This series of essays by the late Hal Draper looks at the Middle East conflict from what was long a unique point of view. Unlike traditional Zionism whose slogan "a land without people for a people without a land" made clear its intentions with regard to the Palestinians and unlike Arab nationalists who denied Israel's right to exist; Draper argued that only a binational state that recognized the rights of both people offered a way out

The description for this book, Army, Industry, and Labor in Germany, 1914-1918, will be forthcoming.

A collection of articles published previously, discussing the growth of radical nationalism and fascism since the end of the 19th century and focusing on its expression in literature and in the arts. The following discuss antisemitism as well:

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Abstract: "In June 2012, an early manuscript by renowned art historian Erwin Panofsky was discovered in a vault in a government building in Munich. The manuscript was quickly identified as Panofsky's habilitationsschrift on Michelangelo, a long-missing and legendary document that certified Panofsky to lead university courses, and about which scholars had speculated for decades. The manuscript's origins date back to late spring of 1920 (and was completed when its author was twenty-eight), but in 1933, Panofsky was forced to flee Nazi Germany without being able to go through his office or papers. The manuscript disappeared in the years leading up to World War II and was thought destroyed in the fire-bombing of Hamburg. Following his emigration to the United States in 1934, Panofsky joined the faculty of the newly-formed Institute for Advanced Study, and went on to author a dozen books, including three with Princeton University Press.

Elias Canetti originally intended Party in the Blitz to capture an image of his time in post-war London. Well known throughout Europe, Canetti scorned British intellectuals who weren't familiar with his work. By force of will alone he accumulated English followers, but not before being christened "the godmonster of Hampstead." Canetti's memories of various people in his social circle are brief and scathing brimstone sketches. T.S. Eliot, Iris Murdoch, Wittgenstein, Herbert Read, Bertrand Russell-Canetti rakes them all over the coals. To Canetti, T.S. Eliot was nothing more than an American emigrant trying desperately to act British, and Canetti's portrayal of Iris Murdoch, with whom he had an affair, is nothing short of brutal. Michael Hofmann's translation pulls no punches, delivering the goods on Canetti's searing injection: "when you write down your life, every page should contain something no one has ever heard about."

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Deals extensively with the "Jewish question" in postwar Europe. The vanquishing of Nazism in 1945 did not put an end to antisemitism: the late 1940s saw anti-Jewish outbursts in various countries, and the treatment of the Jewish DPs also contained an element of antisemitism. Although Jews are disappearing in Europe, "the Jewish question" has not gone away. It has persisted in different national and ideological contexts, both in the USSR and its satellites (Czechoslovakia, Poland, etc.) and in liberal Western Europe. The establishment of the State of Israel added new motives for the "Jewish problem", and in the 1970s-80s it exposed Jews in the diaspora to "anti-Zionist" terrorism. The political upheaval in Central and Eastern Europe in 1989-91 fueled antisemitism and caused the mass emigration of Jews from these countries. Discusses, also, the impact of the Holocaust on postwar Jewish consciousness and on attitudes toward Jews, as well as efforts of the Christian Churches to improve their stance toward the Jews.

The private letters of a statesman are always inviting material for historians and when he has claim to literary fame as well the correspondence assumes a double significance. Benjamin Disraeli (1804-1881) belonged to an age that gave pride of place to the written word as an instrument of both business and pleasure. This volume includes 363 letters (many previously unpublished) from his school boy days to his establishment in the Tory camp under the patronage of Lord Lyndhurst. Most prominent are Disraeli's letters to his sister, Sarah, with whom he corresponded frequently over several decades. To her he confided his hopes, interspersed with his observations and descriptions of social, literary and political events. The letters to Sarah supply a skeleton around which Disraeli's young manhood can be reconstructed and shed valuable light on the remaining documents in the volume. The correspondence also includes accounts of his tour of the Low Countries and the Rhine in 1824, his adventurous trip to Spain, Greece, the Near East and Egypt in 1830, his tense negotiations with publishers and his campaign to shine as a member of aristocratic society and win political patronage. The letters demonstrate the fine eye for detail and the capacity for self-dramatization and literary conceits which mark his novels. With their annotations they also provide a remarkably detailed account of life in the upper reaches of English society as viewed from below, and of Disraeli's ambitions to enter that life.

“A moving act of absolution . . . . This strong novel about a girl who is debased but never destroyed pushes the reader to a new level of understanding of the things people do—and the things that are done to them.”— Washington Post Book World She has hair of ginger and lovely green eyes, and she has just been transported with her family from Terezín to Auschwitz. In short order, her father commits suicide, and her mother and younger brother are dispatched to the gas chambers, but fifteen-year-old Hanka Kauderzová is still alive. Faced with the choice of certain death in the camp or working in a German military brothel, she chooses a chance at life. Passing for an Aryan, Hanka spends her days in the brothel cold, hungry, fearful, and ashamed. She is sustained only by her loathing of the men who visit her and by a fierce, indomitable will to live. This devastatingly beautiful novel explores and delineates the impossible choices one sometimes has to make in life, when the fabric of the world is rent asunder. Soaring beyond the nightmare, it leaves the reader with a transcendent sense of hope. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Music and religion have, throughout history, walked hand in hand. In the rites and rituals of small tribal religions, great world religions, and more recent New-Age and neo-heathen movements, different kinds of music have been used to celebrate the gods, express belief and help believers get in contact with the divine. This innovative book focuses on how mainstream and counter-cultural groups use religion and music to negotiate the challenges of modernisation and globalisation in the European context: a region under-explored by existing literature on the subject. With its internal ethnic diversity, ever-expanding borders and increasing differentiation, Europe has undergone massive dislocation in recent years. The authors show that, in the midst of such change, rock, pop and dance music may in their various forms be used by their practitioners as resources for new kinds of spiritual and religious identification, even as these forms are used as symbols of the deficiencies of secular society. Focusing on Christianity, Judaism, Islam and New Religious Movements, the book explores such topics as Norwegian Black Metal and Neo-paganism, contemporary Jewish Music in the UK, the French hip hop scene, the musical thinking of Muslim convert Cat Stevens/Yusuf Islam and European dance music culture. It offers an ideal introduction to leading-edge thinking at the exciting interface of 'music and religion'.

In early July 1809 Napoleon crossed the Danube with 187,000 men to confront the Austrian Archduke Charles and an army of 145,000 men. The fighting that followed dwarfed in intensity and scale any previous Napoleonic battlefield, perhaps any in history: casualties on each side were over 30,000. The Austrians fought with great determination, but eventually the Emperor won a narrow victory. It had not been his finest battle, however: the day was carried more by firepower (French artillery fired over 71,000 rounds) and bludgeoning than anything else.Wagram was decisive in that it compelled Austria to make peace. It also heralded a new, altogether greater order of warfare, anticipating the massed manpower and weight of fire deployed much later in the battles of the American Civil War and then at Verdun and on the Somme.This significant battle has rarely been analysed in any detail. Most of the current literature on it is French and self-serving. Gunther Rothenberg will tell for the first time the story of this immense engagement from both sides, making use of both French sources and the extensive Austrian archives.

Stalinism for All Seasons is the first comprehensive history of the Romanian Communist Party (RCP). It traces the origins of the once-tiny, clandestine revolutionary organization in the 1920s through the years of national power from 1944 to 1989 to the post-1989 metamorphoses of its members. Vladimir Tismaneanu uses documents that he discovered while working in the RCP archives in Bucharest in the mid-1990s and interviews with many of the party members from the Ceau_escu and Gheorghiu-Dej eras to tell the absorbing story of how RCP members came to power as exponents of Moscow and succeeded in turning themselves into champions of autonomy. Tismaneanu analyzes both the main events in Romanian communism and the role of significant personalities in the party’s history. Situating the rise and fall of Romanian communism within the world revolutionary movement, Stalinism for All Seasons shows that the history of communism in one country can illuminate the development of communism in the twentieth century. Tismaneanu discusses significant moments in the final six decades of world communism, including the Spanish Civil War, World War II, the Comintern, Stalin and the Bolshevization of the Eastern European communist parties, and de-Stalinization. He examines important events in international affairs during Nicolae Ceau_escu’s rule (1965-1989)―particularly Romania’s role in the Sino-Soviet conflict, the Middle East, European communism, and European security. Finally, Tismaneanu identifies the RCP’s descendants among Romania’s current political parties and personalities. Embracing a long and complex period, this book will interest readers of twentieth-century history and anyone curious about communism and postcommunism.

This is the first comprehensive account, based on manuscript and archaeological evidence, of the high Hebraic culture developed by the Jews in Normandy during the Middle Ages, and in particular during the Anglo-Norman period. The book explores the origins of this remarkable community, beginning with topographical evidence pointing to the arrival of the Jews in Normandy as early as Roman and Gallo-Roman times, and finally uses the rich manuscript evidence of twelfth- and early thirteenth-century writers. The text is illustrated copiously with maps and other illustrations, many reproduced here for the first time.