This book is a history, an indictment, a lament, and an appeal, focusing on the messianic trend in Lubavitch hasidism. It demonstrates how hasidim who affirm the dead Rebbe's messiahship have abandoned one of Judaism's core beliefs in favour of adherence to the doctrine of a second coming. At the same time, it decries the remarkable equanimity with which the standard-bearers of Orthodoxy have granted legitimacy to this development by continuing to recognize such believers as Orthodox Jews in good standing. This dramatic abandonment of the age-old Jewish resistance to a quintessentially Christian belief is a development of striking importance for the history of religions, and it is an earthquake in the history of Judaism. David Berger chronicles the unfolding of this development from a personal viewpoint. He describes the growing concern that impelled him to undertake an anti-messianist campaign-publications, correspondence, and the sponsorship of a Rabbinical Council of America resolution excluding this belief from authentic Judaism. He argues that a large number, almost certainly a substantial majority, of Lubavitch hasidim believe in the Rebbe's messiahship; a significant segment, including educators in the central institutions of the movement, maintain a theology that goes beyond posthumous messianism to the affirmation that the Rebbe is pure divinity. While many Jews see Lubavitch as a marginal phenomenon, its influence is in fact growing at a remarkable rate-to the point where its representatives are poised to dominate Orthodox religious institutions not merely in isolated outposts but in several major countries throughout the world. This book analyses the boundaries of Judaism's messianic faith and its conception of God. It assesses the threat posed by the messianists of Lubavitch and points to the consequences, ranging from undermining a fundamental argument against the Christian mission to calling into question the kosher status of many foods and ritual objects prepared under Lubavitch supervision. Finally, it proposes a strategy to protect authentic Judaism from this assault.

Hitchens has written a great deal of bracing good sense on politics & literature in the past decades. Much of it has been collected between the covers of this well-packed book. Since these pieces originally appeared in journals as wide-ranging as the TLS, Grand Street, Harper's, Mother Jones, The Nation & Spectator, only the most avid admirer would be likely to have come across them all. In addition to the predictable, eloquent Reagan-bashing, there are thoughtful essays on Paul Scott & his Raj Quartet, the contradictions of George Orwell, the Brideshead phenomenon, that very independent-minded Israeli Professor Israel Shahak, Conor Cruise O'Brien, even something as up-to-date as a perceptive review of Bonfire of the Vanities. Hitchens writes clearly, from a well-stocked mind, & is free of the cant that affects many political journalists. Why the kinds of views that he & his very kindred spirit Alexander Cockburn express so well never receive an airing on TV, where they'd reach a much wider audience, remains a source of shame to a supposedly free medium. In any case, book & magazine readers can feel fortunate that publishers suffer no such self-imposed restraints. -- Publishers Weekly

"Hard to believe but true: - The Passover Seder is a Greco-Roman symposium banquet - The Talmud rabbis presented themselves as Stoic philosophers - Synagogue buildings were Roman basilicas - Hellenistic rhetoric professors educated sons of well-to-do Jews - Zeus-Helios is depicted in synagogue mosaics across ancient Israel - The Jewish courts were named after the Roman political institution, the Sanhedrin - In Israel there were synagogues where the prayers were recited in Greek. Historians have long debated the (re)birth of Judaism in the wake of the destruction of Jerusalem and the Temple cult by the Romans in 70 CE. What replaced that sacrificial cult was at once something new-indebted to the very culture of the Roman overlords-even as it also sought to preserve what little it could of the old Israelite religion. The Greco-Roman culture in which rabbinic Judaism grew in the first five centuries of the Common Era nurtured the development of Judaism as we still know and celebrate it today. Arguing that its transformation from a Jerusalem-centered cult to a world religion was made possible by the Roman Empire, Rabbi Burton Visotzky presents Judaism as a distinctly Roman religion. Full of fascinating detail from the daily life and culture of Jewish communities across the Hellenistic world, Aphrodite and the Rabbis will appeal to anyone interested in the development of Judaism, religion, history, art and architecture. "--

Maurois ends the enormous, sprawling life of Balzac with the question, ""But who would wish to be Balzac?"" A man's query perhaps. A woman might write to him admiringly, at first anonymously, as so many did then. What Maurois evokes here so strongly is the writer and the lover and the always hungry dreamer of fame, greatness and happiness. Balzac's feats were prodigious. Hounded by creditors throughout his life, he bought antiques and jewelled walking sticks, and indulged in one ruinous financial deal after another. He worked for months at a frenzied pace. With a passion for unity, he tried to make a comprehensive world from his many works-- ""La Comedie Humaine."" He was lover to many women but he loved only two-Madame de Berny, his mistress in youth and twenty years his senior, and Madame Hanska, whom he married just before his death. Most of the time the narrative is just shy of the many quotations. Maurois is a little like the wise ""friend of the family"" who tells the story with all the intimate speculations, small reproaches and loving (sometimes sentimental) praise one might expect. Names, places and figures abound, and while many of these particulars are only scantily examined, one doesn't mind. Such a French abundance of ""givens"" is in keeping with the rush and energy of Balzac's life. There are good but simple summaries of Balzac's thought but for the most part this close biography draws one headlong into a fantastic life. KIRKUS REVIEW

Sustained by a deep religious faith, Jason Harrow has built a stable family and become a pillar of principle and patriotism in the Midwest. Then the phone rings, and his past is on the other end of the line. A woman with whom he once shared a life of violence and desire claims her daughter is missing—and Jason is the one man who can find her. Returning to New York City, Jason finds himself entangled in a murderous conspiracy only he can see and only he can stop—a plot that bizarrely links his private passions to the turmoil of a world at war. Hunted by terrorists and by the police, Jason has only hours to unravel an ex-lover’s lies and face the unbearable truth: In order to prevent a savage attack on his country, he’s going to have to risk his decency, his sanity, and his life.

The world of Jacob and his younger brother Solly falls apart when they are orphaned and pitched into a Sydney children's home, where other refugee Jewish children are gathering as Hitler rises to power in Europe.

"To confront American culture is to feel oneself encircled by a thin but strong presence. I call it Emersonian, an imprecise term but one that directs us to a dominant spirit in the national experience." Thus Irving Howe, America's distinguished social critic and a longtime reader of the Sage of Concord, begins this illuminating discussion of Emerson and his disciples and doubters. What is the Emersonian spirit? What inspired it, what propelled it? And what does it mean to us today? History gave Emerson his opportunity and then took it away. Coming to manhood during the 1830s and 1840s, the time of "the newness" when Americans beheld the world with unbounded expectations, Emerson became the spokesman for the self-reliant new man he believed had arisen, ready to thrust aside mossy traditions and launch a new revolution of freewheeling thought. But the rapid pace of the American experience overtook the Emersonian vision; in the 1850s, the rising problems of slavery, a boom-and-bust economy, the vulgarity of mass culture overwhelmed the idealist. His satellite spirits wavered and shrouded the Emersonian optimism: Hawthorne, with his stories of moral breakdown; Thoreau, rooted in nature yet inclined to the cranky and fanatical; Melville, his fathomless blackness waiting beneath archetypal fables of innocence and evil also Walt Whitman, Orestes Brownson, Twain--all were influenced by, yet reacted against, the Emersonian "newness." Howe identifies three kinds of response: the literature of work (Melville and Mark Twain), the literature of Edenic fraternity (James Fenimore Cooper, Whitman, Twain again), and the literature of loss (all the post-Civil War writers). He lays before us the intellectual and personal tragedy of the first great American man of letters, yet also shows that Emerson's belief in the untapped power of free men pervades not only the lives and works of his contemporaries but is also a permanent part of the American psyche.

In this ground-breaking study, Rachel Elior offers a comprehensive theory of the crystallization of the early stages of the mystical tradition in Judaism based on the numerous ancient scrolls and manuscripts published in the last few decades. Her wide-ranging research, scrupulously documented, enables her to demonstrate an uninterrupted line linking the priestly traditions of the Temple, the mystical liturgical literature found in the Qumran caves and associated directly and indirectly with the Merkavah tradition of around the second and first centuries BCE, and the mystical works of the second to fifth centuries CE known as Heikhalot literature. The key factor linking all these texts, according to Professor Elior's theory, is that many of those who wrote them were members of the priestly classes. Prevented from being able to perform the rituals of sacred service in the Temple as ordained in the biblical tradition, they channelled their religious impetus in other directions to create a new spiritual focus. The mystical tradition they developed centered first on a heavenly Chariot Throne known as the Merkavah, and later on heavenly sanctuaries known as Heikhalot. In this way the priestly class developed an alternative focus for spirituality, based on a super temporal liturgical and ritual relationship with ministering angels in the supernal sanctuaries. This came to embrace an entire mystical world devoted to sustaining religious liturgical tradition and ritual memory in the absence of the Temple. This lyrical investigation of the origins and workings of this supernal world is sure to become a standard work in the study of early Jewish mysticism.

""The Face of Violence"" is a thought-provoking essay by the renowned scientist and philosopher Jacob Bronowski, exploring the nature of violence and its impact on society. The essay is accompanied by a play, also written by Bronowski, that delves deeper into the themes discussed in the essay. The play tells the story of a man who becomes increasingly violent as he struggles to cope with the pressures of modern life. Through the essay and the play, Bronowski challenges readers to consider the root causes of violence and to reflect on how we can work towards a more peaceful and just society. This book is a must-read for anyone interested in the complex issues surrounding violence and its effects on individuals and society as a whole.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Sleeping with Cats is the intimate memoir of acclaimed author and poet, Marge Piercy whose bestselling novels include Woman on the Edge of Time, Body of Glass and Braided Lives. Focusing on her emotional life, rather than her literary or political adventures, here she reveals the life behind her poems and novels, and the origins of her remarkable literary career. Piercy includes several of her memorable poems and revisits the people, the circumstances, and the actions which inspired her to write them, laying bare the origins of both her fiction and poetry. Throughout her life are her cats, steadfast companions who remain while the people in her life come and go. Always honest and thoroughly compelling, Sleeping with Cats is a fascinating account of this extraordinary and complex woman's life.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In this brilliant, inventive, tragic farce, Deborah Levy creates the ultimate dysfunctional kids, Billy and his sister Girl. Apparently abandoned years ago by their parents, they now live alone somewhere in England. Girl spends much of her time trying to find their mother, going to strangers' doors and addressing whatever Prozac woman who answers as "Mom." Billy spends his time fantasizing a future in which he will be famous, perhaps in the United States as a movie star, or as a psychiatrist, or as a doctor to blondes with breast enlargements, or as the author of "Billy England's Book of Pain." Together they both support and torture each other, barely able to remember their pasts but intent on forging a future that will bring them happiness and reunite them with the ever-elusive Mom. Billy and Girl are every boy and girl reeling from the pain of their childhoods, forgetting what they need to forget, inventing worlds they think will be better, but usually just prolonging nightmares as they begin to create--or so it seems--alternative personalities that will allow them to survive and conquer and punish. In the end, the reader is as bewildered as Billy and Girl--have they found Mom and a semblance of family, or are they completely out of control and ready to explode?

One of the five Confucian classics, The Book of Songs (Shijing) is the oldest collection of poetry in world literature and the finest treasure of traditional songs left from antiquity. Where the other Confucian classics treat outward things: deeds, moral precepts, the way the world works,” as Stephen Owen tells us in his foreword, The Book of Songs is the classic of the human heart and the human mind.”

To abuse or neglect a child, to deprive the child of his or her own identity and ability to experience joy in life, is to commit soul murder. Soul murder is the perpetration of brutal or subtle acts against children that result in their emotional bondage to the abuser and, finally, in their psychic and spiritual annihilation. In this compelling, disturbing, and superbly readable book, Dr. Leonard Shengold, clinical professor of psychiatry at the New York University School of Medicine, explores the devastating psychological effects of this trauma inflicted on a shocking number of children. Drawing on a lifetime of clinical experience and wide-ranging reading in world literature, Dr. Shengold examines the ravages of soul murder in the adult lives of his patients as well as in the lives and works of such seminal writers as George Orwell, Dickens, Chekhov, and Kipling. One hopeful note in this saga of pain is that a terrible childhood can, if survived, be a source of strength, as Dr. Shengold finds in the cases of Dickens and Orwell. Provocatively original in its approach to literature and psychology, unsettling in its vivid portrayal of the darker side of human nature, far-reaching in its conclusions, Soul Murder will stand alongside such works as Alice Miller's The Drama of the Gifted Child as one of the most important studies of the psyche to appear in decades.

"James Salter (born James Horowitz in 1925) has been known throughout his career as a "writer's writer," acclaimed by such literary greats as Susan Sontag, Richard Ford, John Banville, and Peter Matthiessen for his lyrical prose, his insightful and daring explorations of sex, and his examinations of the inner lives of women and men. Conversations with James Salter collects interviews published from 1972 to 2014 with the award-winning author of The Hunters, A Sport and a Pastime, Light Years, and All That Is. Gathered here are his earliest interviews following acclaimed but moderately selling novels, conversations covering his work as a screenwriter and award-winning director, and interviews charting his explosive popularity after publishing All That Is, his first novel after a gap of thirty-four years. These conversations chart Salter's progression as a writer, his love affair with France, his military past as a fighter pilot, and his lyrical explorations of gender relations.The collection contains interviews from Sweden, Chile, France, and Argentina appearing for the first time in English. Included as well are published conversations from the United States, Canada, and Australia, some of which are significantly extended versions, giving this collection an international scope of Salter's wide-ranging career and his place in world literature"--

Stephen Greenblatt argued in these celebrated essays that the art of the Renaissance could only be understood in the context of the society from which it sprang. His approach - 'New Historicism' - drew from history, anthropology, Marxist theory, post-structuralism, and psychoanalysis and in the process, blew apart the academic boundaries insulating literature from the world around it. Learning to Curse charts the evolution of that approach and provides a vivid and compelling exploration of a complex and contradictory epoch.

Recorded in sacred Sanskrit texts, including the Rig Veda and the Mahabharata , Hindu Myths are thought to date back as far as the tenth century BCE. Here in these seventy-five seminal myths are the many incarnations of Vishnu, who saves mankind from destruction, and the mischievous child Krishna, alongside stories of the minor gods, demons, rivers and animals including boars, buffalo, serpents and monkeys. Immensely varied and bursting with colour and life, they demonstrate the Hindu belief in the limitless possibilities of the world - from the teeming miracles of creation to the origins of the incarnation of Death who eventually touches them all. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Deepens and enriches our understanding of the Jewish literary tradition and the implications of the Shoah. Challenging the notion that Jewish American and Holocaust literature have exhausted their limits, this volume reexamines these closely linked traditions in light of recent postmodern theory. Composed against the tumultuous background of great cultural transition and unprecedented state-sponsored systematic murder, Jewish American and Holocaust literature both address the concerns of postmodern human existence in extremis. In addition to exploring how various mythic and literary themes are deconstructed in the lurid light of Auschwitz, this book provides critical reassessments of Saul Bellow, Bernard Malamud, and Philip Roth, as well as contemporary Jewish American writers who are extending this vibrant tradition into the new millennium. These essays deepen and enrich our understanding of the Jewish literary tradition and the implications of the Shoah.