"The virtuoso performances of a sophisticated stylist ... compact, skilful, and hilarious." - Randall Reid American modernist Nathanael West's first novel, The Dream Life of Balso Snell, is an anti-künstleroman; it's a portrait of a young artist discovering his powerlessness. The title character, a lyric poet, takes a nightmare tour through the bowels of the Trojan Horse, meeting a series of failed and frustrated writers along the way. Each surrealistic episode underscores the futility of the literary vocation and gleefully mocks the pipe dreams of amateurs who aspire to wealth and immortality. It was first published in 1931 in an edition of only 500 copies. "West's aesthetic sensibilities transform ugly material into a beautiful composition ... that, by its very artistry, celebrates that which it wishes to destroy" - Deborah Wyrick "[Balso] undertakes not just a disavowal of high modernism and the idealism of its art-for-art's sake aestheticism, but a critique of nothing less than the grand tradition of Western culture upon which it depends. That critique results in a thorough housecleaning, an operation that will dispense with everything from Plato to Picasso" - Jonathan Veitch 'Beneath this gloom that [West] was pouring at you, there was a streak of the most diabolical humor, you couldn't imagine ...' - John Fante "Scenes of extraordinary power ... vividly drawn grotesques." - F. Scott Fitzgerald "By applying the magpie aesthetics of Surrealism and T.S. Eliot to the 'American Grain, ' by delving into the popular culture and emerging not with surrender or refusal but a razor-cool critique, West became the great precursor to Heller, Pynchon, Philip K. Dick, George Saunders, and so much else." -Jonathan Lethem "[West's] novels say more about the way we live now - and the things that brought us to our present pass - than any other work of fiction I can think of." - The New Yorker "Nathanael West's stunning four novels are American tales, rooted in our transmogrifying soil. Morality plays they are, classified as comedies. They are indeed often funny. Funny as a crutch." - Elizabeth Hardwick, The New York Review of Books About the author Nathanael West published four novels during the thirty-six years of his life. The first, The Dream Life of Balso Snell, an experimental work written in the 1920s, was well-received but sales were poor. The second, the brilliant Miss Lonelyhearts, was published in 1933, a few months before his publisher went bankrupt. The third, A Cool Million, vanished into the depths of the Depression. It was at this point that West went to Hollywood to earn his living as a scriptwriter. From his Hollywood experience came The Day of the Locust. Publishing in 1939, the novel received very little recognition. The following year, on December 22nd, the day after his neighbour F. Scott Fitzgerald died of a heart attack, Nathanael West and his wife were killed in a California highway accident. When West died, at the age of thirty-seven, his originality and brilliance were little known outside an intensely admiring circle of fellow writers: William Carlos Williams, Edmund Wilson, S. J. Perelman, and others. Not until West's four novels were reissued in the late 1950s was he acknowledged as one of the most gifted writers of his generation. His masterpieces blend manic farce and despairing compassion, and their vision of an America awash in its own mass-produced fantasies, read like a prophecy of much that was to come in American literature and life.

Marcel Schwob (18671905) was one of the key symbolist writers, standing in French literature alongside such names as Stphane Mallarm, Octave Mirbeau, Andr Gide, Lon Bloy, Jules Renard, Rmy de Gourmont, and Alfred Jarry. His best-known works are Double Heart (1891), The King In The Gold Mask (1892), and Imaginary Lives (1896). Imaginary Lives contains twenty-two mythopoeic literary portraits of figures from ancient history, art history, and the history of crime and punishment. From demi-gods, sorcerers, incendiaries, wantons and philosophers of the ancient world, to the "poet of hate" Cecco Angiolieri and the painter Paolo Uccello, through to the pirates William Kidd and Major Stede-Bonnet, and finally Burke and Hare, the serial killers; Schwob presents a vivid array of characters who display all that is macabre, deviant and magnificently terrifying in human beings and in life. In Imaginary Lives, Schwob has created a "secret" masterpiece that joins other biographical glossaries such as Jorge Luis Borges' A Universal History Of Infamy and Alfonso Reyes' Real And Imagined Portraits in the pantheon of classic speculative fiction, of which Schwob's book is the dark progenitor. Livid with decadent imagery, Imaginary Lives resonates loudly today with its themes of temporality, myth, violence and sexuality, and stands as a major work of the fin-de-si]cle. Solar Nocturnal presents classic literature and art by key forerunners of modernism.

Published for the first time in English, Panorama is a superb rediscovered novel of the Holocaust by a neglected modern master. One of a handful of death camp survivors to fictionalize his experiences in German, H. G. Adler is an essential author--referenced by W. G. Sebald in his classic novel Austerlitz , and a direct literary descendant of Kafka. When The Journey was discovered in a Harvard bookshop and translated by Peter Filkins, it began a major reassessment of the Prague-born H. G. Adler by literary critics and historians alike. Known for his monumental Theresienstadt 1941-1945 , a day-by-day account of his experiences in the Nazi slave-labor community before he was sent to Auschwitz, Adler also wrote six novels. The very depiction of the Holocaust in fiction caused furious debate and delays in their publication. Now Panorama , his first novel, written in 1948, is finally available to convey the kinds of truths that only fiction can. A brilliant epic, Panorama is a portrait of a place and people soon to be destroyed, as seen through the eyes of young Josef Kramer. Told in ten distinct scenes, it begins in pastoral Word War I-era Bohemia, where the boy passively witnesses the "wonders of the world" in a thrilling panorama display; follows him to a German boarding school full of creeping xenophobia and prejudice; and finds him in young adulthood sent to a labor camp and then to one of the infamous extermination camps, before he chooses exile abroad after the war. Josef's philosophical journey mirrors the author's own: from a stoic acceptance of events to a realization that "the viewer is also the participant" and that action must be taken in life, if only to make sure the dead are not forgotten. Achieving a stream-of-consciousness power reminiscent of James Joyce and Gertrude Stein, H. G. Adler is a modern artist with unique historical importance. Panorama is lasting evidence of both the torment of his life and the triumph of his gifts.

Open City features a dynamic mix of prominent writers, undiscovered aspirants, and lost treasures from writers of past eras. Including fiction, essays, poetry, and artwork by an exciting range of talents, Open City has presented new works by Michael Cunningham, Deborah Garrison, Rick Moody, David Foster Wallace, Geoffrey O'Brien, Sam Lipsyte, Meghan Daum, David Berman, and previously unpublished work by Delmore Schwartz, Richard Yates, Edvard Munch, and Ford Madox Ford. Praised in the pages of publications such as Harper's Bazaar, Library Journal, and The New York Times, Open City is today's most important literary journal. Open City #14 includes John Seabrook on ancestor hunting; Arthur Nersessian, from Fuck-Up to makeup; new fiction by Betsy Bern and Martha McPhee; and the original treatment for the improvised cult-classic film Waiting for Guffman.

A novel fictionalizing the composition of a novel by burned-out writer Norbert Kosky. The fictional author Kosky is presented as a tantric Jew, macho enigma, and first-rate second-rate novelist -- generally bearing an uncanny resemblance to the actual author, Kosinski. The resulting text is is pun-filled and accompanied by copious scholarly footnotes, demonostrating the author's obsession with the Holocaust, cabala, literary theory, and girlie magazines.

One of the most remarkably inventive voices of his generation, author Will Self delivers a stunning work of fiction. In Walking to Hollywood , a British writer named Will Self goes on a quest through L.A. freeways and eroding English cliffs, skewering celebrity as he attempts to solve a crime: who killed the movies. When Will reconnects with his childhood friend, the world suddenly seems disproportionate. Sherman Oaks--scarcely three feet tall at forty-five--and his ironically-sized sculptures--replicas of his body varying from the gargantuan to the miniscule--spark in Will a flurry of obsessive-compulsive thoughts and a nagging desire to experience the world by foot. Ignoring his therapist and nemesis Zack Busner, Self travels to Hollywood on a mission to discover who--or what--killed the movies. Convinced that everyone from his agent, friends, and bums on the street are portrayed by famous actors, Self goes undercover into the dangerous world of celebrity culture. He circumambulates the metropolitan area in hallucinating and wild episodes, eventually arriving on the English cliffs of East Yorkshire where he comes face to face with one of Jonathan Swift's immortal Struldbruggs.

Working from the 1960s on, the French writer, artist and illustrator Roland Topor (1938-97) was an all-round maverick known for his paintings and drawings as much as for his novels (such as The Tenant , filmed by Roman Polanski), plays and short stories, all dominated by a sense of irrational, everyday menace. He was also a filmmaker, actor (appearing as Renfield in Herzog's Nosferatu ) and the cofounder, with Arrabal and Jodorowsky, of the Panic performance art movement. The tone of Topor's fiction and art could be interpreted as humorous, but it's a humor pushed deep into discomfort, almost to the point of total horror. From the collision of these factors, rooted in the author's experiences and his irrepressible personality, come works increasingly seen as unique in European art and writing of the late 20th century. Head-to-Toe Portrait of Suzanne tells of an isolated, misanthropic narrator and his encounter with the beautiful Suzanne, an old flame from his past. It is at once a fable, a love story of enormous tenderness and a tale of increasingly unpleasant events that culminate in horror and atrocity. With its distinct blend of sympathetic cynicism and grotesquerie, Head-to-Toe Portrait of Suzanne --Topor's first work to be translated into English in half a century--offers an ideal introduction to the work and worldview of an artist currently undergoing a major reassessment and rediscovery in his home country and beyond.

Levi writes on a variety of subjects, always of interest, always lucid, and always literary

"To all those who have for several years sought to discredit the new American literature, Lawrence Ferlinghetti has just dealt a most powerful blow," wrote French critic Pierre Lepape in 1961 when Her was published in France as La Quatrième Personne du Singulier. Calling it "a masterpiece of the young American novel," Lepape declared it was "the confirmation of a great American writer who, in the hall of American literary glories, takes the place left vacant by the death of Hemingway." Lepape went on to speak of the "incredible verbal virtuosity" by which the reader is led through this "laby-rêve," and it is this image of the "labyrinth-dream" which relates Her to the anti-novels of the young French school of Robbe-Grillet and Butor. Being thus very far from the kind of novels produced by Ferlinghetti's immediate contemporaries (whether Beat or academic) this book has met with little but bafflement among American critics. With well over 50,000 now in print Her nevertheless continues to make its own way.

The Story Of A Man's Bondage To Passion And Prejudice.

"James Salter (born James Horowitz in 1925) has been known throughout his career as a "writer's writer," acclaimed by such literary greats as Susan Sontag, Richard Ford, John Banville, and Peter Matthiessen for his lyrical prose, his insightful and daring explorations of sex, and his examinations of the inner lives of women and men. Conversations with James Salter collects interviews published from 1972 to 2014 with the award-winning author of The Hunters, A Sport and a Pastime, Light Years, and All That Is. Gathered here are his earliest interviews following acclaimed but moderately selling novels, conversations covering his work as a screenwriter and award-winning director, and interviews charting his explosive popularity after publishing All That Is, his first novel after a gap of thirty-four years. These conversations chart Salter's progression as a writer, his love affair with France, his military past as a fighter pilot, and his lyrical explorations of gender relations.The collection contains interviews from Sweden, Chile, France, and Argentina appearing for the first time in English. Included as well are published conversations from the United States, Canada, and Australia, some of which are significantly extended versions, giving this collection an international scope of Salter's wide-ranging career and his place in world literature"--

Taut, stylish, and psychologically acute, Afternoon of a Faun dramatizes the search for truth as an accusation of sexual assault plunges a journalist into a series of deepening crises. "The truth might be hard to bring to light, but that didn’t mean it didn’t exist, because it did exist: fixed in its moment, unalterable, and certainly not a matter of ‘belief.’ " When an old flame accuses him of sexual assault in her memoir, expat English journalist Marco Rosedale is brought rapidly and inexorably to the brink of ruin. His reputation and livelihood at stake, Marco confides in a close friend, who finds himself caught between the obligations of friendship and an increasingly urgent desire to uncover the truth. This unnamed friend is drawn, magnetized, into the orbit of the woman at the center of the accusation—and finds his position as the safely detached narrator turning into something more dangerous. Soon, the question of his own complicity becomes impossible to avoid. Set during the months leading up to Donald Trump’s election, with detours into the 1970s, this propulsive novel investigates the very meaning of truth at a time when it feels increasingly malleable. An atmospheric and unsettling drama from a novelist acclaimed as “the literary descendent of Dostoevsky and Patricia Highsmith” ( Boston Globe ), Afternoon of a Faun combines a sharply observed study of our shifting social mores with a meditation on what makes us believe, or disbelieve, the stories people tell about themselves.

'A . . . tender love story . . . This book is alive. It pulses with warmth and intelligence' The Times A wickedly observed novel about falling in love at the end of your life, by the Man Booker Prize-winning author of The Finkler Question. At the age of ninety-something, Beryl Dusinbery is forgetting everything - including her own children. She spends her days stitching morbid samplers and tormenting her two carers with tangled tales of her husbands and affairs. Shimi Carmelli can do up his own buttons, walks without a frame and speaks without spitting. Among the widows of North London, he's whispered about as the last of the eligible bachelors. He forgets nothing -especially not the shame of a childhood incident that has long hung over him. There's very little left remaining for either of them. . . But perhaps just enough to heal some of the hurt inflicted along the way, and find new meaning in what's left. * SHORTLISTED FOR THE WINGATE LITERARY PRIZE 2020*

This masterpiece novel -- by the internationally acclaimed, young South African writer Damon Galgut--about E.M. Forster, his life, struggles with homosexuality, and the writing of his universally loved novel A Passage to India will call to mind the international success of Colm Toibin's The Master . For readers of Colm Toibin, Ian McEwan, and J.M. Coetzee. In 1912, the SS Birmingham approaches India. On board is Morgan Forster, novelist and man of letters, who is embarking on a journey of discovery. As Morgan stands on deck, the promise of a strange new future begins to take shape before his eyes. The seeds of a story start to gather at the corner of his mind: a sense of impending menace, lust in close confines, under a hot, empty sky. It will be another twelve years, and a second, and much longer time spent in India, before A Passage to India , E.M. Forster's most beloved work of literature, is completed. During these years, Morgan will come to a recognition of his homosexuality and of the infinite subtleties and complexities of human nature. Arctic Summer is an intimate portrait of the man who became one of Britain's finest novelists, his struggle to find a way of living and being, and a stunningly vivid evocation of the mysterious alchemy of the creative process. Galgut animates the literary times in which Forster lived with encounters with some of the writers of the day, including Virginia and Leonard Woolf and D.H. Lawrence . Galgut also brilliantly and poignantly describes Forster's two closest relationships, enduring and sadly unfulfilled. Arctic Summer is a literary masterpiece, by one of the finest writers of his generation."

Who says summer reading means a lurid potboiler or sleazy celeb tell-all? Not "Tin House." Renowned for its beautiful design as well as its compelling content, the award-winning "Tin House" is a multisensory delight, as popular with critics as it is with readers. Each issue features the best writers of the day alongside a new generation of talent who are poised to become the most important voices of the future. Its summer issue offers an eclectic collection of short stories, profiles, author interviews, poetry, and essays, as well as unique departments such as Lost and Found, reviews of overlooked or underrated books, and Blithe Spirits and "Readable Feast, which present tales and recipes for drinks and food in a literary way. Breezy, sunny, funny, and always thought-provoking, "Tin House Summer Reading 2009" is beach reading for the smart set."

From the award-winning author of Art and Desolation comes this bitingly funny new novel that follows the absurd adventures of a man struggling with a midlife crisis. Adam Haberberg is losing his sight in his left eye. His new book is a flop. And his marriage isn’t doing too well. But while sitting one day on a park bench, he sees an old friend from high school, Marie Thérèse, and suddenly his whole life seems to change. Adam soon finds that his own life has somehow become intertwined with Marie Thérèse’s, throwing everything into question. A wry tragicomedy and a nuanced study of a man in the throes of an existential crisis, Adam Haberberg has the same wit and panache that have marked all of Yasmina Reza’s work to date.

Young Jim Endicott has but one dream-- to attend the Solis Space Academy, the gateway to the stars and the far-flung civilization known as the Confederation. But unbeknownst to Jim, he has a secret encoded in his DNA. A secret that threatens an empire.

"Stein attains a new level of achievement that demonstrates his ability to write as well as, and perhaps better than, most of the novelists he publishes... It's the sort of book you hate to stop reading." -- John Barkham Reviews "If you bury yourself in a Sol Stein book while walking, you will walk into a wall." -- The New York Times "Brilliantly conceived, highly recommended." --United Press International

The dazzlingly clever and always entertaining Raymond Smullyan takes an unorthodox approach to chess puzzles by treating them as mysteries—with Sherlock Holmes as guide and mentor. The key concept is retrograde analysis. Rather than figuring out how to achieve some end from a given arrangement of chess pieces, the game is to examine the board and deduce what has happened in the past: Which side is white? What were the previous moves? Prove that a promotion did or did not occur. Which piece has been replaced by a coin? These are just a few of the challenges Smullyan presents through the eyes of Holmes and Watson. He even manages about as passable an imitation of Sir Arthur Conan Doyle's style as can be expected from a tongue-in-cheek presentation. To enjoy these problems you need only know how chess pieces move. The first puzzles in the book teach all the concepts you need to know to decipher the later ones; the process prepares you to join Holmes in solving a baffling double murder—the keys to which reside in a series of devilishly clever puzzles. The chess game is afoot, and it's almost too much fun!