Discusses the geography, history, economy, government, religion, people, foreign relations, and communities of Israel.

"A collection of essays from a "great poet-critic-intellectual" (Daily Beast). In these brilliant, wide-ranging essays, published over the last seven years in the New Republic, The New Yorker, and elsewhere, renowned American critic Adam Kirsch explores the intersection of literature with larger questions about ideas, history, and society. Kirsch has been described as "elegant and astute . . . [a] critic of the very first order" (Michiko Kakutani, New York Times). In Rocket and Lightship he examines the work and lives of writers past and present, from intellectuals Susan Sontag, Hannah Arendt, and Walter Benjamin to novelists including E. M. Forster, David Foster Wallace, and Zadie Smith. Kirsch quotes G. M. Hopkins: "Nor rescue, only rocket and lightship, shone." So, according to Kirsch, shines literature: as an unattainable speed, as a moving beacon. Taken together, the provocative and bold essays in Rocket and Lightship show how literature can illuminate questions of meaning, ethics, and politics, and how those questions shape the way we take pleasure in art" --

Abraham Adrian Albert (1905-72) was an American mathematician primarily known for his groundbreaking work on algebra. In this book, which was originally published in 1938, Albert provides a detailed exposition of 'modern abstract algebra', taking into account numerous discoveries in the field during the preceding ten years. A glossary is included. This is a highly informative book that will be of value to anyone with an interest in the development of algebra and the history of mathematics.

From comedian and writer (Parks and Recreation, Eastbound & Down) Harris Wittels comes a hysterical breakdown of boasts, brags, and self-adulation disguised as humble comments and complaints-based on his popular @humblebrag Twitter feed. Something immediately annoyed Harris Wittels about Twitter. All of a sudden it was acceptable to brag, so long as those brags were ever-so-thinly disguised as transparent humility, such as: "Just filed my taxes. Biggie was right, mo money mo problems." "I hate when I go into a store to get something to eat and the male staff are too busy hitting on me to get my order right :( so annoying!" Taking action by naming this phenomenon and creating the Twitter account called Humblebrag-dedicated solely to retweeting the humblebrags of others-Wittels's new word took the Internet by storm. Harris also shows readers what humblebrags might look like from some of history's most notable names, as well as devoting an entire chapter to a man who just might be the greatest humblebraggart of them all...

Based on the Sherlock Holmes film: Ellery Queen matches wits with the Baker Street sleuth to unmask Jack the Ripper. Ellery Queen is struggling over his latest book when a friend brings him a mystery. It is a journal, written by a Victorian doctor, of reports on the remarkable adventures of his close friend, a brilliant detective named Sherlock Holmes. Queen's surprise turns to amazement as he turns its pages and discovers the lost story of Sherlock Holmes's greatest case: the pursuit of Jack the Ripper. From the brothels and back alleys of fog-choked Whitechapel to the manor of one of England's greatest families, Holmes and Dr. Watson chase history's most fearsome killer. But it will take the brilliance of Ellery Queen to solve the case once and for all. Based on the Sherlock Holmes film A Study in Terror , this collaboration between two of the world's greatest detectives is one of the most original mystery novels of all time.

Seventeen-year-old Nora Holmes is an artist, a painter from the moment she could hold a brush. She inherited the skill from her grandfather, Robert, who's always nurtured Nora's talent and encouraged her to follow her passion. Still, Nora is shocked and elated when Robert offers her a gift: an all-expenses-paid summer trip to Europe to immerse herself in the craft and to study history's most famous artists. The only catch? Nora has to create an original piece of artwork at every stop and send it back to her grandfather. It's a no-brainer: Nora is in! Unfortunately, Nora's mother, Alice, is less than thrilled about the trip. She worries about what the future holds for her young, idealistic daughter and her opinions haven't gone unnoticed. Nora couldn't feel more unsupported by her mother, and in the weeks leading up to the trip, the women are as disconnected as they've ever been. But seconds after saying goodbye to Alice at the airport terminal, Nora hears a voice call out: "Wait! Stop! I'm coming with you!"

Separating historical fact from fantasy, an acclaimed historian retells the story of Kishinev, a riot that transformed the course of twentieth-century Jewish history. So shattering were the aftereffects of Kishinev, the rampage that broke out in late-Tsarist Russia in April 1903, that one historian remarked that it was "nothing less than a prototype for the Holocaust itself." In three days of violence, 49 Jews were killed and 600 raped or wounded, while more than 1,000 Jewish-owned houses and stores were ransacked and destroyed. Recounted in lurid detail by newspapers throughout the Western world, and covered sensationally by America's Hearst press, the pre-Easter attacks seized the imagination of an international public, quickly becoming the prototype for what would become known as a 'pogrom,' and providing the impetus for efforts as varied as The Protocols of the Elders of Zion and the NAACP. Using new evidence culled from Russia, Israel, and Europe, distinguished historian Steven J. Zipperstein's wide-ranging book brings historical insight and clarity to a much-misunderstood event that would do so much to transform twentieth-century Jewish life and beyond.

Written by one of American theater's most avid and knowledgeable proponents, "No Legs, No Jokes, No Chance" traces the American musical from its rich and varied beginnings in European opera, American minstrel shows, and vaudeville through its many permutations to its current state--from, as Sheldon Patinkin puts it, La Boheme to Rent . Minstrelsy, burlesque, revue, dance, and choreographers, the "texts" of musical theater so often overlooked by its historians, finally receive due consideration in this thorough and thoroughly entertaining book about how American musical theater came to be and developed into what it is today. Patinkin writes about the infancy of the musical--the revues, operettas, and early musical comedies, as well as the groundbreaking shows like Oklahoma !, and Show Boat that brought the form to its "golden age" during World War II. With insightful references to how history, literature, theater, fashion, popular music, and movies influenced musical theater generally and certain shows in particular, he traces a direct lineage from older forms to contemporary musicals. The result is a broad, clear, and detailed picture of American musicals within both an aesthetic and a historical context. Patinkin conveys the pleasure of the ever-changing forms of musical theater even as he gives readers the analytical tools and terms to understand and better appreciate this uniquely American art. The book features a selection of black and white photographs from historical musical productions, and each chapter includes suggestions for materials to watch and listen to at home or in the classroom.

From the first scribbling on papyrus to the emergence of the e-book, this wide-ranging overview of the history of the book provides a fascinating look at one of the most efficient, versatile, and enduring technologies ever developed.

"The genocide of Jewish and non-Jewish civilians perpetrated by the German regime during World War Two continues to confront scholars with elusive questions even after nearly seventy years and hundreds of studies. This multi-contributory work is a landmark publication that sees experts renowned in their field addressing these questions in light of current research. Serving as a comprehensive introduction to the history of the Holocaust, this volume also adds depth to current debate, both geographically and topically, assessing the Final Solution as the German occupation instituted it across Europe and covering issues which have previously been under-investigated, such as the problem of prosecuting war crimes, gender and Holocaust experience, the persecution of non-Jewish victims, and the Holocaust in post-war culture."--Publisher description.

This Oxford Handbook offers a broad critical survey of the development of phenomenology, one of the main streams of philosophy since the nineteenth century. It comprises thirty-seven specially written chapters by leading figures in the field, which highlight historical influences, connections and developments, and offer a better comprehension and assessment of the continuity as well as diversity of the phenomenological tradition. The handbook is divided into three distinct parts. The first part addresses the way phenomenology has been influenced by earlier periods or figures in the history of philosophy. The second part contains chapters targeting prominent phenomenologists: How was their work affected by earlier figures, how did their own views change over time, and what kind of influence did they exert on subsequent thinkers? The contributions in the third part trace various core topics such as subjectivity, intersubjectivity, embodiment, spatiality, imagination etc. in the work of different phenomenologists, in order to explore how the notions were transformed, enriched, and expanded up through the century. This volume will be a source of insight for philosophers, students of philosophy, and for people working in other disciplines of the humanities, social sciences, and sciences, who are interested in the phenomenological tradition. It is an authoritative guide to how phenomenology started, how it developed, and where it is heading.

In this magisterial narrative, Zara Steiner traces the twisted road to war that began with Hitler's assumption of power in Germany. Covering a wide geographical canvas, from America to the Far East, Steiner provides an indispensable reassessment of the most disputed events of these tumultuous years. Steiner underlines the far-reaching consequences of the Great Depression, which shifted the initiative in international affairs from those who upheld the status quo to those who were intent on destroying it. In Europe, the l930s were Hitler's years. He moved the major chess pieces on the board, forcing the others to respond. From the start, Steiner argues, he intended war, and he repeatedly gambled on Germany's future to acquire the necessary resources to fulfill his continental ambitions. Only war could have stopped him-an unwelcome message for most of Europe. Misperception, miscomprehension, and misjudgment on the part of the other Great Powers leaders opened the way for Hitler's repeated diplomatic successes. It is ideology that distinguished the Hitler era from previous struggles for the mastery of Europe. Ideological presumptions created false images and raised barriers to understanding that even good intelligence could not penetrate. Only when the leaders of Britain and France realized the scale of Hitler's ambition, and the challenge Germany posed to their Great Power status, did they finally declare war. - Publisher.

"In this magisterial narrative, Zara Steiner traces the twisted road to war that began with Hitler's assumption of power in Germany. Covering a wide geographical canvas, from America to the Far East, Steiner provides an indispensable reassessment of the most disputed events of these tumultuous years. Steiner underlines the far-reaching consequences of the Great Depression, which shifted the initiative in international affairs from those who upheld the status quo to those who were intent on destroying it. In Europe, the 1930s were Hitler's years. He moved the major chess pieces on the board, forcing the others to respond. From the start, Steiner argues, he intended war, and he repeatedly gambled on Germany's future to acquire the necessary resources to fulfill his continental ambitions. Only war could have stopped him-an unwelcome message for most of Europe. Misperception, miscomprehension, and misjudgment on the part of the other Great Powers leaders opened the way for Hitler's repeated diplomatic successes. It is ideology that distinguished the Hitler era from previous struggles for the mastery of Europe. Ideological presumptions created false images and raised barriers to understanding that even good intelligence could not penetrate. Only when the leaders of Britain and France realized the scale of Hitler's ambition, and the challenge Germany posed to their Great Power status, did they finally declare war"- Publisher description

Written in an accessible style, What Do Jewish People Think about Jesus? answers sixty common questions about Jewish people and Jewish culture. Drawn from the steady stream of questions Michael L. Brown's ministry receives every month, the book's questions reflect the perennial Christian fascination with Jewish customs and beliefs. A Jewish believer himself, Brown provides clear answers to questions like "Are there Jewish denominations?" "What are the ten lost tribes of Israel?" "Do the Jewish people expect a literal Messiah?" and many more. The book also addresses questions Christians have about their own relationship to the Old Testament Law, such as "Should Christians observe the Sabbath on Saturday?" and "Are Gentile Christians spiritual Jews?"

As a young man Meron Benvenisti often accompanied his father, a distinguished geographer, when the elder Benvenisti traveled through the Holy Land charting a Hebrew map that would rename Palestinian sites and villages with names linked to Israel's ancestral homeland. These experiences in Benvenisti's youth are central to this book, and the story that he tells helps explain how during this century an Arab landscape, physical and human, was transformed into an Israeli, Jewish state. Benvenisti first discusses the process by which new Hebrew nomenclature replaced the Arabic names of more than 9,000 natural features, villages, and ruins in Eretz Israel/Palestine (his name for the Holy Land, thereby defining it as a land of Jews and Arabs). He then explains how the Arab landscape has been transformed through war, destruction, and expulsion into a flourishing Jewish homeland accommodating millions of immigrants. The resulting encounters between two peoples who claim the same land have raised great moral and political dilemmas, which Benvenisti presents with candor and impartiality. Benvenisti points out that five hundred years after the Moors left Spain there are sufficient landmarks remaining to preserve the outlines of Muslim Spain. Even with sustained modern development, the ancient scale is still visible. Yet a Palestinian returning to his ancestral landscape after only fifty years would have difficulty identifying his home. Furthermore, Benvenisti says, the transformation of Arab cultural assets into Jewish holy sites has engendered a struggle over the "signposts of memory" essential to both peoples. Sacred Landscape raises troublesome questions that most writers on the Middle East avoid. The now-buried Palestinian landscape remains a symbol and a battle standard for Palestinians and Israelis. But it is Benvenisti's continuing belief that Eretz Israel/Palestine has enough historical and physical space for the people of both nations and that it can one day be a shared homeland.

The Miracle of Analogy is the first of a two-volume reconceptualization of photography. It argues that photography originates in what is seen, rather than in the human eye or the camera lens, and that it is the world's primary way of revealing itself to us. Neither an index, representation, nor copy, as conventional studies would have it, the photographic image is an analogy. This principle obtains at every level of its being: a photograph analogizes its referent, the negative from which it is generated, every other print that is struck from that negative, and all of its digital "offspring." Photography is also unstoppably developmental, both at the level of the individual image and of medium. The photograph moves through time, in search of other "kin," some of which may be visual, but others of which may be literary, architectural, philosophical, or literary. Finally, photography develops with us, and in response to us. It assumes historically legible forms, but when we divest them of their saving power, as we always seem to do, it goes elsewhere. The present volume focuses on the nineteenth century and some of its contemporary progeny. It begins with the camera obscura, which morphed into chemical photography and lives on in digital form, and ends with Walter Benjamin. Key figures discussed along the way include Nicéphore Niépce, Louis Daguerre, William Fox-Talbot, Jeff Wall, and Joan Fontcuberta.

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It's one of the oldest pastimes known to man, dating as far back as the invention of the wheel (somewhat overrated) and the discovery of fire (vastly underrated). But not until thousands of years later, with the arrival of baseball, did the overrated-underrated debate really fulfill its potential. This great sport was virtually made for the O-U (overrated-underrated) debate, and the chances of any living soul having not engaged in it at one time or another are small. Whether you are a hardcore fan or a casual observer, you almost certainly have been lured into a war of wits on the merits, or lack thereof, of a particular ballplayer, team, or record-setting achievement. Sports-radio-talk-show hosts are well-known instigators of these kinds of debates, as are baseball columnists, friends, ex-friends, or the complete stranger sitting three seats down at the local watering hole. It really doesn't matter if you went to the five-tool school of baseball verbiage or if you know just enough about the team in your zip code to survive the occasional water-cooler gossip; the O-U debate is so subjective that any argument could last for hours, regardless of the presence of statistical facts or hardball knowledge in the discussion. That was the case, of course, until Jayson Stark took it upon himself to end the debate once and for all in The Stark Truth - or, more likely, energize it for years to come. Stark, a baseball columnist and television analyst for the better part of the last three decades, attempts to identify the most overrated and underrated players of all time at each position. He'll be the first to admit that his selections will invite skepticism and even controversy, which is the very essence of the O-U debate. In Stark's findings, based on years of research and mounds of statistics (which, he says, can be somewhat overrated), you will see more Hall of Fame players than also-rans on both sides of the fence. One can be considered the best player of his time and still be overrated - or underrated - which makes The Stark Truth a fascinating journey into the greatest debate about the greatest game. -- from dust jacket.