During the course of the twelfth century, increasing numbers of Jews migrated into western Christendom from Islamic lands. But western Christendom was both appealing and threatening to the Jewish immigrants. Indeed, western Christendom was entering a phase of intense missionizing activity, some of which was directed at the long-term Jewish residents of Europe and the Jewish newcomers. The writings of twelfth- and thirteenth-century leaders from southern France and northern Spain constitute the first evidence of Jewish anti-Christian polemics from within western Christendom. These leaders were fully cognizant of the core Christian thrusts, described them in detail for their co-religionists, and rebutted them carefully. This study recreates some of the clarification and rebuttal, and examines the techniques of persuasion adopted by the Jewish polemicists in order to reassure their Jewish readers of the truth of Judaism and the error of Christianity.

Examines the personal values and philosophies of Edith Stein, Simone Weil, Anne Frank, and Etty Hillesum in relation to the pressures and conditions under which they lived in the Nazi era. All had "strong Christian affinities." Under the challenge of terror they were "Christians by choice, Jews by decree." Each responded to her Jewishness in a distinct way: Stein felt close to the Jews; Weil had a hateful attitude toward them and tried to obliterate herself as a Jew; Frank and Hillesum both affirmed their Jewish identities. In the face of Hitler, each, in her own way, resisted.

Maimonides' vision of Judaism was deeply elitist, but at the same time profoundly universalistic. He was highly critical of the regnant Jewish culture of his day, which he perceived as so heavily influenced by ancient Jewish mysticism as to be debased. While focusing on that critique, Kellner skilfully and accessibly demonstrates how Maimonides used philosophy in order to purify a corrupted and paganized religion and to present distinctions fundamental to Judaism as institutional, sociological, and historical, rather than ontological. In Maimonides' hands, metaphysical distinctions are translated into moral challenges.

The authors offer translations of significant passages from the most important works of Jewish ethical literature. accompanying these selections are essays explaining the relevance of the concepts presented in this literature.

Representing the spectrum of subfields within Jewish Studies, the contributing scholars to this volume use beginnings as a hermeneutic stance to analyze texts in their area. While each essay is a significant contribution to its own subfield - Bible, Talmud, Kabbalah, Modern Jewish Thought, Feminist and Cultural Studies - the essays taken as a whole present new possibilities for exploring the space that is Jewish Studies and beginning an inquiry into what might constitute a definable hermeneutics of Jewish texts.

We think we know what upward mobility stories are about--virtuous striving justly rewarded, or unprincipled social climbing regrettably unpunished. Either way, these stories seem obviously concerned with the self-making of self-reliant individuals rather than with any collective interest. In Upward Mobility and the Common Good , Bruce Robbins completely overturns these assumptions to expose a hidden tradition of erotic social interdependence at the heart of the literary canon. Reinterpreting novels by figures such as Balzac, Stendhal, Charlotte Brontë, Dickens, Dreiser, Wells, Doctorow, and Ishiguro, along with a number of films, Robbins shows how deeply the material and erotic desires of upwardly mobile characters are intertwined with the aid they receive from some sort of benefactor or mentor. In his view, Hannibal Lecter of The Silence of the Lambs becomes a key figure of social mobility in our time. Robbins argues that passionate and ambiguous relationships (like that between Lecter and Clarice Starling) carry the upward mobility story far from anyone's simple self-interest, whether the protagonist's or the mentor's. Robbins concludes that upward mobility stories have paradoxically helped American and European society make the transition from an ethic of individual responsibility to one of collective accountability, a shift that made the welfare state possible, but that also helps account for society's fascination with cases of sexual abuse and harassment by figures of authority. -- "Modern Language Quarterly"

A Past Without Shadow examines 50 years of German children's books in which the darkest horrors of the Third Reich have routinely remained hidden. The horrors of the Third Reich are systematically screened and filtered, allowing the darker, bleaker parts of history to escape illumination. Here Zohar Shavit explores 345 German books for children describing the Third Reich and the Holocaust, and finds a shocking distortion of the past: a recurrent narrative which suggests that the Germans themselves had no hand in the suffering inflicted on the Jews. These books, Shavit argues, have created the false historical lesson that the real victims of Hitler's crimes were the German people themselves. First published to great acclaim in Hebrew and now available in English, this book is a wake-up call for anyone concerned about German children's literature and its responsibility to past and future.

What started out as a mutual affinity for kitschy Jewish album covers-think Neil Diamond baring his chest hair on the cover of "Hot August Night "or Barbra Streisand in hot pants on the cover of "Streisand Superman"-soon became a quest for identity, history, and culture between the grooves of LPs. Together, Roger Bennett and Josh Kun embarked on a thrilling journey, scouring the world to collect thousands of vinyl LPs from attics, garage sales, and dusty archives. Pieced together, these scratched, once-loved and now-forgotten audio gems tell a vibrant tale: the story of Jews in America. "And You Shall Know Us by the Trail of Our Vinyl" spans the history of Jewish recorded music from the 1940s to the 1980s, weaving an account that begins with sacred songs and ends with the holy trinity of Neil, Barbra, and Barry. The LPs found here are also a love letter to forgotten moments in Jewish American pop history, celebrating well-dressed cantors singing Christmas tunes, Long Island suburbanites dancing the mambo, and Chassidic prog-rockers. The music, much of which is no longer available in any format, is brought to life through commentary from writers Aimee Bender, Etgar Keret, Michael Wex, and Shalom Auslander; performers Sandra Bernhard and Motown legend Lamont Dozier; music critics Oliver Wang and Anne Powers; and TV pioneer Norman Lear. A gateway to a forgotten kingdom of sound, the good, the bad, and the ugly of Jewish vinyl gives this aspect of Jewish culture the attention it so richly deserves.

Le Proche et Le Lointain (literally The Near and the Far) was first published in France in 1981, and this translation is available to English-speaking readers one of the most significant European contributions to Elizabethan cultural history to appear in recent years. In the conjunction - or conflict - of the 'near' and the 'far' Professor Marienstras discerns an underlying dichotomy of major importance to an understanding of the Shakespearean world. Othello, The Tempest and John Ford's 'Tis Pity She's a Whore are amongst the works discussed in detail in this highly imaginative series of inter-disciplinary studies, and the author sees in the juxtaposition of nature and culture, sacrifice and sacrilege, purity and impurity, nourishment and poison a structural opposition that renders unified and comprehensible thematic material at first sight random and meaningless.

In this illuminating discussion of the role of animals in Western thought, the author shows, through his analysis of folklore, popular ideas, and natural history, that man's traditional fascination with animals is more than it appears. Professor Sax asserts that "animals put us in touch with modes of perception that are prior to culture. Encounters with animals compel us to question what it means to be human." After summarizing recent research on the bonds between animals and people, the author discusses the two major traditions of animal tales in Western culture, fables and fairy tales. Also discussed is what role specific animals, such as the beaver, stag, and elephant, have played in Western thought.

"Everyone has a complaint, but nobody likes a complainer. Rather than making things better a complaint can just make things worse. Often its only relief is the harmless and temporary release of steam. But it can also pose as criticism in one of several seemingly respectable forms. In Complaint, Avital Ronell looks at how complaints and complainers have been treated in literature and philosophy, in feedback loops that pay little attention to injustice and suffering. Beginning with Hamlet, and with open awareness of her own experiences, Ronell proceeds to show how complaining is aggravated, distracted, stifled, and transformed. She looks at exemplary complaints made by Friedrich Nietzsche, Hannah Arendt, and Barbara Johnson. She examines the complaint riven history of deconstruction. Renowned for her courage in taking on painful subjects with candor and wit, Ronell dares to listen to the haunting complaints of the dead"--

"The Great Women Superheroes is the first book for its kind-a unique and lively look at the larger than life comic book women who have fascinated generations of American readers. Tina Robbins, the foremost authority on women and comics and the author of the widely hailed A Century of Women Cartoonists, traces the full story of all the strong and heroic women who've battled evildoers and righted wrongs in the pages of America's Sunday funnies and comic books from the 1940s to today. From the famous to the forgotten, all the powerful women of the comics are here, from Wonder Woman to Elktra, from the cat-suited Miss Fury and poineer avitrix Flying Jenny of the 1940's to the leather-corseted action heroines like Ghost of the 1990's, Robbins covers all the good girls and all the bad girls in one fascinating volume." -- back cover.

Excellent Book

Over the past four decades, Richard Taruskin's publications have redefined the field of Russian-music study. This volume gathers thirty-six essays on composers ranging from Bortnyansky in the eighteenth century to Tarnopolsky in the twenty-first, as well as all of the famous names in between. Some of these pieces, like the ones on Chaikovsky's alleged suicide and on the interpretation of Shostakovich's legacy, have won fame in their own right as decisive contributions to some of the most significant debates in contemporary musicology. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment, which has been particularly marked by the end of the cold war in Europe

Describes the historic background and artistic influences of the period, and examines the work of Sir Thomas More, Spenser, Marlowe, and Shakespeare