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Title: The Dead Sea: or, notes and observations made during a Journey to Palestine in 1856-7, on M. De Sauley's supposed discovery of the Cities of the Plain [published in his "Voyage autour de la Mer Morte, etc."] ... Illustrated with photographs.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GEOLOGY collection includes books from the British Library digitised by Microsoft. The works in this collection contain a number of maps, charts, and tables from the 16th to the 19th centuries documenting geological features of the natural world. Also contained are textbooks and early scientific studies that catalogue and chronicle the human stance toward water and land use. Readers will further enjoy early historical maps of rivers and shorelines demonstrating the artistry of journeymen, cartographers, and illustrators. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Isaacs, Albert Augustus; Caignart de Saulcy, Louis F licien Joseph; 1857. 8 . 10075.d.9.

Zvi Arbel is an Israeli historian whose field is Jewish history. His chosen topic of research is the Petliura massacres of Ukrainian Jews in 1918-1920. Arbel's work is read by the poet Shmuel Foiglman, a Holocaust survivor who sends Arbel a volume of his own poetry in Yiddish. The relationship that develops between the two men is one of ambivalence and fascination; the reserved Israeli historian is alternatively affectionate and resentful towards the enthusiastic but tormented poet. Despite his ambivalence, Arbel is manipulated into helping Foiglman. He embarks on an effort to get Foiglman's poetry translated into Hebrew, and as Foiglman begins to monopolize more and more of his time and resources, Arbel ignores all the warning signs of the effect this is having on his marriage; his wife Nora cannot be dissuaded from her feelings of revulsion towards Foiglman. As the poet unintentionally drives a wedge between them, Arbel and Nora's long and contented marriage goes sour, and in Megged's blend of past and present, lust and nostalgia - tragedy becomes the only way out.

The Time Is Out of Joint handles the Shakespearean oeuvre from a philosophical perspective, finding that Shakespeare's historical dramas reflect on issues and reveal puzzles which were taken up by philosophy proper only in the centuries following them. Shakespeare's extraordinary handling of time and temporality, the difference between truth and fact, that of theory, and that of interpretation and revelatory truth are evaluated in terms of Shakespeare's own conjectural endeavors, and are compared with early modern, modern, and postmodern thought. Heller shows that modernity, which recognized itself in Shakespeare only from the time of Romanticism, found in Shakespeare's work a revelatory character which marked the end of both metaphysical system-building and a tragic reckoning with the inaccessibility of an absolute, timeless truth. Heller distinguishes the four stages found in constantly unique relation in Shakespeare's work (historical, personal, political, and existential) and probes their significance as time comes to fall "out of joint" and may be again set aright. Rather than initially bestowing upon Shakespeare the dubious honorary title of philosopher , Heller probes the concretely situated reflections of characters who must face a blind and irrational fate either without taking responsibility for the discordance of time, or with a responsibility which may both transform history into politics, and set right the time which is out of joint. In the ruminations and undertakings of these characters, Shakespeare's dramas present a philosophy of history, a political philosophy, and a philosophy of (im)moral personality. Heller weighs each as distinctly modern confrontations with the possibility of truth and virtue within a human historical condition no less multifarious for its momentariness.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

In London, before the First World War, where in society love and money predominate, Bertha and Nigel had been inseparable. But then Nigel felt he had to focus on the economics of life, and after all Bertha's family were quite modestly off. Whereas the heiress Mary, also interested in him but not anywhere near so charming, was very well set up. His decision was made. Though initially heartbroken, Bertha realises quickly that she has escaped from a delusion. Equanimity returns, and she finds in Percy Kellynch a devoted lover, though one a little more sober and less racy. They marry, as do Nigel and Mary, and over time the two become friends again, though now with wise awareness on Bertha's side. Nigel begins to see his error, as Mary's jealousy and her wish to supervise his life take their toll. He finds comfort in simply seeing Bertha initially, but inevitably begins to wish for more. Bertha is not interested, having moved on, but, if noticed, Nigel's attentions could be misconstrued... In the meantime, Bertha is also looking out for the future of a young friend, Madeline Irwin, who is smitten with Rupert Denison, a young man with rather too much of a penchant for patronising and "educating" young women. Madeline is impulsive, a little inexperienced and quite needy. Her headlong qualities precipitate problems very readily. As Bertha negotiates several crises arising from Nigel's reviving attachment, she also tries to assist Madeline in avoiding her own self-created disasters. Much depends on Bertha's talent for good management and wise counsel in the perils of both their lives. She is determined to win over adversity, but it will be a strong test of her skills.... Bird of Paradise, Leverson's fifth novel, as radiant with wit and wisdom as those which preceded it, was first published in 1914.

Includes the complete screenplay of the John Garfield classic written by Abraham Polonsky and Ira Wolfert. Introduced by Martin Scorsese. Biographical Interview with Mr. Polonsky. Commentary and critical analysis by Dr. John Schultheiss. Complete Filmography.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ R. Abrahami Eleazaris Uraltes Chymisches Werk: Welches Ehedessen Von Dem Autore Theils In Lateinischer Und Arabischer, Theils Auch In ChaldAischer Und Syrischer Sprache Geschrieben, Nachmals Von Einem Anonymo In Unsere Deutsche Muttersprache Ubersetzet, Nun Aber Nebst ZugehOrigen Kupfern ... 2 Abraham Eleazar, Samuel Baruch, Julius Gervasius In Lankischens Buchhandlung, 1760 Science; Chemistry; General; Alchemy; Body, Mind & Spirit / Occultism; Science / Chemistry / General

KEEPING THE FLAMES ALIVE The immortal Phoenix, avatar of passion and individuality, appears at key points throughout history to inspire humanity's creative endeavors-and stop those who would quench their fire. In 1593, Christopher Marlowe struggles to complete his latest play-and battles dark forces drowning London in disease, madness, and mayhem. In Lake Geneva, in 1816, renowned poet Lord Byron gathers several friends at a villa for what becomes a harrowing experience. In 1920s Hollywood, someone is murdering young women in the silent film world-and it looks like a certain Latin Lover could be the culprit! In the 1930s, as a new form of music rises from the Mississippi Delta leads to answers, enemies, a chance to settle old scores-and a brand-new King. From bestselling author Aaron Rosenberg comes a historical dark fantasy thriller about art, inspiration, and the extraordinary sacrifices one man must make to shield mankind from all forms of darkness, even those rising from within.

Missing mages, rapacious pirates, deadly storms-and a pair of young adventurers stuck in the middle! Sundra Aruvar and his "brother" Ruhi Naidu have thus far survived being captured and indentured by pirates. In fact, after catching the culprit who murdered two pirate lords, the pair are thriving. That is, until one of the pirate lords assigns them a new task. Her weather mage, a member of the tight-knit thalakurioi, has gone missing. And she wants Sundra and Ruhi to find out what happened. Doing so will send them far from the pirate capital of Surpakat, all across the Areyat Isles. They'll make new friends-and new enemies-and discover a whole new level to this strange pirate society. But, in the end, can they survive this mystery? Because mages are a dangerous lot-and someone doesn't want the missing ones found! * * * The second in bestselling author Aaron Rosenberg's Areyat Isles series of fantasy pirate mystery adventures set within the world of Eldros Legacy!

NOTHING IS WHAT IT SEEMS A dozen years ago, the Cossack Hetmanate did not exist. Then, out of nowhere, they emerged, breaking free from both Russia and the Ukraine to form their own tiny nation, fueled by remarkable scientific discoveries. And now, it seems, they need help. The kind they cannot ask for openly. The kind that requires a certain delicacy, and a certain . . . openmindedness to the limits of reality. The kind of help only O.C.L.T. can provide. But when the team arrives, they find only secrets, mysteries, and riddles. What is really going on here? One thing is certain—there is real danger, and possibly to a good deal more than just the fledgling nation. Everything else is a swirl of lies and half-truths, but anything can be brought to clarity. With the proper focal point.

This collection of essays, arising from the meetings of the SBL's Prophetic Texts and Their Ancient Contexts Group, examines how prophecy has been constructed in biblical literature such as the Former Prophets, the Latter Prophets, Chronicles, and Daniel, and even in the Qur'an. Recognizing that these texts do not simply describe the prophetic phenomena but rather depict prophets according to various conventional categories or their own individual points of view, the essays analyze the way prophecy or prophets are portrayed in these writings to better understand how they were structured by their respective authors. -- Publisher

This dictionary is based on old and recent manuscripts, printed texts, literary Midrashic texts, recorded oral Bible translations, folk literature, and diverse spoken registers. It has an extensive introduction, including a brief history of the Jewish dialects and their relations to older Aramaic, detailed observations on orthography, phonology, morphology, semantics, and other related grammatical features, that will serve the users well. The source for each word is indicated, including context quotations when necessary. A special effort was made to trace the origin of each and every word, be it native (classical and Talmudic Aramaic, Syriac etc.), or a loan word (Arabic, Hebrew, Persian, Kurdish, Turkish, general European). The Dictionary includes an index to all the Jewish Babylonian Aramaic words which have cognates or reflexes in Jewish Neo-Aramaic, a very important tool for the history of comparative linguistic studies of Aramaic. The Dictionary will be useful for scholars of Neo-Aramaic as well as classical and Talmudic Aramaic and Syriac, Semitic Languages, Jewish Languages, Languages in Contact, and other Near Eastern Languages in general. It is the first scholarly dictionary of Jewish Neo-Aramaic, and is intended to be a linguistic monument to the community that spoke it for many centuries until its emigration to Israel.

While many studies explore the literary role of the oath in general literature, none have contended with the role of the oath in the biblical narratives. This study seeks to fill that vacuum. The first section of this study examines the literary significance of the various oath formulae that appear in biblical narratives, focusing on anomalous formulations of the respective oath formulae. The second section of this study explores the narratives surrounding two characters, Saul and David, both of whom frequently engage in oath-making. The oaths taken by, to and about these characters mirror the narrative itself, and function as a prism through which the charactera (TM)s career is refracted. This study demonstrates that by perceiving the oath as a literary device for plot and character development, additional or more precise meanings may be revealed in the biblical stories.

The Autobiography of Wilhelm Stekel is a captivating memoir that chronicles the life of a pioneering psychoanalyst. Wilhelm Stekel was a key figure in the development of psychoanalysis, and his memoir offers a unique perspective on the field and its early pioneers. The book covers Stekel's childhood, education, and professional career, including his work with Sigmund Freud and other notable psychoanalysts. Stekel also shares personal anecdotes and reflections on his own struggles with mental illness and addiction. Throughout the book, Stekel provides insights into the history of psychoanalysis and its impact on the field of psychology. This autobiography is a must-read for anyone interested in the history of psychoanalysis or the life of Wilhelm Stekel.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

"Hotel Theory" is two books in one: a meditation on the meaning of hotels, and a dime novel ("Hotel Women") featuring Lana Turner and Liberace. Typical of Wayne Koestenbaum' s invigoratingly inventive style, the two books - one fiction, one nonfiction - run concurrently, in twin columns, and the articles " a, " " an, " and " the" never appear. The nonfiction ruminations on hotels are divided into eight dossiers, composed of short takes on the presence of hotels in the author' s dreams as well as in literature, film, and history. Guest stars include everyone from Oscar Wilde to Marilyn Monroe. "Hotel Theory" gives (divided) voice to an aesthetic of hyperaesthesia, of yearning. It is an oblique manifesto, the place where writing disappears. A new mode of theorizing - in fiction, in fragment, through quotation and palimpsest - arises in this dazzling work.

Review "There is a lovely and unexpected alchemy in these verses that veer from the stars to suburbia, from the sublime to sweaty reality, and leave traces of each in the other. Roberts has a powerful range: equally adept at ferocity and fragility, and a host of other apparent opposites, she is a borderless writer and an absolute joy to read." - June Sylvester Saraceno"Suzanne Roberts' poems in Plotting Temporality are songs of the body, the erotic imperative of flesh, the brutal finality of bone. Roberts' poems forcefully invoke "our night, our moon, but never, / never our dawn," their language striving to shape and illuminate our haunted movements--a caress, a spouse's hand pushed away, a figure approaching from the shadows, embraced with fateful longing." --Gaylord Brewer Product Description Suzanne Roberts is the author of three previous books of poetry, Shameless (2007), Nothing to You (2008), and Three Hours to Burn a Body: Poems on Travel (2011). She is also the author of a memoir, Almost Somewhere: 28 Days on the John Muir Trail (University of Nebraska Press, 2012). She holds a doctorate in literature and the environment from the University of Nevada-Reno and currently teaches at Lake Tahoe Community College in South Lake Tahoe, California. For more information, please visit her website at www.suzanneroberts.org From the Back Cover The poems in Plotting Temporality are songs of the body, the erotic imperative of flesh, the brutal finality of bone. These poems flicker with shadow and light, sometimes igniting into bold vision, sometimes mapping what is missing, drawing new shapes from the natural world, giving the familiar a new dimension, a mystery that compels us to follow. About the Author Suzanne Roberts is the author of the memoir Almost Somewhere: Twenty-Eight Days on the John Muir Trail, as well as three previous collections of poetry: Shameless, Nothing to You, and Three Hours to Burn a Body: Poems on Travel. She teaches at Lake Tahoe Community College and for the low residency MFA in creative writing at Sierra Nevada College.

Dating from the sixteenth century, there were hundreds of shtetls—Jewish settlements—in Eastern Europe that were home to a large and compact population that differed from their gentile, mostly peasant neighbors in religion, occupation, language, and culture. The shtetls were different in important respects from previous types of Jewish settlements in the Diaspora in that Jews had rarely formed a majority in the towns in which they lived. This was not true of the shtetl, where Jews sometimes comprised 80% or more of the population. While the shtetl began to decline during the course of the nineteenth century, it was the Holocaust which finally destroyed it. During the last thirty years the shtetl has attracted a growing amount of scholarly attention, though gross generalizations and romanticized nostalgia continue to affect how the topic is treated. This volume takes a new look at this most important facet of East European Jewish life. It helps to correct the notion that the shtetl was an entirely Jewish world and shows the ways in which the Jews of the shtetl interacted both with their co-religionists and with their gentile neighbors. The volume includes chapters on the history of the shtetl, its myths and realities, politics, gender dynamics, how the shtetl has been (mis)represented in literature, and the changes brought about by World War I and the Holocaust, among others. Contributors: Samuel Kassow, Gershon David Hundert, Immanuel Etkes, Nehemia Polen, Henry Abramson, Konrad Zielinski, Jeremy Dauber, Israel Bartel, Naomi Seidman, Mikhail Krutikov, Arnold J. Band, Katarzyna Wieclawska, Yehunda Bauer, and Elie Wiesel. This is the first book published in the Elie Wiesel Center for Judaic Studies Series .