Joseph Roth has been described as ?one of the greatest writers in German of this century? ("The Times"). With tragic foresight, "Right and Left," first published in 1929, evokes the nightlife, corruption, political unrest, and economic tyranny of Berlin in the twenties, the same territory covered trenchantly in Roth's reportage, recently published as "What I Saw: Reports from Berlin 1920-33." After serving in World War I, Paul Bernheim returns to Berlin to find himself heir to his recently deceased father's banking empire. Increasingly beset by skyrocketing inflation, and dismayed by his brother's infatuation with the brownshirts, Bernheim turns to an outsider for help?a profiteering Russian ?migr? whose advice proves alternately advantageous and disastrous. Too late to change his fate, he realizes he has been decieved by a master in the craft of manipulation.

THE HARVEST is the great, definitive novel of the creation of the Jewish state and the triumphant efforts of the Jewish people to survive and become a nation. In 1972, the Los Angeles Times called Meyer Levin "the most significant American Jewish writer of his time." Norman Mailer referred to him as "one of the best American writers working in the realistic tradition." In addition, Ernest Hemingway called Levin's book CITIZENS "a fine American novel -- one of the best I ever read." Is it any wonder then that the work of Meyer Levin is considered to be among the finest and most important of any twentieth century writer? In the historical novels THE SETTLERS (1972) and THE HARVEST (1978), Levin wove an epic tale of pioneering life in the early Palestine settlements. The works were the culmination of decades of research, and reviewers hailed the duo as the author's masterwork, a Jewish WAR AND PEACE.

The second thrilling adventure in a new historical series from million-copy-selling Caroline Lawrence, set in Roman Britain during the reign of the evil Emperor Domitian. Britannia AD 94. On the run from the Emperor Domitian, fifteen-year-old Fronto has joined the Roman army in order to find the security and structure he craves. But when his younger sister Ursula is captured by a terrifying Druid called Snakebeard, he must make an impossible decision. Can he leave the army, when desertion is punishable by death? His desire: To become a good soldier His quest: To rescue his sister His destiny: To find his place in Roman Britain.

True, the husbands of Motal have been vanishing for years, but a wife and mother? Whoever heard of such a thing. What on earth possessed her?Could it have anything to do with Fanny's missing brother-in-law, who left her sister almost a year ago and ran away to Minsk, abandoning their family to destitution and despair?Or could Fanny have been lured away by Zizek Breshov, the mysterious ferryman on the Yaselda river, who, in a strange twist of events, seems to have disappeared on the same night?Surely there can be no link between Fanny and the peculiar roadside murder on the way to Minsk, which has left Colonel Piotr Novak, head of the Russian secret police, scratching his head. Surely a crime like that could have nothing to do with Fanny Keismann, however the people of Motal might mutter about her reputation as a vilde chaya, a wild animal . . . -- Provided by publisher.

It's the summer of 1822 and Edinburgh is abuzz with rumours of King George IV's impending visit. In botanical circles, however, a different kind of excitement has gripped the city. In the newly-installed Botanic Garden, the Agave Americana plant looks set to flower, an event that only occurs once every few decades. When newly widowed Elizabeth arrives in Edinburgh to live with her late husband's aunt Clementina, she's determined to put her unhappy past in London behind her. As she settles into her new home, she becomes fascinated by the beautiful Botanic Garden which borders the grand house and offers her services as an artist to record the rare plant's impending bloom. In this pursuit, she meets Belle Brodie, a vivacious young woman with a passion for botany and the lucrative, dark art of perfume creation. Belle is determined to keep both her real identity and the reason for her interest the Garden secret from her new friend. But as Elizabeth and Belle are about to discover, secrets don't last long in this Enlightenment city.

"After discovering photography as a teenager through her high school's photo club, Lillian rejects her parents' expectations of college and marriage and moves to New York City in 1955. When a small gallery exhibits partially nude photographs of Lillian and her daughter, Samantha, Lillian is arrested, thrust into the national spotlight, and targeted with an obscenity charge. Mother and daughter's sudden notoriety changes the course of both of their lives and especially Lillian's career as she continues a lifelong quest for artistic legitimacy and recognition. Narrated by Samantha, Feast Your Eyes reads as a collection of Samantha's memories, interviews with Lillian's friends and lovers, and excerpts from Lillian's journals and letters--a collage of stories and impressions, together amounting to an astounding portrait of a mother and an artist dedicated, above all, to a vision of beauty, truth, and authenticity"--Provided by publisher.

Venezuela, 1992. CIA agent Eva and her Cuban counterpart, Mauricio, must deal with each other, imprisoned crime lord Pran, journalist Mónica, and Swiss banker Günther Müller while reacting to Hugo Chávez, the charismatic and volatile Venezuelan leader.

"'This was the original GAME OF THRONES' George R.R. Martin. Available for the first time in English, THE KING WITHOUT A KINGDOM is the seventh and final volume of The Accursed Kings series. The reign of the Capetian kings has ended and John II, 'The Good', takes the throne. Under the leadership of this vain, cruel, incompetent monarch The Hundred Years War escalates and England and France begin to tear each other apart. Warring factions plunder the land, famine threatens the people and the Black Death spreads far and wide. France is bleeding to death around the new king..."--förlagstext

The Times and Sunday Times Book of the Year 'An enthralling and wonderfully vivid novel from a master storyteller' Joseph O'Connor 'Kneale's medieval world is animated with a refreshing lightness of touch' Sunday Telegraph 1289. A rich farmer fears he'll go to hell for cheating his neighbors. His wife wants pilgrim badges to sew into her hat and show off at church. A poor, ragged villager is convinced his beloved cat is suffering in the fires of purgatory and must be rescued. A mother believes her son's dangerous illness is punishment for her own adultery and seeks forgiveness so he may be cured. A landlord is in trouble with the church after he punched an abbot on the nose. A sexually driven noblewoman seeks a divorce so she can marry her new young beau. These are among a ragtag band of pilgrims that sets off on the tough and dangerous journey from England to Rome, where they hope all their troubles and their prayers will be answered. Some in the group, however, have their own secret reasons for going. Others, while they might aspire to piety, succumb all too often to the sins of the flesh. A riveting, sweeping novel of medieval society and historic Englishness, Pilgrims illuminates the fallibility of humans, the absurdities and consolations of belief, and the very real violence at the heart of religious fervor.

Zusammenfassung: "Partly autobiographical, this is the second title in Judith Kerr's internationally acclaimed trilogy of books following the life of Anna through war-torn Germany, to London during the Blitz and her return to Berlin to discover the past"--Amazon.com.

* The son of a bankrupt farmer becomes an object of sexual delight and the treasured possession of the ruling Empress Dowager. Set in China during the T'ang Dynasty. Explicit descriptions of sex.

Sophie Mandel tries to adjust to life in 1940s England, after being brought there from war-torn Germany at age seven as part of the Kindertransport.

In 1903, the artist Gwendolen Mary John travels from London to France with her companion Dorelia. Surviving on their wits and Gwen's raw talent, the young women walk from Calais to Paris. In the new century, the world is full of promise: it is time for Gwen to step out from the shadow of her overbearing brother Augustus and seek out the great painter and sculptor Auguste Rodin. It is time to be brave and visible, to love and be loved and time perhaps to become a hero as the stain of anti-Semitism spreads across Europe.

From its founding in 1873 until the coming of the Nazis in 1938, a Viennese Jewish family bravely endures and flourishes in their beloved home on the street called Turk Place

Fleeing the chaos of World War I and the terror of the Soviet Revolution, practical, sensible Pearl Kahn and her lovestruck, impulsive younger sibling Frieda sail for America to join their sister in New York. But discriminatory new immigration laws bar their entry, and the young women are turned back at Ellis Island. With few options, Pearl and Frieda head for Havana, Cuba, convinced they will find a way to overcome this setback. At first, life in big-city Prohibition-era Havana is overwhelming, like nothing Pearl and Frieda have ever experienced--or could have ever imagined in the rural shtetl where they grew up. As the sisters begin to adjust, their plans for going to America together become complicated. Frieda falls for the not-so-dreamy man of her dreams while Pearl's life opens up unexpectedly, offering her a taste of freedom and heady romance, and an opportunity to build a future on her own terms. Though to do so, she must confront her past and the shame she has long carried. A heartbreaking, epic family story, Hotel Cuba explores the profound courage of two women displaced from their home who strive to create a new future in an enticing and dangerous world far different from anything they have ever known.

"This beautiful work of historical fiction was inspired by the diary of an actual 18th-century Roman Jewish girl, imprisoned by the Catholic Church because someone with a grudge offered her to the Church. Anything But Yes is the true story of a young woman's struggle to defend her identity in the face of relentless attempts to destroy it. In 1749, 18-year-old Anna del Monte was seized at gunpoint from her home in Rome's Jewish ghetto and thrown into a convent cell at the Casa dei Convertiti, the house of converts. With no access to the outside world, she withstood isolation, sleep deprivation, endless lectures, and threats and promises. If Anna were to utter the simple word "yes," she would risk forced baptism, which meant never returning to her home and losing contact with any Jew-including her own family-for the rest of her life. Even in Italy today, few people know the full story of Rome's Jewish ghetto, the abduction of Jews, or the popes who were intent on forcibly converting every non-Catholic living in the long shadow of the Vatican. Young girls and small children were the primary targets of these forced conversions, for they were most vulnerable. But Anna del Monte was different. She was strong, brilliant, and educated, and wrote a diary of her experiences. Her diary became lost for more than 200 years but was rediscovered in Israel in 1989. Anything But Yes is based on Anna's diary and Joie Davidow's extensive research on life in the 18th-century Roman Jewish ghetto and its personalities, traditions, foods, and dialect"--

Non fiction historical

Meet Emma McChesney, the dynamic saleswoman who's taking the early 20th century by storm! "Roast Beef, Medium: The Business Adventures of Emma McChesney" by Edna Ferber serves up a delightful collection of short stories brimming with humor and heartwarming adventure. Step into a world where business acumen meets wit and charm. Follow Emma as she navigates the challenges and triumphs of a woman in the business world, offering a fascinating glimpse into a bygone era. These stories, filled with uniquely American characters and situations, showcase Ferber's gift for storytelling and her keen observations of human nature. Experience the enduring appeal of this classic work, meticulously prepared for print republication. Perfect for anyone who enjoys humorous fiction with a touch of historical flavor, "Roast Beef, Medium" is a timeless treasure that will leave you smiling. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Scarified sensibility, subversive intellect, and predatory wit make her a writer like no other I know." -New York Times Book Review The Childlike Life of the Black Tarantula , Kathy Acker's debut and the first in this three-novel collection, began as an episodic handmade pamphlet that Acker mailed out to influential writers and artists whose addresses she managed to get her hands on. In the novel, Acker steps into the biography of a Mississippi murderess who falls in love with a famous lawyer, and mixes in fragments from porn, historical romance, pulp fictions, and The Story of O . Collect with her second novel, the dreamy exploration of desire I Dreamt I was a Nymphomaniac , and her third, The Adult Life of Toulouse Lautrec , Portrait of an Eye is dive into the frenzy of sexual wanting, the search for identity, and the invention of a new literary language. Now with an introduction by Kate Zambreno contextualizing the resurrection of these three early Acker novels, this new edition of Portrait of an Eye reminds us of all there is still to learn from Kathy Acker, a writer and artist whose work "remains radical and uncanny, entirely inimitable, a smash and grab on the history of literature" ( Guardian ).

This book has been written with the narrow conviction that if Native American literature is worth thinking about at all, it is worth thinking about as literature. The vast majority of thought that has been poured out onto Native American literature has puddled, for the most part, on how the texts are positioned in relation to history or culture. Rather than create a comprehensive cultural and historical genealogy for Native American literature, David Treuer investigates a selection of the most important Native American novels and, with a novelist's eye and a critic's mind, examines the intricate process of understanding literature on its own terms. Native American Fiction: A User's Manual is speculative, witty, engaging, and written for the inquisitive reader. These essays--on Sherman Alexie, Forrest Carter, James Fenimore Cooper, Louise Erdrich, Leslie Marmon Silko, and James Welch--are rallying cries for the need to read literature as literature and, ultimately, reassert the importance and primacy of the word. --Publisher.