With The Rebel , acclaimed award-winning author Jack Dann pulls James Dean from the twisted wreckage and offers him a second chance to make an indelible mark on his art, his culture, and his time in an era of profound change and devastating social upheaval. Surviving the horrific crash that leaves him permanently scarred, both physically and emotionally, the haunted, brooding, and complex young star finds himself charged with a feeling of responsibility to do "something wonderful and important." Yet for Jimmy Dean, the glory road will be winding and broken, littered with the detritus of exploded dreams and destroyed love, as it passes through the holiest cultural sites of postwar twentieth-century America -- the genius-and-drug pumped world of the Beats, the protected inner sanctum of Graceland, the darkest shadows of Camelot. The lives and futures of Kerouac, Sinatra, Elvis, and the Kennedys will all be touched by him -- yet perhaps none so deeply as the fragile sex goddess who will always be his greatest burden and true soul mate, a dazzling and tragically lost phenomenon named Marilyn -- as he moves toward an astonishing destiny that will reconfigure the world. Ingeniously blending historical fact with brilliant invention, The Rebel is a hip, fast, and mesmerizing ride through the fifties and sixties -- an unforgettable road trip across a nation with an American legend at the wheel.

Dreamers of the Ghetto (1892) is a collection of stories by Israel Zangwill. Raised in London by parents from Latvia and Poland, Zangwill understood the plight of the city's Jewish community firsthand. Having risen through poverty to become an educator and author, he dedicated his career to the voiceless, the oppressed, and the needy, advocating for their rights and bearing witness to their suffering in some of the most powerful novels and stories of the Victorian era. "This is a Chronicle of Dreamers, who have arisen in the Ghetto from its establishment in the sixteenth century to its slow breaking-up in our own day. Some have become historic in Jewry, others have penetrated to the ken of the greater world and afforded models to illustrious artists in letters..." As a Jewish immigrant who grew up in poverty in London, Israel Zangwill knows that the condition of life in the ghetto changes not just lives, but mentalities. In the third installment of his Ghetto series, Zangwill imagines the lives of such historical Jewish figures as Dutch philosopher Baruch Spinoza, German poet Heinrich Heine, and Prussian lawyer and political activist Ferdinand Lasalle. The tales of Jewish life in Dreamers of the Ghetto earned Zangwill comparisons to Dickens upon publication, and helped to establish him as an author with a gift for intensive character study and a passion for political themes. This edition of Israel Zangwill's Dreamers of the Ghetto is a classic of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A crisp clean softcover, no markings throughout: A stark and powerful dissection of the courageous/contemptible game of "adjustment" by human beings under extreme stress - in this case, a Jewish girl in Nazi-occupied Poland. Elli Rostow had cut down her grandfather's body after his suicide; had known other family self-slaughters; had seen grieving women and children sent to be exterminated; had been propelled into death's humiliations and horrors. Elli's mother - now known by the Polish name of Maria - is her introduction to the survival tactic of becoming "Polish." (Watch the inflection, study the Catholic prayerbook, make up heavily to hide the ghetto pallor.) Those who fail are wiped out, and in a succession of locations, jobs, Elli learns the ropes. But she suffers unbearable memories, just manages to hold off a breakdown such as her cousin Lili's who gave way under the pressure of life without warmth, honesty and love. To the end Elli dares not confide even in the man who loves her, a Polish underground fighter, whose work, evolved from guilt, seems mockingly irrelevant to Elli's own agonizing charade. But in the bestiality of persecution and massacre, the victims also lose their humanity. (In the Warsaw ghetto an oppressor's corpse is shredded and packed into candy boxes.) War, Elli's grandfather had said, "kills the conscience in man." And conscience, love, is dispensable in the kindergarten maneuvers of historical brutality. A chilling suggestion that death, too, has its games.

In a love story framed by the vivid realities of the Israeli-Palestinian conflict, Edeet Ravel tenderly explores the complicated ways people connect when violence touches every aspect of their lives Dana Hillman is a young Israeli woman whose humanity and passion for justice are obvious to all who meet her. On peace missions, she and other activists act as human shields in situations where the Israeli army tries to displace Palestinians. A gifted photographer, she documents the protests, and the faces of women and children caught in the seemingly endless struggle. To make a living, though, she churns out junky historical romances, well aware of the irony of her situation. Her own love story has turned into a heartbreaking mystery: why did her husband, Daniel, suddenly disappear and where has he been for the last eleven years? Every year Dana publishes a full-page ad addressed to her lost husband that says, “I will never ever ever ever . . . stop waiting for you,” with that “ever” multiplied to fill the whole page. Dana’s hope and constancy fill the novel in the way that her “ever” fills up the page, as she holds fast to trust, love and a vision for the future that seems magical in this fractured place. From the Hardcover edition.

A historical fiction that presents the life and loves of Jacqueline of Hainault, thrice married, thrice imprisoned and ransomed; the extraordinary 15th-century life of a women who endured the power politics of the courts of England, Burgundy, and France.

"Born at the turn of the 21st century, The Storyteller, also known as Ishkwegaabawiikwe (Last Standing Woman), carries her people's past within her memories. The White Earth Anishinaabe people have lived on the same land since time immemorial. Among the towering white pines and rolling hills, each generation is born, lives out their lives, and is buried. The arrival of European missionaries changes the community forever. Piece by piece, government policies rob the people of their land. Missionaries and Indian agents work to outlaw ceremonies the Anishinaabeg have practised for centuries. Grave-robbing anthropologists dig up ancestors and whisk them away to museums as artifacts. Logging operations destroy traditional sources of food, pushing the White Earth people to the brink of starvation. Battling addiction, violence, and corruption, each member of White Earth must find their own path of resistance as they struggle to reclaim stewardship of their land, bring their ancestors home, and stay connected to their culture and to each other. In this highly anticipated 25th anniversary edition of her debut novel, Winona LaDuke weaves a nonlinear narrative of struggle and triumph, resistance and resilience, spanning seven generations from the 1800s to the early 2000s."--

God bless you, England, on this glorious Year of Our Lord, 1145. Things are definitely not right in Nottingham. Rebecca, daughter of a Jewish money-lender, has a sense for it. A mad monk schemes to resurrect the Christ from body parts. A bone harpist murders creatures of legend for a price. A fae creature binds its wings and embraces a new God and his son. And don't even mention the Hood. The Man in Green. The Prince of Thieves. The tick-tock taker of the ten-toll tax. What hope have the series of sheriffs sent to hold the peace? It's the forest, you see. Sherwood. Ice Age ancient, impenetrable, hiding a dark and secret heart. But hearts, no matter how black, no matter how hidden, are not immune to change. The old world is dying... and a terrifying new one is waiting to take its place. Rebecca senses an opportunity. But how far is she willing to go, and what price - because there is always a price - will she have to pay? The Hood is Lavie Tidhar's narcotic reweirding of an ancient English myth, a tale stitched together from legends lost to time, a tale told and retold, reworked and renewed for each passing century. A tale, reader, for today. 'A wild, inventive tapestry of myth and magic, with a wry sense of humor. Tidhar's writing is wonderfully vibrant' Silvia Moreno-Garcia, bestselling author of Mexican Gothic

"Such audacity she has, Soraya, a woman who dares to break free of the diamond-studded leash of her culture. A woman who refuses to accept the devastating betrayal her husband has perpetrated. A woman who refuses to forgive her best friend. Soraya turns her back on Iran, fleeing to America to plot her intricate revenge. The Shah has fallen, her country is in turmoil, her marriage has crumbled, and she is unraveling. The cruel and intimate blow her husband has dealt her awakens an obsessive streak that explodes in the heated world of Los Angeles. Yet the secret Soraya discovers proves far more devastating than anything she had imagined, unleashing a whirlwind of unexpected events that will leave the reader breathless"--from publisher's web site.

Queen Elizabeth’s spymasters recruit an unlikely agent—the only Muslim in England—for an impossible mission in a mesmerizing novel from “one of the best writers in America” ( The Washington Post ) “Evokes flashes of Hilary Mantel, John le Carré and Graham Greene, but the wry, tricky plot that drives it is pure Arthur Phillips.”— The Wall Street Journal NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND THE WASHINGTON POST The year is 1601. Queen Elizabeth I is dying, childless. Her nervous kingdom has no heir. It is a capital crime even to think that Elizabeth will ever die. Potential successors secretly maneuver to be in position when the inevitable occurs. The leading candidate is King James VI of Scotland, but there is a problem. The queen’s spymasters—hardened veterans of a long war on terror and religious extremism—fear that James is not what he appears. He has every reason to claim to be a Protestant, but if he secretly shares his family’s Catholicism, then forty years of religious war will have been for nothing, and a bloodbath will ensue. With time running out, London confronts a seemingly impossible question: What does James truly believe? It falls to Geoffrey Belloc, a secret warrior from the hottest days of England’s religious battles, to devise a test to discover the true nature of King James’s soul. Belloc enlists Mahmoud Ezzedine, a Muslim physician left behind by the last diplomatic visit from the Ottoman Empire, as his undercover agent. The perfect man for the job, Ezzedine is the ultimate outsider, stranded on this cold, wet, and primitive island. He will do almost anything to return home to his wife and son. Arthur Phillips returns with a unique and thrilling novel that will leave readers questioning the nature of truth at every turn.

"The Book; yes, their Book. They had no state, holding them together, no country, no soil, no king, no form of life in common. If, in spite of this, they were one, more one than all the other peoples of the world, it was the Book that sweated them into unity. Brown, white, black, yellow Jews, large and small, splendid and in rags, godless and pious, they might crouch and dream all their lives in a quiet room, or fare splendidly in a radiant, golden whirlwind over the earth, but sunk deep in all of them was the lesson of the Book. Manifold is the world, but it is vain and fleeting as wind; but one and only is the God of Israel, the everlasting, the infinite, the Jehovah."-Jud Süss, 1925. When Feuchtwanger's two best known novels "Jew Süss" ("Power") and "Ugly Duchess" were first translated into English in the 1920s, they caused a tremendous sensation in England and then in America. The critics all hailed Feuchtwanger as the master of the historical novel-the peer of Dumas and Scott but written with the psychology of our own day. "Jew Süss," set in the 18th century Germany (at the time consisting of numerous fragmented independent states), deals with an identity crisis: in order to gain social power, the novel's protagonist attempts to forsake his Jewish heritage and becomes assimilated into the mainstream of German culture. More than that, Süss finds himself being in the position of potential kingmaker. Brilliant, attractive and with an insatiable lust for power, he practically ruled the Duke and his court, pandering to the vices of dissolute nobility, mounting through his intrigues to dizzying heights of power. Süss's only vulnerable spot, however, is his precious, exquisite, gentle daughter, Naomi. When her beauty became exposed to the beastliness of the Duke, tragedy came swiftly after.

"I am Orpheus, the maker of songs. Great Apollo came to me often and instructed me in the art of melody so that what came from my lyre could touch the heart even of a stone, and when I went to my mother Calliope in her cave she taught me the secrets of making verses that would hold people entranced the way a magical spell might hold them. And so music has flowed from me all my life as though from an inextinguishable fountain, which is to say that there has been music in the world since the beginning of time and that music will endure to time's end, and beyond it to the moment of beginning again; and so it was that a shaggy-haired Thracian princeling entered into his role in the universe." Gifted with the golden lyre, Orpheus--rumored son of the god Apollo, and yet recognized as the heir of Oeagros, King of Thrace--tells us of the tale of his life as he writes songs throughout the known world. From his role as teacher and spiritual adviser to the Ciconian people, to the profound love and loss of his beloved Eurydice, to his quest with Jason and the Argonauts to claim the Golden Fleece, Orpheus' songs of his life experiences help him sculpt a world that, without his music, would be devoid of the passion and purpose only a muse of his power could provide. Aware of his own fate before he sets out, Orpheus nevertheless continues on the path pre-ordained for him, to discover if knowing your future prevents you from experiencing your present with a sense of wonder and immediacy that can allow Orpheus to connect with the lives around him in order to fulfill his destiny.

Marblehead is a huge work, encompassing all of 1927, a year in which H.P. Lovecraft, researching a book he'd been hired to write for the Nazis, travels the East Coast in the company of Charles Sylvester Viereck. It was written in the 70s but, except for a bowdlerized version published by Arkham House, was essentially lost until the early 21st century. This edition contains every word of the original 165,000 word opus.

CAN'T FIND A RATIONAL EXPLANATION TO A MYSTERY? CALL IN THE QUIET COUNCIL. The mysterious and glamorous Lady De Winter is one of their most valuable agents. A despicable murder inside a locked and bolted room on the Rue Morgue in Paris is just the start. This whirlwind adventure will take Milady to the highest and lowest parts of that great city - and cause her to question the very nature of reality itself. File Under : Steampunk [ Alternate History | Reptilian Royalty | Murder Most Foul | The World’s Fair ]

From the critically acclaimed author ofThe Memory Cathedralcomes perhaps the most powerful, haunting, and unforgettable novel of the Civil War--or any war--ever written. Provocative, poetic, and disturbing, it introduces us to a young narrator, Mundy McDowell, whose voice rivals any in literature, bringing poignantly to life the surreal horrors of battle and its spiritual cost to human survival. I was scarce twelve the day the damn Yankees invaded the valley. I seen a lot that day I ain't never gonna forget. Men blown apart, screamin' and dyin' all around me. I was wandering in the woods like I wasn't supposed to and wound up right in the middle of the battle. And that's what I suppose saved me. When I got back home the main house was burning to the ground. I saw two men wearin' bits and pieces of 'Federate and Yank uniforms. They killed Poppa right off, and Mother they dragged into the front yard before they killed her too. I reckon that was the day I first got the knack of being invisible. The spirit dog seen me right off, though. He was big and black and smelled like burning. His eyes were like red coals and everywhere he went, it seemed death followed. Him and me, we mostly traveled together after that. I passed through midnight fields of dead and dying soldiers, reeking makeshift field hospitals worse than hell itself; climbed into the mountains where the runaway slaves hid; and walked through towns shattered by the passage of the war. I met a lot of people, some of them living and some of them just memories. There was Jimmadasin, the slave who died on my account, and Mammy Jack, who taught me to see visions; the gallant Colonel Ashby, who let me ride by his side, and, of course, the mulatto whore Lucy, who saved my life twice. Last but not least, there was mad but brilliant General Jackson, who was probably responsible for putting more men in their graves than any other during the Shenandoah campaign. Whether he was a hero or a demon I never did determine, but I wish I had never met him at all. And through it all I remained silent. The power of speech left me the day my parents were killed and I first saw the spirit dog. You see, the whole time I was wandering through that valley of death I was deciding on whether to go back to being human or to become a spirit myself, and that's what this book is all about. From the Hardcover edition.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

I was winning when I met your gaze . . . So begins the confession of Gwendolen Harleth: dazzling beauty, wilful vivant and gambler of hearts: who bet her strength against her cruel husband, staked it all on the love of Daniel Deronda, and played her way back to a winning hand. With the profound insight of her acclaimed biographies, Diana Souhami fashions a real life for this most mercurial and magnetic of literary heroines, plotting Gwendolen's course in step with the drama of the age as a pioneer of women's aspirations in our own.

Book by Buchwald, Art

This study of dramatic theory and technique was first published in 1936, in the midst of the social and theatrical upheaval that Harold Clurman calls The Fervent Years. Today, the arts display less fervor, and far less interest in social significance. The transition in dramatic thought from Waiting for Lefty to Waiting for Godot is almost as sweeping as the changes that have taken place among the world's peoples and powers. There are those who regard the culture of the thirties as dead and best forgotten. The question need not be debated here except insofar as this book offers testimony to the contrary. My beliefs have not Changed, nor has my fervor abated. I can hope that my understanding has ripened. But I see no need to modify or revise the theory of dramatic art on which this work is based. The theory holds that the dramatic process follows certain general laws, derived from the function of drama and its historical evolution. A play is a mimed fable, an acted and spoken story. The tale is presented because it has meaning to its creator. It embodies a vision, poses an ethical or emotional problem, praises heroes or laughs at fools. The playwright may not be conscious of any purpose beyond the telling of a tale. He may be more interested in box-oflice receipts than in social values. Nonetheless, the events taking place on the stage embody a point of View, a judgment of human relationships. Conceptual understanding is the key to mastery of dramatic technique. The structure of a play, the design of each scene and the movement of the action to its climax, are the means by which the concept is communicated.