Om livet i Delhi i begyndelsen af 1950erne for to unge, hvis familier lægger planer for deres fremtid

A screamingly defiant, hugely naughty, and impossibly fun free fall past catwalks, red carpets, and even the halls of Buckingham Palace, GORGEOUS is now in paperback! Eighteen-year-old Becky Randle is an ordinary girl who receives an impossible offer. She meets Tom Kelly, the world's top designer, and he promises to create three dresses to transform her from a nothing-special girl into the Most Beautiful Woman Who Ever Lived.Becky thinks Tom is a lunatic, or that he's producing a hidden camera show called World's Most Gullible Poor People. But she accepts, and she's remade as Rebecca. When Becky looks in the mirror, she sees herself -- an awkward mess of split ends and cankles. But when anyone else looks at Becky, they see pure five-alarm hotness.Soon Rebecca is on the cover of Vogue and the new Hollywood darling. Then she meets Prince Gregory, heir to the British throne, and everything starts to crumble. Because Rebecca aside, Becky loves him. But to love her back, Gregory would have to look past the blinding Rebecca to see the real girl inside. And for that, there's not enough magic in the world.

Andrea Robin Kaplan is a clique unto herself. In other words, she has no friends. Her only goal is get through high school with the least amount of humiliation possible, which should be easy— nothing ever happens in the suburbs, right? Wrong. One day, as Andi walks home from school, a little brown VW drives up and she meets Frank. Frank makes her feel beautiful and special. With Frank, Andi forgets how alone she is. From boundary breaking author Lesléa Newman comes a haunting story about a girl who is all alone, and a man old enough to know better. From the Hardcover edition.

Seventeen-year-old Nora Holmes is an artist, a painter from the moment she could hold a brush. She inherited the skill from her grandfather, Robert, who's always nurtured Nora's talent and encouraged her to follow her passion. Still, Nora is shocked and elated when Robert offers her a gift: an all-expenses-paid summer trip to Europe to immerse herself in the craft and to study history's most famous artists. The only catch? Nora has to create an original piece of artwork at every stop and send it back to her grandfather. It's a no-brainer: Nora is in! Unfortunately, Nora's mother, Alice, is less than thrilled about the trip. She worries about what the future holds for her young, idealistic daughter and her opinions haven't gone unnoticed. Nora couldn't feel more unsupported by her mother, and in the weeks leading up to the trip, the women are as disconnected as they've ever been. But seconds after saying goodbye to Alice at the airport terminal, Nora hears a voice call out: "Wait! Stop! I'm coming with you!"

When Darcy's older brother David is killed in a terrible accident, Darcy's parents decide to donate his heart for transplant, and Darcy becomes obsessed with finding the person who received his heart, believing that if she can find his heart, she will find her brother.

Here, for the first time, is an all-embracing account of the loves of that royal womaniser, Edward VII, as Prince of Wales and King. It is also a study of the three women with whom the King was most deeply in love - his `official' mistresses, Lillie Langtry, Daisy Warwick and Alice Keppel. In their different ways, all three were exceptional personalities; Lillie Langtry, the socially ambitious girl from the vicarage, became a famous actress; Daisy Warwick, an immensely wealthy heiress and social butterfly, was converted to socialism; Alice Keppel, probably the King's greatest love, developed into an astute and fascinating figure in her own right. Spanning three decades and packed with incident, scandal and high romance, the story is set in the extravagant and hypocritical world of late Victorian and Edwardian society. It is full of colourful characters: Edward's beautiful and betrayed wife Alexandra; the three cuckolded husbands - Edward Langtry, the Earl of Warwick and the Hon. George Keppel; the flamboyant Oscar Wilde; the sensuous Sarah Bernhardt; the dissipated Prince Albert Victor; and the sexually complex W.E. Gladstone. The King in Love challenges long-established myths and reveals much that was hitherto unknown: not least the extraordinary scene that took place at the deathbed of King Edward VII. The result is a brilliant evocation of a world, and a way of life that has gone forever.

One thousand years ago, chaos loosed itself upon Japan, upending an era in which the arts flourished. At the dawn of 250 years of civil war, in the opulent court of Lord Norimasa, the beautiful but cruel poet Lady Utsu wages war with men's hearts and holds the fearsome lord and his devoted samurai Matsuhito in her thrall. As the two men raze Japan's landscape in futile battles for unity, Utsu falls for Matsuhito even as Lord Norimasa continues to love her. The epic romance of Utsu and Matsuhito resumes itself decades later, when they meet as vagrants so transformed by time that they no longer recognize each other; they are reunited through their mystical connection to a pair of snow foxes that are their only company in the Japanese wilderness. The heartbreaking story of their renewed love is fraught by the Japanese concept of mono no aware--life's ephemeral nature--that weighs on the lovers. Reading group guide included.

"Smart and sassy relationship expert Siggy Flicker is your new fairy godmother. Having matched more than a thousand couples and embraced her own second chance at love, she knows finding a prince is no picnic. Now she's sharing the keys to building a fairy-tale romance, beginning with a honest assessment of what you really want to be happy. To help readers create the healthy, lasting relationships they deserve, Siggy is sharing her honest, empowering advice, including: Define the relationship you want. Set an intention and true love will follow. Forget what looks good "on paper." Sure he's Mr. Right, but is he right for you? Take a break from your dating rut with a Dating Detox. Step back and reevaluate your dating behavior. Learn how to make the most of the first five minutes. First impressions are important, so learn to send the right signals. Happily ever after means forever. Continue to work hard to keep your relationship strong and passionate. In Write Your Own Fairy Tale, readers will get a tried-and-true comprehensive guide to the first six months of dating and Siggy's exclusive plan to get over heartbreak ensuring you'll get from agony to over it in just six simple steps. Featuring practical exercises, real-life success stories, and lessons Siggy learned the hard way, Write Your Own Fairy Tale is a wake-up call for everyone looking for love--and a guide for making sure you get the happiness you truly deserve"--

With her trademark combination of candor, brass, and wit, Bernhard--a regular on the Roseanne show--presents her singular take on romance, love, and sex in the '90s. The author of Confessions of a Pretty Lady, Bernhard draws on her own experiences to present thought-provoking essays about the sweet-and-sour experiences of love.

“A case study in elegant, honest tragicomedy…by the genuinely hilarious Paul Rudnick” (Gary Shteyngart, New York Times bestselling author) that follows the decades-long, rule-breaking romance between the son of one of America’s wealthiest families and a middle-class aspiring author. Devastatingly handsome and insanely rich, Farrell Covington is capable of anything and impossible to resist. He’s a clear-eyed romantic, an aesthete but not a snob, self-indulgent yet wildly generous. As the son of one of the country’s most powerful and deeply conservative families, the world could be his. But when he falls for Nate Reminger, an aspiring writer from a nice Jewish family in Piscataway, New Jersey, the results are passionate and catastrophic. Together, the two embark on a unique romance that spans half a century. They are inseparable—except for the many years when they are apart. Moving from the ivy-covered bastion of Yale to New York City, Los Angeles, and eventually all over the world, Farrell and Nate experience the tremendous upheaval and social change of the last fifty years. From the freedom of gay life in 1970s Manhattan to the Hollywood closet, the AIDS epidemic, and the profound strides of the LGBTQ+ movement, this witty and moving novel shows how the world changes around us while we’re busy doing other things. Written with “engaging wit, side-eyed perceptiveness, and barbed elan” (Michael Chabon), this modern classic proves that style has its limits, love does not.

The renowned novelist De Wohl, with his usual crisp language and descriptive narrative, as well as irony and humor, presents the colorful and tumultuous times of the early Christian era in this story of intrigue, romance and power politics revolving around Helena, the devoted and saintly mother of Constantine, the first Christian emperor. This historical novel tells the story of the quest for the True Cross through fifty years of the most exciting events in Roman and Christian history. The narrative begins when the Tribune Constantius, a Roman officer stationed in Britain, meets and wins Helena, only daughter of the mystical and oracular King Coel of Britain. Through the course of their early lives together, and during their ten-year separation when Constantius returns to Britian as a conquering Caesar and Helena has become a rejected wife, devoted mother, and militant Christian, there is a sure and convincing portrayal of character growth and personal conflict. Helena's fierce determination to raise Constantine as a warrior son and her gradual discovery and dramatic acceptance of Christianity prepare her for the final miracle of her life discovery of the True Cross, the Living Wood on Calvary. The Living Wood is a chapter from the turbulent half-forgotten pages of early Christian history and legend in which the religious conflicts and problems are handled with moving simplicity. It is also an action-packed novel of those times--with a lesson for us today--that captures with equal skill and tumult and the shouting of the battlefield and the devious plots and counter-plots of the court.

An acclaimed writer on her mother’s tumultuous life as a Jewish immigrant in 1930s New York and her life-long guilt when the Holocaust claims the family she left behind in Latvia A story of love, war, and life as a Jewish immigrant in the squalid factories and lively dance halls of New York’s Garment District in the 1930s, My Mother’s Wars is the memoir Lillian Faderman’s mother was never able to write. The daughter delves into her mother’s past to tell the story of a Latvian girl who left her village for America with dreams of a life on the stage and encountered the realities of her new world: the battles she was forced to fight as a woman, an immigrant worker, and a Jew with family left behind in Hitler’s deadly path. The story begins in 1914: Mary, the girl who will become Lillian Faderman’s mother, just seventeen and swept up with vague ambitions to be a dancer, travels alone to America, where her half-sister in Brooklyn takes her in. She finds a job in the garment industry and a shop friend who teaches her the thrills of dance halls and the cheap amusements open to working-class girls. This dazzling life leaves Mary distracted and her half-sister and brother-in-law scandalized that she has become a “good-time gal.” They kick her out of their home, an event with consequences Mary will regret for the rest of her life. Eighteen years later, still barely scraping by as a garment worker and unmarried at thirty-five, Mary falls madly in love and has a torrid romance with a man who will never marry her, but who will father Lillian Faderman before he disappears from their lives. America is in the midst of the Depression, Hitler is coming to power in Europe, and New York’s garment workers are just beginning to unionize. Mary makes tentative steps to join, despite her lover’s angry opposition. As National Socialism engulfs Europe, Mary realizes she must find a way to get her family out of Latvia, and she spends frenetic months chasing vague promises and false rumors of hope. Pregnant again, after having submitted to two wrenching back-room abortions, and still unmarried, Mary faces both single motherhood and the devastating possibility of losing her entire Eastern European family. Drawing on family stories and documents, as well as her own tireless research, Lillian Faderman has reconstructed an engrossing and essential chapter in the history of women, of workers, of Jews, and of the Holocaust as immigrants experienced it from American shores.

Recreates a school year in the life of teenager Jeremy Reskin, who falls madly in love with the new girl in school and deals in his own way with classes, sports, family conflicts, peer pressure, romance, and hanging out.

"I am a symmetrical man, almost to a fault," Frank Sinatra once said. It is a peculiar statement, because Sinatra is precisely asymmetrical. How to reconcile the enchanting crooner and the explosive bully? What to make of the smooth tones of his voice and the rough edges of his persona? To find the true correspondence between the public and the private Sinatra, the artist and the man, is no easy task. John Lahr, drama critic for The New Yorker and one of the finest writers on the performing arts working today, has done just this in The Artist and the Man Lahr traces the trajectory of the "solitary latchkey kid" from Hoboken, New Jersey, into the stratosphere of fame. Sinatra kept company with presidents and mobsters; he kept up the front of a happy family life for as long as he could and then took up with the most desired women in the world--Ava Gardner, Lauren Bacall, Anita Ekberg, Marilyn Monroe, and many, many more. He led a life of manic gregariousness, yet spoke to the romance and loneliness of the "wee small hours of the morning." He desperately needed to exist within the gaze of the audience but at the same time would express aloofness toward his fans, saying he was happiest "when I'm onstage all by myself with an orchestra and nobody to bug me." The Artist and the Man also examines the miracle of Sinatra's return--much of what is marvelous about Sinatra today is that we know who he is at all, so far did he fall in the late forties. Sinatra came back with a vengeance as Angelo Maggio in From Here to Eternity , a heartfelt and brilliantly comic performance that won him an Academy Award. At the same time, he reclaimed control of the recording studio and, with the help of an ingenious arranger named Nelson Riddle, perfected the swinging sound of his mature years. Sinatra then proceeded to build a media empire that has been the standard by which all other stars have measured their success. The artist and the Sinatra epitomized control and he raged uncontrollably, destroying friendships, love affairs, and a plate-glass window or two; he won fans around the world across three generations, created an unparalleled body of recorded work, and almost single-handedly invented the postwar American swagger and "the image," Lahr writes, "of perfect individualism." Sinatra's life and art happen to be extremely well documented in photographs--from Weegee's hilarious pictures of bobby-soxer hysteria at New York's Paramount Theatre to William Read Woodfield's definitive and rare "Chairman of the Board" images. The Artist and the Man collects one hundred of the best photographs ever taken of Sinatra (some never before published)--representing his film work, the special intensity of his recording sessions, and the many swinging nights of this complex and fascinating man.

Lauren Bacall made a triumphant return to Broadway in this Tony(R) Award-winning musical adaptation of the famous Tracy/Hepburn film. Tess Harding is a high-powered anchorwoman of a network TV morning news show. She makes some derogatory remarks about comic strips on the air and comes head-to-head with Sam Craig a famous cartoonist who introduces a lampoon of Tess into his comic strip. The feud turns to romance and marriage but not to harmony in this delightful battle of the sexes between two outsized egos.

In Movieland, Jerome Charyn mingles his own life as a moviegoer with the history, romance, and sadness of Hollywood. He meets Paul Newman, Viveca Lindfors, and Mae Clark, the actress who was the original bride of Frankenstein; explores Cinecitta, Mussolini's own Hollywood on the Tiber; recalls his own life as Otto Preminger's house writer (and jester) during Preminger's decline; reinvents the lost years and lost stars of the silent era --Irving Thalberg, Gloria Swanson, and Clara Bow -- and seeks out the hieroglyphics of modern Hollywood; writes of the Nazi officer who saved the Cinematheque Francaise and its library of American films; and pays homage to Hollywood's heroes, victims, goddesses, and neglected lords: Louise Brooks, Raymond Chandler, Carole Landis, Rita Hayworth, Orson Welles, and more.

" A Courtship After Marriage places sex and marriage at the heart of modernity's making. Hirsch's innovative study of marriage-making in transnational Mexican families offers a fascinating look at the opportunities cross-border migration provides for reconstructing gender and rediscovering pleasure. This ambitious, well-crafted book speaks to anthropologists, demographers, and public health specialists, while transcending the divides between them."—Susan Greenhalgh, author of Under the Medical Gaze: Facts and Fictions of Chronic Pain "Jennifer Hirsch is one of the new wave in demographic scholars that takes culture seriously. Her book is a model of engaged, policy-relevant scholarship that achieves its warrant through deep contextualization in the everyday experience of its subjects. Beautifully written, rigorously analyzed, and almost novelistic in its nuance and detail, this study of marriage, migration, and fertility puts the people back into demography and makes one of the most powerful contributions to policy-relevant social science that I have seen in a long time. A work of beauty, sensitivity, and scholarship that sets a new standard for all that follows."—Tom Fricke, author of Himalayan Households: Tamang Demography and Domestic Processes "In this engagingly written and keenly observed ethnography of Mexican marriages in Atlanta and in small Mexican towns, Jennifer Hirsch brings love, sex and romance to Mexican immigration scholarship, and presents a compelling case for the rise of companionate marriages and ideals of spousal intimacy. This book will appeal to anyone interested in gender studies, immigrant families and the social and cultural contexts of fertility."—Pierrette Hondagneu-Sotelo, author of Domestica: Cleaning and Caring in the Shadows of Affluence "A groundbreaking study. Gracefully written, yet at the same time rigorously argued, this book reminds us of the poetry and dignity that can be found in ordinary lives and of the dreams and aspirations that sustain human agency even in the face of severe social and economic constraints. This is a major contribution to our understanding of migration, gender, sexuality, and social change in contemporary life and a model for engaged social research at its very best."—Richard Parker, author of Bodies, Pleasures and Passions "Hirsch has written a superb, insightful, and original study of Mexican migrants and the challenges of marital devotion and separation they face across time and space. Exemplary in its detail and rigor, Courtship brings us into the lives of men and women in Georgia and Jalisco, shows us the risks they take to create modern forms of intimacy, and reconceptualizes how we should view sexualized companionship, procreation, and engendered pleasures. This book will become a gold standard ethnography in medical anthropology, public health, and transnational migration studies."—Matthew C. Gutmann, author of The Romance of Democracy: Compliant Defiance in Contemporary Mexico "Hirsch’s engaging analysis of gender relations among immigrant Mexicans in Atlanta and in the Mexican community from which they come, shows how migration affects women's and men's roles, the place of sexuality in building marital intimacy, struggles over contraceptive use, and power relations in the couple. Using detailed ethnographic examples, she examines the trend toward companionate couplehood, and demonstrates both struggles and triumphs as young Mexicans and Mexican-Americans strive to create marriages that combine the strengths of traditional respect-based bonds with the advantages of new relationships built on trust."—L.A. Rebhun, author of The Heart Is Unknown Country: Love in the Changing Economy of Northeast Brazil

These are the raw, best-written stories of James Altucher as he rides the roller coaster of wealth, poverty, abundance, romance, tragedy, comedy, and everything in between. From the depths of despair to revelation and honesty, these stories are James at his best in writing and rawness. He kept these stories under wraps until now.