In 2001, on the heels of the disastrous Durban racism conference and the terror attacks of 11 September 2001 in the United States, South African cabinet minister Ronnie Kasrils launched a declaration calling on South Africans of Jewish descent to protest against Israeli policies towards the Palestinians. In so doing, he launched a furious debate within the Jewish community. The debate caused the leadership of the Jewish community to shift its political strategy, from the politics of open debate towards the politics of influence. The Jewish experience resembled that of other minorities and interest groups whose leaders came to be seen as 'representing government in their respective communities rather than the community addressing themselves to government', in the words of historian Hermann Giliomee. The Kasrils Affair: Jews and minority politics in post-apartheid South Africa: Documents the Kasrils declaration and its implications both for the Jewish community and South African politics in general. Places the Kasrils affair in the context of South African Jewish history and of the 'new antisemitism' facing Jews around the world. Gives an 'embedded' account of events, based on public commentary and interviews with South African Jewish leaders.

In these articles from Tradition: A Journal of Jewish Thought, US and foreign rabbis, professors of Jewish studies, law, and philosophy, and an assistant attorney general for the state of New York all lend their views on the place of conversion in Jewish theology. While the articles are written from different perspectives, the contributors are united in their allegiance to the authority of the classical halakha and the belief that the pressure to recognize non-Jews who lack religious commitment leads to the erosion of halakhic standards. A shorter version of the book appeared 20 years ago under the title The Conversion Crisis. This edition adds two new articles: a review of Avi Sagi and Zvi Zohar's Transforming Identity: The Ritual Transition from Gentile to Jew; Structure and Meaning, which imposes a halakhic critique on Sagi and Zohar's attempt to reorder the Talmudic literature on conversion, plus a response from Sagi and Zohar. The book lacks a subject index. Feldman is editor emeritus of Tradition. Wolowelsky is dean of the faculty at the Yeshivah of Flatbush and an associate editor of Tradition. Annotation ©2011 Book News, Inc., Portland, OR (booknews.com)

Both before and after 1948, Marxists advocated a two-state solution to Arab-Israeli conflict. This book examines how this proposal, endorsed by international consensus in 1947-49, had ceased to figure on the political agenda by the 1960s.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A history of the French experiment in compulsory arbitration for settling labor disputes from its origins in the sit-down strikes of June 1936 to its wartime suspension. Describes the circumstances under which the government introduced compulsory arbitration, examines the nature of the system that was adopted, explores the problems that arose in the operation of the system, and evaluates the results.

The influential author of White Racism: A Psychohistory; The Age of Desire; History and Spirit; Red Hunting in the Promised Land; The Enemy of Natureand the controversial Overcoming Zionism, among others, offers a memoir of his first 80 years, from his early Jewish upbringing in Brooklyn, New York, his Yale and Columbia medical training, his years as a psychiatrist, Reichian psychoanalyst and subsequent academic career, to his embracing of Marxist political economy and commitment to radical ecosocialism. Highlights include his 1998 Green Party candidacy for the US Senate, his campaign in 2000 for the Green nomination for President of the United States, his work with the Nicaraguan Sandinistas, and his recent Christian spiritual conversion.

Book by Oppenheimer, Joel

Living the Infinite Way is one of the four foundational books of the Infinite Way teachings. Joel Goldsmith recommended that new students begin with this book, together with Practicing the Presence. In Living the Infinite Way, Goldsmith awakens the reader to the possibility that the presence of God is within every individual, and that one can live by that Presence and enjoy a more harmonious, loving, and abundant life. The book focuses largely on the nature of God, for as Goldsmith says, "The writings of The Infinite Way contain hundreds of truths, but actually there is only one truth that we must know. This one truth is the nature of God. Take this one thought into meditation: What is God? What is the nature of God? What is the character of God? What are the qualities of God? What is the true God--not the God we were taught to worship as children, or that we ignorantly worship? Try to empty the already too full vessels, because they cannot be filled with the new wine. Even if you are seventy, empty your old misconceptions and be willing to begin all over with the admission that you do not know God or you would be showing forth more of God's grace. Forget all that you have thought or been taught about God and start afresh with this question, 'What is God?'" Goldsmith answers these questions about the nature of God with "the letter of truth," explaining that when one does not know the correct letter of truth, it is difficult to acquire the consciousness that leads to the God experience. But, he emphasizes, we must do more than know the letter of truth intellectually. We must consciously realize these truths, and it is the practice of meditation that will lift us to that realization. Goldsmith goes on to give the reader basic instruction in how to meditate and enter the secret sanctuary of inner quiet, where we become aware of the presence of God. "Meditation," he says, "is the way by which we attain the kingdom of God, and then life is lived by Grace. The ultimate of meditation is a state of complete silence within." Living the Infinite Way thoughtfully ushers the reader along the first steps in the Infinite Way message, and helps the reader arrive at the truth that "That which I am seeking, I already am."

Since World War II, Jewish-American novelists have significantly contributed to the world of literature. This reference book includes alphabetically arranged entries for more than 75 Jewish-American novelists whose major works were largely written after World War II. Included are entries for both well-known and relatively obscure novelists, many of whom are just becoming established as significant literary figures. While the volume profiles major canonical figures such as Saul Bellow, Norman Mailer, and Bernard Malamud, it also aims to be more inclusive than other works on contemporary Jewish-American writers. Thus there are entries for gay and lesbian novelists such as Lev Raphael and Judith Katz, whose works challenge the more orthodox definition of Jewish religious and cultural traditions; Art Speigelman, whose controversial ^IMaus^R established a new genre by combining elements of the comic book and the conventional novel; and newcomers such as Steve Stern and Max Apple, who have become more prominent within the last decade. Each entry includes a brief biography, a discussion of major works and themes, an overview of the novelist's critical reception, and a bibliography of primary and secondary sources. A thoughtful introduction summarizes Jewish-American fiction after World War II, and a selected, general bibliography lists additional sources of information. Since World War II, Jewish-American novelists have made numerous significant contributions to contemporary literature. Authors of earlier generations would frequently write about the troubles and successes of Jewish immigrants to America, and their works would reflect the world of European Jewish culture. But like other immigrant groups, Jewish-Americans have become increasingly assimilated into mainstream American culture. Many feel the loss of their heritage and long for something to replace the lost values of the old world. This reference book includes alphabetically arranged entries for more than 75 Jewish-American novelists whose major works were largely written after World War II. Included are entries for both well-known and relatively obscure novelists, many of whom are just becoming established as significant literary figures. While the volume profiles major canonical figures such as Saul Bellow, Norman Mailer, and Bernard Malamud, it also aims to be more inclusive than other works on contemporary Jewish-American writers. Thus there are entries for gay and lesbian novelists such as Lev Raphael and Judith Katz, whose works challenge the more orthodox definitions of Jewish religious and cultural traditions; Art Speigelman, whose controversial ^IMaus^R established a new genre by combining elements of the comic book and the conventional novel; and newcomers such as Steve Stern and Max Apple, who have become more prominent within the last decade. Each entry includes a brief biography, a discussion of major works and themes, an overview of the novelist's critical reception, and a bibliography of primary and secondary sources. A thoughtful introduction summarizes Jewish-American fiction after World War II, and a selected, general bibliography lists additional sources for information.

Book by Adams, Joey

Nearly a decade ago, Johanna Drucker cofounded the University of Virginia’s SpecLab, a digital humanities laboratory dedicated to risky projects with serious aims. In SpecLab she explores the implications of these radical efforts to use critical practices and aesthetic principles against the authority of technology based on analytic models of knowledge. Inspired by the imaginative frontiers of graphic arts and experimental literature and the technical possibilities of computation and information management, the projects Drucker engages range from Subjective Meteorology to Artists’ Books Online to the as yet unrealized ’Patacritical Demon, an interactive tool for exposing the structures that underlie our interpretations of text. Illuminating the kind of future such experiments could enable, SpecLab functions as more than a set of case studies at the intersection of computers and humanistic inquiry. It also exemplifies Drucker’s contention that humanists must play a role in designing models of knowledge for the digital age—models that will determine how our culture will function in years to come.

Early in this century, Futurist and Dada artists developed brilliantly innovative uses of typography that blurred the boundaries between visual art and literature. In The Visible Word, Johanna Drucker shows how later art criticism has distorted our understanding of such works. She argues that Futurist, Dadaist, and Cubist artists emphasized materiality as the heart of their experimental approach to both visual and poetic forms of representation; by mid-century, however, the tenets of New Criticism and High Modernism had polarized the visual and the literary. Drucker suggests a methodology closer to the actual practices of the early avant-garde artists, based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Few studies of avant-garde art and literature in the early twentieth century have acknowledged the degree to which typographic activity furthered debates about the very nature and function of the avant-garde. The Visible Word enriches our understanding of the processes of change in artistic production and reception in the twentieth century.