"It is the mid-1980s. In Australia, stay-at-home wives jostle with want-it-all feminists, while AIDS threatens the sexual freedom of everyone. On the other side of the world the Soviet Block is in turmoil. Gorbachev has been in power for a year when twenty-four-year-old book illustrator, Galina Kogan, leaves Leningrad - forbidden ever to return. As a Jew she's inherited several generations worth of Russia's chronic anti-Semitism. As a Soviet citizen she is unprepared for Australia and its easy-going ways. Once settled in Melbourne, Galina is befriended by Sylvie and Leonard Morrow, and their adult son, Andrew. The Morrow marriage of thirty years balances on secrets. Leonard is a man with conflicted desires and passions, while Sylvie chafes against the confines of domestic life. Their son, Andrew, a successful mosaicist, is a deeply shy man. He is content with his life and work - until he finds himself increasingly drawn to Galina. While Galina grapples with the tumultuous demands that come with being an immigrant in Australia, her presence disrupts the lives of each of the Morrows. No one is left unchanged."--Publisher's description

A Jew who survived the Holocaust obsessively rides the trains of postwar Europe in search of a Nazi concentration camp guard. The guard murdered his parents and he intends to kill him.

Product Description Once a notorious hippie, Sammuel Himmelhoch joins a Hassidic sect of penitents in Jerusalem and becomes a Master of the Return, guiding fellow converts to the teachings of Rabbi Nahman of Bratslay From Publishers Weekly In Mara, Reich, herself the scion of a rabbinical family, took aim at the mores of American Orthodox Jewry. Here, she casts her sly, sardonic eye upon those at the opposite end of the spectrum, so to speakIsraeli penitents. With vigor, irreverence and devastating accuracy, she limns a flock of zany zealots, intoxicated by the rarefied Hassidism of Rabbi Nahman of Bratslav. These cultists, former hippies who are now "high on the One Above," are at once delightfully absurd in their revival, even invention, of bizarre customs (such as the paramount pilgrimage to Rabbi Nahman's Ukranian grave to terminate "nocturnal emissions"); poignant in their misguided, miseducated search for identity and redemption; as self-indulgent in their expiation as they once were in their passions; and alarming in their patent misogyny, racism, deceit, self-righteousness and extreme messianic political agenda. In Reich's hands, plot and character development are sacrificed to an extravagant religious and social parody cum cautionary tale. The penitents remain symbolic figuresas exemplified by an elderly midwife, whose name, Shifra-Puah, evokes her righteous colleagues from the biblical book of Exodus who disobeyed the pharaonic decree to murder male newborns, and Avraham Ger, whose surname, Hebrew for convert, proclaims his adoption of Judaism. Copyright 1988 Reed Business Information, Inc. From Library Journal Samuel Himmelhoch was once lighting effects man for notorious rock groups, his wife Ivriya rode horses bare-breasted in Rosh Pina, and Sora Katz was the former Pam Buck of Macon, Georgia, but now they are all members of an extreme Hassidic sect, living together in the Moslem quarter of the Old City of Jerusalem. Described with affection and great insight, the riotous adventures of these sincere but sometimes misguided penitents easily mix the supernatural with human events. Reich pinpoints absurdity and self-righteousness beautifully, as when Reb Lev Luria pontificates in gematria (talmudic numeric equivalents) derived from his newly donated computer. An arrestingly comtemporary treatment of Jewish spirituality and renewal. Highly recommended. Molly Abramowitz, Silver Spring, Md.Copyright 1988 Reed Business Information, Inc.

"Thirteen stories by the author of the critically acclaimed The Genizah at the House of Shepher address universal themes of yearning and displacement, love, loss and the struggle to belong. A latter-day Jewish Odysseus spends his life planning an intricate journey to the Promised Land, while an English father stranded in London mourns for his faraway Italian son. A man without a past searches the world for potential relatives, while in the title story, a Jew and a Muslim cast adrift in a Yorkshire landscape find momentary sisterhood over a copy of the Koran. Blending irony with pathos, the mythical with the mundane, Kafka in Bronteland gives voice to a rich mix of characters living outside traditional patterns of identity in a world of complex migrations and tumultuous change."--

In his unique and lyrical style, Mario Levi captures the city of Istanbul and its storied past with a rare intimacy and humor. A major work of contemporary Turkish literature, Istanbul Was a Fairy Tale tells the stories of three generations of a Jewish family from the 1920s to the 1980s. Istanbul is their only home, and yet they live in a state of alienation, isolating themselves from the world around them. As witness, observer, and protagonist, the narrator—at once inside and outside of his story—records their many tales, as well as those of their friends and neighbors, creating an expansive mosaic of characters, each doing their best to survive the twentieth century.

"The Book; yes, their Book. They had no state, holding them together, no country, no soil, no king, no form of life in common. If, in spite of this, they were one, more one than all the other peoples of the world, it was the Book that sweated them into unity. Brown, white, black, yellow Jews, large and small, splendid and in rags, godless and pious, they might crouch and dream all their lives in a quiet room, or fare splendidly in a radiant, golden whirlwind over the earth, but sunk deep in all of them was the lesson of the Book. Manifold is the world, but it is vain and fleeting as wind; but one and only is the God of Israel, the everlasting, the infinite, the Jehovah."-Jud Süss, 1925. When Feuchtwanger's two best known novels "Jew Süss" ("Power") and "Ugly Duchess" were first translated into English in the 1920s, they caused a tremendous sensation in England and then in America. The critics all hailed Feuchtwanger as the master of the historical novel-the peer of Dumas and Scott but written with the psychology of our own day. "Jew Süss," set in the 18th century Germany (at the time consisting of numerous fragmented independent states), deals with an identity crisis: in order to gain social power, the novel's protagonist attempts to forsake his Jewish heritage and becomes assimilated into the mainstream of German culture. More than that, Süss finds himself being in the position of potential kingmaker. Brilliant, attractive and with an insatiable lust for power, he practically ruled the Duke and his court, pandering to the vices of dissolute nobility, mounting through his intrigues to dizzying heights of power. Süss's only vulnerable spot, however, is his precious, exquisite, gentle daughter, Naomi. When her beauty became exposed to the beastliness of the Duke, tragedy came swiftly after.

The dawning of the nineteenth century found the Jews of Eastern Europe torn between the forces of progress and reaction as they took their first tentative steps toward the modern world. In a war of words and of books, Haskaia-the Jewish Enlightenment-did battle with the religious revival movement known as Hasidism. Perl, an ardent advocate of Enlightenment, unleashed the opening salvo with the publication in 1819 of Revealer of Secrets . The novel tried to pass itself off as a hasidic holy book when it was, in fact, a broadside against Hasidism-a parody of its teachings and of the language of its holy books. The outraged hasidim responded by buying up and burning as many copies as they could. Dov Taylor's careful translation and commentary make this classic of Hebrew literature available and accessible to the contemporary English-speaking reader while preserving the integrity and bite of Perl's original. With Hasidism presently enjoying a remarkable rebirth, the issues in Revealer of Secrets are all the more relevant to those seeking to balance reason and faith. As the first Hebrew novel, the work will also be of great interest to students of modern Hebrew literature and modern Jewish history.

The dawning of the nineteenth century found the Jews of Eastern Europe torn between the forces of progress and reaction as they took their first tentative steps toward the modern world. In a war of words and of books, Haskala—the Jewish Enlightenment—did battle with the religious revival movement known as Hasidism. Perl, an ardent advocate of Enlightenment, unleashed the opening salvo with the publication in 1819 of Revealer of Secrets. The novel tried to pass itself off as a hasidic holy book when it was, in fact, a broadside against Hasidism—a parody of its teachings and of the language of its holy books. The outraged hasidim responded by buying up and burning as many copies as they could.Dov Taylor's careful translation and commentary make this classic of Hebrew literature available and accessible to the contemporary English-speaking reader while preserving the integrity and bite of Perl's original. With Hasidism presently enjoying a remarkable rebirth, the issues in Revealer of Secrets are all the more relevant to those seeking to balance reason and faith. As the first Hebrew novel, the work will also be of great interest to students of modern Hebrew literature and modern Jewish history.

The dawning of the nineteenth century found the Jews of Eastern Europe torn between the forces of progress and reaction as they took their first tentative steps toward the modern world. In a war of words and of books, Haskala—the Jewish Enlightenment—did battle with the religious revival movement known as Hasidism. Perl, an ardent advocate of Enlightenment, unleashed the opening salvo with the publication in 1819 of Revealer of Secrets. The novel tried to pass itself off as a hasidic holy book when it was, in fact, a broadside against Hasidism—a parody of its teachings and of the language of its holy books. The outraged hasidim responded by buying up and burning as many copies as they could.Dov Taylor's careful translation and commentary make this classic of Hebrew literature available and accessible to the contemporary English-speaking reader while preserving the integrity and bite of Perl's original. With Hasidism presently enjoying a remarkable rebirth, the issues in Revealer of Secrets are all the more relevant to those seeking to balance reason and faith. As the first Hebrew novel, the work will also be of great interest to students of modern Hebrew literature and modern Jewish history.

Two friends grow up in a North London Jewish suburb. David is bright, parent-pleasing and obviously destined for great things. But somehow he ends up earning peanuts in a Suffolk bookshop while his devious and wayward friend Jack, becomes rich and famous as a TV chat-show host. When Jack dies, his widow and publisher commission David to write his biography; after all, dependable David can be relied upon not to dish the dirt about the sex, the drugs and the women. David however soon realises that it's finally time he stopped doing what is expected of him. Instead he must write the true story of the forty year friendship that has dominated his life and then maybe he'll get Jack out of his system. But what David soon finds is that he can never be completely free of Jack...

"Melissa Jensen's life takes a dramatic turn when her father accepts a teaching assignment in a small town in the remote Midwest, far from her home in New York City. Though the college town seems to offer more than she ever suspected, for the first time in her life Melissa must personally navigate antisemitism and racism. Her choice to speak out should be clear-cut, but life is never that simple. The Violin Players examines the price we pay when bigotry is met with silence"--

Originally published in 1913, When All Is Said and Done is one of the great novels of the twentieth century. Considered David Bergelson's masterpiece, it was written in Yiddish and until now has been unavailable in a complete and accurate English translation. This version by acclaimed translator Joseph Sherman finally brings the novel to a wide English-speaking audience. Bergelson depicts the lives of upwardly mobile, self-aware nouveaux riche Jews in the waning years of the Russian Empire. The central character, Mirel Hurvits, is an educated, beautiful woman who embodies the conflict between tradition and progress, aristocracy and enterprise. A forced marriage of convenience results in Mirel's emotional disintegration and provokes a confrontation with the expectations of her pious family and with Jewish tradition. In a unique prose style of unsurpassable range and beauty, Bergelson reduces language to its bare essentials, punctuated by silences that heighten the sense of alienation in the story.

The year is 1031. Karimah, a charming, headstrong Jewish nineteen-year-old has followed her heart on an adventure that will take her far from home. The story is revealed in her letters to the family she left behind in Egypt, their letters to her, and their correspondence with others as they seek to make sense of the disorder that Karimah has brought to their lives. Details of everday life from a millennium ago are now familiar to scholars through the discovery of the Cairo Geniza, a synagogue storeroom full of several centuries' worth of religious manuscripts, receipts, and business correspondence. The author creates an impassioned portrayal of a time when Jews and Muslims lived together in reasonable harmony.

In this next thrilling story from Alan Gold and Mike Jones, we meet Shalman, a freedom-fighter turned peacenik and archaeologist, and his young beautiful wife, Judit, a refugee from the horrors of Stalin's USSR. As the Second World War draws to a close, and the world begins to learn the truth about Hitler's genocide, the foundation of the State of Israel as a permanent home for what's left of the Jewish people becomes increasingly urgent. In Palestine, Arab and Jewish forces fight each other and the British for supremacy and the right to own the land, causing a nightmare environment of hatred and suspicion. But a deeply buried global conspiracy, which has its origin in Stalin's Russia, seeks to undermine Israel's future as an independent nation. A plot to fashion the fledgling nation as a puppet of the Soviet Union rests upon a handful of committed Jewish Communists, led secretly by Judit. But is she a heartless assassin, a disciple of the evils of Beria and the Kremlin, or a committed fusion of Zionist and Communist? And in the darkest recesses of ancient history, we meet Shalman's ancestors, themselves descendants of the builders of Solomon's Temple. As the family escapes the nightmare of the Roman occupation of Jerusalem, it witnesses the glories of the Islamic renaissance in Baghdad and the rampages of the Crusaders through the region. Another exciting instalment in this story of the births of nations and of the strength of their people.

Tristan Brodsky, sprung from the asphalt of the Depression-era Bronx, goes on to become one of the swaggering Jewish geniuses who remake American culture, but slowly suffocates his poet wife, who harbors secrets of her own. Nina Hricek, a driven young Czech photographer, escapes from behind the Iron Curtain with a group of black American musicians, only to find herself trapped yet again, this time in a doomed love affair. And finally, Tris Freedman, grandson of Tristan and lover of Nina, a graffiti artist and unanchored revolutionary, cannibalizes his family history to feed his muse. In the end, their stories converge, and the survival of each requires the sacrifice of another.

The rise and fall of the Jews is compressed into the enigmatic character of Ebenezer Schneerson, who has somehow become the final repository of all Jewish culture following the ravages of World War II.

When Ezra tries to blackmail Chef Yael about being trans, she throws him out of her restaurant and immediately reports him to the queen. But when police find Ezra stabbed to death, Queen Shulamit realizes he may have also tried to extort someone more dangerous than a feisty old lady. Shulamit's royal investigation leads her to an international terrorist plot to destroy her country's economy--and worse, her first love, Crown Princess Carolina of Imbrio, may be involved. This is a love story between wives, between queen and country, and between farmers and the crops they grow.

The agendas of three European men with dubious political histories converge in the aftermath of an 1989 death linked to the fates of myriad Hungarians, Jews, Germans and Gypsies across the treacherous years of the mid-twentieth century.

To be an unbending adherent in a world of stony realities, ' Herbert had remarked, 'is to ask for trouble. Not because of ones allegiance, but because such an ally will be forced to conform or be squashed, trampled on or in the end annihilated by the crude laughter of fate. 'The Hollow Tree is a tale of love and loyalty in a time of war. Sometime..