With a voice that is rooted in the lush, immediate present, Victoria Redel explores the necessity to live and love deeply in her third collection of poems, Woman Without Umbrella. With her fearless and insistent engagement with language, Redel leads us, unprotected and exposed to the elements, through landscapes urban and domestic, contemplative and erotic, as she navigates the self and the world, from love to disaster to "a calm easy everyday" and back to love again.

My Foolish Heart arranged by Alan Baylock is a superb ballad featuring trumpet 2 played around 70 BPM. A double-time section with a suggested written solo, lush rubato sections, and the lead trumpet range is to written A above the staff. You will love this arrangement! (5:04)

Legender Och Visor: Dikter (1891) is a collection of poems by Swedish author Oscar Levertin. The book features a mix of lyrical ballads and legends, drawing inspiration from Nordic mythology and folklore. The poems are written in a traditional style, with a focus on meter and rhyme. Levertin's writing is known for its romanticism and love of nature, and this collection is no exception. The book is a celebration of Swedish culture and tradition, and has been praised for its vivid imagery and powerful emotions. Overall, Legender Och Visor: Dikter is a beautiful and timeless work of poetry that captures the spirit of a bygone era.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This collection, mainly of more recent sermons and lectures is a summation of the author's life as a preacher and teacher. It is now offered to a wider public than the relatively small audiences to which they were originally addressed. If there is a common thread that runs through this volume, it is its emphasis on the gentler and more outward-looking values of Judaism, which are not much in evidence today. By cultivating and exemplifying these values Jews can best contribute to humanity as it struggles to shake off its present troubles and yearns to find again the road map to justice and peace, not only in the Middle East but everywhere. This is a fitting tribute to a man whose pastoral care and love of Judaism stretch far beyond the confines of his community and reach out to followers of all religious traditions.

Every year, Phyllis Gotlieb (a successful poet, author, and University of Toronto graduate) penned heartfelt verses for her husband, Kelly (a distinguished Professor Emeritus in Computer Science at the University of Toronto). This collection celebrates the couple’s sixty years of marriage by bringing together poems, occasional verses, illustrations and even a telegram into one heartwarming book.

What does it mean to be a woman--a lover, mother and artist? In "Swoon, Redel tackles the question of Eros as it animates domestic life. These are poems unafraid to embrace the sweetness of difficulty and the difficult sweetness of intimacy. Using short and extended lyric, prose poem, circular narrative, Redel refuses formal categorization, demanding of poetry a complex and textured vision of the female experience. "Swoon is a robustly sexy, intelligent, daring book of poems.

A musical phrase, a dream image, the absence of a lover, fragments of conversation with friends, an atrocity, the fragility and infinite mutability of words . . . each of the 71 poems in this collection proliferates around its transient nucleus. Like cells in a body, they are dynamic repositories of the past, sites for the breakdown and synthesis of experience, receptors and translators of self-generated and external messages. The immediate setting of the poems is Europe, a continent of many languages, whose borders can be porous or impenetrable depending on who wants to cross them. A truly heterogeneous space, whose land- and mindscapes remain deeply scarred - but also nourished - by the events and concepts of not only the twentieth century. Although the poems in this book written over a period of four years are distinguished by annually changing forms, they have been arranged not chronologically but calendrically.