"North has always been faithful to his wife, Lydia, but when one of his novels achieves a special success, he allows himself a dalliance with Lea, a starstruck young journalist. Coolly planning to make sure that his life with Lydia will not be disturbed, North is taken off guard when Lea becomes obsessed with him and he with her elaborate erotic games. As the hypnotic and serpentine confession unfurls, we gradually discover the extraordinary lengths to which North has gone to indulge a powerful desire for self-destruction."--BOOK JACKET.

Two men are classmates and friends at Harvard, though never all that close: Max, a brilliant student with a touch of the aesthete's affectations about him, and Charlie, some years older, having served in the Korean War. As Max sees it, Charlie excels in a single scull, soaks up martinis, and enjoys the favors of a particularly glamorous Radcliffe girl. Twenty years later, not having seen each other since college, the two men meet unexpectedly as guests at a villa on the shore of Lake Como. Max is now a law professor, circumspect and slightly sorry for himself - a man to whom relationships do not stick. Charlie has become a celebrated architect, the most successful member of their class. Beautiful when a young man, he has ripened into a foul-mouthed, golden-tongued giant: a demigod and a bully. In his imperious way, he proclaims that Max will henceforth be one of his chosen intimates. Charlie is right. Max's life becomes increasingly intertwined with Charlie's, and with that of Toby, Charlie's adolescent companion. When Toby is stricken by a devastating illness, Charlie performs an act of coolly calculated self-sacrifice, the only gesture he thinks will make a difference. Max bears witness, and learns a lesson that may at last complete his sentimental education. With all the force and elegance of his earlier work, Louis Begley's masterful new novel tells a gripping story of friendship and mortality.

A New York story, a dark comedy, Balls: A Novel tells of the 30-year-old Henry Schiller, a songwriter and lounge-player, in love with a woman far younger and more musically gifted than himself, one with her eye on other men and the rise of her own career, whose crisis deepens when he discovers he has testicular cancer.

A profoundly unsettling collection of tales of Americans caught up in the ethnic, religious, social, economic, and political conflicts of modern day Israel, by an astonishing new voice. In a land where sudden death is an everyday fact of life, a boy dodges bullets and searches through rubble for news of his soldier father. An aging rabbi?s faith is tested by a crippling, seemingly supernatural affliction. A middle-aged man comforts his Holocaust-survivor mother as she faces senility, convinced that Nazis are conspiring against her. And the mysterious biblical red heifer makes a startling appearance in the midst of a decidedly contemporary struggle. In these unsettling tales, the remarkable Jon Papernick transports us to modern-day Israel, a country torn by war, strife, and controversy throughout the history of its statehood. Giving voice to striking characters--Israelis, Palestinians, and Americans; Arabs, Christians, and Jews--caught in the ethnic, religious, social, and political conflicts of a dangerous region, Papernick brings the images we glimpse from afar, in newspapers and on television, chillingly to life. By turns starkly realistic and allegorically fantastic, these tales chronicle the conflict from the inside and illuminate the suffering and anger experienced by those on all sides. In?An Unwelcome Guest,? a young Jewish settler from New York plays a deadly game of backgammon with a ghostly old Arab while his pregnant wife sleeps unaware. In?The King of the King of Falafel,? a restaurant rivalry ends in apocalyptic violence. In "Lucky Eighteen," two young Americans living in Jerusalem as the Oslo accords collapse juggle political activism and a devastating love triangle--under the dark specter of suicide bombings. And in the brilliant, horrifying title story, a lonely shepherd wanders a broken no-man's-land, carrying with him the burden of an unspeakable act. In these haunting and strangely beautiful stories, the tragic carnage of the Middle East is rendered in unforgettable form. Suffused with rage, violence, humor, magic, and religion, this gripping collection leaves a profound impact. Evenhanded yet passionate, shocking yet hopeful, The Ascent of Eli Israelheralds the arrival of a masterful storyteller. Please visit.

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Never Going Home is a wake-up tale of passionate love, intrigue, despair, and tragedy. The players in Never Going Home are alone. They find their way to one another and create a family of super-intellects. Betty, a wise eighty-five-year-old retired librarian, leads the family. Other accomplished family members include Harold, a lawyer; Bailey, a widow and mother with an MSF degree in finance; Will, a sociologist; Bob, a bank president; Gloria, with an MBA degree; and Lenny, a Vietnam veteran who studied psychotherapy to understand his PTSD in which he relives his combat experiences. Ruby, a Las Vegas showgirl, and voted best of Vegas five years running, hearing of Lenny's thesis in psychotherapy, surmises Lenny could be the key to unlocking her very private dysfunction. Betty reveals the enormous wealth Harold and she accumulated investing in the military-industrial complex off a tip from an aircraft-manufacturing lobbyist Harold defended in court prior to the Vietnam War. They made millions as crony capitalists. There seems to be no challenge the family can't rise to. Author Jerry Lewis exposes through his "can-do" characters a wide variety of issues facing Americans today: war, deplorable treatment of veterans, religious intolerance, racial issues, corruption and deception, cultural evolution, mismatch disease, health-care hoaxes, diet, and exercise. This book will earn a front-and-center position on your bookshelf.

""The Face of Violence"" is a thought-provoking essay by the renowned scientist and philosopher Jacob Bronowski, exploring the nature of violence and its impact on society. The essay is accompanied by a play, also written by Bronowski, that delves deeper into the themes discussed in the essay. The play tells the story of a man who becomes increasingly violent as he struggles to cope with the pressures of modern life. Through the essay and the play, Bronowski challenges readers to consider the root causes of violence and to reflect on how we can work towards a more peaceful and just society. This book is a must-read for anyone interested in the complex issues surrounding violence and its effects on individuals and society as a whole.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

A fictional profile of the brilliant, prolific painter Camille Pissarro traces his colorful life, along with that of his remarkable wife, Julie, and his career at the center of the circle of the Impressionists

First published in the US in 1932, The Sleepwalkers is about three protagonists "sleepwalking", that is, living between vanishing and emerging ethical systems just as the somnambulist exists in a state between sleeping and waking. Together they present a panorama of German society and its progressive deterioration of values that culminated in defeat and collapse at the end of World War I. The novel explores what Broch described as "the loneliness of the I" in its three parts. The protagonists of the first two parts of the book are represented as holding to certain sets of values. Broch describes the struggles they undergo as their codes for living, or values, prove inadequate to the realities of the social environment they find themselves in. Joachim von Pasenow in the first part is "the romantic". In the second part, August Esch tries to live according to the motto "business is business". Eventually, in the third part, the amoral Huguenau's only standard for behavior is his personal profit. He follows this maxim in all his actions, swindling and murdering without remorse. Ultimately, he reaches a point of zero values without remorse and his dealings bring him finally to the zero point of values. Although Broch doesn't hold Huguenau up as someone to admire, he does present him as the inevitable harbinger of fascism. As one reviewer noted, "His characters are sleepwalkers because their own lives are shaped by the forces of the nightmare reality in which they live."

The Report on Unidentified Flying Objects

The three stories bundled in this book are tales about war and love, about "memories keeping their cancerous hold."

Selected as one of Oprah.com's 20 Tantalizing Beach Reads Selected as a New York Times Book Review Editors' Choice Isabel Merton is a renowned concert pianist, whose performances are marked by a rare intensity of feeling. At the height of her career, she feels increasingly torn between the compelling musical realm she deeply inhabits, and her fragmented itinerant artist's life, with its frequent flights, anonymous hotels, and brief, arbitrary encounters. Away from her New York home on a European tour, Isabel meets a political exile from a war-torn country, a man driven by a rankling sense of injustice and a powerful desire to vindicate his cause and avenge his people. As their paths cross in several cities, they are drawn to each other both by their differences and their seemingly parallel passions-until a menacing incident throws her into a creative crisis, and forces her to reevaluate her lover's actions, and her own motives. In this story of contemporary love and conflict, Hoffman illuminates the currents and undercurrents of our time, as she explores the luminous and dark faces of romanticism, and those perennial human yearnings, frustrations, and moral choices that can lead to destructiveness, or the richest art.

How breathtakingly close we are to lives that at first seem so far away. From the civil rights struggle in the United States to the Nazi crimes against humanity in Europe, there are more stories than people passing one another every day on the bustling streets of every crowded city. Only some stories survive to become history. Recently released from prison, Lamont Williams, an African American probationary janitor in a Manhattan hospital and father of a little girl he can’t locate, strikes up an unlikely friendship with an elderly patient, a Holocaust survivor who was a prisoner in Auschwitz-Birkenau. A few blocks uptown, historian Adam Zignelik, an untenured Columbia professor, finds both his career and his long-term romantic relationship falling apart. Emerging from the depths of his own personal history, Adam sees, in a promising research topic suggested by an American World War II veteran, the beginnings of something that might just save him professionally, and perhaps even personally. As these men try to survive in early-twenty-first-century New York, history comes to life in ways neither of them could have foreseen. Two very different paths—Lamont’s and Adam’s—lead to one greater story as The Street Sweeper , in dealing with memory, love, guilt, heroism, the extremes of racism and unexpected kindness, spans the twentieth century to the present, and spans the globe from New York to Chicago to Auschwitz. Epic in scope, this is a remarkable feat of storytelling.

In this brilliant, inventive, tragic farce, Deborah Levy creates the ultimate dysfunctional kids, Billy and his sister Girl. Apparently abandoned years ago by their parents, they now live alone somewhere in England. Girl spends much of her time trying to find their mother, going to strangers' doors and addressing whatever Prozac woman who answers as "Mom." Billy spends his time fantasizing a future in which he will be famous, perhaps in the United States as a movie star, or as a psychiatrist, or as a doctor to blondes with breast enlargements, or as the author of "Billy England's Book of Pain." Together they both support and torture each other, barely able to remember their pasts but intent on forging a future that will bring them happiness and reunite them with the ever-elusive Mom. Billy and Girl are every boy and girl reeling from the pain of their childhoods, forgetting what they need to forget, inventing worlds they think will be better, but usually just prolonging nightmares as they begin to create--or so it seems--alternative personalities that will allow them to survive and conquer and punish. In the end, the reader is as bewildered as Billy and Girl--have they found Mom and a semblance of family, or are they completely out of control and ready to explode?

"It is the Saturday after the 2016 presidential election, and in a plush weekend house in Connecticut, an intimate group of friends, New Yorkers all, has gathered to recover from what they consider the greatest political catastrophe of their lives. They have just sat down to tea when their hostess, Eva Lindquist, proposes a dare. Who among them would be willing to ask Siri how to assassinate Donald Trump? Liberal and like-minded-editors, writers, a decorator, a theater producer, and one financial guy, Eva's husband, Bruce-the friends have come to the countryside in the hope of restoring the bubble in which they have grown used to living. Yet with the exception of one brash and obnoxious book editor, none is willing to accept Eva's challenge. Shelter in Place is a novel about house and home, furniture and rooms, safety and freedom and the invidious ways in which political upheaval can undermine even the most seemingly impregnable foundations. Eva is the novel's polestar, a woman who moves through her days accompanied by a roving, carefully curated salon. She's a generous hostess and more than a bit of a control freak, whose obsession with decorating allows Leavitt to treat us to a slyly comic look at the habitués and fetishes of the so-called shelter industry. Yet when, in her avidity to secure shelter for herself, she persuades Bruce to buy a grand if dilapidated apartment in Venice, she unwittingly sets off the chain of events that will propel him, for the first time, to venture outside the bubble and embark on a wholly unexpected love affair. A comic portrait of the months immediately following the 2016 election, Shelter in Place is also a meditation on the unreliable appetites-for love, for power, for freedom-by which both our public and private lives are shaped"--

This stunning departure for the beloved author of The Chosen and My Name Is Asher Lev is a powerful story of love and war in Korea. An old peasant farmer and his wife are fleeing the Chinese during the Korean War when they come across a wounded boy who, they believe, has magical powers.

Tight and clean. Hard cover with dust jacket. There is a little damage to bottom of spine. From non-smoking private collection. Ships out promptly.p

Depicts various episodes in the life of artist Arthur Fidelman who left the Bronx to pursue his career in Italy--Novelist.

"In her nonfiction books (Letters from a War Zone) and her first novel Ice and Fire) Dworkin established a reputation as a provocative writer of feminist literature. She gives her own name to the protagonist/narrator of this powerful, almost frenzied, admittedly autobiographical novel that chronicles her life and sexual victimization. "Andrea" gets her first taste of sex at age nine when she is molested in a movie theater. A rebellious teenager, she hangs out in Greenwich Village, idolizes Allen Ginsberg and is swept up into the peace movement. Penniless, streetwise but not street-smart, Andrea is continually and brutally raped by lovers, acquaintances, strangers. The novel's unparagraphed prose--like Andrea, intense, jumpy, impassioned--brilliantly captures the narrator's mental and physical degradation. As her life disintegrates, she repeats three facts--her name, her place of birth and the poet Walt Whitman's address in Camden, N.J., on a street where she was born--as a mantra anchoring her to reality. The most sexually graphic and horrifying scenes involve her marriage to a European revolutionary who abuses and burns her as she desperately tries to be a good bourgeois housewife. It is no wonder that the novel's ending finds Andrea committed to the women's movement. While Andrea's high-pitched voice is at first hard to take, its vehemence and candor build to a convincing indictment of a society that tolerates violence against women."--Publisher'sWeekly via amazon.com.