At the age of twelve, Weinberg lost everything: hope, home, and even his own identity. In 1938 his father travelled to England, hoping to arrange for his family to emigrate there. His efforts came too late, and his wife and children fell into the hands of the Fascist occupiers. Over the following years, Felix survived five concentration camps, including Terezín, Auschwitz and Birkenau, as well as the Death March from Blechhammer in 1945. An extraordinary meditation on the nature of memory.

"An entertaining and openhearted tale of a naïf eventually getting to understand a complex, glittering, beautiful and often cruel society - at least a little. When Simon Kuper left London for Paris in his early thirties, he wasn't planning to make a permanent move. Paris, however, had other plans. Kuper has grown middle-aged there, eaten the croissants, seen his American wife through life-threatening cancer, taken his children to countless football matches on freezing Saturday mornings in the city's notorious banlieues, and in 2015 lived through two terrorist attacks on their neighborhood. Over two decades of becoming something of a cantankerous Parisian himself, Kuper has watched the city change. This century, it has globalized, gentrified, and been shocked into realizing its role as the crucible of civilizational conflict. Sometimes it's a multicultural paradise, and sometimes it isn't. This decade, Parisians have lived through a sequence of shocks: terrorist attacks, record floods and heatwaves, the burning of Notre Dame, the storming of the city by gilets jaunes, and then the pandemic. Now, as the Olympics come to town, France is busy executing the "Grand Paris" project: the most serious attempt yet to knit together the bejewelled city with its neglected suburbs. This is a captivating memoir of the Paris of today, without the Parisian cliches"--

The author of such classic works as The Republican Roosevelt, V Was for Victory, and Years of Discord, John Morton Blum is one of a small group of intellectuals who for more than a quarter of a century dominated the writing of American political history. Writing now of his own career, Blum provides a behind-the-scenes look at Ivy League education and political power from the 1940s to the 1980s. Blum insightfully recounts a long and distinguished journey that began at Phillips Academy, where he first realized he could make a career of teaching and writing history. He tells how young men were socialized to the values of the Northeastern establishment in those years before World War II, and how as a non-practicing Jew he learned to overcome bigotry both at Andover and at Harvard, which then had no Jewish professors. In 1957 Blum joined the faculty of Yale University's history department, widely regarded as the nation's best, where he became both influential and popular and where his students included one future U.S. president as well as others who aspired to the office. He reveals much about the inner workings of Ivy League education and tells of controversies over the Vietnam War and the Black Panthers, his role in Eugene McCarthy's presidential campaign, and how he searched for common ground between reactionary faculty and radical students. More than a recounting of a singular life, Blum's story explains how political history was researched and written during the second half of the twentieth century, describing how the discipline evolved, gained ascendancy, and was challenged as historical fashions changed. It also offers revealing glimpses of such prominent academics as Kingman Brewster, Arthur Schlesinger, Jr., C. Vann Woodward, and William Sloan Coffin. Over a distinguished career, Blum witnessed considerable change in elite educational institutions, where minorities and women were grossly underrepresented when he first entered academia. In a memoir brimming with insight and laced with humor, he looks back at the academy—"not a refuge from reality but an alternative reality"—as he reflects upon his intellectual journey and his contributions to the study and writing of twentieth-century American history.

*Winner of the National Jewish Book Award for Biography and Autobiography This is the story of the making of a world-famous sociologist. It is even more the story of a boy hustling to survive. Here in an astonishing and candidly written memoir by one of America's premier social scientists recounting the intensely personal story of his tormented youth in a ghetto within a ghetto. It etches the painful details of a boy's overcoming alienation and isolation in a hostile place in an unloving family. In the 1930s a small remnant community of Eastern European Jewish immigrants still resided in predominantly black Harlem. As shopkeepers trying to make out a marginal existence, Harlem's Jews were a minority within a minority. Into this restricted world the author of this book was born. Irving Louis Horowitz's parents had fled Russia, his father the victim of persecution in the Tsarist army during World War I. The boy's schoolmates were the children of black sharecroppers who had immigrated to the North. Poverty, language, and culture all cut off the Horowitz family from traditional community life, and the stress of a survival existence led to the trauma of a deteriorating family unit. Harlem and its environs, the Apollo and the Alhambra theaters, the Polo Grounds, and Central Park were the stage on which a youngster from this ghetto built a kind of self-reliance at the cost of social graces. The recipient of the National Jewish Book Award for Biography and Autobiography, this new, augmented edition contains the author's reflection of the impact of the Great Depression on Harlem family life.

"Recollections of one of the grand masters of science fiction, on his storied career as a celebrated author and on his relationships with other luminaries in the field. This memoir is filled with all the humor and irreverence Harry Harrison's readers have come to expect from the New York Times bestselling author of the uproarious Stainless Steel Rat series. This also includes black and white photos spanning his sixty-year career"--

Memoir of the author's life from Palestine, to Poland, to America, covering a career in government and Sovietology.

Memoirs of a Physicist in the Atomic Age Elsasser, Walter M.

Somekh, a noted student of modern Arabic culture, relates his life as a university professor and writer, taking the reader to Oxford, Princeton and Cairo, and introducing scholars and writers he befriended: S D Goitein, Mustafa Badawi and Haim Blanc, among others. This title presents his story.

In the course of the same old race I find myself writing about knowing some people--how fame seems to set some people apart from us, once known: I was astonished by Ernest Hemingway's small, weak handshake when we were introduced at Scribners by John Hall Wheelock and by the jolt of force with which Elie Wiesel squeezed my hand. How long ago seems knowing, too: when I first meet Isaac Singer he asks me, "Who is Mr. Saul Bellow?" We're on the Upper West Side in his apartment next to the funeral parlor. A yellow parakeet hops around on Singer's bald forehead. Singer's great comic story of faith, "Gimpel the Fool," has only recently been published from Yiddish into English in a translation by Saul Bellow. They're both still a long way from Stockholm. "Do you know him? Can you tell me who this Mr. Bellow is?" he asks. It was not always possible to guess Singer's motives in acting as though he was not impressed with worldly reputations. His features of a medieval Polish saint, even to a faint white-haired tonsure effect around the crown of his skull, were backlit by the glowing monitor from his mischievous incubus.--from the Preface These are Richard Elman's candid snapshots in prose of the various, mostly literary celebrities he encountered during his four decades as a working writer and journalist--among them Isaac Bashevis Singer, Tillie Olsen, Bernard Malamud, Faye Dunaway, Hunter S. Thompson, and other important artists and writers who were Elman's teachers and, occasionally, adversaries. Engagingly written and never superficial, these portraits and anecdotes in many cases strike to the center of each subject's art. To many readers, these persons are just "names"; Elman brings them to life while never simplifying or overdramatizing their work.

Louis Lozowick (1892-1973), an American painter and printmaker most noted for his depictions of the urban scene, was in many ways a typical cultural figure of the early twentieth century. Born in Ukraine in an era of revolutionary ferment, involved in the artistic adventures of Paris, Berlin, and Moscow in the 1920s, he was one of the earliest links between the international machine aesthetic and the nascent American Precisionist movement. Set almost wholly in Russia and.

Text: English (translation) Original Language: German

Memoirs of a Jew, intended for children. Jacobsen was born as Ruth Katzenstein in the village of Frankenberg, Germany. In 1937 the family moved to Düsseldorf; in 1939 they fled to the Netherlands. Under the German occupation, the family first lived in the village of Oud Zuylen; in 1941 the Dutch resistance movement hid Ruth in Amsterdam and her parents in Roermond. Jacobsen describes the people who hid and helped her. Several years after the war her parents committed suicide; in 1953 she emigrated to the USA. Includes illustrations, and collages made by Jacobsen from family photographs.

As Cosmopolitan 's professional agony aunt for the last forty years, Irma Kurtz has had to deal with the most intimate problems of successive generations of readers, while having to keep up with the changing mores and attitudes in British and American society. In these memoirs, she looks back on the seismic transformations that have taken place over the last four decades, as well as her own hectic and often difficult life as a single mother from America living in London. Warm, funny, and perceptive, brimming with wisdom and insight, My Life in Agony is a meditation on the subjects that tend to concern and confuse us the most--from mother-daughter relationships to eating disorders, office politics, and those perennial areas of interest: love and sex.

The unfinished memoirs of Hugo Gryn (1930-1996), born in Berehove, Ruthenia, completed by his daughter. Ch. 11-13 (pp. 123-229), written by Gryn in the USA in 1951, describe his experiences in the Holocaust from the viewpoint of a teenager. In April 1944 Gryn and his family, with the other Jews of Berehove, were interned in a nearby brick factory. In June 1944 they were deported to Auschwitz. Gryn and his father were then sent to the Lieberose concentration camp in Upper Silesia. Naomi Gryn pieces together the remaining account from various writings and interviews, describing a death march which ended at Gunskirchen. Gryn's father succumbed there, shortly after the liberation; his brother perished at Auschwitz, but his mother survived. Gryn moved to England with a group of child survivors in 1946, and later became a well-known rabbi.

Felicity Kendal began writing these richly entertaining and deeply honest memoirs at her father's bedside as he lay in a coma. As she moves hauntingly between the present and the past, Felicity Kendal recaptures her magical childhood in India, her complex relationship with her father and the rest of the family, her love affairs and the acting career that led to her being recognised as one of the outstanding actresses of her generation. 'A remarkable first book about acting, travelling, exile, loving and losing; a book about families and, above all, a book about fathers and daughters.' Angela Lambert, Good Housekeeping

In a rare foray outside that natural home, Booker Prize-winner Bernice Rubens penned these memoirs 'while I still have a memory'. Poignantly, the highly-acclaimed author, literary bon-vivante and celebrated film-maker died shortly after completing them. She wasn't quite expecting that but nor, as she reveals in these pages, did she expect to become a writer. It wasn't the sort of thing that happened to girls born in Glossop Terrace in Splott, the 'unmentionable and indisputable armpit of Cardiff'. In this delightful evocation of her own life, Rubens escorts us, with a flotilla of anecdotes, away from that armpit through her wartime childhood, her first 'major folly' (studying English at University) to stints as a teacher, lady's maid and actress before stumbling upon a career that bemused her until the end of her days. 'What shall I do,' was her constant internal refrain, 'when I grow up?' Bernice Rubens died in the autumn of 2004.