"RED SEA-RED SQUARE-RED THREAD is a work of passages taken, written, painted, and sung. It offers a genealogy of liberty through a micrology of wit. It follows a very long history of a very short anecdote. Commissioned to depict the biblical passage through the Red Sea, a painter covered over a surface with red paint, explaining thereafter that the Israelites had already crossed over and that the Egyptians were drowned. Clearly, not all you see is all you get. Who was the painter and who the first teller of the tale? Designed as a philosophical detective story, the book follows the extraordinarily many thinkers and artists who have used the Red Sea anecdote to make so much more than a merely anecdotal point. Leading the large cast are the philosophers, Arthur Danto and Søren Kierkegaard, the poet and playwright, Henri Murger, the opera composer, Giacomo Puccini, and the painter and print-maker, William Hogarth. Strange companions perhaps, until their use of the anecdote is shown as working its extraordinary passage through so many cosmopolitan cities of art and capital. What about the anecdote brings Danto's philosophy of art into conversation with Kierkegaard's stages on life's way, with Murger and Puccini's la vie de bohème, and with Hogarth's modern moral pictures? The book explores narratives of emancipation in philosophy, theology, politics, and the arts. What has the passage of the Israelites to do with the Egyptians who, by many gypsy names, came to be branded as bohemians when arriving in France from the German lands of Bohemia? What have Moses and monotheism to do with the history of monism and the monochrome? And what sort of thread connects a sea to a square when each is so purposefully named red?"--

God Wears A Bow Tie is a novel written by Lyle Stuart that explores the world of show business. The story follows the life of Jack Ehrlich, a young man who dreams of becoming a famous actor. Jack navigates the ups and downs of the entertainment industry, from auditioning for small roles to landing a leading role in a hit Broadway show. Along the way, he encounters a variety of characters, including producers, directors, and fellow actors, each with their own ambitions and agendas.As Jack's star rises, he begins to question the true nature of success and the sacrifices he has made to achieve it. He grapples with the pressures of fame, the demands of his career, and the toll it takes on his personal life. Through it all, he seeks guidance from a mysterious figure who appears to him in the form of a man wearing a bow tie.God Wears A Bow Tie is a story about the pursuit of fame and fortune, the price of success, and the search for meaning and purpose in life. It offers a glimpse into the glamorous and often cutthroat world of show business, and the challenges faced by those who dare to chase their dreams.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Lynn Stern's haunting new book Animus -- her third monograph -- is a full-scale immersion in the dark night of the soul. Continuing her ten-year involvement with skull imagery, she portrays the restlessly changing shape of an ambiguous animal/human skull and transforms it into a luminous force -- sometimes vicious, sometimes benign, but always alluring and dramatic. A consummate craftsman, Stern uses a split-toning process to intensify the eerie incandescence of her pictures and heighten the feeling of spacial disorientation. In his essay, renowned art critic Donald Kuspit writes: "I think her ambition ... is nothing less than to picture the unconscious...". Abstraction, he suggests, seems to model itself on the dynamics of the unconscious, and "Stern's Animus photographs show how insidious and dramatic and urgent such abstraction can be". Beautifully printed in quadratone, Animus is a singular and profound work, and an important contribution to the dialogue of contemporary art.

""Aristide Froissart"" is a novel written by French author Leon Gozlan and published in 1873. The story follows the life of Aristide Froissart, a young man from a wealthy family who becomes disillusioned with his privileged life and seeks purpose and meaning. He becomes involved in the socialist movement and begins to question the class system and the injustices he sees around him.As he becomes more involved in politics, Aristide faces opposition from his family and the upper-class society he was born into. He also falls in love with a woman who comes from a different social class, adding to the challenges he faces.Through Aristide's journey, the novel explores themes of social inequality, political activism, and the struggle for personal identity. It also offers a glimpse into French society during the late 19th century and the tensions between different social classes.Overall, ""Aristide Froissart"" is a thought-provoking and engaging novel that delves into important social and political issues of its time.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The President THE CULTURE OF POLITICS AND LEADERSHIP IN AN AGE OF ENLIGHTENMENT BY MATTHEW JOSEPHSON M HARCOURT, BRACE AND COMPANY, NEW YORK 1940, BY JOSEPBCSON All rights reserved, including the right to reproduce this book or portions thereof in any form first edition. CONTENTS Foreword v BOOK ONE i. The Golden Years of McKinley and Hanna 3 n. The Scholars in Politics 29 in. A Splendid Little War j and the Making of a President 65 iv. Toward National Political Leadership 1 1 1 v. Toward Leadership Rooseveltiana 139 vi. Principally World-Wandering 175 vii. The Politics of Reform 210 viii. The Politics of Depression 246 BOOK TWO ix. An Attempted Restoration 285 x. The Ballinger Case An American Affaire Dreyfus 306 xi. Doctor Wilson 330 xn. Colonel Houses Vision 364 xin. The Menace of La Follette 397 xiv. Armageddon 422 iii iv CONTENTS xv. The New Freedom Climax of the Liberal Revolution 460 xvi. Leadership Through War 496 xvn. The Martyrdom of Dr. Wilson 533 Sources 567 Index 573 FOREWORD FOR A hundred years our country was so rich and lucky, it has been said, that political thought was largely unnecessary. However, there is no mistaking the fact that toward the beginning of this century Americans were doing a heap of think ing as they are also doing at the present time. For the generation of 1896 to 1919, the central events and issues assumed a political form. Man was more than ever the political animal, and the political leader was more the key figure than he had been since the i86os. The period itself appeals to us, in retro spect, as far more cultivated and social-minded than that of the preceding generation, of the robber barons and the spoilsmen. It produced a very noteworthypolitical culture. It produced a whole gallery of remarkable and diverse leading characters 5 and even boasted a technique for reproducing them President Making. In our present troubled days, we think almost with envy of the time of the earlier Rooseveltians and the Wilsoniansj of its hope and promise j we think of it as an Age of Enlightenment. Here was a generation that was certainly bent on discovering the promise of American life, to use the phrase of one of its ablest spokesmen, the late Herbert Croly. Intellectually it welcomed change j it set off vigorously in search of new methods, new ideas of leadership, a new equilibrium for political democracy. Casting off the prejudice against public life then entertained in educated circles, men of talent and wealth determinedly entered politics and prepared themselves carefully for their future parts. In their various ways the new type of political leaders set out to save the country from some dimly imagined, but to them, always imminent peril. They sang and they debated 5 they organized and fought 5 until public opinion was deeply aroused. One thing must be said for the characteristic leaders of the party vi FOREWORD of progress 5 they always asked a great deal of their followers. Both Theodore Roosevelt and Woodrow Wilson, for example, de manded on the part of the rich capitalists who so often supported their campaigns both self-denial and self-control. Meanwhile the leaders who were closer, in line of real interest or sympathy, to the plain people, also showed at this time a characteristic tendency to ask a great deal of them. Men like the elder La Follette or Mr. Justice Brandeis held that democracy was essentially a process ofeducation. Their progressive programs favored neither an over ruling capitalism nor an all-embracing state socialism, but a purer, more extended form of political democracy. Therefore, they re quired of the citizens an alert public conscience, a growing knowl edge of public affairs, and readiness to intervene intelligently at almost every point of the governing process, local or national, parliamentary or administrative and technical. Thus political democracy, as shown by the raging discussions and controversies of the time, was carried to a highly advanced zone...