In 1975, at the age of forty, Richard Raskind, a renowned eye surgeon and highly ranked amateur tennis player, "died," and Renée Richards was "born," in what was to become the most public and highly scrutinized sex reassignment to date. It was not until Renée Richards was discovered playing in an amateur tennis tournament that the world took notice. Extensive media coverage and criticism thrust Renée reluctantly into the spotlight, sparking an intense public debate over her private life. Now, at seventy-two, Richards looks back and speaks frankly about all aspects of her complicated and often notorious life in this eye-opening, thought-provoking memoir. Richards' honest and compelling narrative explores the dichotomy between the successful life she lived as Dr. Richard Raskind, who seemed to have everything (devoted friends, a beautiful wife and son, a stellar record of academic and professional achievement, and outstanding athletic ability), and a secret life of struggle with a drive that could not be suppressed, even by years of psychotherapy and the force of a considerable will. Richards takes readers through her difficult decision to undergo surgery and the complex mixture of relief and continued frustration that came with the realization of her new identity. Discussing life after her transformation, Richards candidly relates the details, trials, and pleasures of her romantic life as well as fascinating stories about her tennis career, including her experiences as Martina Navratilova's coach. She also provides an intimate account of her difficult but rewarding relationship with her rebellious son: runaway teenager, high-stakes Vegas gambler, karate champion, and entrepreneur. She describes the deterioration of a once-loving marriage and the challenges of reclaiming her place at the forefront of her demanding medical specialty. Having lived as a woman almost as long as she lived as a man, Richards draws on a personal history that illuminates thirty years of remarkable change in society's attitude toward gender issues. Her absorbing and inspiring story, at once heartbreaking and uplifting, is a testimony to how far we have progressed in our ability to discuss and accept sexuality in all its iterations, as well as a reminder of how far we still must travel.

A Memoir of Creativity chronicles one woman's life journey as she derives a theory, revealing meaning in abstract painting, from varied personal and professional experiences, and tells how she locates this theory within a broader social context. In 1966, Piri Halasz became the first woman within living memory to write a cover story for Time (and not just any cover story, either: the notorious one on "Swinging London"). With wit and wisdom, she provides a glimpse into her "red-diaper" childhood, as well as reporting on her climb at Time from research to the writing staff. Vividly, she describes her controversial career as a female journalist during the sixties, offering an inside view of newsweekly rivalries during that tempestuous decade. Halasz then moves on to her initiation into the art world, her lively interaction with some of its most distinguished denizens and her immersion in graduate school. She concludes with what she has learned about art, art history, and history itself since the early eighties, applying that knowledge to better understand the twenty-first century. Through sharing her life story, Halasz encourages others to remain open to new experiences, to try different ways of seeing, and to use creativity to tackle hurdles.

"A Leader Must Be A Leader essays political leadership in modern Canada. Based on impressions and personal encounters with each of the last 11 Prime Ministers, their followers, and reflections on their paths to power, their legacies still being written on the pages of history -all in the context of their times as observed through the eyes of an up close political activist and participant. Based on impressions and personal encounters with each of the last 11 Canadian Prime Ministers, Senator Jerry Grafstein has explored their paths to power, considering the legacies they have left on the pages of history. Like all politicians, Grafstein became obsessed with the factors that made a leader a leader. Is leadership a natural or a learned skill set? What unique amalgam of oratory skill, ambition, character, persistence, detachment, decisiveness, empathy, intelligence, personality, experiences, memory, common sense, ideas, judgement, temperament and, most especially, self-awareness, separate wannabe leaders from the pinnacle of leadership? This is a unique book written by an acute legal mind, a powerful political strategist, a very successful media and communication expert, an engaged Canadian, and a most thoughtful Liberal. Senator Grafstein assesses, evaluates, and appreciates these Canadian Prime Ministers with insight, humor, and generosity."--

"This work is a compilation of life stories of twenty Turkish Jews, born and raised in Turkey, and who have settled in new homelands. They now live in the United States, Canada, France, Israel, Switzerland, the United Kingdom, and Australia. Through their stories the reader will be able to have glimpses of their lives before and after leaving Turkey and understand the resasons that pushed them to emigrate." -- back cover.

"In the late nineteenth and early twentieth centuries, both Muslim and non-Muslim Turks went to try their luck in the New World. [...] Drawing upon eyewitness testimony, Rifat N. Bali tells the story of a century of Turkish immigrants to the USA."--Back cover.

Edgar Morin, one of France's greatest living intellectuals, tells the story of his father, Vidal Nahoum, but also the story of Sephardic Jews, and of Europe. In this 'holographic history' Vidal's story, and that of his family, carries within it the flowering, decline, and death of Jewish culture in Spain, the passage from Empires to Nation States, the complex relations between Jews and Gentiles, between East and West, and, ultimately, the history of the twentieth century itself. Morin's work ranges from the great sweep of global historical events to the everyday details of individual lives, letters, feelings, reflections, and experiences. Vidal was born in 1894 in the Ottoman Empire's great Macedonian port. His great-grandfather came from Tuscany and spoke Italian. His mother tongue was fifteenth-century Spanish. He learned French and German as a child. When he was an adolescent, he dreamed of living in France; he was deported there as a prisoner, and then liberated by the French Prime Minister. He lived through the Balkan wars, the collapse of the Ottoman Empire, and two World Wars. Vidal cannot be isolated from his family. And as Edgar Morin explains, "this book also tells the stories of the men and women in his immediate family When, as his son, I inevitably come into his story... I describe him as objectively as possible. The reverence that inspired me did not call for a work of edification; it implied that I should attempt to write a truthful book. For this reason, the book is not in the least respectful, or at least not in the usual sense of the word. Vidal felt that loving someone meant being able to tease him. The author of these lines, who has inherited something of this trait, does not think it disrespectful to tease or make fun of the people he loves."

This book details the background to the Kingitanga and also tells the story of the first king, Potatau Te Wherowhero. It details all the momentous events of Te Wherowhero's life from around 1775 to his death in 1860, including his status as Lord of the Waikato and the famous battles and conflicts with other tribes, his raising up as the First Maori King, and Mana Motuhake, the Maori Kingship, set apart as the symbol of the spiritual and cultural life of the Maori. Pei Te Hurinui's biography of King Potatau tells this story in a Maori voice employing waiata, poetry and whakapapa as well as prose text in English and English translations so that the book is accessible to both Maori language speakers and those with no knowledge of Maori.

Walter Jona was a member of Victorian Parliament for 21 years. These memoirs are an engrossing and often controversial personal recollection. His observations and assessments of parliamentary leaders and colleagues are based on close personal association rather than public image, and he is not afraid to criticise his own party.