Set in Vienna in the early part of the twentieth century, Zipper and his Father is a compelling and wonderfully atmospheric portrayal of a childhood friend, Arnold Zipper, and his father, as seen through the eyes of a young boy. The Zipper family welcome the arrival of their son's friend and the boy is fascinated by their cosy suburban life. Zipper Senior, a violin-maker and travelling salesman, is determined that they will attain the success that was denied to him. However, as the two friends mature their lives take different paths' - the army, university, early career choices and a disastrous marriage to an aspiring actress all take their toll - and each has a very different story to tell. From the outskirts of Vienna to the Hollywood hills, Zipper and his Father charts the ambitions of a whole generation who, during period of erratic social change, found themselves dreaming of what might have been.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Features approximately 200 works of art by Solman, accompanied by short texts written by art critics.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Travels And Adventures Of Joseph Wolff Joseph Wolff Saunders, Otley, 1861

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Fiction. This brilliant first novel is a portrait of an artist at the end of an art form. The elderly Jewish-Hungarian composer Schneidermann, who survived a musical education, survived the war, survived Europe, survived the neglect of all his music, finally and suddenly vanishes during a movie matinee on the Upper West Side of New York. The novel begins with Schneidermann's friend--his last friend, his only friend--the violin virtuoso Laster, onstage at Carnegie Hall. He has finished playing the first movement of Schneidermann's last composition, his Violin Concerto. At this point he is supposed tobegin his cadenza...his solo. Instead, he drops his instrument and lifts his voice, delivering the text of this novel unto the audience, held captive through night into morning only by the spiel.

It opens with a card game. Played between Jordan's mother and grandmother, the game is called The Mao, and, like the adult world in which he is prematurely thrust, the rules seem arbitrary and the stakes staggeringly high -- whoever wins the game wins custody of him. So begins this 15-year-old child actor's odyssey through the temptations of Hollywood and the emotional minefield of his family's life. As the story unfolds, we learn that Jordan's father has molested him throughout his childhood and that his mother, a narcissistic woman immersed in her acting career, has little interest in him. The only stable force in his life is his grandmother, a remarkable woman with whom Jordan shares everything from dances to drugs to his innermost confidences; a woman who is slowly dying. Heart-wrenching and highly cinematic, The Mao Game sheds light on both the fragile vulnerability and the remarkable resilience of the human spirit. An unmistakably modern coming-of-age story, it marks the triumphant debut of an important new voice in the next generation of American novelists.

"A fictionalization of the 1970 abduction and execution of Argentinean general and former president Pablo Eugenio Aramburu"--

"Joy Ladin sends spies into the Promised Land."

There is among many nations a growing awareness that the arts and culture have an important role to play in forming the image that nations hold of themselves and that they convey in the international arena. At the same time, increased pressure on the public purse, new trade environments, and the revolution in communications technology are forcing the reexamination of cultural policy objectives and strategies for achieving those objectives in countries throughout the world. This book, based on the research and expertise of practitioners and scholars in the field of cultural policy, provides a broadly based cross-cultural analysis of policy in two countries with very different cultural traditions. The authors move beyond cultural boundaries to define 'art' and 'culture,' explore the role of cultural policies in a nation's cultural development, and evaluate policy effectiveness and relevance. Case studies of organizations in art, music, dance, and drama, in both the United States and Japan, examine the elements that contribute to effective arts management and policy-making. Arts managers, cultural policy-makers, researchers, practitioners, and educators will find this an excellent resource that provides valuable teaching materials in the field of cultural policy and facilitates cross-cultural learning about arts management.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Vives' tract on the education of women, De Institutione Feminae Christianae (1524, revised 1538) became a model for conduct books in various Protestant traditions and as such has always been of interest to historians of education. However, the treatise also made a very important contribution to the querelle des femmes of its time and has consequently generated much interest among modern historians of women and gender. It consists of 3 books, one for each stage of woman's life - maidenhood, marriage and widowhood. The only English translation of the text on offer till now was the inaccurate and free version of Richard Hyrde (a friend of Thomas More), published early in the 10th century by Foster Watson, but now unavailable. This edition offers a new Latin text with a double apparatus and a facing-page English translation with notes, with an introduction to the edition and the text. Volume I (1996) contains Book I, volume 2 covers Books II-III.

A literary dialogue between a Christian and a Muslim, maintaining the superiority of Christianity: this volume presents a critical Latin text and the first ever English translation, annotated, of this important but hitherto largely overlooked document among sources in Christian – Muslim relations. Some of Vives’s criticisms of Muhammad and Islam are based on scripture or reason; many others rely on lampoon of Arab or Islamic folk tales. Still, he censures Muslim followers only narrowly, far less for moral failings or hatred of Christians than for gullibility in accepting Islam. Book Four provides valuable evidence of the reach and the limits of Vives’s humanistic tolerance as applied to religious conflict.