Rachel has been making people laugh since the moment she could speak. She can even see the funny side when her husband leaves her for a cosmetics demonstrator. Called Greg. Rachel becomes a professional stand-up comedian, but has yet to break into the big time. And with a ten-year-old child and a mortgage, she needs a day job to make ends meet. So Rachel spends her mornings cleaning the houses of the rich and famous, much to the chagrin of her Jewish mother Stella (main ambition: to see Rachel safely re-married) and her Jewish dentist boyfriend Adam (main ambition: to share a scoured and swabbed, germ-free home in the suburbs with Rachel). Life for Rachel couldn't be sweeter. Yet somehow it lacks a certain spark. But there are sparks a-plenty when the washing machine breaks down a repair man called Matt arrives ... and sends her life into a spin.

"When her gambling addict husband died, Sarah Green was left penniless--and with two children to raise. Since then, she's been desperate to keep her professional and personal lives on firm financial footing. And what could be safer than dating an accountant and working at a non-emergency crime help line? But then Sarah's aunt dies, leaving Sarah her once famous--now flailing--lingerie shop. With her fashion background, Sarah reluctantly decides to make a go of it, even if that means breaking up with her too-prudent boyfriend over the risk. Suddenly Sarah finds herself falling for Hugh, the handsome struggling actor she hired to renovate her new boutique, and entering a prestigious lingerie competition. Taking chances has never been her forte, but the built-in support of family and friends could give her the boost she's been looking for..."--

As a young Jewish boy growing up in Vienna, Georgia, Abe Orovitz could never have predicted the twists and turns his life would take. Many years later, as retired film director with more than thirty movies to his credit, Vincent Sherman is no less surprised when he looks back on that life. In Studio Affairs he retraces his life with candor and enthusiasm. Sherman discusses the details of his three-year relationship with Joan Crawford, his inadvertent connection with the death of Bette Davis's second husband, and his poignant romantic involvement with Rita Hayworth. Providing counterpoint to these liaisons is the love and devotion of Sherman's wife, Hedda, who accepted her husband's occasional infidelities as part and parcel of his career. Studio Affairs provides an inside look at the motion picture industry during the heyday of the studio system by one who worked his way from nearly starving actor and playwright to respected director. In effect, the book serves as a primer on the art of film directing. Sherman quickly developed a reputation of being a consummate rewrite artist, able to take whatever assignment given him and turn it into a first rate motion picture. His skill at reworked scripts led him to bigger and bigger projects, even as the salary set by his long-term contract with Warner Brothers remained below that of most of his colleagues. Though not originally signed to direct, when asked to do so he drew on his experience putting together productions at summer camps across the "borscht circuit" in upstate New York. Like so many talented individuals in Hollywood during the 1950s, Sherman was targeted by the House Un-American Activities Committee, owing in part to his active support of the WPA Theatre project in New York two decades previous. Time spent on the lesser known gray list kept him out of work for several years. Eventually, he again enjoyed some critical success, but after the demise of the studio system life was never quite the same. The quintessential "studio director" ended his career directing for television. Vincent Sherman's path from Georgia to southern California is compelling, and his legendary talent for good storytelling makes the book impossible to put down.

2001 Graywolf Press trade PB, stated1st printing, full number line. A mother's obsessional love is shown as rationally insane, making her behavior all the more harrowing. Victoria Redel's novel won the S. Mariella Gable Prize.

Vicky and Charlie, 20-something, one the son of a vicar, the other daughter of a much loved Radio 4 and Times columnist, friends for years but never boyfriend/girlfriend, decide to make a hardcore porn movie. This is the hilarious story of their journey from a sofa in North London, through the heart of the sex industry in California, to their own film set in Amsterdam. What happens when a nice girl falls in love with a rent-boy, and a vicar's son attempts to film a gang-bang? Vicky and Charlie learned to see the world through new eyes, and the sex-workers learned how to play cribbage. And together they produced perhaps the most baffling skinflick in history.

I paint with acrylic and oil paint on canvas, I use gold leaf and glazes in many works, I often write poetry to accompany my paintings. I paint many subjects from birds and patriotic art, to marriage equality. Most of the images and ideas I use are taken from real life, the birds that walk around my pond, the fabric of my mother's dress, the wallpaper in her bedroom. I use imagery that I have drawn from memories of growing up in Boston, Lady Liberty, Uncle Sam, weathervanes and antiques, geometrics from the nineteen seventies and eighties, rain running down a pane of glass. The poems I write may be reflective of my artwork or reflective of my life experience. I have exhibited my art in Boston and Vero Beach, Florida for; Art Ark, Dale Sorensen, Vero Beach Museum of Art, The Regina Stark Gallery and President Obama. In 2012 I was asked by the Democratic Party and Forward America to exhibit nine of my paintings for President Obama's election, that exhibit ran for several months here in Vero Beach, Florida, something I am very proud of. I have since created two paintings for President and Mrs. Obama I have spent my life like most people in America, working full time and taking care of my home and family. It wasn't until the year 2011 that I was able to make the commitment to paint and write full time. Three years later, the result of that commitment is "The Art of Thomas Rose." My hope is that "The Art of Thomas Rose" brings enjoyment to the reader and encourages free thought about life and love. We are all beautiful people, deserving of love, respect and understanding. I hope you enjoy my book. As always, peace and love. Tom

"Based on a true tale, My Sister Sara begins in December 1948. The Leroux family stands on Cape Town’s docks to welcome their newest family member, a blonde, blue-eyed war orphan that the patriotic family has “ordered” from Germany. The God-fearing clan falls in love with the bright four-year-old. Even stern Pa, an architect of Apartheid, is softened by the orphan’s presence until a document arrives revealing a terrible secret. Everything changes. The truth must never come out. Pa swears the family to secrecy. Sara is fed and clothed but never shown affection again. And never told the reason why. Told through the eyes of her adoptive brother Jo, Sara’s past underscores her present against the heinous backdrop of Apartheid in the 1950’s and 60’s. She must call on Anne Frank-like courage to resist her enemies, even those with the Leroux name, if she is to have any hope of self-determination and finding love" -- back cover.

With the sweep of Sophie's Choice and search for identity of Everything is Illuminated, Reparations is the story of Molly Rose, an innocent catapulted from the streets of New York into the bombed out cities of Austria and Germany at the end of World War II. This is her story, a story of circumstance and choices, survival and strength, love and betrayal. in the early years in Europe, Molly meets stateless Jews in Austria and Germany. They become her European family. Slowly, they begin to tell their secrets of horror under the Nazis: mutilation, experimentation, rape, torture, state-induced abortions, relentless cruelty and death. Some turn to smuggling goods, gold bullion and loose silver, to Spain and Italy. Molly and Jacob join them, driving across borders in a specially made car. Molly has another quest as well: Molly wants a baby for herself and for the surviving Jewish women experimented on by Nazi doctors. Molly wants to undo the wrong done to her sisters by the ultimate affirming act: Molly wants to create new life.

Robins Poet-Tree is a collection of Poems that come straight from the heart. I hope that as you read the poems you can draw in the same warm feeling that I felt as I wrote these selections. My writing is about real life issues and events that have happened in my life. I feel these are issues that many others can also relate to. I have many memories, feelings and important people in my life intertwined in my words. Some of the topics written about in Robin's Poet-Tree are God, children, Love, & family. As you Read these selection you can find How & Where they fit into your life.

In 'Peter Kindred', the author presents a compelling tale of love, loss, and redemption. Through vivid descriptions and engaging characters, Nathan weaves a story that explores the joys and sorrows of the human experience. This book is an essential read for anyone interested in literature and the power of storytelling, and is sure to leave a lasting impression on readers. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Orpheus The Fisher is a novel written by Robert Eisler. The book is a modern retelling of the ancient Greek myth of Orpheus and Eurydice. The story follows the journey of Orpheus, a young fisherman who lives in a small, isolated village in Greece. He falls in love with Eurydice, a beautiful and mysterious woman who appears in his village one day. They quickly fall in love and plan to marry.However, tragedy strikes when Eurydice is bitten by a poisonous snake and dies. Devastated by her death, Orpheus sets out on a journey to the underworld to try and bring her back to life. Along the way, he encounters various obstacles and challenges, including the wrath of the gods and the dangers of the underworld.As he descends deeper into the underworld, Orpheus must confront his own fears and doubts, and ultimately make a choice between his love for Eurydice and his own life. The book explores themes of love, loss, grief, and the human condition.Overall, Orpheus The Fisher is a captivating and thought-provoking novel that offers a fresh take on a classic myth. Eisler's writing is lyrical and poetic, and he creates a vivid and immersive world that transports readers to another time and place.Christianity is permeated with powerful symbolism! This book reveals hundreds of symbols, their origins, and meanings. Essential reading for mystics and Christians who seek a path to the roots of Christianity.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Post-modern American Poetry, 108 pp. "Mitch Corber, a stalwart member & chronicler of NYC's poetry community for decades, explores/reveals in this his first major volume of work 'veiled moons, ' 'creaky cabinets, ' 'weekend binges' & so much more -- with dark, humorous, romantic & experimental, at times cut-up/random-seeming verses infused with internal rhyme & wordplay connecting the commonplace with the metaphysical through meditative 'sporadic nibbling' & 'a mosaic of moods.'" -Steve Dalachinsky "Poet Mitch Corber's 'Weather's Feather' is "raw testimony" to love, desire, loss and rage that exists within "the sum of forgiveness." A steadfast and creative presence in New York's downtown poetry scene, Mitch Corber knows the mercurial intensities of its liaisons and its allures. Its passions are his: 'Gentle me a symmetry of delayed/desire lit by a clientele of electricity.' Workdays become occasions where 'fond flowers fish for a wish, ' and the whims of climate and ardor are enhanced by 'shy resurfacings.'" -Star Black "Mitch Corber is a Dylan Thomas for the Hip Hop generation. 'I lace words' is his throwdown, and he ain't kidding around. "Weather's Feather" is a unique contribution to post-Beat poetry as Corber is tapping into the experimental poetics of The Beats as found in Kerouac's 'Old Angel Midnight, ' Ray Bremser's bop prosody, Burroughs' cut-up experiments and Corso's 'Gasoline.' I'll toast this new volume with the author's favorite drink: 'a sinkful of gladdened magnets.'" -Joel Lewis "Mitch Corber dances on a poetic highwire gleaning meaning from the verbal swarm that envelops us. Brawn and beauty mix it up in balletic bouquets of "seething" syntax fusions. Sinuous verse pulses with mystery and affirmation, aspiration and defeat. Beguiling and edgy, Corber's voice is authentic, complex and heady, like a grandy brandy that's been aged in a hollowed-out dictionary. Between sparkling bon mots and startling juxtapositions, Mitch seeks and finds the fine line where the personal meets the communal. -Jeffrey Cyphers Wright "Corber was introduced to poetry through nursery rhymes. He took off from there and never looked back. His flights of fancy display love, loneliness, impermanence, the joys of imagination, and unexpected ascents and descents. No one ever knows where one of his poems will land. And no two trips are alike. This is a book for worldly travelers who never tighten their seatbelts." -George Spencer "Mitch Corber, grassroots documentarian of East Village poetry scene for decades, here shows that his vérité eye goes bongo gonzo when flipped into his interior abyss. He asks, 'Have you seen my pesky porcupine, /her spiny tingle, those naughty needles?' and while everybody else might just say Noooo, for Mitch it's an everyday experience. What's in those needles? Surrealist syringes, jazz bops and verbal nonstops...! Teddy B (Berrigan) puts in an appearance (on Avenue C) - he is La Bohème, with Corber strutting like Lord Buckley to get hiperama. His are the Beatles of 'The Eggman.' Take two poems and call him in the morning. Name a poem 'Pyrex Bowl.' Don't take an answer for an answer. Goo goo ga-joob. Mitch Corber is the Mad Taxidermist, and language is his prey.-Bob Holman "Mitch Corber comes to us from out of nowhere, yet very much from out of somewhere. He can write love 'in the proxy of praxis'- where lovemaking is akin to poesis. A sensitive ear to assonance and rhyme, and love of the unsettling word, fuels Corber's lyric metric. He does not so much explore as navigate. He seems to dwell in the metaphysic, rather than the street, though his sense of human, and particularly romantic, relation is vivid. His metaphysic is a valuable tool for living, existing as it must in what he terms 'the lethal diamond dream.'" -Vincent Katz

A pair of poet-pals 'square-off' in poetry on subjects ranging from religion, love, witches, sky, war, art, home.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Naturgesetze Der Liebe: Eine GemeinverstAndliche Untersuchung Uber Den Liebes-Eindruck, Liebes-Drang Und Liebes-Ausdruck Magnus Hirschfeld Alfred Pulvermacher, 1912 Family & Relationships; Love & Romance; Family & Relationships / Love & Romance; Love; Psychology / Human Sexuality; Sex

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1897 Excerpt: ...Billy, (drawling) Go-o-os! Cinders (grabbing Billy's hand) Come along, Billy, I got de sack, too. United we stand, perwided we fall. Standish. What's your name, girl? Cinders. Cinders, sir. Standish. I mean your real name. Cinders. Dat's all I ever had to it. No bang in front--no bustle behind--only jus' Cinders. Billy.. They found her on a cinder pile out in the factory yard. Cinders. Yes, sir; one cold winter mornin'. Mother was absent-minded. But the ashes were jus' warm enough to keep me alive till the fellers foun' me. They took keer o' me till I was big enough to walk. And the factory was my dry nuss. Billy. She never had no mother 't all. She was just sifted down on that cinder pile straight from heaven. Standish. (aside) Poor little devil! (aloud) Come, get back to work, both of you. Cinders. Then we don't get the G. B.? Standish. No. Now, will you show me the way into the factory? (cinders and Billy both make a rush to the door, E. U., push it open, and stand on opposite sides, bowing very low. Standish saunters out between them. Billy and Cinders, without raising themselves in the least, link arms together, pass out behind him--still keeping bowed. The door, L. 2 E., opens, and Mr. Knowlton enters. His manner is nervous, as though he were laboring under suppressed excitement.) Knowlton. Margaret is here. They must not discuss the wages of the people before my child. (Enter Warner, L. 1 E.) Have you seen them? Margaret and Standish; they came over to the works together. Warner. Your daughter here? You and your partner----What is your decision regarding the men? Knowlton. Patience a moment. Warner. You, who have been robbing me all these years--you ask me to be patient? Knowlton. So would you beg of me, if you had a daughter's love to 'keep. I told ...

Episodic novel of the life of a crippled, Jewish South African. Felix Greenspan is South African, Jewish and the victim of cerebral palsy -- like Lionel Abraham himself. Even ordinary, everyday accomplishments are difficult for him. He has his own heroes, and he finds love, rarely -- but he finds it, sometimes freely given, sometimes bought.

Collected poems, 1967-2012 From the Foreword by Jack Hirschman, former Poet Laureate of San Francisco: "I think I can say a few words about what makes American poetry tick..., and by way of that indicate the importance of this book and John Curl in the pantheon of revolutionary poets... it is 'transform, transform' that John Curl is forever sounding and resounding with his depth charges... We're talking about transforming a society totally in which process poetry serves as a beaconing forward. Curl's signature achievement linguistically, it seems to me, is to have developed a language where lines of images often are contrary to one another and that friction or opposition does more than 'surrealize' the lines (Curl knows the techniques of all the avant-garde poetry movements of the 20th century)-what he is writing is often a poetry of dialectical motion itself. The singular intent behind John's writing is to actualize in poetry the urgent need for working-class consciousness, ... and Curl succeeds in so many poems and in so many imaginings in this book that one realizes that Revolutionary Alchemy is a book of major importance. John Curl... has earned a place-with this book of poems-among the foremost revolutionary American poets since the end of WW2." From Sharon Doubiago, National Book Award nominee: "John Curl's Revolutionary Alchemy is a magnificent account of a radical poet's work, the lifetime of poems, the inner story of an important generation, its psyche, the history. What deep and meaningful pleasure to read this alchemy, mix of love with the bombs. 'I cried when I heard the war was over and/ when I remember/the war still rages on/ I cry again...To resolve my pain I/must resolve yours....'" From Art Goodtimes, Poet Laureate of the Western Slope: "The procreative force, the cosmic sensibility, the oracular insight Curl brings to the reader is constantly astonishing. These poems help define and give rise to a verse of the surreal poetarian vision of the left. Here unrealism attempts to seize and transform imperialist reality. Curl writes like the lead miner in a pit crew. As such, he is a major poet on the people's side. There is not a thing to be bought off in his poems, there is only the amazement of truth." From Mary Rudge, author of Water Planet: "A Master Poet who uses language in a remarkable, innovative way, he gives us information on contradictions in the evolving state of human consciousness. The tensile lines of these poems are a strong loom holding the strength of an interwoven theme of Social Justice making deliberate design through the poet's understanding of actions and attitudes. John Curl shows us the undersides of clouds and cultures but also shows immutable order in chaos. He can, in a single poem, give at least 15 ways of changing personal, social, political darkness, including purification by fire. Though some are seemingly surreal, strange and new, your intellect tells you each line is someone's reality at the core."