Since the June 1967 war, over 60,000 Jewish-Americans have settled in the occupied territories. Comprising 15 percent of the Israeli settler enterprise today, they have established major settlements, revolutionized the public relations of the movement and its engagement with the international community, and committed shocking acts of settler terrorism. City on a Hilltop unsettles stereotypes about Jewish-American settlers. It shatters the myth that they were messianic zealots, finding instead a group of young, highly-educated American Jews who were politically active in 1960s social movements and the Democratic Party prior to their immigration to Israel. Their generation didn't abandon their heritage when they settled over the Green Line-- rather they saw a historical opportunity to apply their liberal values to a new kind of "city on a hilltop." The story of Jewish-American settlers personifies the clash between liberal values and political realities at the heart of the crisis of liberal Zionism today.--

"This is a dazzling performance. It supplies conceptual links between phenomena where historians have often sensed a connection without being able to describe it adequately. . . [Bercovitch] has written intellectual history at the highest level."—Edmund S. Morgan, New York Review of Books

How a little-known industrial neighborhood in New York unintentionally became a nexus of creative activity for a brief burst of time. During the 1960s and 1970s in New York City, young artists exploited an industrial wasteland to create spacious studios where they lived and worked, redefining the Manhattan area just south of Houston Street. Its use fueled not by city planning schemes but by word-of-mouth recommendations, the area soon grew to become a world-class center for artistic creation indeed, the largest urban artists' colony ever in America--let alone the world. Richard Kostelanetz's Artists' SoHo not only examines why the artists came and how they accomplished what they did but also delves into the lives and works of some of the most creative personalities who lived there during that period, including Nam June Paik, Robert Wilson, Meredith Monk, Richard Foreman, Hannah Wilke, George Macuinas, and Alan Suicide. Gallerists followed the artists in fashioning themselves, their homes, their buildings, and even their streets into transiently prominent exhibition and performance spaces. SoHo pioneer Richard Kostelanetz's extensively researched intimate history is framed within a personal memoir that unearths myriad perspectives: social and cultural history, the changing rules for residency and ownership, the ethos of the community, the physical layouts of the lofts, the types of art produced, venues that opened and closed, the daily rhythm, and the gradual invasion of "new people." Artists' SoHo also explores how and why this fertile bohemia couldn't last forever. As wealthier people paid higher prices, galleries left, younger artists settled elsewhere, and the neighborhood became a "SoHo Mall" of trendy stores and restaurants. Compelling and often humorous, Artists' SoHo provides an analysis of a remarkable neighborhood that transformed the art and culture of New York City over the past five decades.

"Glidden, a progressive American Jew who is sharply critical of Israeli policies vis-á-vis the Occupied Territories, went on an all-expense-paid 'birthright' trip to Israel in an attempt to discover some grand truths at the heart of the Arab-Israeli conflict. This graphic memoir tells the touching and often funny story of her utter failure to do so."--Amazon.com

Double Agent is a watershed in the recent revival of interest in the role of the public critic and intellectual who writes about culture, politics, and the arts for an intelligent general audience. Offering acute portraits of critics both famous and neglected, Dickstein traces the evolution of cultural criticism over the last century from Matthew Arnold to New Historicism. He examines the development of practical criticism, the rise and fall of literary journalism, and the growth of American Studies, and rereads the work of critics like Arnold, Walter Pater, I.A. Richards, Roland Barthes, Edmund Wilson, R.P. Blackmur, Lionel Trilling, Alfred Kazin, and George Orwell. In essays and books that are themselves works of literature, these writers made criticism central to the public sphere, balancing social and literary values, politic commitment and aesthetic judgment. Though marginalized or ignored by academic histories of criticism, their example has proved immensely valuable for younger critics eager to find a personal voice and reach a wider public. Dickstein concludes with a lively and provocative dialogue that weighs the claims of recent literary theory and the importance of renewing public culture.

As an active WWII bombardier returning from the end of the war in Europe and preparing for combat in Japan, Howard Zinn read the headline "Atomic Bomb Dropped on Japan" and was glad—the war would be over. "Like other Americans," writes Zinn, "I had no idea what was going on at the higher levels, and had no idea what that 'atomic bomb' had done to men, women, children in Hiroshima, any more than I ever really understood what the bombs I dropped on European cities were doing to human flesh and blood." During the war, Zinn had taken part in the aerial bombing of Royan, France, and in 1966, he went to Hiroshima, where he was invited to a "house of rest" where survivors of the bombing gathered. In this short and powerful book, the backstory of the making and use of the bomb, Zinn offers his deep personal reflections and political analysis of these events, and the profound influence they had in transforming him from an order-taking combat soldier to one of our greatest anti-authoritarian, anti-war historians. Simultaneous publication this August in the U.S. and Japan commemorates the 65th anniversary of the USA's two atomic bombings of Japan by calling for the abolition of all nuclear weapons and an end to war as an acceptable solution to human conflict. "It's my favorite. . . . He wrote the book to remind himself and to remind us that anybody can throw the wrench in the machinery, and we often should." -- Bill Moyers "Part history, part memoir, part sermon, The Bomb is meant to wake up citizens, to rouse them to reject 'the abstractions of duty and obedience' and to refuse to heed the call of war." —Jonah Raskin, The Rag Blog

Looks at how the office of the presidency has changed, argues that the president has become too central to national politics, and suggests ways to restore the constitutional balance.

The Waverly Inn has been a landmark in New York’s Greenwich Village since the 1920’s. But since 2006, when Vanity Fair editor Graydon Carter bought and refurbished the restaurant, it has also been one of the most sought after destinations in the city. And while we can’t guarantee you a reservation there, we can bring you the wonderful, witty mural by Edward Sorel that graces its walls. Sorel--whose caricatures and drawings regularly appear in The New Yorker and on its cover--chose forty Greenwich Village greats from the past 150 years to cavort in bacchanalian splendor. Each of the 40 makes a solo appearance in these pages alongside a charming, telling vignette of his or her life by Dorothy Gallagher, then appears in a foldout of the entire mural at the back of the book. Here you will find Walt Whitman being attacked by a ferocious Truman Capote butterfly; Jane Jacobs, Gertrude Vanderbilt Whitney and Willa Cather playing ring-around the rosy; those famous denizens of the White Horse Tavern, Dylan Thomas--who breakfasted on beer and lunched on brandy--and Jack Kerouac, typing his long roll of a novel. Anais Nin appears nude, which, Gallagher points out, was her usual state. Norman Mailer admires himself in a reflecting pond. Here, too, are Djuna Barnes and Edna St. Vincent Millay, Jackson Pollack and James Baldwin, Thelonius Monk, Bob Dylan, and Joan Baez, Andy Warhol and Fran Lebowitz, Margaret Sanger, Marlon Brando, and many others. The Mural at the Waverly Inn is an enduring delight to treasure and to give.

Through two award-winning National Public Radio documentaries, and now this powerful book, LeAlan Jones and Lloyd Newman have made it their mission to be loud voices from one of this country's darkest places, Chicago's Ida B. Wells housing project. Set against the stunning photographs of a talented young photographer from the projects, Our America evokes the unforgiving world of these two amazing young men, and their struggle to survive unrelenting tragedy. With a gift for clear-eyed journalism, they tell their own stories and others, including that of the death of Eric Morse, a five-year-old who was dropped to his death from the fourteenth floor of an Ida B. Wells apartment building by two other little boys. Sometimes funny, often painful, but always charged with their dream of Our America, LeAlan Jones and Lloyd Newman reach out to grab your attention and break your heart.

Business, Political Science, American Studies, Philosophy

"Forcing the Spring" challenges standard histories of the environmental movement by offering a broad and inclusive interpretation of past environmentalist thought and a sweeping redefinition of the nature of the contemporary environmental movement. Robert Gottlieb demonstrates the centrality of environmental concerns to a wide range of social movements of the past century as he explores the connections between pressures on human and natural environments and the role of these pressures in shaping society. His analysis provides fundamental new insights into the past and future of the American environmental movement by placing it within the larger context of American social history.After considering the historical roots of environmentalism from the 1890s through the 1960s, Gottlieb discusses the rise and consolidation of environmental groups in the years between Earth Day 1970 and Earth Day 1990. He examines the increasing professionalization of the major environmental organizations and the parallel rise of community-based groups over the past decade, and ends with an in-depth consideration of the role of ethnicity, gender, and class in the formation and definition of movements.

Social Darwinism in American Thought examines the overall influence of Darwin on American social theory and the notable battle waged among thinkers over the implications of evolutionary theory for social thought and political action. Theorists such as Herbert Spencer and William Graham Sumner adopted the idea of the struggle for existence as justification for the evils--as well as the benefits--of laissez-faire modern industrial society. Others, such as William James and John Dewey, argued that human planning was needed to direct social development and improve on the natural order. Hofstadter's classic study of the ramifications of Darwinism is a major analysis of the social philosophies that animated intellectual movements of the Gilded Age and the Progressive Era.

Adds 21 new essays and drops some that appeared in the 1984 edition (first in 1978) to reflect recent scholarship and changes in orientation by historians. Adds entirely new clusters on sickness and health, early American medicine, therapeutics, the art of medicine, and public health and personal hygiene. Other discussions are updated to reflect such phenomena as the growing mortality from HIV, homicide, and suicide. No index. Annotation copyrighted by Book News, Inc., Portland, OR

Using an interactive format that includes removable letters, documents, and personal effects, this visual history of the Jews in America follows the successive waves of Jewish immigration to the United States, from the eighteenth century to the present day. 30,000 first printing. Traditions Book Club Main.

Two time Pulitzer Prize-winning historian Bernard Bailyn has distilled a lifetime of study into this brilliant illumination of the ideas and world of the Founding Fathers. In five succinct essays he reveals the origins, depth, and global impact of their extraordinary creativity. The opening essay illuminates the central importance of America’s provincialism to the formation of a truly original political system. In the chapters following, he explores the ambiguities and achievements of Jefferson’s career, Benjamin Franklin’s changing image and supple diplomacy, the circumstances and impact of the Federalist Papers , and the continuing influence of American constitutional thought throughout the Atlantic world. To Begin the World Anew enlivens our appreciation of how America came to be and deepens our understanding of the men who created it.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Predicts an imminent global political crisis, including a dangerous rivalry between America and China and a breakdown of the European Union, citing key events and contributors that have culminated in present-day instabilities.

Twentieth Anniversary Edition with a new preface and afterword From the removal of Confederate monuments in New Orleans in the spring of 2017 to the violent aftermath of the white nationalist march on the Robert E. Lee monument in Charlottesville later that summer, debates and conflicts over the memorialization of Confederate “heroes” have stormed to the forefront of popular American political and cultural discourse. In Written in Stone Sanford Levinson considers the tangled responses to controversial monuments and commemorations while examining how those with political power configure public spaces in ways that shape public memory and politics. Paying particular attention to the American South, though drawing examples as well from elsewhere in the United States and throughout the world, Levinson shows how the social and legal arguments regarding the display, construction, modification, and destruction of public monuments mark the seemingly endless confrontation over the symbolism attached to public space. This twentieth anniversary edition of Written in Stone includes a new preface and an extensive afterword that takes account of recent events in cities, schools and universities, and public spaces throughout the United States and elsewhere. Twenty years on, Levinson's work is more timely and relevant than ever.