Lulu's parents refuse to give in when she demands a brontosaurus for her birthday and so she sets out to find her own, but while the brontosaurus she finally meets approves of pets, he does not intend to be Lulu's.

Book by Viorst, Judith

Through the synthesis of psychoanalytic theory, literature, interviews, and personal experiences, the author analyzes the losses of childhood, youth, impossible expectations, and loved ones and demonstrates what one must give up in order to continue to grow

A child, on the verge of being left behind by parents who are going out for the evening, comes up with a variety of pleas and excuses.

Through the stories of kids and parents in the middle school trenches, a New York Times bestselling author reveals why these years are so painful, how parents unwittingly make them worse, and what we all need to do to grow up. “As the parent of a middle schooler, I felt as if Judith Warner had peered into my life—and the lives of many of my patients. This is a gift to our kids and their future selves.”—Lori Gottlieb, author of Maybe You Should Talk to Someone The French have a name for the uniquely hellish years between elementary school and high school: l’âge ingrat, or “the ugly age.” Characterized by a perfect storm of developmental changes—physical, psychological, and social—the middle school years are a time of great distress for children and parents alike, marked by hurt, isolation, exclusion, competition, anxiety, and often outright cruelty. Some of this is inevitable; there are intrinsic challenges to early adolescence. But these years are harder than they need to be, and Judith Warner believes that adults are complicit. With deep insight and compassion, Warner walks us through a new understanding of the role that middle school plays in all our lives. She argues that today’s helicopter parents are overly concerned with status and achievement—in some ways a residual effect of their own middle school experiences—and that this worsens the self-consciousness, self-absorption, and social “sorting” so typical of early adolescence. Tracing a century of research on middle childhood and bringing together the voices of social scientists, psychologists, educators, and parents, Warner’s book shows how adults can be moral role models for children, making them more empathetic, caring, and resilient. She encourages us to start treating middle schoolers as the complex people they are, holding them to high standards of kindness, and helping them see one another as more than “jocks and mean girls, nerds and sluts.” Part cultural critique and part call to action, this essential book unpacks one of life’s most formative periods and shows how we can help our children not only survive it but thrive.

A bold, brilliant, and provocative look at childhood medication by New York Times bestselling author Judith Warner In Perfect Madness: Motherhood in the Age of Anxiety , the bestselling author and former New York Times columnist Judith Warner explained what's gone wrong with the culture of parenting, and her conclusions sparked a national debate on how women and society view motherhood. Her new book, We've Got Issues: Children and Parents in the Age of Medication , will generate the same kind of controversy, as she tackles a subject that's just as contentious and important: Are parents and physicians too quick to prescribe medication to control our children's behavior? Are we using drugs to excuse inept parents who can't raise their children properly? What Warner discovered from the extensive research and interviewing she did for this book is that passion on both sides of the issue "is ideological and only tangentially about real children," and she cuts through the jargon and hysteria to delve into a topic that for millions of parents involves one of the most important decisions they'll ever make for their child. Insightful, compelling, and deeply moving, We've Got Issues is for parents, doctors, and teachers-anyone who cares about the welfare of today's children.

More adventures at school and at home with Jake, a first-grader, and his older sister Abigail, known to each other as the Pain and the Great One.

First-grader Jake "The Pain" and his sister, third-grader Abigail "The Great One" have more adventures, including visiting their cousins in New York and celebrating their cat Fluzzy's birthday.

"What effect does [the climate of censorship] have on a writer?....It's chilling. It's easy to become discouraged, to second-guess everything you write. There seemed to be no one to stand up to the censors....so I began to speak out about my experiences. And once I did, I found that I wasn't as alone as I'd thought." -- from Judy Blume's introduction to Places I Never Meant to Be Judy Blume is not alone: Many of today's most distinguished authors of books for young people have found their work censored or challenged. Eleven of them have contributed original stories to this collection. Along with a story written by the late Norma Klein when she was a student at Barnard College, they comprise a stunning literary achievement as well as a battle cry against censorship. Contributors David Klass Norma Klein Julius Lester Chris Lynch Harry Mazer Norma Fox Mazer Walter Dean Myers Katherine Paterson Susan Beth Pfeffer Rachel Vail Jacqueline Woodson Paul Zindel

MEET THE PAIN: My sister's name is Abigail. I call her The Great One because she thinks she's so great. Who cares if she's in third grade and I'm just in first? MEET THE GREAT ONE: My brother's name is Jacob Edward, but everyone calls him Jake. Everyone but me. I call him The Pain because that's what he is. He's a first-grade pain. I'll always know exactly what he's thinking. That's just the way it is. These seven warm-hearted stories will give readers a peek at how a brother and sister relate to each other.

This volume examines the life and work of Mexican artist Frida Kahlo (1907-1954). The authors present Kahlo's story through their interpretations of and their commentary about 100 of Kahlo's paintings. They explore Kahlo's many faces -- woman, artist, historical figure, and inspiration. The authors discuss how Kahlo's work fits in with some of the major themes of women's art throughout the 20th century, including gender, the body, relationships, the self, pain, pride, and culture.

font COLOR="#000000" FACE="MS Sans Serif" SIZE="1" ¡n we get some reality in here?ߡsks Judy Sheindlin, former supervising judge for Manhattan Family Court. For twenty–four years she has laid down the law as she understands it: ● If you want to eat, you have to work. ● If you have children, you'd better support them. If you break the law, you have to pay. If you tap the public purse, you'd better be accountable. Now she abandons all judicial restraint in a scathing critique of the system – filled with realistic hard–nosed alternatives to our bloated welfare bureaucracy and our soft–on–crime laws.

From the original 1959 musical come the popular hits that made Gypsy a Broadway sensation. Based on the life of Gypsy Lee Rose, with music by Jule Styne and lyrics by the talented Stephen Sondheim, the long-running musical boasts countless Tony Awards, plus Drama Desk Awards, Theatre Musical Awards, and more! Alfred's Classic Musical Editions series brings the most popular selections to life for vocalists and pianists everywhere. All 11 songs are arranged for Piano/Vocal/Chords. Titles: All I Need is the Girl * Everything's Coming Up Roses * If Momma Was Married * Let Me Entertain You * Little Lamb * Rose's Turn * Small World * Some People * Together Wherever We Go * You Gotta Have a Gimmick * You'll Never Get Away from Me.

"Bark, George," says George's mother, and George goes: "Meow," which definitely isn't right, because George is a dog. And so is his mother, who repeats, "Bark, George." And George goes, "Quack, quack." What's going on with George? Find out in this hilarious new picture book from Jules Feiffer."--Page Web Barnes & Noble.

"A riveting, inspiring memoir of one woman's escape from an extremist religious sect and an extraordinary rise from housewife to shoe designer, to CEO and co-owner of the modeling agency Elite World Group. Ever since she was a child, every aspect of Julia Haart's life-what she wore, what she ate, what she thought-was controlled by the dictates of ultra-Orthodox Judaism. At nineteen, after a lifetime spent caring for her seven younger siblings, she was married off to a man she barely knew. For the next twenty-three years, he would rule her life. Eventually, when Haart's younger daughter, Miriam, started to question why she wasn't allowed to sing, run, or ride a bike, Haart reached a breaking point. She knew that if she didn't find a way to leave, her daughters would be forced into the same unending servitude that had imprisoned her. So Haart created a double life. In the ultra-Orthodox world, clothing has one purpose-to cover the body, head to toe-and giving any thought to one's appearance beyond that is considered sinful, an affront to God. But when no one was looking, Haart would pore over fashion magazines and sketch designs for the clothes she dreamed about wearing in the world beyond her Orthodox suburb. She started clandestinely selling life insurance in order to save her "freedom" money. At the age of forty-two, she finally mustered the courage to flee the fundamentalist life that was strangling her soul. Within a week of her escape, Haart founded a shoe brand, and within nine months, she was at Paris Fashion Week. Just a few years later, she was named creative director of La Perla, where she met the man who would become her husband, Silvio Scaglia. Soon she would become co-owner and CEO of Elite World Group, and one of the most powerful people in the fashion industry. Along the way, her four children-Batsheva, Shlomo, Miriam, and Aron-have not only accepted but embraced her transformation. Propulsive and unforgettable, Haart's story is the journey from a world of no to a world of yes, and an inspiration for women everywhere to find their freedom, their purpose, and their voice"--

When Charles Wycombe, the dashing Earl of Billington, fell out of a tree & landed at Ellie's feet, neither suspected that such an inauspicious meeting would lead to marriage. But Charles must find a bride before his 30th birthday or he'll lose his fortune. Ellie needs a husband or her father's fiancee will choose one for her."

When a suitor tells Arabella he's willing to overlook her appalling bluestocking tendencies on account of her looks and fortune, she decides to take a break from the Marriage Mart. During a stay in the country, she never expects to meet Lord John Blackwood, a wounded war hero who intrigues her like no other man.

When Robert Kemble stumbles across Victoria Lyndon in a hedgerow maze, he can't believe his eyes. The girl who'd torn him in two, who let him plan an elopement and left him standing by the side of the road, was suddenly within arm's reach, and even though his fury still knew no bounds, she was impossible to resist. Victoria's father told her an earl would never marry a vicar's daughter, and he was right. Robert had promised her marriage, then danced off to London while she suffered the shame of a foiled elopement. But even though Victoria doesn't particularly enjoy her new life as a governess, when Robert offers her a job of a different sort--his mistress--she refuses, unable to sacrifice her honor, even for him. But Robert won't take no for an answer, and he vows to make her his through any means possible. Can these star-crossed lovers learn to trust again?