The thirtieth anniversary edition of a twentieth century classic - an unforgettable journey through 1960s Morocco, based on the author's own childhood For fans of Gerald Durrell's My Family and Other Animals, Laurie Lee's Cider With Rosie and Elizabeth Gilbert's Eat Pray Love Quirky, charming and suffused the footloose spirit of the sixties, this is the irresistible story of an English woman who decides on a whim to move herself and her two young daughters to Morocco. The ensuing adventure takes them through richly perfumed markets, dilapidated hotels and mystical Sufi retreats, via friendships and feuds, romances with nomadic street performers, hitch-hiking and nights camping by the coast - all seen through the eyes of a precocious five-year-old girl. Rediscover this transporting modern classic about the spirit of freedom, filled with the sights, smells and textures of twentieth century Morocco.

A funny and evocative coming-of-age memoir by Robert Klein, the beloved and award-winning comedian who has entertained audiences for more than four decades. Best known for his unique brand of observational humor—seen on Broadway and in film and television—Klein details his life from ages nine to twenty-five as seen “through the gauze of time.” Klein’s theme park of memories alternates dark moments with sunlit humor. Teenage frustrations prompted a visit to a Harlem prostitute, which filled Klein with “shame and triumph and guilt.” He encountered individual and institutional anti-Semitism at Alfred University, yet led the frat house fun, moving on to the Yale School of Drama, Chicago’s Second City, New York theater and a variety of romances. Along the way, Klein had successes and failures, both in bed and on stage. Probing not only his own psyche but also the evolution of sexual mores during the 1950s and ‘60s, he unfurls an array of captivating anecdotes, writing with wry wit and honesty.

'Sexual anarchy' - dire predictions, disasters, apocalypse - became the hallmark of the closing decades of the nineteenth century. The New Woman and the Odd Woman threatened male identity and self-esteem; teh emergence of feminism and homosexuality meant the redefining of masculinity and femininity. This is the terrain which Elaine Showalter explores with such consummate originality and wit.Looking at parallels between the ends of the 19th and 20th centuries and their representations in literature, art and film, she ranges over the trial of Oscar Wilde, the public furore over prostitution and syphilis, moral outrage over the breakdown of the family, abortion rights and AIDS. High and low culture - from male quest romances to contemporary male bonding movies (Heart of Darkness reworked into Apocalypse Now), Freud to Fatal Attraction - all are part of this scholarly and entertaining study of the fin de siecle.

When a mystery writer cries bloody murder, everyone blames her overactive imagination ... Thriller scribe Sophie Katz is as hard-boiled as a woman who drinks Grande Caramel Brownie Frappuccinos can be. So Sophie knows it's not paranoia or post-divorce, living-alone-again jitters, when she becomes convinced that a crazed reader is sneaking into her apartment to reenact scenes from her books. The police, however, can't tell a good plot from an unmarked grave. When a filmmaker friend is brutally murdered in the manner of a death scene in one of his movies, Sophie becomes convinced that a copyca.

From the author of The New York Times #1 bestselling novel The Carpetbaggers comes a powerful yarn exposing the money, fame, sex, politics, and power that accompany being at the top of the entertainment industry.... Based on the real lives of network executives and other high-profile personalities in the early days when television first became a viable threat to the all-powerful business of the silver screen, The Inheritors is the first in Harold Robbins's "Trilogy of Greed," and spent 21 weeks on The New York Times bestseller list. Steve Gaunt, the rebellious visionary, is the head of a successful television empire, making him a hit, both in the ratings and with the gorgeous women he meets. Sam Benjamin, one of the last of the old motion picture tycoons, desperately wants to hold on to the power that has long been associated with the more "glamorous" part of the business--the movies. When the two combine forces, they have the potential to remake the entertainment industry--or be each other's undoing. Will their friendship fall apart when their money is on the line, or will their partnership make them even more wealthy and powerful? Entertainment is a dirty business, built by ruthless mavericks, and friendships can fall in a heartbeat when money is on the line. The only rule is that nothing is real in Hollywood. In its initial publication, The Inheritors was a timely indictment of an industry on fire. Today, it is a fascinating look back at a time when television was just coming into its own, and how the movie industry dealt with this new and growing threat.

With her three children, beautiful home, and loving husband, Margaret Crane is a woman others would envy. Adam's job has cushioned them nicely over the years, and it should be a time of contentment, rewards, of new challenges together. But lately Adam has been working too late, too hard, at the office. Margaret is sure it's just the rumored takeover of his company--until she meets Randi, The Other Woman... Meanwhile, Nina, the orphaned cousin the Cranes raised as their own daughter, is reveling in New York. She thinks she's found Mr. Right in Keith, a brilliant investment banker. But Keith has a secret he has not shared with Nina. All he asks for is time...and patience. And as Nina clings to stolen weekends with Keith, Margaret plays dutiful wife, trying to ignore warning signs of her own failing marriage. A rift has developed between the two women who have loved each other as mother, daughter, friends. Keith is not welcome in Margaret's home. And Nina herself is the other woman...

In “The Robot Who Looked Like Me,” a busy man and a busy woman find a way to carve out time to romance each other—by having look-alike robots made to do the job—who then run away together.The twelve other stories in this collection are “Slaves of Time,” “Voices,” “A Supplicant in Space,” “Sneak Previews,” “Zirn Left Unguarded, the Jenghik Palace in Flames, John Westerly Dead,” “Welcome to the Standard Nightmare,” “The Never-Ending Western Movie,” “What Is Life?”, “I See a Man Sitting on a Chair, and the Chair Is Biting His Leg,” “Is That What People Do?”, “Silversmith Wishes,” and “End City.”From the very beginning of his career, Robert Sheckley was recognized by fans, reviewers, and fellow authors as a master storyteller and the wittiest satirist working in the science fiction field. Open Road is proud to republish his acclaimed body of work, with nearly thirty volumes of full-length fiction and short story collections. Rediscover, or discover for the first time, a master of science fiction who, according to the New York Times , was “a precursor to Douglas Adams.”

Son of the Dragon Thirteen-year-old Artos is not as good as swordsplay, romance, or any other knightly accomplishment as his foster brothers Cai, Bedvere, and Lancot. An orphan raised by the kindly Sir Ector, he doesn't even know the identity for his parents. But one day, Artos stumbles into the cave of an old and lonely dragon who offers to teach him the game of wisdom. Artos accepts, and becomes the Pendragon--the son of the dragon, the dragon's boy. And with the dragon's guidance, Artos sets out on a journey to a remarkable destiny--one that he never dreamed could be his own.

It is the late summer of 1938, Europe is about to explode, the Hollywood film star Fredric Stahl is on his way to Paris to make a movie for Paramount France. The Nazis know he's coming--a secret bureau within the Reich Foreign Ministry has for years been waging political warfare against France, using bribery, intimidation, and corrupt newspapers to weaken French morale and degrade France's will to defend herself. For their purposes, Fredric Stahl is a perfect agent of influence, and they attack him. What they don't know is that Stahl, horrified by the Nazi war on Jews and intellectuals, has become part of an informal spy service being run out of the American embassy in Paris. From Alan Furst, the bestselling author, often praised as the best spy novelist ever, comes a novel that's truly hard to put down. "Mission to Paris" includes beautifully drawn scenes of romance and intimacy, and the novel is alive with extraordinary characters: the German Baroness von Reschke, a famous hostess deeply involved in Nazi clandestine operations; the assassins Herbert and Lothar; the Russian film actress and spy Olga Orlova; the Hungarian diplomat and spy, Count Janos Polanyi; along with the French cast of Stahl's movie, German film producers, and the magnetic women in Stahl's life, the socialite Kiki de Saint-Ange and the emigre Renate Steiner. But always at the center of the novel is the city of Paris, the heart and soul of Europe--its alleys and bistros, hotels grand and anonymous, and the Parisians, living every night as though it was their last. As always, Alan Furst brings to life both a dark time in history and the passion of the human hearts that fought to survive it. Praise for Alan Furst "Unfolds like a vivid dream . . . One couldn't ask for a more engrossing novel.""--The Wall Street Journal, "about" Spies of the Balkans" " " "Though set in a specific place and time, Furst's books are like Chopin's nocturnes: timeless, transcendent, universal. One does not so much read them as fall under their spell."--"Los Angeles Times, " about" The Spies of Warsaw" "Alan Furst's novels swing a beam into the shadows at the edges of the great events leading to World War II. Readers come knowing he'll deliver effortless narrative."--"USA Today, " about "The Foreign Correspondent" "Positively bristles with plot, characters and atmosphere . . . "Dark Voyage" has the ingredients of several genres--the mystery, the historical novel, the espionage thriller, the romance--but it rises above all of them."--"The Washington Post, " about" Dark Voyage" "No other espionage writer touches [Furst's] stylish forays into Budapest and Berlin, Moscow and Paris. No other writer today captures so well the terror and absurdity of the spy, the shabby tension and ennui of emigre communities at the time. His characters are hopeless, lethal, charming. His voice is, above all, knowing."--"Boston Sunday Globe, " about "Blood of Victory"

Exhilarating courtroom farce from America's finest playwright Romance is an uproarious courtroom farce which lampoons the American judicial system and exposes the hypocrisy surrounding personal prejudices and political correctness. Wildly humorous and often gob-smackingly outrageous, the play is set in a modern-day courtroom in New York during a week when there are Middle East peace talks being brokered in town. The court case at hand is unrelated, but the defendant and counsel come up with a plan to solve the conflict in the region. A pill-popping judge, a defendant and lawyer (on the same side) who hate each other, and a prosecutor with a troubled personal life are part of the picture. A new comedy from 'the finest American playwright of his generation' Sunday Times 'A deliriously funny David Mamet farce' Associated Press 'An exhilarating spectacle. Mamet is a connoisseur of fiasco, knows all about legal punctilio, and he has great fun bringing mayhem to the ritual' New Yorker Published to tie-in with the play's European premiere at the Almeida Theatre, opening 6th September 2005

THE ROMANCE OF ATLANTIS brings to life all the dazzling splendor of that lost kingdom. However, Atlantis is threatened by powerful neighboring states. Tension increases when the ruler of an adjacent kingdom bids to marry the empress. If she marries him, Atlantis would be safe from invasion. Yet, such a marriage contradicts the deepest feelings of her heart, the secret wisdom of her lineage, and her sacred trust as queen. We will not spoil your enjoyment of this novel by telling the conclusion!

As You Like It is an immersive dream-like tale of faithful friends feuding families and lovers in disguise. Forced from their homes Orlando Rosalind and Celia escape to the Forest of Arden a fantastical place of transformation where all are welcomed and embraced. Lost amidst the trees the refugees find community and acceptance under the stars. Featuring an original folk-pop score by Shaina Taub with a flexible-sized cast and 90-minute running time As You Like It is appropriate for all audiences and groups. Fall under love's spell with this magical story!

It is time to elect a new abbess at the Convent of Crewe. There are two contenders: nuns Alexandra and Felicity. Alexandra is busy bugging the convent while Felicity calls the police when her love letters (to a young Jesuit priest) are stolen. A brilliant laugh-out-loud satire on the Watergate scandal.This is one of the 22 novels written by Muriel Spark in her lifetime. All are being published by Polygon in hardback Centenary Editions between November 2017 and September 2018.

Sometimes you can't escape your past...Secrets and glamour from the bestselling author of A PRIVATE AFFAIR and SOUL SISTERS 'A glam-packed, thrilling read' GRAZIA 'An epic, handbag-stretching tome packed with love, secrets, lies and glamour' HEAT Known as 'The Ice Queen', Anneliese Zander de St Phalle is one of the world's most celebrated fashion designers. With an empire that stretches across continents, she's a truly global brand, in every sense. Yet despite her success, she's a mystery; a reclusive disciplined perfectionist who rarely grants interviews. She's successful and she's talented, and that's all anyone needs to know. Anneliese never talks about her past - not even to her only daughter, Callan. She's worked hard to leave it all behind her and it's a time and place to which Anneliese will never return. Or so she thinks. At an exclusive New Year's Eve party at her glamorous island hideaway, a woman appears whom Anneliese has done her best to forget. On the cusp of her retirement, at the height of Anneliese' fame, the stranger brings a story that demands to be told. To Anneliese's horror, the past cannot be left behind; it is here, part and parcel of the present, despite everything she's done to forget it...

Sophie Katz has just offered a man $12,000 for his services… Is she desperate or just meshugeneh? Considering the kind of disasters that usually befall the half-black, half-Jewish mystery writer, probably both. Because the last time Sophie saw sexy P.I. Anatoly Darinsky, he practically danced a jig when she waved goodbye—a normal reaction for a man who'd nearly bought the farm trying to protect her from her own foolishness. What are the chances he'd agree to take incriminating pictures of her sister's philandering husband? Or that he'd let her tag along—you know…for research? But when her brother-in-law turns up dead and her sister becomes the prime suspect, Sophie's priority is finding the real killer. With or without Anatoly's help. Her brother-in-law's secret life yields plenty of suspects, but the San Francisco police aren't taking any of them seriously. So Sophie does what comes naturally to her: she stirs up trouble (to lure the killer out, of course). But if her crazy plan works, will Anatoly be there to protect her this time?

On a quiet night in the best part of Greenwich, Connecticut, eight people assemble for a convivial dinner. But after that night, their lives will never be the same, as death erupts into their lives. They are a disparate group, including a former State Department employee, a Catholic nun, a linguistics professor, and a successful novelist. They, and the people they love, portray the arrogance and innocence, brutality and compassion in America today. Each character becomes a thread-dark, light, or a shade in between-in a carpet of intricate design, and as Howard Fast weaves them together, they embody the interdependence of human life and human guilt and the eternal work of redemption.

A passionate and sensual story of love, loss, and renewal... When New York newspaper editor Nick Devlin first lays eyes on Anna Green, a young reporter, he falls hard and fast. Anna, not so much -- particularly as she's engaged to be married. But Nick is not about to let a little obstacle like a fiance stand in his way. He loves Anna, and he's certain she'll soon love him, too. He will turn out to be right, but with great love comes the possibility -- even inevitability -- of great loss. Now, looking back on it all from the villa in France to which she has fled, Anna relives her great love as she struggles to embrace a new life full of wonder and hope.

It began almost like a fairy tale. Plain Jane and Prince Charming met in college, fell in love, and were married soon after graduation. She shelved her dreams of a career as a painter to help him through medical school, and to be the perfect doctor's wife. He became a successful plastic surgeon and they had two beautiful children together. But real life is no fairy tale. Suspecting there was another woman behind his erratic schedule, she went to his office to confront him. What happens that night leads to the end of a marriage and the breakup of a family. Like "Whispers," Belva Plain's novel about spousal abuse, "After The Fire" deals with one of the more provocative issues of our time: the battle of child custody as a woman finds herself overpowered by her husband's ruthless actions. Here is the story of one such woman who, in the aftermath of an ugly divorce, alone must rebuild her world, find the strength and wherewithal to live in it, and regain a life with her children. Only Belva Plain, with her insight into the American family and the hearts of those who comprise it, could create a novel like this, showing that sometimes even real life can have a happy ending.