Beginning with his last days in the White House, Theodore H. White provides readers with the details of Richard Nixon’s presidency and how he used the politics of manipulation to fool not only the American people but those working closest to him. Richard Nixon fooled and threatened the government and people of the United States in ways no one immediately understood during the Nixon crisis of 1973 and 1974. Now, with the drama and confusion of a president’s betrayal stripped away, it is apparent that the problem was that Nixon placed himself above the law, and the nation had to decide whether or not that would be allowed. Beginning at the time that those closest to him realized they had been deceived by Nixon and made the decision that they would have to force him, Theodore H. White starts the story of the fall of the former President during his final days in the White House. Then, going back twenty years to the start of Nixon’s manipulations, White shares with readers how the Nixon team came to see politics as a war, with the White House acting as a command post where the ordinary rules didn’t apply and power could be harnessed without restraint.

Bestselling author and master storyteller Terkel sketches the lives of 13 giants who have made American jazz what it is today. Terkel uses firsthand interviews with the artists to bring to life the human stories behind the music. First published in 1957 and now reissued in a handsome, illustrated gift edition.

In Romantic Longings Steven Seidman offers an original perspective on the origins and current meaning of the American intimate culture. Drawing on a wide range of sources--sex surveys, advice literature, autobiographies, novels--he charts a change from a Victorian spiritual ideal to efforts by current reformers to sexualize love. Stressing that contemporary notions of intimacy are grounded in twentieth-century historical developments, he observes the birth of a culture of eroticism in the post-World War II years--a culture where sexuality is conceived as both a sphere of love and intimacy and a domain of pleasure and self-expression.

The CIA chief, Leon Panetta, calls drones the ‘only game in town’. The figures bear him out. Between 2004 and 2012, the US reportedly conducted over 350 drone strikes in Pakistan, killing between 2,600 and 3,400 people. Drone strikes have killed more than 200 children alone in Pakistan and Yemen. In 2000, the Americans had fewer than fifty aerial drones; ten years later, it had a fleet of nearly 7,500, and the US Air Force now trains more drone ‘pilots’ than bomber and fighter pilots combined. Drones are already a $ 5 billion business in the US alone. American activist Medea Benjamin, a co-founder of the peace group CODEPINK and the international human rights organization Global Exchange, provides the first extensive analysis of who is producing the drones, where they are being used, who controls these unmanned places, and what are the legal and moral implications of their use. Benjamin also looks at what activists, lawyers, and scientists across the globe are doing to ground these weapons.

Over the last year, award-winning journalist and videographer Max Blumenthal has been behind some of the most sensational (and funniest) exposes of Republican machinations. Whether it was his revelation that Sarah Palin was "anointed" by a Kenyan priest famous for casting out witches, or his confronting Republican congressional leaders and John McCain's family at the GOP convention about the party's opposition to sex education (and hence, the rise in teen pregnancies like that of Palin's daughter), or his expose of the eccentric multimillionaire theocrat behind California's Prop 8 anti- gay marriage initiative, Blumenthal has become one of the most important and most constantly cited journalists on how fringe movements are becoming the Republican Party mainstream. Republican Gomorrah is a bestiary of dysfunction, scandal and sordidness from the dark heart of the forces that now have a leash on the party. It shows how those forces are the ones that establishment Republicans-like John McCain-have to bow to if they have any hope of running for President. It shows that Sarah Palin was the logical choice of a party in the control of theocrats. But more that just an expose, Republican Gomorrah shows that many of the movement's leading figures have more in common than just the power they command within conservative ranks. Their personal lives have been stained by crisis and scandal: depression, mental illness, extra-marital affairs, struggles with homosexual urges, heavy medication, addiction to pornography, serial domestic abuse, and even murder. Inspired by the work of psychologists Erich Fromm, who asserted that the fear of freedom propels anxiety-ridden people into authoritarian settings, Blumenthal explains in a compelling narrative how a culture of personal crisis has defined the radical right, transforming the nature of the Republican Party for the next generation and setting the stage for the future of American politics.

A collection of "first-rate frontline journalism" from the Spanish Civil War to US actions in Central America "by a woman singularly unafraid of guns" (Vanity Fair). For nearly sixty years, Martha Gellhorn's fearless war correspondence made her a leading journalistic voice of her generation. From the Spanish Civil War in 1937 through the Central American wars of the mid-eighties, Gellhorn's candid reporting reflected her deep empathy for people regardless of their political ideology. Collecting the best of Gellhorn's writing on foreign conflicts, and now with a new introduction by Lauren Elkin, The Face of War is a classic of frontline journalism by "the premier war correspondent of the twentieth century" (Ward Just, The New York Times Magazine ). Whether in Java, Finland, the Middle East, or Vietnam, she used the same vigorous approach. "I wrote very fast, as I had to," she says, "afraid that I would forget the exact sound, smell, words, gestures, which were special to this moment and this place." As Merle Rubin noted in his review of this volume for The Christian Science Monitor, "Martha Gellhorn's courageous, independent-minded reportage breaks through geopolitical abstractions and ideological propaganda to take the reader straight to the scene of the event."

This reinterpretation of the full sweep of English and American romantic poetry offers close readings of poems of Blake, Wordsworth, Shelley, Keats, Tennyson, Browning, Whitman, Yeats, and Stevens. It also reviews the crucial ideas of Emerson, Nietzsche, and in particular Freud, whose psychoanalytic theory of repression and defense Bloom undertakes to revise for purposes of literary criticism. "Bloom offers a fully defined alternative to the principal modes of contemporary criticism, from Freudian literary criticism (which he insists is neither Freudian nor literary criticism) to the New Criticism and structuralist and archetypal approaches. It is an original, vigorous, and passionate study which is both compelling and provocative."-The British Studies Monitor "Show me but one paragraph of Bloom's approaches to texts, and I'm hooked. . . . I find sheer delight in his ingenious ways."-Kenneth Burke "Bloom has made a remarkable contribution to poetic theory."-Phoebe Pettingell, The New Leader

"Past and Present brings together almost two dozen newly collected essays by the distinguished American historian and cultural critic, Gertrude Himmelfarb. Their common theme is the intriguing, often unexpected ways in which the past illuminates the present. The novelist William Faulkner wrote that "The past is never dead. It's not even past." In these essays, Himmelfarb shows the truth of this statement. She helps us find a new perspective on contemporary issues by bringing to bear a trenchant analysis of debates and thinkers of the past. She allows the past to inform the present without distorting either past or present. The essays, unified by the common theme of present and past, are varied. The topics range from the disorders of modern democracy to the challenges of postmodernism, from the Victorian ethos to the Jewish question. The thinkers range from Edmund Burke to Leo Strauss, from Cardinal Newman to Lionel Trilling. The political figures range from Benjamin Disraeli to Winston Churchill, from the American founders to Queen Elizabeth II. The underlying premise and principle of the essays is the conviction that the pursuit of knowledge and truth, however difficult or discomforting, eminently matters, in the "practical life,"as Trilling put it,as in the "moral life."Past and Presentis a notable contribution to this endeavor-to understanding where we have been, where we are now, and where we may be-or should be-going"--

The author of the acclaimed New York Times bestseller The Next 100 Years now focuses his geopolitical forecasting acumen on the next decade and the imminent events and challenges that will test America and the world, specifically addressing the skills that will be required by the decade's leaders. The next ten years will be a time of massive transition. The wars in the Islamic world will be subsiding, and terrorism will become something we learn to live with. China will be encountering its crisis. We will be moving from a time when financial crises dominate the world to a time when labor shortages will begin to do so. In The Next Decade, George Friedman offers readers a pro_vocative and endlessly fascinating prognosis for the immedi_ate future. Using Machiavelli's The Prince as a model, Friedman focuses on the world's leadersÑparticularly the American presidentÑand, with his trusted geopolitical insight analyses the complex chess game they will all have to play. The book also asks how to be a good president in a decade of extraordinary challenge, and puts the world's leaders under a microscope to explain how they will arrive at the decisions they will makeÑand the consequences these actions will have for us all.

"The best new discussion of the primary system." —Jill Lepore, author of These Truths In 1912, Theodore Roosevelt came out of retirement to challenge William Howard Taft for the Republican nomination. TR seized on the campaign theme “Let the People Rule”—a cry echoed in today’s elections—and through the course of his run helped create thirteen new primaries. Though he won most of the primaries, party bosses proved too powerful, and Roosevelt walked out of the convention to create his own Bull Moose Party—only to make the shocking political calculation to ban black delegates from his new coalition. In Let the People Rule , Geoffrey Cowan takes readers inside the dramatic campaign that changed American politics forever.

0n May 24, 1869, a one-armed Civil War veteran named John Wesley Powell and a ragtag band of nine mountain men embarked on the last great quest in the American West. No one had ever explored the fabled Grand Canyon; to adventurers of that era it was a region almost as mysterious as Atlantis -- and as perilous. The ten men set out down the mighty Colorado River in wooden rowboats. Six survived. Drawing on rarely examined diaries and journals, Down the Great Unknown is the first book to tell the full, true story.

In this new volume, Adrienne Rich pursues her signature themes and takes them further: the discourse between poetry and history, interlocutions within and across gender, dialogues between poets and visual artists, human damages and dignity, and the persistence of utopian visions. Here Rich continues taking the temperature of mind and body in her time in an intimate and yet commanding voice that resonates long after an initial reading. With two long exploratory poems ("Veteran's Day" and "Terza Rima") as framework, and the title poem as core, Fox is formidable and moving, fierce and passionate, and one of Rich's most powerful works to date.

"An autobiographical meditation on the writing and reading of haiku, the essence of haiku mind, and the country and culture that nurtured the form"--

For more than forty years, Harry Turtledove has been the acknowledged master of one of science fiction's most durable sub-genres: the tale of alternate history. In the course of an incredibly prolific career, Turtledove has created a host of brilliantly imagined revisionist histories on subjects ranging from the American Civil War to the Byzantine Empire to the Second World War (in which an alien invasion plays an unexpected role.) His work includes standalone novels and multi-volume epics, along with an impressive array of short fiction, the best of which has been gathered in this generous, irreplaceable volume. The Best of Harry Turtledove opens with "Peace is Better," the first of three stories featuring Bill Williamson, the nine-foot-tall Sasquatch who serves as governor of the fictional state of Jefferson, a place where "everyone gets along, regardless of race or size." Or species. "Bonehunters" posits a world in which the extinction event that ended the reign of the dinosaurs never took place. Two subsequent stories, "Junior & Me" and the Melville-inspired novella, "The Quest for the Great Gray Mossy," continue to develop this scenario. "The Eighth Grade History Class Visits the Hebrew Home for the Aging" imagines a world in which Anne Frank survived and emigrated to the United States, where she recounts her experiences to a visiting middle school class. "But It Does Move" is the account of a fictional confrontation between Galileo and a leader of the Holy Inquisition. These are only a few of the people, places, and historical epochs you will encounter in this magisterial collection. The twenty-four stories in The Best of Harry Turtledove constitute a master class both in the technique of alternate history and in the art of narrative itself. Longtime Turtledove readers will take this book to their hearts. Newcomers will find themselves searching for more of the author's inimitable--and highly addictive--fiction. They have a lot to look forward to.

"This amazing collection of choice anecdotes takes us right back to the Golden Age of New York City nightlife, when top restaurants like Toots Shor's, "21," and Sardi's, as well as glittering nightclubs like the Stork Club, The Latin Quarter, and El Morocco, were the nightly gathering spots for great figures of that era: movie and Broadway stars, baseball players, champion boxers, comedians, diplomats, British royalty, prize-winning authors, and famous painters. From Charlie Chaplin to Winston Churchill, from Ethel Barrymore to Sophia Loren, from George Burns to Ernest Hemingway, from Joe DiMaggio to the Duke of Windsor: Leonard Lyons knew them all. For forty glorious years, from 1934 to 1974, he made the daily rounds of Gotham nightspots, collecting the exclusive scoops and revelations that were at the core of his famous newspaper column, "The Lyons Den." In this entertaining volume Jeffrey Lyons has assembled a considerable compilation of anecdotes from his father's best columns, and has also contributed a selection of his own in-depth interviews conducted on his own TV shows with George Clooney, Penelope Cruz, Javier Bardem, Dame Judi Dench, George Carlin, Dennis Hopper, Sir Michael Caine, Sir Ben Kingsley and other current stars. Organized chronologically by decade and subdivided by celebrity, "Stories my father told" me offers fascinating and amusing stories illustrated by some sixty archival photographs. He so captured the tenor of those exciting times that the great Lincoln biographer Carl Sandburg said: "Imagine how much richer American history would have been had there been a Leonard Lyons in Lincoln's time."--

Greil Marcus has been one of the most distinctive voices in American music criticism for over forty years. His books, including Mystery Train and The Shape of Things to Come, traverse soundscapes of folk and blues, rock and punk, attuning readers to the surprising, often hidden affinities between the music and broader streams of American politics and culture. Drawn from Marcus’s 2013 Massey Lectures at Harvard, his new work delves into three episodes in the history of American commonplace song: Bascom Lamar Lunsford’s 1928 “I Wish I Was a Mole in the Ground,” Geeshie Wiley’s 1930 “Last Kind Words Blues,” and Bob Dylan’s 1964 “Ballad of Hollis Brown.” How each of these songs manages to convey the uncanny sense that it was written by no one illuminates different aspects of the commonplace song tradition. Some songs truly did come together over time without an identifiable author. Others draw melodies and motifs from obscure sources but, in the hands of a particular artist, take a final, indelible shape. And, as in the case of Dylan’s “Hollis Brown,” there are songs that were written by a single author but that communicate as anonymous productions, as if they were folk songs passed down over many generations.

An astonishing World War II military story of civil rights from New York Times bestselling author and Newbery Honor recipient Steve Sheinkin. A National Book Award Finalist A YALSA Award for Excellence in Nonfiction Finalist A School Library Journal Best Book of the Year On July 17, 1944, a massive explosion rocked the segregated Navy base at Port Chicago, California, killing more than 300 sailors who were at the docks, critically injuring off-duty men in their bunks, and shattering windows up to a mile away. On August 9th, 244 men refused to go back to work until unsafe and unfair conditions at the docks were addressed. When the dust settled, fifty were charged with mutiny, facing decades in jail and even execution. The Port Chicago 50 is a fascinating story of the prejudice and injustice that faced black men and women in America's armed forces during World War II, and a nuanced look at those who gave their lives in service of a country where they lacked the most basic rights. This thoroughly-researched and documented book can be worked into multiple aspects of the common core curriculum, including history and social studies. “Sheinkin delivers another meticulously researched WWII story, one he discovered while working on his Newbery Honor book, Bomb ...Archival photos appear throughout, and an extensive bibliography, source notes, and index conclude this gripping, even horrific account of a battle for civil rights predating Rosa Parks and Martin Luther King, Jr.” — Publishers Weekly (starred review) Also by Steve Sheinkin: Bomb: The Race to Build—and Steal—the World's Most Dangerous Weapon The Notorious Benedict Arnold: A True Story of Adventure, Heroism & Treachery Undefeated: Jim Thorpe and the Carlisle Indian School Football Team Most Dangerous: Daniel Ellsberg and the Secret History of the Vietnam War Which Way to the Wild West?: Everything Your Schoolbooks Didn't Tell You About Westward Expansion King George: What Was His Problem?: Everything Your Schoolbooks Didn't Tell You About the American Revolution Two Miserable Presidents: Everything Your Schoolbooks Didn't Tell You About the Civil War Born to Fly: The First Women's Air Race Across America

“Turtledove is the standard-bearer for alternate history.”— USA Today The novels of Harry Turtledove show history balancing on single moments: One act of folly. One poor decision. One moment of rage. In this astounding new series, the unthinkable has come to pass. The Cold War turns hot—and the United States and the Soviet Union unleash their nuclear arsenals upon each other. Millions die. Millions more are displaced. Germans battle side by side with Americans, Polish freedom fighters next to Russian fascists. The genie is out of the bottle. And there’s no telling what fresh hell will come next. At the heart of Fallout are Harry Truman and Josef Stalin. Even as Joe McCarthy rises in power, the U.S. president is focused elsewhere, planning to cut off the head of the Soviet threat by taking out Stalin. It’s a daring gambit, but the Soviets have one of their own. Meanwhile, Europe’s weak sisters, France and Italy, seem poised to choose the winning side, while China threatens to overrun Korea. With Great Britain ravaged and swaths of America in ruins, leaders are running out of options. When the United States drops another series of bombs to slow the Russian advance in Europe, Stalin strikes back—with horrifying results. These staggering events unfold through the eyes of a sprawling cast of characters: a Holocaust survivor in a displaced persons camp in Washington; the wife of a bomber pilot and her five-year-old daughter starting a new existence; a savage Soviet fighter waging war by his own rules; a British pub owner falling in love with an American pilot. In the masterly hands of Harry Turtledove, this epic chronicle of war becomes a story of human struggle. As the armies of the world implode, the next chapter will be written by the survivors—those willing to rise up for an uncertain future. Praise for Fallout “Turtledove proves, yet again, that he is the best when it comes to rewriting history!” — Suspense Magazine “Turtledove, the master of alternate history, has done well again.” — Shelf Awareness “No one writes alternate-history novels quite like Turtledove. . . . Expect epic political stakes as well as personal and heartfelt stories of war.” —BookTrib

In this intellectual companion piece to his acclaimed autobiography, Radical Son, David Horowitz argues that, even in this supposedly post-ideological, post-Cold War era, the historic themes of that conflict still drive our politics and animate our cultural debates. With keen political insight and a masterly grasp of history, he examines how the political Left, including those who describe themselves as liberals, has refused to learn from the past -- particularly from the checkered records of progressive movements for social justice. This important work is a cohesive and searing document for all who refuse to bury their heads in the sand while American institutions and beliefs are corrupted by the politics of bad faith masquerading under the guise of social justice.

"Revised and expanded edition of the groundbreaking book which demystifies twenty-one of the most widespread myths and beliefs about immigrants and immigrations. In "They Take Our Jobs!" Aviva Chomsky challenges the underlying assumptions that fuel misinformed claims about immigrants, radically altering our notions of citizenship, discrimination, and U.S. history. Since it was first published, many of the same myths about immigration such as "immigrants take American jobs," " immigrants don't pay taxes," and "immigrants increase crime" continue to be perpetuated and used to promote aggressive anti-immigration policies. In a new introduction, Chomsky reflects on the events of the past ten years. She analyzes declining Mexican immigration patterns, illuminates Mexico's little-known Southern Border Program, and assesses Obama's complicated legacy as "deporter-in-chief" which, Chomsky argues, inadvertently laid the groundwork for Trump's anti-immigrant racism"--