Surveys the historical development of science and technology and the interrelations between science and society

Judge Milton Handelsman to young attorney Reginald Rashad: "You are standing on the threshhold of a new Age. The Age of the lawyer. In our grand and glorious history this nation has seen industry after industry rise and thrive. Railroads! Coal! Oil! Shipping! Electric power! The automobile! Broadcasting! Recently Technology. Then Biotechnology. All rose from small beginnings to eventually dominate the nation's economy. And now . . now comes the next big industry to take over. "The Class Action. The means by which lawyers will take over all the other industries. And, of course, you want your share. Well, counselor, it will not be easy." Reginald Rashad, young black attorney, who recently resigned impulsively from the huge white-shoe law firm, WHITE, CRAVAT & SULLIVAN, is determined now to make it on his own. But as Judge Handelsman warned, it will not be easy.

"HARRY HARRISON IS ONE OF SCIENCE FICTION’S MOST PROLIFIC AND ACCOMPLISHED CRAFTSMEN." —The New York Times Book Review In the midst of Civil War, a stunned North and South join forces to combat a sudden attack of British troops. Though the Americans are victorious, three years later a new threat emerges. Her Majesty’s Army is massing for a possible attack through Texas. Into the gauntlet Lincoln sends his chosen angel of death, General Ulysses S. Grant—while his top soldiers, including Robert E. Lee and William Tecumseh Sherman, plan the most daring naval invasion ever launched: an assault on British soil itself. Stars and Stripes in Peril is the new masterwork from one of the world’s most provocative authors. Venturing beyond a fascinating question of what if? Harry Harrison brilliantly examines the people and passions that make up nations both great and small—and shows how technology and politics had the power to shape history’s first great World War . . . half a century before it began . . . "Lovers of novels of alternate history hold Harry Harrison in high regard and his latest book can only enhance that esteem." —Abilene Reporter News

Philosophical Essays is a pivotal volume in the collected works of Hans Jonas (1903-1993), one of most important German-American philosophers of the last half of the 20th century. Of the four books published in English during his lifetime, it is the only one to include contributions from his three primary areas of achievement: philosophical reflection on gnosticism, on biology, and on technology - hence the subtitle, "From Ancient Creed to Technological Man." The three sections of the book are, however, given in reverse order with essays on "Science, Technology, and Ethics" preceding papers on "Organism, Mind, and History" and "Religious Thought of the First Christian Centuries." The temporally ultimate project is that which Jonas sees as having philosophical priority. This collection of 18 essays originally published between 1965 and 1974 - that is, after completion of The Phenomenon of Life (1966) but before The Imperative of Responsibility (1984) - manifests the most intensive integration of Jonas's three projects. As such, this volume provides special witness to the inherent unity of what might otherwise be seen as more episodic work. In the Introduction Jonas himself argues for both a biographical and a philosophical unity, the latter of which is emphasized in a new foreword by Carl Mitcham of the European Graduate School.

In this collection of essays, eminent scholar Gabriel Almond describes the ways in which the discipline of political science has become divided against itself. "The various schools and sects of political science," writes Almond, "now sit at separate tables, each with its own conception of proper political science, but each protecting some secret island of vulnerability." In his overview, Almond examines the "hard" versus "soft" science approaches, as applied by scholars of both the left and the right. In Part I, he explores the history of model-fitting in communism studies, the strengths and weaknesses of the rational choice movement, and the historical forces and processes that have shaped political culture theory. In Part II, Almond addresses the problem of the transmission of methods and findings within the discipline. He discusses the current emphasis on pluralism among political theorists in Communist countries while a corresponding devaluation of this concept is occurring in the West. He concludes with an evaluation of the neo-statist movement and the evolution of political development studies. With this book, Professor Almond crowns a lifetime achievement, and makes final his case for the study of political culture. "It is a most interesting book. For what it′s worth, I think this book will be a successful one. This is not because of the talent and eminence of the author, but because I think there are lots of political scientists who will enjoy reading about these continuing struggles. In sum, I think the book will be a hit." --Aaron Wildavsky, University of California, Berkeley "Judged by the breadth of his professional knowledge and the depth of his command of the literature, Gabriel A. Almond is the most learned political scientist of today. In these wise and erudite essays he provides careful documentation of where the discipline is and what those who went before really said. Hereafter, no graduate student should feel prepared for general examinations in any field of political science without carefully reading A Discipline Divided, and taking to heart its lesson that getting the record straight is a necessary foundation for advancing social science knowledge." --Lucian W. Pye, Massachusetts Institute of Technology "Who better to provide a prospect and retrospect on the social sciences than a 1938 University of Chicago Ph.D.; a pupil of Frank Knight, Harold Lasswell, and G. H. Mead; and a fellow graduate student with Herbert Simon, George Stigler, Edward Shils, V.O. Key, and others? This book shows that he is still a pioneer in the social sciences, and even prepared to explore ideas that are nowadays fresh because they have been around so long that they are forgotten. The result is a book that is of interest to every social scientist." --Journal of Public Policy

The very scale of the 1939-45 war has often tempted historians to study particular campaigns at the expense of the wider panorama. In this readable and richly detailed history of the conflict, the Belgian scholar Ernest Mandel (author of the acclaimed Late Capitalism) outlines his view that the war was in fact a combination of several distinct struggles and a battle between rival imperialisms for world hegemony. In concise chapters, Mandel examines the role played by technology, science, logistics, weapons and propaganda. Throughout, he weaves a consideration of the military strategy of the opposing states into his analytical narrative of the war and its results.

Does modern art, as the art of the past always did, "express the times, " or is it a series of willful aberrations? Do we have any way of judging its success or failure? Bypassing art criticism and art theory, Britain's foremost social historian approaches the question from an entirely new angle. Professor Hobsbawm's thesis is that, unlike writers and composers, who have to come to terms with mass production and the technology of infinite repetition, painters still cling to the unique art-object, the product of the artist's own hands. The result has been a succession of increasingly desperate "avant-gardes, " attempts to find relevance and meaning that -- irrespective of the individual artist's talent -- are doomed to failure. Eric Hobsbawm is Emeritus Professor of Economics and Social History at the University of London. An unrepentant Marxist, he has succeeded in uniting original scholarship with popular appeal, and his most recent book, The Age of Extremes, is influential in shaping the way the century is seen by both professional historians and the wider educated public.

Presents an outline of the knowledge that, according to the Cultural Literacy Foundation, should be acquired by the end of sixth grade, in such categories as literature, religion and philosophy, history, geography, mathematics, science, and technology.

Philosophers have long struggled to reconcile Martin Heidegger's involvement in Nazism with hist status as one of the greatest thinkers of the twentieth century. The recent publication of his "Black Notebooks" has reignited fierce debate on the subject. These thousand-odd pages of jotted observations profoundly challenge our image of the quiet philosopher's exile in the Black Forest, revealing the shocking extent of his anti-Semitism for the first time. For much of the philosophical community the "Black Notebooks" have been either used to discredit Heidegger or seen as a bibliographical detail irrelevant to his thought. yet, in this new book, the author agrees that Heidegger's "metaphysical anti-Semitism" was a central part of his philosophical project. Within the context of the Nuremberg race laws, Heidegger felt compelled to define Jewishness and its relationship to his concept of Being. The author shows that Heidegger saw the Jews as the agents of a modernity that had disfigured the spirit of the West. In a deeply disturbing extrapolation, he presented the Holocaust as both a means for the purification of Being and the Jews' own "self-destruction": a process of death on an industrialized scale that was the logical conclusion of the acceleration in technology they themselves had brought about.

Israel has changed. The country was born in Europe's shadow, haunted by the Holocaust and inspired by the Enlightenment. But for Israelis today, Europe is hardly relevant, and the country's ties to the broader West, even to America, are fraying. Where is Israel heading? How do citizens of an increasingly diverse nation see themselves globally and historically? In this revealing portrait of the new Israel, Diana Pinto presents a country simultaneously moving forward and backward, looking outward and turning in on itself. In business, Israel is forging new links with the giants of Asia, and its booming science and technology sectors are helping define the future for the entire world. But in politics and religion, Israelis are increasingly self-absorbed, building literal and metaphorical walls against hostile neighbors and turning to ancient religious precepts for guidance here and now.

"Award-winning musician and founder of CloudID Creativity Lab David Usher believes we just need the right tools to help us reconnect with our imaginations in our day-to-day lives whether in the head office, the home office, or the artist's studio. Usher empowers readers to achieve more 'aha' moments through two cornerstone principles of creativity: freedom and structure. Using a mix of personal anecdotes and professional examples from the worlds of industry, technology, science, music, and art, he shows us that creativity is not magic; it is a learnable skill that any person or business can master. The dynamic full-colour design includes photographs, artwork and illustrations, as well as action pages to help readers start cultivating the habit of documenting their ideas for future execution."--Provided by publisher.

"A major contribution to the study of global events in times of global media. Owning the Olympics tests the possibilities and limits of the concept of 'media events' by analyzing the mega-event of the information age: the Beijing Olympics. . . . A good read from cover to cover." —Guobin Yang, Associate Professor, Asian/Middle Eastern Cultures & Sociology, Barnard College, Columbia University From the moment they were announced, the Beijing Games were a major media event and the focus of intense scrutiny and speculation. In contrast to earlier such events, however, the Beijing Games are also unfolding in a newly volatile global media environment that is no longer monopolized by broadcast media. The dramatic expansion of media outlets and the growth of mobile communications technology have changed the nature of media events, making it significantly more difficult to regulate them or control their meaning. This volatility is reflected in the multiple, well-publicized controversies characterizing the run-up to Beijing 2008. According to many Western commentators, the People's Republic of China seized the Olympics as an opportunity to reinvent itself as the "New China"---a global leader in economics, technology, and environmental issues, with an improving human-rights record. But China's maneuverings have also been hotly contested by diverse global voices, including prominent human-rights advocates, all seeking to displace the official story of the Games. Bringing together a distinguished group of scholars from Chinese studies, human rights, media studies, law, and other fields, Owning the Olympics reveals how multiple entities---including the Chinese Communist Party itself---seek to influence and control the narratives through which the Beijing Games will be understood. digitalculturebooks is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1983.

In this book, the distinguished historian Carl Schorske--author of the Pulitzer Prize-winning Fin-de-Siécle Vienna --draws together a series of essays that reveal the changing place of history in nineteenth-and twentieth-century cultures. In most intellectual and artistic fields, Schorske argues, twentieth-century Europeans and Americans have come to do their thinking without history. Modern art, modern architecture, modern music, modern science--all have defined themselves not as emerging from or even reacting against the past, but as detached from it in a new, autonomous cultural space. This is in stark contrast to the historicism of the nineteenth century, he argues, when ideas about the past pervaded most fields of thought from philosophy and politics to art, music, and literature. However, Schorske also shows that the nineteenth century's attachment to thinking with history and the modernist way of thinking without history are more than just antitheses. They are different ways of trying to address the problems of modernity, to give shape and meaning to European civilization in the era of industrial capitalism and mass politics. Schorske begins by reflecting on his own vocation as it was shaped by the historical changes he has seen sweep across political and academic culture. Then he offers a European sampler of ways in which nineteenth-century European intellectuals used conceptions of the past to address the problems of their day: the city as community and artifact; the function of art; social dislocation. Narrowing his focus to Fin-de-Siécle Vienna in a second group of essays, he analyzes the emergence of ahistorical modernism in that city. Against the background of Austria's persistent, conflicting Baroque and Enlightenment traditions, Schorske examines three Viennese pioneers of modernism--Adolf Loos, Gustav Mahler, and Sigmund Freud--as they sought new orientation in their fields. In a concluding essay, Schorske turns his attention to thinking about history. In the context of a postmodern culture, when other disciplines that had once abandoned history are discovering new uses for it, he reflects on the nature and limits of history for the study of culture. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. -- "Kirkus Reviews"

Sherwin looks at the influence the golem legend has had in the popular imagination, tracing its history and focusing on some of the questions that have the legend poses: What does it mean to create an artificial human? How do you define "human" or "life"? What are the rights of an artificially created being? etc. Sherwin connects these questions to the modern advances in science and technology, like artificial intelligence and genetic engineering, that pose the same kinds of questions. It's a short book (55 pages with a 5-page bibliography), but it begins some very interesting discussions.

"People like myself, who truly feel at home in several countries, are not strictly at home anywhere," writes Abraham Pais, one of the world's leading theoretical physicists, near the beginning of this engrossing chronicle of his life on two continents. The author of an immensely popular biography of Einstein, Subtle Is the Lord, Pais writes engagingly for a general audience. His "tale" describes his period of hiding in Nazi-occupied Holland (he ended the war in a Gestapo prison) and his life in America, particularly at the newly organized Institute for Advanced Study in Princeton, then directed by the brilliant and controversial physicist Robert Oppenheimer. Pais tells fascinating stories about Oppenheimer, Einstein, Bohr, Sakharov, Dirac, Heisenberg, and von Neumann, as well as about nonscientists like Chaim Weizmann, George Kennan, Erwin Panofsky, and Pablo Casals. His enthusiasm about science and life in general pervades a book that is partly a memoir, partly a travel commentary, and partly a history of science. Pais's charming recollections of his years as a university student become somber with the German invasion of the Netherlands in 1940. He was presented with an unusual deadline for his graduate work: a German decree that July 14, 1941, would be the final date on which Dutch Jews could be granted a doctoral degree. Pais received the degree, only to be forced into hiding from the Nazis in 1943, practically next door to Anne Frank. After the war, he went to the Institute of Theoretical Physics in Copenhagen to work with Niels Bohr. 1946 began his years at the Institute for Advanced Study, where he worked first as a Fellow and then as a Professor until his move to Rockefeller University in 1963. Combining his understanding of disparate social and political worlds, Pais comments just as insightfully on Oppenheimer's ordeals during the McCarthy era as he does on his own and his European colleagues' struggles during World War II. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

For a range of historical and contemporary issues in eugenics, human evolution, and procreative technology, Ruth Hubbard explains why scientific descriptions and choices should not generalize human, or female, attributes without acknowledging the realities of people's lives. Sophisticated in its analysis, yet not at all technical in its exposition, this book will find a wide readership among feminists, the general public, and the scientific community.

This book introduces the basic concepts of parallel and vector computing in the context of an introduction to numerical methods. It contains chapters on parallel and vector matrix multiplication and solution of linear systems by direct and iterative methods. It is suitable for advanced undergraduate and beginning graduate courses in computer science, applied mathematics, and engineering. Ideally, students will have access to a parallel or Vector computer, but the material can be studied profitably in any case.

The Military History of the Soviet Union and The Military History of Tsarist Russia treat Russian military history from the rise of the Muscovite state to the present, even peeking briefly into the future. The two volumes will cover Russia's land forces extensively, but will also cover the development of the Russian Navy, and the creation and development of the Russian Air Force, parts of the Russian military machine which are frequently neglected in general writings. The historical analysis will address the development and function of the Russian military whether in peace or in war, as well as the impact of war and changes in the military upon Russian society and politics.

Playfully mashing up the romantic elegance of the Victorian era with whimsically modernized technology, this entertaining and edgy new anthology is the third installment in a bestselling steampunk series. Featuring a renegade collective of writers and artists, from beloved legends to rising talents, the steam-driven past is rebooted and powered by originality, wit, and adventure. Lev Grossman offers a different take on the Six Million Dollar Man who possesses appendages and workings from recycled metal parts, yet remains fully human, resilient, and determined. Catherynne M. Valente explores a new form of parenting within the merging of man and machine while Cherie Priest presents a new, unsettling mode of transportation. Bruce Sterling introduces steampunk's younger cousin, salvage-punk, while speculating on how cities will be built in the future using preexisting materials and Jeff VanderMeer takes an anti-steampunk perspective as a creator must turn his back on an utterly destructive creation. Going beyond the simple realms of corsets and goggles, this engaging collection takes readers on a wild ride through Victoriana and beyond.