Dusty Springfield made her name in the 60s with a string of top ten hits. Her unique singing style and distinctive bouffant blonde look made her famous throughout the world. Despite a period in the wilderness during the 70s and 80s, she was back at the top in the 90s until her death from cancer in March l999. Born an Irish Catholic in l939, her background set her almost schizophrenically at odds with herself as she realised her sexuality and moved further into the rock world. Both Penny Valentine and Vicki Wickham knew Dusty well, as friend and manager for much of her career. As well as charting her gay relationships, this book also looks candidly at the period of her greatest self-destruction while living in Los Angeles in the 80s. Covering every area of her career with honesty and affection, Dusty is brought vividly to life.

"In this updated collection of literary essays, interviews, prefaces, personal notes, and occasional writings, including poignant and illuminating appreciations of other poets and novelists and of New York City life, Paul Auster offers not only samplings but insights into the first fifty years of his brilliant writing career. Through critical readings of literary greats such as Hawthorne, Poe, Beckett and Kafka, as well as less well-appreciated poets from George Oppen to Laura Riding, Auster celebrates the achievements of his fellow authors while probing the constraints of language and considering the relationships between writers and the works they create. In addition, through an offering of highly personal notes, essays, and interviews dating back to his student days at Columbia in the 1960s, Auster turns the light on himself, exposing readers to the myriad of topics and inspirations that have shaped his work. From sitting in the bleachers at a Mets game to discussing the Dada art movement, from witnessing the death-defying performances of high-wire artist Philippe Petit to reflecting on the events of September 11th, Auster ushers readers into his thinking across fifty years and through a wide-reaching literary world. Sprawling in scope and subject, local in outlook, Talking to Strangers paints a vivid and intimate portrait of the man behind the page who has long captivated readers around the world"

Hidden away in an Oxford back street is a crumbling Georgian mansion, unknown to any but the few who possess a key to its unassuming front gate. Its owner is the mercurial, charismatic Mark Winters, whose rackety trust-fund upbringing has left him as troubled and unpredictable as he is wildly promiscuous. Mark gathers around him an impressionable group of students- glamorous Emmanuella, who always has a new boyfriend in tow; Franny and Simon, best friends and occasional lovers; musician Jess, whose calm exterior hides passionate depths. And James, already damaged by Oxford and looking for a group to belong to. For a time the group lives in a charmed world of learning and parties and love affairs. But university is no grounding for adult life, and when, years later, tragedy strikes they are entirely unprepared. Universal in its themes of ambition, desire and betrayal, this spellbinding novel reflects the truth that the lessons life teaches often come too late. 'The naïve sense of indestructibility possessed by a close-knit group of students is expertly balanced with the suspense of what threatens to unfold.' Sophie Morris Saturday Independent 'Naomi Alderman's second novel examines the warping effects of wealth.' Joanna Briscoe, Observer 'Alderman's premise is familiar - trust-funder going to the bad - but this is, nonetheless, a dark spell of a book, with brooding disenchantment at its heart.' Eithne Farry. Daily Mail 'As the novel progresses, we are forced to look at how people are driven by impulses they're not even aware of, and the most brutal lesson of all- that love doesn't come without pain or sacrifice.' Alastair Mabbott, The Herald 'The Lessons is sturdily plotted and hooks you in- it's a good read if not unique.' Alice Fisher, Observer 'Alderman packs a punch with her opening line', Lianne Kolirin , Daily Express 'The Lessons has more insight into human nature than Martin Amis's The Pregnant Widow , and is more intellectually sustained. This is a second novel from a young writer of huge talent, ambition and energy.' Amanda Craig, Independent 'No one writes about pain better than Alderman. Lose yourself in 278 pages and you enter another world.' Liz Hoggard, Evening Standard 'Naomi Alderman is, evidently, not afraid of ghosts. She courts them and flirts with them and defies them in her darkly seductive second novel, The Lessons .' Damian Barr, Independent on Sunday 'Beautifully written . . . satisfyingly complex exploration of the characters and their relationships.' Samira Shackle , New Statesman 'This is a remarkable novel, which portrays with uncomfortable accuracy the feted world of the Oxford undergraduate. It reminds me a great deal of Donna Tartt's The Secret History in that it has the same brooding sense of menace and the same lightening characterisation. Naomi is a supremely talented writer.' Joanne Harris, 'Witty, dark and compelling.' Charlotte Mendelson 'Wise, compassionate and heart-rending, a novel that conveys all the cruelty and pain of gilded youth.' Liz Jensen author of Chocolat Praise for Disobedience - 'Rich, fresh, fascinating. A wonderful novel' Sunday Times 'Sharp, funny and poignant' Hilary Mantel

"Designed as a coursebook for use in law school teaching, this book introduces basic debates over what a constitution is and does, the nature of comparison, and the relationship(s) of constitutions to constitutionalism in its various forms. It explores how constitutions are made and changed, including recent applications of "unconstitutional constitutional amendment" doctrines, and the role of different institutions - legislatures, executives, publics, as well as courts - in constitutional interpretation and constitutional change. Following a detailed study of the structure and interpretive approaches of national apex courts that decide constitutional questions, it goes on to consider six subject areas of importance in contemporary constitutionalism: separation of powers and emergencies; federalism and related consociational constitutional arrangements; equality and pluralism; religion; free expressions; and positive rights or duties. The book emphasizes the need to understand the broader sociolegal contexts in which constitutional design and decisions occur, with excerpts of cases and scholarly material from every region in the world-from the Global South as well as Europe and North America. New materials since the Third Edition include expanded discussions of abusive constitutionalism, authoritarianism, and illiberalism; more systematic treatment of informal "conventions" or norms; responses of different constitutional actors to COVID-19; expanded treatment of gender equality and LGBTQ+ issues; and materials on indigenous peoples and on rights of nature"--

From the time he was in the first grade, Marc Summers feared that if his bedroom wasn't perfectly neat and his shirts didn't hang exactly one-fourth of an inch apart in the closet, something terrible would befall his parents or himself. It wasn't until many years later that the source of his anxiety became clear: like an estimated 6 million Americans today, Summers suffers the effects of obsessive compulsive disorder. A frank and often hilarious narrative, Everything in Its Place tells the story of Summers's journey from compulsive room cleaner to family man, television celebrity, and Obsessive Compulsive Foundation spokesperson. Describing his struggle to maintain personal relationships and build a career, the ups and downs of being on medication, and what it's like to be compelled to straighten the fringes of a rug at two o'clock in the morning, here is a compellingly readable and ultimately uplifting memoir.

A fascinating and timely biography of J. Edgar Hoover from a Sibert Medalist. "King, there is only one thing left for you to do. You know what it is. . . . You better take it before your filthy, abnormal, fraudulent self is bared to the nation.” Dr. Martin Luther King received this demand in an anonymous letter in 1964. He believed that the letter was telling him to commit suicide. Who wrote this anonymous letter? The FBI. And the man behind it all was J. Edgar Hoover, the FBI's first director. In this unsparing exploration of one of the most powerful Americans of the twentieth century, accomplished historian Marc Aronson unmasks the man behind the Bureau- his tangled family history and personal relationships; his own need for secrecy, deceit, and control; and the broad trends in American society that shaped his world. Hoover may have given America the security it wanted, but the secrets he knew gave him — and the Bureau — all the power he wanted. Using photographs, cartoons, movie posters, and FBI transcripts, Master of Deceit gives readers the necessary evidence to make their own conclusions. Here is a book about the twentieth century that blazes with questions and insights about our choices in the twenty-first. Back matter includes an epilogue, an author’s note, source notes, a bibliography, and an index.

A unique, adaptable model for meditation practice that ties together elements of the various Buddhist traditions The deceptively simple three-phase method presented in Three Steps to Awakening is a meditation practice that can be worked with for a lifetime. Larry Rosenberg looks to Zen, Insight Meditation, and the teachings of J. Krishnamurti to find three kinds of meditation that anyone can do and that complement each other in a wonderful way: (1) breath awareness, (2) breath as anchor, and (3) choiceless awareness. Having the three methods in one’s repertoire gives one meditation resources for any life situation. In a time of stress, for example, one might use breath awareness exclusively. Or on an extended retreat, one might find choiceless awareness more appropriate. The three-step method has been taught to Larry’s students at the Cambridge Meditation Center in Cambridge, Massachusetts, for many years. After teaching the three-step method, Larry goes on to show how to bring the awareness gained in meditation to the world off the cushion, into relationships and into all areas of daily life.

Draws on personal accounts and interviews to present a profile of John Lennon, examining his life, relationships, and involvement in the peace movement of the 1970s; and contains a DVD of the author's 1968 interview with Lennon and Paul McCartney.

The first of four volumes collecting Feiffer's landmark "Village Voice" strips.""My aim was to take the Robert Benchley hero and launch him into the Age of Freud.""--Jules FeifferIn 1956, a relatively unknown cartoonist by the name of Jules Feiffer started contributing a strip to the only alternative weekly published in the US, a small radical newspaper called "The Village Voice," It was originally titled "Sick Sick Sick," but Feiffer changed the name to, simply, Feiffer, because he got tired of explaining that the title referred to the society he was commenting on, not the nature of his humor, which, he insisted, was not sick.Politically, the '50s was dominated by the insipid Presidency of Dwight D. Eisenhower; the backwash of Joe McCarthy; and the Cold War, which was in full swing. Culturally, the Beats were revolutionizing literature, Marlon Brando was changing the face of acting, and Elvis Presley was altering the public's perception of pop music. The post-war suburban bliss of the country was being challenged by sociologists and economists in books like "The Lonely Crowd, The Other America," and "The Afflulent Society," The civil rights movement was gaining momentum. Camelot was just around the corner, and would be shattered by the assassinations of JFK, RFK, and MLK. The Vietnam War would polarize the country. It was into this scrambled political-cultural climate that Jules Feiffer flung himself full throttle for the next ten years.His strip tackled just about every issue, private and public, that affected the sentient relationships, sexuality, love, family, parents, children, psychoanalysis, neuroses, presidents, politicians, media, race, class, labor, religion, foreign policy, war, and one or two other existential questions. It was the first time that the American public had been subjected to a weekly dose of comics that so uncompromisingly and wittily confronted individuals' private fears and society's public transgressions. "Explainers" is the first of four volumes collecting Feiffer's entire run of weekly strips from "The Village Voice," This edition contains approximately 500 strips originally published between 1956 and 1966 in a brick-like landscape hardcover format.

Many of us have tried to call a halt to our spending at one time or another. But what if we decided not to buy anything for a whole year? Obviously, we would need necessities like food and soap, but how would be manage without new clothes, treats, entertainment? Funny, smart and self-deprecating, Not Buying It is a close look at our society's obsession with shopping and the cold turkey confession of a woman we can all identify with - someone who can't live without French roast coffee and expensive wool socks, but who has had enough of spending money for the sake of it. Without consumer goods and experiences, Levine and her partner Paul pursue their careers, nurture family relationships and try to keep their sanity and humour intact. Tracking their progress and lapses, she contemplates the meanings of need and desire, scarcity and security, consumerism and citizenship. She asks the big questions - can the economy survive without shopping? Are Q-tips a necessity? A thought-provoking account of the pleasures and perils of the purchase-driven life, Not Buying It will get readers talking about their reliance on the act of buying and the possibility of getting off the merry-go-round.

The authors address one of the key issues facing world leaders today, putting forward a radical and realistic new model for managing trading relationships between the richest and the pooorest countries.

Impassioned, erudite, thoroughly researched, and beautifully reasoned, The Great Partnership argues not only that science and religion are compatible, but that they complement each other—and that the world needs both. “Atheism deserves better than the new atheists,” states Rabbi Jonathan Sacks, “whose methodology consists of criticizing religion without understanding it, quoting texts without contexts, taking exceptions as the rule, confusing folk belief with reflective theology, abusing, ridiculing, and demonizing religious faith and holding it responsible for the great crimes against humanity. Religion has done harm; I acknowledge that. But the cure for bad religion is good religion, not no religion, just as the cure for bad science is good science, not the abandonment of science.” Rabbi Sacks’s counterargument is that religion and science are the two essential perspectives that allow us to see the universe in its three-dimensional depth. Science teaches us where we come from. Religion explains to us why we are here. Science is the search for explanation. Religion is the search for meaning. There have been times when religion tried to dominate science. And there have been times, including our own, when it is believed that we can learn all we need to know about meaning and relationships through biochemistry, neuroscience, and evolutionary psychology. In this fascinating look at the interdependence of religion and science, Rabbi Sacks explains why both views are tragically wrong. ***National Jewish Book Awards 2012, Finalist*** Dorot Foundation Award for Modern Jewish Thought and Experience

Internationally known vegan and bestselling author John Robbins has continued his observations and investigations into food politics and food-related issues of the day in his popular HuffingtonPost column, foodrevolution.org.No Happy Cows collects these recent observations along with never before published material for the first time in book form. Robbins shares his dispatches from the frontlines of the food revolution: From his undercover investigations of feed lots and slaughterhouses, to the rise of food contamination, the slave trade behind chocolate and coffee, what he calls the sham of “Vitamin Water,” and the effects of hormones on animals and animal products.Topics include:The skinny on grassfed beefGreed and salmonellaJunk food marketing to kidsSoy and Alzheimer’sHormones in our milkPlus many more.Robbin’s trenchant and provocative observations into the relationships between animals and the humans who raise them remind us of the importance of working for a more compassionate and environmentally responsible world.

A clear-eyed view of Winston Churchill, the workings of his historical imagination, and his successes and failures as a statesman, by the celebrated historian of World War II and best-selling author of Five Days in London, May 1940 John Lukacs has spent a lifetime considering the complex personality and statesmanship of Winston Churchill. In previous books Lukacs has told the story of Churchill's titanic struggle with Adolf Hitler in the early days of World War II. Now, in Churchill: Visionary. Statesman. Historian., he turns his attention to Churchill the man and visionary statesman. Each chapter of this book provides an essential portrait of Churchill. Lukacs treats Churchill's vital relationships with Stalin, Roosevelt, and Eisenhower, as well as his complex, farsighted political vision concerning the coming of World War II and the Cold War. Lukacs also assesses Churchill's abilities as a historian looking backward into the origins of the conflicts of which he was so much a part. In addition, the author examines the often contradictory ways Churchill has been perceived by critics and admirers alike. The last chapter is a powerful and deeply moving evocation of the three days Lukacs spent in London attending Churchill's funeral in 1965. In Churchill: Visionary. Statesman. Historian., Lukacs deftly sets forth the essence of this towering figure of twentieth-century history with the consummate mastery of a great historian.

Sunday Simmons is an aspiring actress. The daughter of a South American father and French mother, she left Rio de Janeiro to attend a drama academy in London. Two days after her departure, her parents were killed in a car crash. Charlie Brick was forty and famous. He was one of the best comedic actors in the world, but his relationships with women had never failed to disappoint him, including his cold, unloving wife Lorna. Herbert Lincoln Jefferson was working as a chauffeur for one of the Hollywood film companies. While his grotesquely fat wife, Marge, watched TV and ate all day, he was indulging in perverse sexual fantasies. The lives of the three characters intertwine when they meet in Hollywood.

"When Asaf is asked to sign a social justice manifesto, he expects to be able to do so without hesitation. Instead, he becomes embroiled in an increasingly conflicted web of relationships that challenge his commitments as a liberal, a husband, an academic, an American, an atheist and a Jew. With tensions at an all-time high, Asaf is forced to confront the age-old question: 'If I am only for myself, what am I?'

Presents a history of heterosexuality, explores the contemporary psyche of sexual orientation, and shows how culture creates and manipulates thoughts and experiences of desire, love, and relationships.

It is commonly assumed that capitalism has created an a-emotional world dominated by bureaucratic rationality; that economic behavior conflicts with intimate, authentic relationships; that the public and private spheres are irremediably opposed to each other; and that true love is opposed to calculation and self-interest. Eva Illouz rejects these conventional ideas and argues that the culture of capitalism has fostered an intensely emotional culture in the workplace, in the family, and in our own relationship to ourselves. She argues that economic relations have become deeply emotional, while close, intimate relationships have become increasingly defined by economic and political models of bargaining, exchange, and equity. This dual process by which emotional and economic relationships come to define and shape each other is called emotional capitalism. Illouz finds evidence of this process of emotional capitalism in various social sites: self-help literature, women's magazines, talk shows, support groups, and the Internet dating sites. How did this happen? What are the social consequences of the current preoccupation with emotions? How did the public sphere become saturated with the exposure of private life? Why does suffering occupy a central place in contemporary identity? How has emotional capitalism transformed our romantic choices and experiences? Building on and revising the intellectual legacy of critical theory, this book addresses these questions and offers a new interpretation of the reasons why the public and the private, the economic and the emotional spheres have become inextricably intertwined.

Collects early short stories by the Israeli author, on various topics including war, relationships, and aging.

Deborah Solomon's biography sets Jackson Pollock in his time and portrays him as a shy, often withdrawn person, full of insecurities and self-doubts, and frequently unable to express himself about his art or its meaning. Solomon interviewed two hundred people who knew Pollock and his work and she has drawn extensively on Pollock's own writings and other personal papers. She examines the artist's relationships with his family; his wife and fellow artist Lee Krasner; art patron Peggy Guggenheim; the painters Willem de Kooning, Mark Rothko, and many more.