Mark Girouard selects and reproduces 29 letters, ranging from his early childhood during the war to recent years, and uses them to memorialise their diverse authors. In the process a selective autobiography emerges as he discusses his relationship with the diverse crowd, painting a riveting picture of Bohemian cultural life in post-war Britain and Ireland. And the point of it all is to show that friendship has nothing to do with fame or wealth, but entirely with that sudden click of reciprocity, or pleasure in companionship, that makes life worth living.

This volume contains the lectures delivered at an international conference in Israel devoted to the topic of Franz Kafka (1883-1924) and Zionism. Kafka's interests in Hebrew, Yiddish, and Jewish Nationalism and his various relationships to his Zionist friends and his participation in Jewish national and Zionist-related activity are explored from a number of different critical vantage points. Likewise, his writings are considered within the specific framework of Jewish nationalism and Zionism.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The White Man in the Tree is a comedy of cultural misunderstandings set in the Caribbean, New York, and Paris, a novella and eight stories about people who, because of their differences, misjudge each other. Whether it is a sophisticated European filmmaker, an ambitious young black Haitian woman, a promising politician obsessed with women's feet, or a fish-out-of-water rabbi in search of a kosher chicken in Curaçao, each of Kurlansky's characters engages us with impulses and interactions that are by turns comic, insightful, and poignant. The White Man in the Tree is an affectionate portrait of a unique society, where Europe, America, Africa, and Asia meet Latin America.

A "shamelessly funny" ( Kirkus ) and utterly original new novel from Mark Leyner about a father and his intense and devout relationship with his daughter and with alcohol. An anthropologist and his daughter travel to Kermunkachunk, the capital of Chalazia, to conduct research for an ethnography on the Chalazian Mafia Faction (a splinter group of the Chalazian Children's Theater). The book takes place over the course of a night at the Bar Pulpo, Kermunkachunk's #1 spoken-word karaoke bar. Moreover, it's Thursday, "Father/Daughter Nite," when the bar is frequented by actual fathers and daughters as well as couples cosplaying fathers and daughters. Somehow emanating from the letters on an optometrist's eye chart, from karaoke screens in the bar, and from posters on a piazza that's the scene of phantasmagorical and unending mob wars, Last Orgy of the Divine Hermit relentlessly pulls the rug out from under itself, leaving you suspended in a state of perpetual exhilaration. Leyner, one of the most blazingly imaginative and influential writers of the last thirty years, has not only written his funniest novel, he's broken through to something entirely unprecedented. Imagine tripping on a hallucinogen made by an alien intelligence and then wanting to immediately call your dad (in this world or the next) and tell him that you love him--that's what reading Last Orgy of the Divine Hermit is like. It's a novel about the deep pleasures of reading and drinking, the tumultuous reign of a cabal of mystic mobsters, and, of course, the transcendent love of a father for his daughter. Last Orgy of the Divine Hermit is like nothing else you've ever read before.

In this utterly unconventional, autobiographical novel, Mark Leyner gives a reading in the food court of a mall. Besides Mark's mother, who's driven him to the mall and introduces him before he begins, and a few employees of fast food chain Panda Express who ask a handful of questions, the reading is completely without audience. The action of Gone with the mind takes place exclusively at the food court, but the territory covered on these pages has no bounds. Existential, self-aware, and very much concerned with the relationship between a complicated mother and an even more complicated son, Leyner's story--with its bold, experimental structure--is a moving work of genius.--Amazon.com

"An all-access ticket to the celebrated and wholly original mind of Mark Leyner, "one of the smartest and funniest humans since Aristophanes" (Jay McInerney). Praised as "chaotic and vibrant" (Charles Yu), "visionary" (Sam Lipsyte), and "supremely original" (John Cusack), the work of Mark Leyner has inspired a generation of contemporary novelists and has long deserved its place of recognition among the literary superstars of the seismic postmodernism-influenced movement of the early 21st century. A Shimmering, Serrated Monster!: The Mark Leyner Reader samples the staggering highlights from Leyner's extraordinary career in all of its bizarre and infatuating glory, with excerpts spanning from his groundbreaking early novels My Cousin, My Gastroenterologist (1990) and Et Tu, Babe (1992) to his modern masterpieces The Sugar-Frosted Nutsack (2012) and The Last Orgy of the Divine Hermit (2021). Appreciations from modern masters introduce each novel and the book includes original pieces in Leyner's irrepressible voice, including a timeline ("The Story So Far") and a new Afterword ("The Highlighted Passages"). This comprehensive volume is the perfect entry point for readers attracted to mind-expanding prose, and a bouquet of delights for those who have loved any of his past works"--

High above the bustling streets of Dubai, in the world's tallest and most luxurious skyscraper, reside the gods and goddesses of the modern world. Since they emerged 14 billion years ago from a bus blaring a tune remarkably similar to the Mister Softee jingle, they've wreaked mischief and havoc on mankind. Unable to control their jealousies, the gods have splintered into several factions, led by the immortal enemies XOXO, Shanice, La Felina, Fast-Cooking Ali, and Mogul Magoo. Ike Karton, an unemployed butcher from New Jersey, is their current obsession. Ritualistically recited by a cast of drug-addled bards, THE SUGAR FROSTED NUTSACK is Ike's epic story. A raucous tale of gods and men confronting lust, ambition, death, and the eternal verities, it is a wildly fun, wickedly fast gambol through the unmapped corridors of the imagination.

From his cult classic, I Smell Esther Williams, to his wildly popular and insightful column "Wild Kingdom" appearing in Esquire magazine every month, Mark Leyner has been giving us up close and personal encounters of the most hilarious kind for over a decade. Now, in his new novel The Tetherballs of Bougainville, Leyner shares with us, long last, the quintessential coming of age story that every writer, at some point, is compelled to tell. In the novel we meet young Mark Leyner, 13-years-old to be exact, as he waits in a New Jersey prison to witness his father's execution. Adolescence is never easy, and it just so happens that this junior high schooler is on deadline to turn in a screenplay for which he has already been awarded the Vincent and Lenore DiGiacomo/Oshimitsu Polymers America Award. And, as it was for all of us during out teenage years, nothing seems to go as planned. Written as autobiography, screenplay and movie review, The Tetherballs of Bougainville twists three familiar narrative forms into an outlandishly compelling story. Leyner's use of the media-driven formats brilliantly reflects our secret, shameful and hilarious desire to experience our private lives as mass entertainment. The Tetherballs of Bougainville skewers and celebrates American pop culture in the late twentieth century. Leyner's version of our lives is so deeply funny because it is so painfully true.

A fiendishly innovative young writer ups the ante on his cult classics Et Tu, Babe and My Cousin, My Gastroenterologist with a book so funny that it ought to be a controlled substance. "With his pumped-up prose and steroidal satire . . . You could call him the Quentin Tarantino of cult fiction." -Newsweek.

Weeks after watching her principal try to chew up her teacher, and minutes after she'd just lost her family, 12-year-old Aurora Bonsall begins her escape. Alongside Max Random in his hand-built go-kart, they set off across a ruined landscape of studio backlots, wrecked shopping malls, and not-so-abandoned hospitals. At every step, they'll find the not-quite-dead waiting for them. As they head for a rendezvous point where Max insists they'll be safe, it becomes clear that surviving humans can be far more dangerous than the Nano-Zs taking over the world. But as Aurora discovers Max has secrets of his own, she wonders if there can ever be any escape at all.

EXACT reproduction of the original book HOW TO PLAY THE PIANO by Mark Hambourg first published in 1922. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Networks of Power in Modern Greece provides exciting new perspectives on Greek history and society. The collection presents pioneering work on the Greek merchant marine and the role of women in the Greek War of Independence. Local perspectives transform common assumptions regarding the function of miracle-working shrines and the place of religion in the early nineteenth century. Essays show how clientilistic networks linked the nationalist heroes of the Macedonian Struggle to the anticommunism of the Civil War, analyze the populist radicalism of Andreas Papandreou, a figure who dominated Greek politics in the final decades of the Cold War, and emphasize the ambiguities of a "modern Greece." Additional chapters by leading anthropologists, such as Renée Hirschon, Roger Just, and Juliet Du Boulay, apply an ethnographic approach toward the understanding of social institutions and practices, from divorce to sacred foodstuffs. Written in honor of the classical historian John Campbell, the multidisciplinary essays challenge conventional ideas of Greek nationalism and social development and touch upon broader issues, including the emergence of nation-states, the relationship between familial and ideological conflict, and the continued relevance of religion in modern life.

THE STORY: In the first act, subtitled THE DIRTY PICTURE MAN, Stephen (Red) Ryder, the reluctant nineteen-year-old hero of the original play, is now a twenty-seven-year-old Vietnam veteran who has lost a hand in the war. Part owner and manager of a

THE STORY: Leeds, a brainy, tart-tongued graduate student, has bet his super-jock roommate, Ward (a Phys-Ed major), that Ward can seduce Honor, the wife of a young professor (Ron). But Leeds has also wagered that if Ward is successful, Ron will m

A Jewish politician stealing Boston's St. Patrick's day parade? A rabbi slipping down the abyss of his toilet bowl into a world of evil? These are some of the puzzles that Mark Mirsky assembles in his third novel, a mystery of the lost tribe of Jews who once inhabited the streets along Blue Hill Avenue in Boston's ghetto. Its protagonists are the godly Rabbi Lux, his high-strung wife, and her hysterical rival, the mother of the rabbi's missing pupil, Harvey Blatz. Forced by his conscience to set out on a search for Harvey, Rabbi Lux leaves the familiar surroundings of his study and descends into the world of Blue Hill Avenue, where he finds that the inhabitants are only half human and that an ancient antagonist, the snake, lurks in the bushes. The rabbi brings the whole of the Avenue to judgment in a tumultuous synagogue riot. When it comes to telling a story this Mark Mirsky is a young genius."--Harry Golden