One of the central figures in modern thought, Max Horkheimer (1895?1973) was the director of the Institute of Social Research at the University of Frankfurt and guided the activities of the Frankfurt School from its origins in Germany through its exile in the United States during World War II. The Frankfurt School writers developed what came to be known as Critical Theory, and anyone familiar with poststructuralist theory in the humanities and social sciences will recognize its indebtedness to the Frankfurt School. ø These letters show how Horkheimer?s thought was influenced by and engaged with the historical events of the twentieth century, particularly the Holocaust and the Vietnam War. The letters trace the trajectory of his thought from an early optimism about the possibility of revolutionary change to a critique of orthodox Marxism as his faith in revolution was replaced by a commitment to the transformative power of education. ø These letters also convey the contours of Horkheimer?s personal relationships and illustrate the connection of Horkheimer and the Frankfurt School to the work and thought of some of the most important figures in the intellectual life of the nineteenth and twentieth centuries, including Karl Marx, Thomas Mann, Sigmund Freud, Theodor Adorno, and Herbert Marcuse.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

When books survive as long as our biblical collection has survived, a certain discrepancy between intention and comprehension is inevitable.

Text: English, German (translation)

Text: English, German (translation)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In 1987 a young Jewish man, the central figure in this captivating book, leaves Moscow for good with his parents. They celebrate their freedom in opulent Vienna and spend two months in Rome and the coastal resort of Ladispoli. While waiting in Europe for a U.S. refugee visa, the book’s twenty-year-old poet quenches his thirst for sexual and cultural discovery. Through his colorful Austrian and Italian misadventures, he experiences the shock, thrill, and anonymity of encountering Western democracies, running into European roadblocks while shedding Soviet social taboos. As he anticipates entering a new life in America, he movingly describes the baggage that exiles bring with them, from the inescapable family traps and ties to the sweet cargo of memory. An emigration story, Waiting for America explores the rapid expansion of identity at the cusp of a new, American life. Told in a revelatory first-person narrative, Waiting for America is also a vibrant love story in which the romantic main character is torn between Russian and Western women. Filled with poignant humor and reinforced by hope and idealism, the author’s confessional voice carries the reader in the same way one is carried through literary memoirs like Tolstoy’s Childhood, Boyhood, Youth, Hemingway’s A Moveable Feast, or Nabokov’s Speak, Memory. Babel, Sebald, and Singer—all transcultural masters of identity writing—are the coordinates that help to locate Waiting for America on the greater map of literature.

Text: English, French (translation)

Twelve short stories explore the efforts of characters to deal with fears, disappointments, and marital problems

From the Pulitzer Prize–winning poet, a stunning collection of poems that course with the rhythms of nature. A poet of piercing revelations and arresting imagery, Kumin is "unforgettable, indispensable" (New York Times Book Review). In And Short the Season she muses on mortality: her own and that of the earth. Always deeply personal, always political, these poems blend myth and modernity, fecundity and death, and the violence and tenderness of humankind. From "Whereof the Gift Is Small" And short the season, first rubythroat in the fading lilacs, alyssum in bloom, a honeybee bumbling in the bleeding heart on my gelding’s grave while beetles swarm him underground. Wet feet, wet cuffs, little flecks of buttercup on my sneaker toes, bluets, violets crowding out the tufts of rich new grass the horses nose and nibble like sleepwalkers held fast— brittle beauty—might this be the last?

New people bring a new friend to the old farmhouse for the summer, and so the wild mice have to camp outside. But what will happen in September?

This luminous collection is Maxine Kumin's twelfth volume of poetry, the first since her remarkable memoir, Inside the Halo. Themes of loyalty, longevity, and recovery appear here, along with poems addressing the eminent dead: Wordsworth, Gorki, Rukeyser, and others. "Inescapably, many poems come up out of the earth I live on and tend to," Kumin says.

Throughout her career, Pulitzer Prize–winning poet Maxine Kumin has been at the vanguard of discussions about feminism and sexism, the state of poetry, and our place in the natural world. The Roots of Things gathers into one volume her best essays on the issues that have been closest to her throughout her storied career. Divided into sections on "Taking Root," "Poets and Poetry," and "Country Living," these pieces reveal Kumin honing her views within a variety of forms, including speeches, critical essays, and introductions of other writers’ work. Whether she is recollecting scenes from her childhood, ruminating on the ups and downs of what she calls "pobiz" (for "poetry business"), describing the battles she’s fought on behalf of women, or illuminating the lives of animals, Kumin offers insight that can only be born of long and closely observed experience.

Poems about the inner and outer realities of creatures, plants, houses, lovers, and others in the New England landscape.