"The year is 1895, Jaffa. Salah Rajani, a troubled Muslim boy living in a dilapidated mansion surrounded by orange groves, suffers from peculiar visions about a disaster which is set to befall his people. His life is changed by the arrival of a handsome young man, a dynamic Jewish settler, new to the city, by the name of Isaac Luminsky. Luminsky covets both the fertile lands of the Rajani estate and Salah's beautiful mother Afifa, and his friendship with the boy is destined to lead to violence and tragedy." "This rich and colourful novel is made up of the two opposing journals of Hilu's intriguing and extraordinary protagonists as they negotiate love, honour and betrayal in the changing world of nineteenth-century Palestine." --Book Jacket.

In the surprising world that Sami Michael reveals, Shula, an Ashkenazic Jew, is the center of a web of brilliantly drawn characters: Israeli Arabs, Palestinian refugees, "black Jews," and "white Jews." Swirling in and out of Shula's story are poignantly drawn minor players - an Arab/Israeli couple, their ever-more-militant son, a seductive Arab poet, and political outsiders in a fragile society at war. Sami Michael was born in Baghdad in 1926, fled to Iran during WWII, and eventually made his way to Israel. His first novel, Equal and More Equal was published to critical acclaim. Refuge was his second major work, written originally in Hebrew but, he adds, "with the emotional baggage of the Third World."

This outstanding family novel, set in a Jewish neighborhood of Chicago, is "the fullest articulation of the generational conflict between Jewish fathers and [sins]," writes Alexander Bloom in his 1986 book Prodigal Sons. The central character, a 15-year-old boy in rebellion against the petit bourgeois values of his family, engineers an affair between his flamboyant aunt and his easy-going Gentile cousin by marriage. He then leaves his father and moves into the house of this new couple, where he experiences the excitement and problems of an open relationship.

Surrounded by cemeteries in the flatlands of New Jersey, the small town of Lud is sustained by the business of death. In fact, with no synagogue and no congregation, Rabbi Jerry Goldkorn has only one true responsibility: to preside over burial services for Jews who pass away in the surrounding cities. But after the Arctic misadventures that led him to Lud, he wouldn't want to live (or die) anywhere else. As the only living child in Lud, his daughter Connie has a different opinion of this grisly city, and she will do anything to get away from it--or at least liven it up a bit. Things get lively indeed when Connie testifies to meeting the Virgin Mary for a late-night romp through the local graveyards.

This stellar collection of Jewish science fiction and fantasy carries on in the tradition of its companion volume--the enduring classic Wandering Stars --breaking new ground with every story. Trouble with mothers; invading aliens and demons; the arrival of the long-awaited Messiah ... all these phenomena and more are tackled in these tales from a creative group of extraordinary writers. We go to the edges of the universe, finding humor, pain and humanity in the unlikeliest of places and situations. Filled with wit, vigor and sharp insight, this is a fantastic feast for the imagination that will intrigue and delight everyone who picks it up, Jew and non-Jew alike.

One of America's most popular Jewish writers, Chaim Potok (b. 1929) is the author of such novels as The Chosen (1967), The Promise (1969), The Book of Lights (1981), and Davita's Harp (1985). Each of his novels explores the tension between tradition and modernity, and the clash between Jewish culture and contemporary Western civilization, which he calls "core-to-core culture confrontation." Although primarily known as a novelist, Potok is an ordained Conservative rabbi and a world-class Judaic scholar who has also published children's books, theological discourses, biographies, and histories. Conversations with Chaim Potok presents interviews ranging from 1976 to 1999. Potok discusses the broad range of his writing and the deep influence of non-Jewish novels-in particular, Evelyn Waugh's Brideshead Revisited and James Joyce's Portrait of the Artist as a Young Man -on his work. Interviews bear witness to Potok's many other influences-Orthodox Jewish doctrine, Freudian psychoanalytical theory, Picasso's Guernica, and Jewish kabbalah mysticism. Though labeled an American Jewish writer, Potok argues that Flannery O'Connor should then be called an American Catholic writer and John Updike an American Protestant writer. "In his mind," editor Daniel Walden writes, "just as Faulkner was a writer focused on a particular place, Oxford, Mississippi, . . . so Potok's territory was a small section of New York City." Potok often explores conflict in his writings and in his interviews. Strict Jewish teachings deem fiction an artifice and therefore unnecessary, yet since the age of sixteen Potok has been driven to write novels. At the root of all of these conversations is Potok's intense interest in the turmoil between Jewish culture, religion, and tradition and what he calls "Western secular humanism." As he discusses his work, he continually includes broader issues, such as the state of Jewish literature and art, pointing out with pride and enthusiasm his belief that Jewish culture, in the twentieth century, has finally begun to have a significant role in producing and shaping the world's art and literature. Whether discussing the finer details of Talmudic textual analysis or his period of chaplaincy during the Korean War, Potok is articulate and philosophical, bringing deep consideration into what may seem small subjects. Although his novels and histories take place primarily in the recent past, the Chaim Potok that emerges from this collection is a writer deeply rooted in the tensions of the present. Daniel Walden is Professor Emeritus of American Studies, English and Comparative Literature at Penn State University. He has written or edited several books, including On Being Jewish (1974), Twentieth Century American Jewish Writers (1984), The World of Chaim Potok (1985), and American Jewish Poets: The Roots and the Stems (1990).

In evoking the joy and pain of the Jewish immigrant experience, Anzia Yezierska has no peer. Her stories and novels, written from the 1920s to the 1960s, immortalized the Jews of New York's Lower East Side and their struggle to escape poverty and to partake of America's promise. How I Found America gathers together all of Yezierska's short fiction: the two collections published during her lifetime--Hungry Hearts and Children of Loneliness--and seven additional tales. Each story is authentic and immediate, as memorable as family history passed from one generation to the next. taken together, they constitute an enduring portrait of a time and a people.

"When Elaine Levine's eccentric older brother, Isaac, moves back from LA to the quiet suburb of Thornhill, Ontario, to help her care for her suddenly motherless grandchildren, he finds himself embroiled in even more neighbourhood drama than he would like. Meanwhile, a nanny, miles from her own family in the Philippines, cares for a young boy who doesn't fit in at school. In a house down the street, a young mother is given the news that her marriage is over by her mother-in-law while her husband sits silent. And a woman in mid-life contends with the task of cleaning out the house in which she grew up, while her teenage son struggles with why his dad moved out. This stunningly intimate collection of stories, which spans fifteen years in the lives of the Levine family and the other characters, is an exquisite portrait of a Jewish community, the secular and religious families who inhabit it, and the tensions that exist there, by a writer with a keen eye for detail, a gentle sense of humour, and an immense literary talent."--

God bless you, England, on this glorious Year of Our Lord, 1145. Things are definitely not right in Nottingham. Rebecca, daughter of a Jewish money-lender, has a sense for it. A mad monk schemes to resurrect the Christ from body parts. A bone harpist murders creatures of legend for a price. A fae creature binds its wings and embraces a new God and his son. And don't even mention the Hood. The Man in Green. The Prince of Thieves. The tick-tock taker of the ten-toll tax. What hope have the series of sheriffs sent to hold the peace? It's the forest, you see. Sherwood. Ice Age ancient, impenetrable, hiding a dark and secret heart. But hearts, no matter how black, no matter how hidden, are not immune to change. The old world is dying... and a terrifying new one is waiting to take its place. Rebecca senses an opportunity. But how far is she willing to go, and what price - because there is always a price - will she have to pay? The Hood is Lavie Tidhar's narcotic reweirding of an ancient English myth, a tale stitched together from legends lost to time, a tale told and retold, reworked and renewed for each passing century. A tale, reader, for today. 'A wild, inventive tapestry of myth and magic, with a wry sense of humor. Tidhar's writing is wonderfully vibrant' Silvia Moreno-Garcia, bestselling author of Mexican Gothic

After the Nazis destroy his family, twelve-year-old Moishe gives up his Jewish faith, calls himself Danny, and is taken to New York where he tries to make the best of his life in a Catholic orphanage.

"Pale Blue Ink in a Lady's Hand is, in many ways, a prequel to what is known as Holocaust literature. It involves a long-suppressed love triangle between Leonidas Tachezy, a high-level Austrian career bureaucrat, his younger, trophy wife Amelie, and a Jewish woman from his past, Vera Wormser, with whom he'd fallen in love when she was fourteen."--Page 4 of cover.

Product description Book by Pollack, Eileen From the Publisher "These fine, lean, elegant stories share two traits that are becoming increasingly rare in contemporary fiction: high intelligence and absolute unpredictability. Like the air conditioner in the story of that title, they fall swiftly, and change the lives of their protagonists, but never in the way one think they are going to. I will find them hard to forget."--David Leavitt

All Whom I Have Loved is the haunting story of a Jewish family in Eastern Europe in the 1930s as seen through the eyes of an unforgettable nine-year-old boy. The beloved only child of divorced parents, Paul watches helplessly as his family and his world dissolve around him. At first he lives with his mother—a secular, assimilated schoolteacher, whom he adores until she “betrays” him by marrying a gentile. He’s then sent to live with his father—once an admired avant-garde artist, but now reviled by the critics as a “decadent Jew,” who drowns his anger, pain, and humiliation in drink. Paul searches in vain for a life of stability and meaning. The earthy peasant girl who briefly takes care of him, the pull he feels toward the Jews praying in the local synagogue, and his fascination with Eastern Orthodox church rituals give him only tantalizing glimpses into worlds of which he can never be a part. The fates that Paul’s parents will meet with Paul as terrified witness, and his own fate as an orphaned Jewish child alone in Europe in 1938, are rendered by Aharon Appelfeld with extraordinary subtlety and power, as they foreshadow, in the heart-wrenching story of three individuals, the cataclysm that is about to engulf all of European Jewry.

In Jews vs Zombies, editors Lavie Tidhar and Rebecca Levene have gathered together brand new stories from the light-hearted to the profound, with authors ranging from BSFA Award winner Adam Roberts to best-selling author Sarah Lotz, all asking, for the first time, the question you didn't even know you wanted answered - what happens when the Chosen People meet the Living Dead?

In Jews vs Aliens, editors Lavie Tidhar and Rebecca Levene have gathered together brand new stories from the light-hearted to the profound, with authors ranging from Orange Prize winner Naomi Alderman to Big Bang Theory writer/producer Eric Kaplan, all asking, for the first time, the question you didn't even know you wanted answered - what happens when the aliens arrive, only to encounter... Jews?

Remarkable prose collection from a notable Australian poet. If life is a cosmic stage where illusions are the only reality, says Jacob G. Rosenberg, it is through these illusions that we can sometimes better recognize our world, our fellows, and ourselves. Such is the author's hope in this book. The stories in the first part, Lives, explore dimensions of the human landscape. The shorter pieces that make up Embers, inspired by the midrashic tradition of biblical interpretation, investigate the eternal human drama through the prisms of scripture, history, and folklore.

'The Credit Draper', an original debut novel by J. David Simons, is more than just an immigrant's story about the search for identity in an alien land - it is also a book about whisky, football and waterproof clothing.

'Feinstein's triumph is to write so well that she makes Lena's predicament not only moving, in a perfunctory dismissive way, but also painful ... [she has] an accurate and acute feeling for language, and pauses, and silence.' Guardian Lena's seemingly contented family life is coming apart at the seams. Her husband Ben has been having an affair with the au pair, and as their relationship slides he retreats more and more into his work in a science lab. Sons Alan and Michael may appear happy enough, but this is far from the case - both are responding to a physical world which they alone inhabit. And Lena - desperately lost and seeking an identity of her own, both inside and outside of her family unit - increasingly finds solace at the bottom of a bottle. An exploration of just how lonely - and how magic - a marriage can be, The Circle is a poignant, poetic and incredibly assured debut novel.

"Hell on Earth is the second book written by Avigdor Hameiri (born Feuerstein; 1890-1970) about his experiences as a Russian prisoner of war during the second half of World War I. Translator Peter C. Appelbaum first became interested in Hameiri's story after learning that one quarter of the Austro-Hungarian army was captured and imprisoned, and that the horrific events that took place at this time throughout Russia and central Asia are rarely discussed in scholarly texts. Available for the first time to an English-speaking audience, this reality-driven novel is comparable to classics like All Quiet on the Western Front and The Gulag Archipelago."--