Max makes a million: When Max the dog finally sells his book of poetry, he is able to fulfill his lifelong dream of traveling to Paris. Oh-la-la: As he experiences Paris, the city of love, Max the millionaire poet dog knows he is missing something. Max in Hollywood, Baby: Max the millionaire poet dog and his Parisian poodle friend Crêpes Suzette leave Paris for the lure of glittering Hollywood. Can movie stardom be far behind?

Unlock the mysteries of the universe with this guide that makes one of the most complex fields of science both accessible and as mind-blowing as a great poem. Quantum theory forms the foundation of modern physics, explaining everything from the tiniest particles to the vast expanse of the cosmos. Yet, for many, it remains a perplexing enigma. In this engaging and informative book, physicists Lederman and Hill break down the complexities of quantum physics for curious minds, weaving together history, science, and storytelling to illuminate the breakthroughs of renowned figures like Max Planck, Albert Einstein, Niels Bohr, and Erwin Schrödinger. The book explores the bizarre realities of quantum mechanics—particles that can exist in multiple places at once, waves that shift when observed, and the paradoxes that even confounded Einstein. It also delves into the latest developments in field theory and string theory, offering readers a glimpse into quantum physics’ most fascinating frontiers. With clear analogies, vivid examples, and a touch of humor, Quantum Physics for Poets reveals how this science shapes everything from groundbreaking technologies to the fundamental nature of reality itself. Whether you're a science enthusiast or a curious reader, this book invites you to savor the wonders of the quantum world. "A sparkling and articulate new account of how the quantum revolution changed 20th century science – and, as a further delight, how physics and poetry can speak the same language." ― Chicago Tribune

On Flow of Grace, Krishna Das offers us the rare opportunity to chant the transformative verses of the Hanuman Chalisa along with him, and to experience the devotional power of Kirtan (sacred chant) at its best. With his deep, hypnotic voice and soothing sounds of the harmonium, Krishna Das brings this centuries-old devotional poetry alive, and guides us toward a blissful, boundless state of connection to the divine.

In this groundbreaking and far-reaching collection, writers such as Andre Dubus, Stanley Elkin, and Adrienne Rich, confront what it means to be disabled in our society. Through the vehicles of nonfiction, poetry, fiction, and drama, "Staring Back" is the first anthology to open the landscape of the disabled experience for exploration and discussion.

Poetry. "I am spending my 39th year practicing uncreativity. On Friday, September 1, 2000, I began retyping the day's NEW YORK TIMES word for word, letter for letter, from the upper left hand corner to the lower right hand corner, page by page." With these words, Kenneth Goldsmith embarked upon a project which he termed "uncreative writing", that is: uncreativity as a constraint-based process; uncreativity as a creative practice. By typing page upon page, making no distinction between article, editorial and advertisement, disregarding all typographic and graphical treatments, Goldsmith levels the daily newspaper. DAY is a monument to the ephemeral, comprised of yesterday's news, a fleeting moment concretized, captured, then reframed into the discourse of literature. "When I reach 40, I hope to have cleansed myself of all creativity"-Kenneth Goldsmith.

"In this essay on 'what the imagination has made of the phenomenon of echo, ' the author examines certain aspects of the figure of echo in light of their significance for poetry. Looking at echo in its literal, acoustic sense, echo in myth, and echo as literary allusion, Mr. Hollander concludes with a study of the rhetorical status of the figure of echo, and the ancient and newly interesting trope of metalepsis, or transumption, which it appears to embody. Centered on ways by which Milton's poetry echoes, and is echoed by, other texts, The Figure of Echo deals well with Spencer and other Renaissance writers, with romantic poets such as Keats, Shelley, and Wordsworth, and with echoes of their nineteenth-century forebears in such modern poets as Hardy, Eliot, Stevens, Frost, Williams and Hart Crane."--Front dust jacket inside flap.

" A Courtship After Marriage places sex and marriage at the heart of modernity's making. Hirsch's innovative study of marriage-making in transnational Mexican families offers a fascinating look at the opportunities cross-border migration provides for reconstructing gender and rediscovering pleasure. This ambitious, well-crafted book speaks to anthropologists, demographers, and public health specialists, while transcending the divides between them."—Susan Greenhalgh, author of Under the Medical Gaze: Facts and Fictions of Chronic Pain "Jennifer Hirsch is one of the new wave in demographic scholars that takes culture seriously. Her book is a model of engaged, policy-relevant scholarship that achieves its warrant through deep contextualization in the everyday experience of its subjects. Beautifully written, rigorously analyzed, and almost novelistic in its nuance and detail, this study of marriage, migration, and fertility puts the people back into demography and makes one of the most powerful contributions to policy-relevant social science that I have seen in a long time. A work of beauty, sensitivity, and scholarship that sets a new standard for all that follows."—Tom Fricke, author of Himalayan Households: Tamang Demography and Domestic Processes "In this engagingly written and keenly observed ethnography of Mexican marriages in Atlanta and in small Mexican towns, Jennifer Hirsch brings love, sex and romance to Mexican immigration scholarship, and presents a compelling case for the rise of companionate marriages and ideals of spousal intimacy. This book will appeal to anyone interested in gender studies, immigrant families and the social and cultural contexts of fertility."—Pierrette Hondagneu-Sotelo, author of Domestica: Cleaning and Caring in the Shadows of Affluence "A groundbreaking study. Gracefully written, yet at the same time rigorously argued, this book reminds us of the poetry and dignity that can be found in ordinary lives and of the dreams and aspirations that sustain human agency even in the face of severe social and economic constraints. This is a major contribution to our understanding of migration, gender, sexuality, and social change in contemporary life and a model for engaged social research at its very best."—Richard Parker, author of Bodies, Pleasures and Passions "Hirsch has written a superb, insightful, and original study of Mexican migrants and the challenges of marital devotion and separation they face across time and space. Exemplary in its detail and rigor, Courtship brings us into the lives of men and women in Georgia and Jalisco, shows us the risks they take to create modern forms of intimacy, and reconceptualizes how we should view sexualized companionship, procreation, and engendered pleasures. This book will become a gold standard ethnography in medical anthropology, public health, and transnational migration studies."—Matthew C. Gutmann, author of The Romance of Democracy: Compliant Defiance in Contemporary Mexico "Hirsch’s engaging analysis of gender relations among immigrant Mexicans in Atlanta and in the Mexican community from which they come, shows how migration affects women's and men's roles, the place of sexuality in building marital intimacy, struggles over contraceptive use, and power relations in the couple. Using detailed ethnographic examples, she examines the trend toward companionate couplehood, and demonstrates both struggles and triumphs as young Mexicans and Mexican-Americans strive to create marriages that combine the strengths of traditional respect-based bonds with the advantages of new relationships built on trust."—L.A. Rebhun, author of The Heart Is Unknown Country: Love in the Changing Economy of Northeast Brazil

“The name: What does one call thus? What does one understand under the name of name? And what occurs when one gies a name? What does one give then? One does not offer a thing, one delivers nothing, and still something comes to be, which comes down to giving that which one does not have, as Plotinus said of the Good. What happens, above all, when it is necessary to sur-name, renaming there where, precisely, the name comes to be found lacking? What makes the proper name into a sort of sur-name, pseudonym, or cryptonym at once singular and singularly untranslatable?” Jacques Derrida thus poses a central problem in contemporary language, ethics, and politics, which he addresses in a liked series of the three essays. Passions: “An Oblique Offering” is a reflection on the question of the response, on the duty and obligation to respond, and on the possibility of not responding—which is to say, on the ethics and politics of responsibility. Sauf le nom (Post Scriptum) considers the problematics of naming and alterity, or transcendence, raised inevitably by a rigorous negative theology. Much of the text is organized around close readings of the poetry of Angelus Silesius. The final essay, Khora, explores the problem of space or spacing, of the word khora in Plato’s Tmaeus . Even as it places and makes possible nothing less than the whole world, khora opens and dislocates, displaces, all the categories that govern the production of that world, from naming to gender. In addition to readers in philosophy and literature, Khora will be of special interest to those in the burgeoning field of “space studies”(architecture, urbanism, design).

A Los Angeles Times Healthy Bestseller and winner of the Body Mind Spirit magazine Award of Excellence. A LITTLE BOOK ON LOVE explores the great works of philosophy, myth, and sacred wisdom. Written by philosopher Jacob Needleman, it offers a bold new interpretation of why two people are brought together in the miracle called love. In A LITTLE BOOK ON LOVE, Needleman uses eclectic sources to explain the essence and nature of the miracle that is love. From the radiant poetry of the great Sufi mystic Rumi to the revelations of Saint Paul, Needleman guides readers on an enthralling journey of discovery. Resonating with hope and wisdom, A LITTLE BOOK ON LOVE demonstrates that true love can transcend both time and the mundane to become a precious resource for anyone who wants a relationship to last a lifetime--and beyond.

The first monograph on Edmund de Waal, the internationally renowned artist and bestselling author of The Hare with the Amber Eyes . Featuring contributions from Emma Crichton–Miller, Colm Toibin, Peter Carey, AS Byatt, Alexandra Munroe, and Deborah Saunt. The first complete survey of de Waal’s career to date, this groundbreaking monograph encompasses major exhibitions and installations at the Victoria and Albert Museum, Tate Liverpool, and the Gagosian Gallery in New York. Stunning photography conveys the delicacy of de Waal’s works and provides a rare glimpse into his studio practice. In addition to being one of the world’s leading ceramicists, de Waal is also a renowned historian of the medium. His critical and personal essays and poetry are interspersed throughout the book, bringing to light the prominence of ceramics in our everyday lives. Together, de Waal’s art and writing speak to his enduring fascination with the nature of objects and the attendant history of their collection and display. Contributions to this monograph by novelists Colm Toibin, Peter Carey, and AS Byatt appear alongside critical essays by Guggenheim curator Alexandra Munroe, journalist Emma Crichton–Miller, and architect Deborah Saunt. Elegant papers and a tooled case make Edmund de Waal an exquisitely collectable object.

“…Helen Levitt is one of the living treasures of New York, widely admired for her devotion to candid street photography in a style influenced by Henri Cartier-Bresson and Walker Evans…[Her] vignettes of domestic, daily city life, taken on the Lower East Side and in Harlem, are a form of poetry that evokes the fortitude and forbearance of New Yorkers past and present.” —Andy Grundberg,The New York Times Book Review Selected as the best photography book of 2001 by The New York Times Book Review, The Village Voice, and Photo-Eye, among others, Helen Levitt’s magnum opus Crosstown (powerHouse Books 2001) all but sold out of its one and only, six-thousand-copy print run. Here and There is Levitt’s new collection of personally-selected images a charming monograph featuring over ninety never-before-published photographs, including portraits of her friends James Agee and Walker Evans. The recently discovered photographs featured in Here and There represent Levitt’s own favorite images selected from her immense private collection. Shot over seven decades, Here and There reveals Levitt’s acute sense of how cosmetically street life has changed—and how substantially it has remained the same. The sheer determination of this inimitable photographer to walk the streets of her beloved city for this length of time and take pictures of what she saw, reaffirms her unofficial status as New York City’s visual poet laureate. “[Levitt’s photographs] have the quality of frozen street-corner conversation: she went out, saw something wonderful, came home to tell you all about it, and then, frustrated, said, ‘You had to be there,’ and you realize, looking at the picture, that you were.” —Adam Gopnik, The New Yorker

Four decades ago, Erica Jong revolutionized the way we look at love, marriage and sex. Her world-wide bestseller, FEAR OF FLYING opened the doors for writers from Jennifer Weiner to Lena Dunham. Now she does it again by giving us powerful, new perspective on the next phase of women's lives. Full of the sly humor, deep wisdom and poignancy we know from her poetry, fiction and essays, she delivers the novel women everywhere have been waiting for... FEAR OF DYING As the afternoon of life looms over Vanessa Wonderman, she watches her parents age, attends doctor appointments with her pregnant daughter, and sits by the hospital bed of her husband, Asher, fifteen years her senior. With her best years as an actress behind her, she's discovering that beginnings are easy, but endings can be hard. Could her fountain of youth fantasies be fulfilled on zipless.com? A site inspired by the writings of her best friend, Isadora Wing, it promises "no strings attached" encounters-and Vanessa is so restless that she's willing to try anything. Fear of Dying is a daring and delightful look at what it really takes to be human and female in the 21st century. Wildly funny and searingly honest, it is a story for everyone who has ever been shaken and changed by love.

During Yoshimasa's reign, the aesthetic taste of the Japanese was shaped: the n› theater flourished, Japanese gardens were developed, and the tea ceremony had its origins in a small room at the Silver Pavilion. Flower arrangement, ink painting, and shoin-zukuri architecture began or became of major importance under Yoshimasa. Poets introduced their often barely literate warlord-hosts to the literary masterpieces of the past and taught them how to compose poetry. Even the most barbarous warlord came to want the trappings of culture that would enable him to feel like a civilized man. This long-neglected but critical period in Japanese history at last has the thorough treatment it deserves.

"Christianity, Judaism, and Islam are usually treated as autonomous religions, but in fact across the long course of their histories the three religions have developed in interaction with one another. In Neighboring Faiths, David Nirenberg examines how Muslims, Christians, and Jews lived with and thought about each other during the Middle Ages and what the medieval past can tell us about how they do so today. There have been countless scripture-based studies of the three "religions of the book," but Nirenberg goes beyond those to pay close attention to how the three religious neighbors loved, tolerated, massacred, and expelled each other--all in the name of God--in periods and places both long ago and far away. Nirenberg argues that the three religions need to be studied in terms of how each affected the development of the others over time, their proximity of religious and philosophical thought as well as their overlapping geographies, and how the three "neighbors" define--and continue to define--themselves and their place in terms of one another. From dangerous attractions leading to interfaith marriage; to interreligious conflicts leading to segregation, violence, and sometimes extermination; to strategies for bridging the interfaith gap through language, vocabulary, and poetry, Nirenberg aims to understand the intertwined past of the three faiths as a way for their heirs to produce the future--together." -- Publisher's description.

Bergman analyzes the writings of such famous American writers as Walt Whitman, Herman Melville, Tennessee Williams, James Baldwin, F. O. Matthiessen, and Larry Kramer. He considers the entire range of literature, including poetry and drama, and gives attention to African or Native American themes in the work of Alain Locke, Countee Cullen, Francis Grierson, David Plante and others.

The story of the mother-and-daughter goddesses Demeter and Persephone has seized the imagination of people in every age, from ancient times to the present. Considered today by many to be the archetypal myth for women, it touches on timeless themes in every life, such as the male-female relationship, love between women, initiations into puberty and old age, the mother-daughter bond, death, and ecological renewal. Christine Downing has combined essays, prose, poetry, and even performance art with her own insightful commentary to shed new light on the myth's ancient meanings and to offer new insights in its implications for contemporary men and women.

Like much twentieth-century feminist writing today, this book crosses the boundaries of genre. Biblical interpretation combines with fantasy, autobiography, and poetry. Politics joins with eroticism. Irreverence coexists with a yearning for the sacred. Scholarship contends with heresy. Most excitingly, the author continues and extends the tradition of arguing with God that commences in the Bible itself and continues now, as it has for centuries, to animate Jewish writing. The difference here is that the voice that debates with God is a woman's.

"Essays, speeches, and journal entries from one of our most admired and best-loved poets that illuminate how he came to understand himself as a poet, the events and people that he wrote about, and the older poets who influenced him. In prose both as superbly rendered as his poetry and as down-to-earth and easy as speaking, Levine reveals the things that made him the poet he became. In the title essay, originally the final speech of his poet laureate year, he recounts how as a boy he composed little speeches walking in the night woods near his house and how he later realized these were his first poems. He wittily takes on the poets he studied with in the Iowa Writing Program: John Berryman, who was his great teacher and lifelong friend, and Robert Lowell, who was neither. His deepest influences--jazz, Spain, the working people of Detroit--are reflected in many of the pieces. There are essays on Spanish poets he admires, William Carlos Williams, Wordsworth, Keats, and others. A wonderful, moving collection of writings that add to our knowledge and appreciation of Philip Levine--both the man and the poet"--

Spring and All, a collection of poems and essays, was first published by William Carlos Williams in 1932. Williams was a true renaissance man - he was a doctor, an artist, and a poet. This collection contains many of his classics including Red Wheelbarrow. He wrote this while tending to a sick child. So much depends upon a red wheel barrow glazed with rain water beside the white chickens. Williams was well celebrated during his lifetime. He won the first National Book Award for Poetry. He was posthumously awarded a Pulitzer Prize. Be inspired by his thought-provoking works! Note that Lisa Shea will also soon have an annotated and illustrated version, for those who would enjoy having notes on each poem.

Dorothy Parker ( 1893 to 1967) was an American poet and satirist, best known for her wit, wisecracks, and eye for 20th century urban foibles. From a conflicted and unhappy childhood, Parker rose to acclaim, both for her literary output in such venues as The New Yorker and as a founding member of the Algonquin Round Table. Following the breakup of the circle, Parker traveled to Hollywood to pursue screenwriting. Her successes there, including two Academy Award nominations, were curtailed as her involvement in left wing politics led to a place on the infamous Hollywood blacklist. Parker went through three marriages (two to the same man) and survived several suicide attempts, but grew increasingly dependent on alcohol. Dismissive of her own talents, she deplored her reputation as a "wisecracker". Nevertheless, her literary output and reputation for her sharp wit have endured. She sold her first poem to Vanity Fair magazine in 1914 and, some months later, she was hired as an editorial assistant for another Condé Nast magazine, Vogue. She moved to Vanity Fair as a staff writer following two years at Vogue. In 1917, married a Wall Street stock broker, Edwin Pond Parker II but they were separated by his army service in World War I. She had ambivalent feelings about her Jewish heritage given the strong antisemitism of that era and joked that she married to escape her name. In the 1920s alone she published some 300 poems and free verses in outlets including the aforementioned Vanity Fair, Vogue, "The Conning Tower" and The New Yorker along with Life, McCall's and The New Republic. She published her first volume of poetry, Enough Rope, a collection of previously published work along with new material in 1926. The collection sold 47,000 copies]and garnered impressive reviews. The Nation described her verse as "caked with a salty humor, rough with splinters of disillusion, and tarred with a bright black authenticity."