is where the story begins, in your body, and everything will end in the body as well." Facing his sixty-third winter, internationally acclaimed novelist Paul Auster sits down to write a history of his body and its sensations--both pleasurable and painful. Thirty years after the publication of "The Invention of Solitude," in which he wrote so movingly about fatherhood, Auster gives us a second unconventional memoir in which he writes about his mother's life and death. "Winter Journal" is a highly personal meditation on the body, time, and memory, by one of our most intellectually elegant writers.

Along with Adler and Jung, Otto Rank was one of the intellectual giants in the inner circle around Sigmund Freud. Art and artist, his major statement on the relationship of art to the individual and society, pursues in a broader cultural context Freud's ideas on art and neurosis and has had an important influence on many twentieth-century writers and thinkers, beginning with Henry Miller and Anais Nin. Art and artist explores the human urge to create in all its complex aspects, in terms not only of individual works of art but of religion, mythology, and social institutions as well. Based firmly on Rank's knowledge of psychology and psychoanalysis, it ranges widely through anthropology and cultural history, reaching beyond psychology to a broad understanding of human nature. - Back cover

"China's rise as a global superpower has completely reshaped the landscape of international politics. As the country's authoritarian regime becomes increasingly assertive on the world stage, the United States grows ever more hostile to its Asian rival. Repressive moves by China in Xinjiang and Hong Kong, military activities in the South China Sea and Western measures against Chinese companies have only exacerbated tensions. While the great powers of East and West battle over hegemony, the world is being led inexorably towards a new Cold War. During his time as a Cabinet minister attending National Security Council meetings, Oliver Letwin realised that there was no agreement among Western politicians and academics on how to conduct a peaceful long-term relationship with China. China vs America traces the contours of history, both ancient and modern, to explain how China has emerged as a challenger to American power in the twenty-first century and why this has created such uneasiness in the West. In this robust and controversial assessment, Letwin argues that the international rules-based order is completely ill-equipped to foster a positive relationship between China and the United States and that the global community must act now to correct the collision course these two behemoths are currently on before it's too late"--Publisher's description.

By general consensus, Pablo Picasso is the most brilliant and influential artist of this century. Despite this supreme position in the history of art, he has nonetheless eluded and frustrated critics. Getting an intimate sense of the character of Picasso appears almost impossible; his macho posture and his incomparable range of styles seem designed to keep everyone who is interested in him at a distance. Who better than another legendary artist, Norman Mailer, to enter inside so enigmatic and protean a mind? In Portrait of Picasso as a Young Man, Mailer sets out to capture the meaning of Picasso's life and art and explores in bold fashion the originality of his ambition. Commenting upon much of the critical work on Picasso that has appeared over the years, Mailer's biography brings us closer to the young artist than we have ever been before. Much at the heart of Mailer's interpretation in Picasso's first great love, Fernande Olivier, with whom the artist lived for seven years--a period that included Picasso's most revolutionary works, from the explosive innovations of Les Demoiselles d'Avignon to the mysteries of Cubism itself. To understand Picasso in these years, Mailer argues, it is necessary to follow his relationship with the extraordinary Fernande, who is here given her own voice by way of excerpts from her candid memoirs, hitherto unpublished in English. Since this period also includes Picasso's friendships with Apollinaire and Gertrude Stein, the book evokes the charm and special character of bohemian life in Paris in the early 1900s.

The first rigorous psychoanalytic investigation into the heart and mind of Nixon explores the forces and events that shaped his complex personality, presenting an enlightening portrait of a troubled man whose insecurities doomed him to suffer the most sensational downfall in American political history.

Chomsky's major works now reissued by The New Press. An essential record of Chomsky's political and social thought as it was sharpened during the upheavals in domestic and international affairs of the early 1970s, For Reasons of State includes articles on the war in Vietnam and the "wider war" in Laos and Cambodia, an extensive dissection of the Pentagon Papers, reflections on the role of force in international affairs, essays on civil disobedience and the use of the university, and a now-classic introduction to anarchism. These essays reveal very different facets of Chomsky's power as a thinker, from his uncanny ability to join abstract philosophical considerations with the concrete political realities of his time, to his singular capacity to mount withering, fact-based critiques of American foreign policy. Following the recent release of American Power and the New Mandarins, For Reasons of State is a major addition to the intellectual history of the Vietnam era.

In Divided By God, Noah Feldman examines the unique, fascinating balance the United States has pursued for well over 200 years now -- the attempt at democratic government by the people in a country made up of many religions, and many highly religious people. The novel principle enshrined to help make this a success was strong separation of church from state. The strain on the system has never been greater as polarization grows over the many hot-button topics of our day. Feldman also observes how the stakes have been raised in the last 50 years as the forces of secularism have fought a largely successful battle to remove religious symbolism from the public sphere, while at the same time the growing tide of religious conservatism has managed to forge a surprisingly close church-state relationship through government funding of religious priorities (faith-based initiatives and school vouchers, for example.) Feldman, a law professor at New York University, delivers a timely book that attempts to move the discussion past rhetoric, by a careful examination of the history of church-state separation. The book's lively, conversational writing makes for a fascinating journey, starting with a precise analysis of exactly why our founding fathers debated and finally agreed to formally separate church and state, and then tracking the tests and challenges that separation has stood over the last two centuries. Perhaps the most refreshing current throughout is Feldman's lack of partisan bias, and his respect and understanding of the values, fears and goals that successive generations have brought to all sides of this never-ending debate. It is that lack of partisanship that makes his conclusion all the more powerful -- a call to move beyond a battlefield where the secular and religious forces aggressively pursue their own mutually exclusive goals, and instead to seek a deeper understanding of what values we all hold in common, and to recognize the importance of engaging in constructive debate in order to find and define that commonality together. -- Ed Dobeas

The complete memoirs of Neil Simon, the greatest—and most successful—American playwright of all time, the author of such iconic works as Lost in Yonkers , The Odd Couple , Biloxi Blues , and The Goodbye Girl , now with an insightful Introduction by Nathan Lane. This omnibus edition combines Neil Simon’s two memoirs, Rewrites and The Play Goes On , into one volume that spans his extraordinary five-decade career in theater, television, and film. Rewrites takes Simon through his first love, his first play, and his first brush with failure. There is the humor of growing up in Washington Heights (the inspiration for his play Brighton Beach Memoirs ) where, despite his parents’ rocky marriage and many separations, he learned to see the funny side of family drama, as when his mother thought she saw a body on the floor in their apartment—and it turned out to be the clothes his father discarded in the hallway after a night of carousing. He describes his marriage to his beloved wife, Joan, and writes lucidly about the pain of losing her to cancer. The Play Goes On adds to his life’s story, as he wins the Pulitzer Prize and reflects with humor and insight on his tumultuous life and meteoric career. “Neil Simon’s terrific memoirs are worth revisiting” ( New York Post ). Now, with the whole story in one place, he traces the history of modern entertainment over the last fifty years as seen through the eyes of a man who started life the son of a garment salesman and became the greatest—and most successful—American playwright of all time.

Providing a history and a beautifully illustrated practical guide to kangaroo mothering, this book explains the approach that is changing the way mothers relate to newborn babies and improving the way hospitals treat premature babies and their parents. Already used in 30 countries around the world where incubators are in short supply, kangaroo mothering has been adapted in the Western world alongside incubator care to heal the sense of isolation and helplessness both parents and babies can feel in the tense initial weeks of a baby' s life. Once a newborn baby' s heart rate and feeding have been stabilized, the babies are positioned in close skin-to-skin physical contact with their mother, or even their father, for 24 hours a day. The book explains how to use the technique and why it helps regulate the baby' s body temperature so that it can continue to grow, stimulates breastfeeding, and gives the baby a wonderful feeling of security and strengthened bonding.

One day in December, Natasha Walter's mother Ruth took her own life. At first, the grief and guilt that Natasha felt were overwhelming. As the author of feminist books and the founder of the charity Women for Refugee Women, Natasha had always been active in movements for social justice. But in the aftermath of her mother's suicide, her personal grief intertwines with a sense of political despair. Gradually, she starts to search back through Ruth's history, trying to understand how her life led to this death. She explores Ruth's own involvement as a young woman in the nuclear disarmament movement of the 1960s. Even though Ruth had been brought up to be a conventional young woman, she chose to take huge risks and break the law in order to stand up for what she believed was right. This was where Ruth met and fell in love with Natasha's father, the anarchist writer Nicolas Walter. Natasha also explores the history of Ruth's parents, particularly the story of her grandfather Georg. He was involved in anti-Nazi resistance in the 1930s in Germany, was imprisoned for three years and then went on the run across Europe. Eventually he got to safety, and never spoke again about his experiences. In thinking back through the years, Natasha comes to a deeper and more hopeful understanding of the legacy that her parents and grandparents leave her. No longer overwhelmed by grief, she comes to value the courage of past generations. She steps back into activism, and values the beauty of everyday life once again. Without false hope, this book explores why it is always important to stand up for what you believe is right, even when success is far from assured. This is a memoir that is honest about loss, but also searches for what is valuable in the legacy of one family that lived through some of the great crises of the twentieth century. It will resonate with those grappling with the loss of hope in these challenging political times, as well as those who are living in the shadow of bereavement.

Never before has Gordimer, awarded the Nobel Prize for Literature in 1991, published such a comprehensive collection of her nonfiction. Telling Tales represents the full span of her works in that field-from the twilight of white rule in South Africa to the fight to overthrow the apartheid regime, and most recently, her role over the past seven years in confronting the contemporary phenomena of violence and the dangers of HIV. The range of this book is staggering, and the work in totality celebrates the lively perseverance of the life-loving individual in the face of political tumult, then the onslaught of a globalized world. The abiding passionate spirit that informs "A South African Childhood," a youthful autobiographical piece published in The New Yorker in 1954, can be found in each of the book's ninety-one pieces that span a period of fifty-five years. Returning to a lifetime of nonfiction work has become an extraordinary experience for Gordimer. She takes from one of her revered great writers, Albert Camus, the conviction that the writer is a "responsible human being" attuned not alone to dedication to the creation of fiction but to the political vortex that inevitably encompasses twentieth- and twenty-first-century life. Born in 1923, Gordimer, who as a child was ambitious to become a ballet dancer, was recognized at fifteen as a writing prodigy. Her sensibility was as much shaped by wide reading as it was to eye-opening sight, passing on her way to school the grim labor compounds where black gold miners lived. These twin decisives-literature and politics-infuse the book, which includes historic accounts of the political atmosphere, firsthand, after the Sharpeville Massacre of 1960 and the Soweto uprising of 1976, as well as incisive close-up portraits of Nelson Mandela and Desmond Tutu, among others. Gordimer revisits the eternally relevant legacies of Tolstoy, Proust, and Flaubert, and engages vigorously with contemporaries like Susan Sontag, Octavio Paz, and Edward Said. But some of her most sensuous writing comes in her travelogues, where the politics of Africa blend seamlessly with its awe-inspiring nature-including spectacular recollections of childhood holidays beside South Africa's coast of the Indian Ocean and a riveting account of her journey the length of the Congo River in the wake of Conrad. Gordimer's body of work is an extraordinary vision of the world that harks back to the sensibilities-political, moral, and social-of Dickens and Tolstoy, but with a decidedly vivid contemporary consciousness. Telling Times becomes both a literary exploration and extraordinary document of social and political history in our times.

With her characteristic brilliance, Nobel Prize winner Nadine Gordimer follows the inner lives of characters confronted by unforeseen circumstances. An earthquake offers tragedy and opportunity in the title story, exposing both an ocean bed strewn with treasure and the avarice of the town's survivors. ?Mission Statement? is the story of a bureaucrat's idealism, the ghosts of colonial history, and a love affair with a government minister that ends astoundingly. And in ?Karma, ? Gordimer's inventiveness knows no bounds: in five returns to earthly life, a disembodied narrator, taking on different ages and genders, testifies to unfinished business and questions the nature of existence. Revelatory and powerful, these are stories that challenge our deepest convictions even as they dazzle us with their artful lyricism.

In For a New Liberty: The Libertarian Manifesto, Rothbard proposes a once-and-for-all escape from the two major political parties, the ideologies they embrace, and their central plans for using state power against people. Libertarianism is Rothbard's radical alternative that says state power is unworkable and immoral and ought to be curbed and finally overthrown.To make his case, Rothbard deploys his entire system of thought: natural law, natural rights, Austrian economics, American history, the theory of the state, and more.It is relentless, scientific, analytical, and morally energetic — a book that makes an overwhelming case. Indeed, it gave an entire movement its intellectual consciousness and earned Rothbard the titles "Mr. Libertarian" and "The State's Greatest Living Enemy."Society without the nation-state? Rothbard shows that this is the way for peace, prosperity, security, and freedom for all. In the entire history of libertarian ideas, no book has more successfully combined ideological rigor, theoretical exposition, political rhetoric, historical illustration, and strategic acumen. Rothbard poured a lifetime of research and all his intellectual energy into this project and he succeeded in writing a classic.The book is the result of the only contract Rothbard ever received from a mainstream commercial publisher. He was asked to sum up the whole of the libertarian creed. Looking at the original manuscript, which was nearly complete after its first draft, it seems that it was a nearly effortless joy for him to write. It is seamless, unrelenting, and full of life.He cut no corners and pulled no punches. It appeared in 1973 and created a whole movement that set out to crush the political monopoly.In subject after subject, this book is informative, bracing, and challenging. It also features the characteristically clear writing style for which Rothbard is famous, which stemmed from his organized thinking and passionate drive to teach and change the world.The book begins with American history to show that the revolution of 1776 was the most libertarian of any in history. The pastors, pamphleteers, and statesmen who led it held that the state has no rights that the people themselves do not possess. They demanded full liberty, not some truncated version that existed in the old world. In this discussion, the reader comes to appreciate the founders of the United States of America as never before.Rothbard then sets out to rekindle that fire, first through a discussion of the philosophy and ethics of freedom. The central axiom: no man or group of men may aggress against the person and property of anyone else. He justifies the axiom on the basis of natural rights. It is an axiom that has few opponents, until Rothbard spells out its implications: taxation is theft, conscription is slavery, and war is mass murder, among many other points.Bracing indeed! But the state is the primary violator of this simple axiom. It presumes the right to rob and kill while purporting to protect us from robbing and killing. Thus follows a full theory of the state, how it gains and maintains controls over the population (but not through a "social contract"!), the various failed methods for keeping it in check (not even constitutions work!), its operations and tendencies to work its evil (it never has enough power), and how intellectuals become co-opted by the forces of state power.The book is still regarded as "dangerous" precisely because, once the exposure to Rothbardianism takes place, no other book on politics, economics, history, or sociology can be read the same way again.

"Written in response to the Hawk's Nest Tunnel disaster of 1931 in Gauley Bridge, West Virginia, The Book of the Dead is an important part of West Virginia's cultural heritage and a powerful account of one of the worst industrial catastrophes in American history. The poems collected here investigate the roots of a tragedy that killed hundreds of workers, most of them African American. They are a rare engagement with the overlap between race and environment in Appalachia. Published for the first time alongside photographs by Nancy Naumburg, who accompanied Rukeyser to Gauley Bridge in 1936, this edition of The Book of the Dead includes an introduction by Catherine Venable Moore, whose writing on the topic has been anthologized in Best American Essays."--From jacket flap.

Introduction: The regimes and their dictators: perspectives of comparison / Ian Kershaw, Moshe Lewin -- Stalin and his Stalinism: power and authority in the Soviet Union, 1930-53 / Ronald Grigor Suny -- Bureaucracy and the Stalinist state / Moshe Lewin -- Cumulative radicalisation and progressive self-destruction as structural determinants of the Nazi dictatorship / Hans Mommsen -- 'Working towards the Fuhrer': reflections on the nature of the Hitler dictatorship / Ian Kershaw -- Stalin in the mirror of the other / Moshe Lewin -- The contradictions of continuous revolution / Michael Mann -- From Blitzkrieg to total war: controversial links between image and reality / Omar Bartov -- Stalin, the Red Army, and the "Great Patriotic War' / Bernd Bonwetsch -- The economics of war in the Soviet Union during World War II / Jacques Sapir -- From 'Great Fatherland War' to the Second World War: new perspectives and future prospects / Mark von Hagen -- German exceptionalism and the origins of Nazism: the career of a concept / George Steinmetz -- Stalinism and the politics of post-Soviet history / Mark von Hagen -- Work, gender and everyday life: reflections on continuity, normality and agency in twentieth-century Germany / Mary Nolan -- Afterthoughts / Ian Kershaw, Moshe Lewin

New insights into how the Book of Samuel offers a timeless meditation on the dilemmas of statecraft The Book of Samuel is universally acknowledged as one of the supreme achievements of biblical literature. Yet the book's anonymous author was more than an inspired storyteller. The author was also an uncannily astute observer of political life and the moral compromises and contradictions that the struggle for power inevitably entails. The Beginning of Politics mines the story of Israel's first two kings to unearth a natural history of power, providing a forceful new reading of what is arguably the first and greatest work of Western political thought. Moshe Halbertal and Stephen Holmes show how the beautifully crafted narratives of Saul and David cut to the core of politics, exploring themes that resonate wherever political power is at stake. Through stories such as Saul's madness, David's murder of Uriah, the rape of Tamar, and the rebellion of Absalom, the book's author deepens our understanding not only of the necessity of sovereign rule but also of its costs--to the people it is intended to protect and to those who wield it. What emerges from the meticulous analysis of these narratives includes such themes as the corrosive grip of power on those who hold and compete for power; the ways in which political violence unleashed by the sovereign on his own subjects is rooted in the paranoia of the isolated ruler and the deniability fostered by hierarchical action through proxies; and the intensity with which the tragic conflict between political loyalty and family loyalty explodes when the ruler's bloodline is made into the guarantor of the all-important continuity of sovereign power. The Beginning of Politics is a timely meditation on the dark side of sovereign power and the enduring dilemmas of statecraft.

Mendelssohn wrote "Jerusalem" in Prussia on the eve of the French Revolution. When he published "Jerusalem", he risked a lot, not only in front of the Prussian authority, but also in front of religious authorities - including Orthodox Rabbis. Because it deals with social contract and political theory (especially concerning the question of the separation between religion and state). The "Jerusalem" is still underestimated as a contribution to philosophy - probably because it was directly connected with the historical situation and the social conditions of the author's life. On the other hand, a lot of historians concerned about Haskalah criticized the heroic image about Moses Mendelssohn in which he appears as the starting point of Jewish enlightenment without any respect to earlier attempts around the beginning of the 18th century. The "Jerusalem" consisted of two parts and each one was paged separately and the first one treated clearly the contemporary conflicts of the state and the second those of religion. In the first the author developed his political theory towards a utopia of a just and tolerant democracy, which he identified with the political attempt of the Mosaic Law: therefore the title "Jerusalem". In the second part he worked out a new pedagogic charge which every religion has to fulfill in the private sector. It was reduced to it, because the tolerant state should be separated from any religion. Hence the Mosaic law and the traditional practice of jurisdiction was no longer the business of Judaism, if there would be a tolerant state. Instead the new charge of religion would be the education of just and tolerant citizens. The book as a whole summarizes Moses Mendelssohn's critic concerning the contemporary conditions of the Prussian Monarchy and the legal status of the different religions, which finally means the civil status of its inhabitants according to their faith. Jew refusing both proselytism and the abandonment of his own religious beliefs, Moses Mendelssohn opens the way for a dialogue of ideas between the Occident and jusaisme. According to the French philosopher Emmanuel Levinas, "The work of Mendelssohn is in actuality and stimulates Judaism today. In effect, it heralds a new era in Jewish history. It demonstrates that a Judaism's longing to make a symblotic relationship with non-Jewish human world beyond the mythical universalism of being-for-others, which has always been familiar to him."

The Sword of Moses: An Ancient Book of Magic by M. Gaster is a comprehensive study of an ancient Jewish magical text known as the Sword of Moses. The book explores the origins, history, and contents of this fascinating text, which is believed to date back to the 6th or 7th century CE. The Sword of Moses contains a variety of magical spells and incantations, including those for healing, protection, and divination. The book also includes detailed analysis of the text's language, structure, and symbolism, as well as its relationship to other Jewish magical traditions. The author provides extensive historical and cultural context for the Sword of Moses, drawing on a wide range of sources from Jewish and non-Jewish traditions. The Sword of Moses: An Ancient Book of Magic is a must-read for anyone interested in the history of Jewish magic and mysticism.1896. From a unique manuscript. With introduction, translation, an index of mystical names, and a facsimile. A Gnostic text, originally in Hebrew, discusses the names of God, which are thought by Kabbalists to have magical powers. With a complete original version and a facsimile of the original papyrus.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.