Venture into the realm of mythological fiction with Benjamin Disraeli's satirical fantasy, "Ixion In Heaven." This witty tale draws upon Greek mythology to explore timeless themes with humor and sharp social commentary. The story centers on Ixion, a figure from Greek myth, and his unexpected journey. Disraeli's work is a delightful example of satirical writing. Through clever prose and fantastical scenarios, the author delivers a story that transcends time. Readers who enjoy humorous fiction and imaginative reimaginings of classic tales will find this book a rewarding experience. "Ixion In Heaven" offers a unique blend of fantasy and satire, showcasing Disraeli's skill in crafting engaging and thought-provoking narratives. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This passionate, pitiless analysis of post-Soviet Russia should be read by all interested in that country's present and future. Library Journal"It is a sorry tale, told with passion and competence." The IndependentRussia has undergone more seismic changes over the last 100 years than almost any other country. The 1917 Revolution, the rapid industrialisation of the 1930s, the following devastation of the Second World War, and the present return to Capitalism has seen the deep impoverishment of the entire population. The key questions which Kagarlitsky addresses are how to understand these changes, and how to characterise the complex process of reform, revolution and counter revolution. In a country with such a turbulent and violent political history, what path should development take, and what lies ahead? Looking in detail at the nature of Russian society and politics since 1990, Kagarlitsky offers an introductory political analysis of the major political and economic developments that have taken place under President Yeltsin, and the legacy he bequeathed so unexpectedly to his successor Putin. He focuses on the role of the media in post-Soviet Russia, corporate structures and their influence on social conflict, the formation of the oligarchy and the role of the left in modern Russia. This is a valuable source for anyone requiring a basic understanding of post-Soviet Russia and a clear historical guide for all students of contemporary Russian history.

Combining personal reflection and social observation, this work paints a complex portrait of a sub-continent in ferment, set against the backdrop of the 1996 cricket World Cup, the most extravagant and controversial event in the long history of the gamebook delves into the dilemmas that dog modern cricket - ball-tampering, biased umpires, media moguls and sponsors, race and national identity, gambling syndicates, and more.

"Sonic Ruins of Modernity shows how social, cultural and cognitive phenomena interact in the making and distribution of folksongs beyond their time. Through Judeo-Spanish (or Ladino) folksongs, the author illustrates a methodology for the interplay of individual memories, artistic initiatives, political and media policies, which ultimately shape “tradition” for the past century. He fleshes out in a series of case studies how folksongs can be conceived, performed and circulated in the post-tradition era – constituting each song as a “sonic ruin,” as an imagined place. At the same time, the book overall provides a unique perspective on the history of the Judeo-Spanish folksong." -- back cover.

Long with its interrelated companion volume, The Technology, Business, and Economics of Streaming Video, this book examines the next generation of TV--online video. It reviews the elements that lead to online platforms and video clouds and analyzes the software and hardware elements of content creation and interaction, and how these elements lead to different styles of video content. What are the models of this new content? What kind of cultural and societal acceleration can we expect? What are the public implications of the next-generation media system? What problems are arising? What kind of market power is emerging in media industries around the world? And how can one deal with them? The author addresses these questions with facts and figures, ranging across technology, economics, communications studies, business, policy, and law. He reviews the regulatory options, and recommends a new approach for video media. Media professionals in academia, management, technology, policy, and creative production will value the approachable yet thorough information presented in The Content, Impact, and Regulation of Streaming Video. --

"Pep: J. L. Wetcheek's American Song Book" is a brilliant collection of satirical verse by the renowned German novelist Lion Feuchtwanger, writing under the playful pseudonym J. L. Wetcheek. This work offers a sharp, outsider's perspective on the American landscape during the height of the 1920s. Through a series of rhythmic and biting poems, Feuchtwanger explores the themes of materialism, frantic energy, and the relentless pursuit of "pep"-the quintessential American quality of the era. The collection serves as a mirror to the Jazz Age, capturing the contradictions of a society defined by both its boundless optimism and its underlying spiritual hollows. From the urban hustle to the obsession with success, these poems dissect the cultural fabric of early 20th-century America with wit and irony. Written at a time when European intellectuals were both fascinated and repelled by American modernization, "Pep" remains a significant piece of social critique. It provides readers with an evocative look at how the American Dream was perceived from abroad, blending poetic craft with historical insight into the Roaring Twenties. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Step back in time with "Pictures of Jewish Home-Life Fifty Years Ago," a captivating glimpse into 19th-century Jerusalem. Hannah Trager offers a unique window into the social life and customs of the Jewish community during this transformative era. Explore the rich tapestry of Jewish culture, traditions, and everyday existence in Jerusalem. This historical work illuminates the nuances of daily life, providing insight into the customs and social interactions that shaped the community. Immerse yourself in a world of tradition and faith as Trager meticulously documents the essence of Jewish home life. Discover the enduring spirit of Jerusalem's Jewish community through this timeless account. A valuable resource for those interested in Jewish history, religion, and the social customs of a bygone era. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A penetrating analysis of the challenges and opportunities facing the Soviet Union during the era of de-Stalinization. The book offers an insightful look into the political and social dynamics of the Soviet Union during a critical time in its history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Michael Taussig's new book, Corpse Magic, is animated by the ubiquity of violence across the world. Focusing on state-sanctioned violence in Colombia in the context of gangs, guerrilla warfare, and police action, and in the US, in the form of mass shootings and the killing of Black Americans by the police, Taussig examines the effects of violence not just on its victims, but also and especially on those who inflict it, as well as those who witness and relive it through footage circulating in the media. Taussig analyzes the haunting idea that the act of killing "infects" the killer and spreads outward, and he connects this to a belief he encountered in Colombia, namely that the souls of the slain possess those of their slayers, and that magic must be used on corpses to circumvent this process. Drawing from literature, religion, and philosophy as well as anthropology, Taussig analyzes violence as contagion, one through which the killer and the killed are mutually defined. What kind of power do the dead continue to have? What kind of magic can enact vengeance? What kind, if any, can stop apparently endless cycles of violence? These are only some of the provocative questions raised in this powerful, creative work"-- Provided by publisher.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

An Odd Man's Story recounts the life and experiences of Isidore G. Ascher. This biographical work provides a unique perspective on the author's journey, offering insights into his personal and professional life. Readers will find a compelling narrative that explores themes of identity, self-discovery, and the challenges of navigating a complex world. Through vivid storytelling, Ascher reflects on the moments that shaped his character and the lessons he learned along the way. This is more than just a memoir; it's a reflection on the human condition and the search for meaning in an ever-changing society. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Scrolls, Volume 3: Essays On Jewish History and Literature, and Kindred Subjects" presents a collection of insightful essays by Gotthard Deutsch, a renowned scholar of Jewish history. This volume delves into various aspects of Jewish history, literature, and related topics, offering readers a comprehensive understanding of the Jewish experience through the ages. Deutsch's essays explore diverse themes within Jewish studies, providing valuable perspectives on historical events, literary works, and cultural developments. This volume is a significant contribution to the field and an invaluable resource for scholars, students, and anyone interested in Jewish history and literature. Originally published in 1920, these essays continue to resonate with their scholarly rigor and insightful analysis, making "Scrolls, Volume 3" a timeless addition to any collection of Jewish studies. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Assesses concepts of hearing and listening across multiple fields, from both practitioners and academics The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions. This issue looks at concepts of hearing and listening and looks at nature documentaries, sonic interactions, production hierarchy in television, and the use of macro-sounds to present the inside of bodies. Key Features - Brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images. - Covers a wide range of topics, including filmmaking, production, documentaries and macro-sounds. - Provides a new platform for discourse on how aural elements combine with moving images. Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School. Larry Sider, Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School. Dominic Power is an independent writer and film historian.

""Film in the Battle of Ideas"" is a book written by John Howard Lawson, a screenwriter and member of the Hollywood Ten who was blacklisted during the McCarthy era. The book explores the role of film in shaping public opinion and political ideology, particularly in the United States during the 1930s and 1940s. Lawson argues that film is a powerful tool for propaganda and that Hollywood has the ability to shape public opinion and influence political discourse. He examines the ways in which films have been used to promote various political ideologies, including fascism, communism, and capitalism, and argues that filmmakers have a responsibility to use their medium for the greater good. The book also delves into the political and cultural climate of Hollywood during the time period, including the effects of the Hays Code and the Red Scare. Overall, ""Film in the Battle of Ideas"" is an insightful and thought-provoking analysis of the intersection between film and politics.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The Sock, a Play in One Act , by Samuel Badisch Ornitz, offers a concise dramatic experience suitable for stage performance and study. Written in the early 20th century, this play explores themes relevant to its time and provides insights into the social and cultural milieu of the era. The brevity of the one-act format makes it an accessible choice for both performers and audiences, while Ornitz's writing provides substance for those interested in early American drama. "The Sock" promises to be a thought-provoking and engaging addition to any theatrical collection or academic curriculum. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Most writers today are more familiar with printers and modems than with typewriter ribbons. Personal computers and the Internet are changing the way writers create and communicate. With twenty-four-hour information and instant memory, these modern conveniences are radically altering the face of the literary community. In "writers.net, veteran Internet trainer and best-selling author Gary Gach gives writers of every medium valuable insight into using the Net in many aspects of their writing. From poetry and romance to technical writing and science fiction, Gach directs writers to appropriate forums, magazines, publishers, home pages, and many other resources that will help writers stay on top of developments in their field of specialty. "Writers.net also covers the most common uses of the Internet for writers including finding writing assignments, conducting research, improving one's writing, and carrying on discussions with other writers.For those new to the Internet, Gach provides an Internet Primer for Writers that includes basic terminology, a guided tour, and an essay that puts the Net in perspective for beginners. He also discusses the new worlds of electronic publishing, interactive and collaboratory writing, Net censorship, and cyberjournalism. "Getting information from the Internet can be like trying to get a glass of water off an open fire hydrant," warns Gach, but with "writers.net, writers now have a handbook to help them control the unlimited resources that make up the Internet.About the Author Veteran Internet instructor and widely published writer Gary Gach is the author of the recent bestseller "The Pocket Guide to the Internet.Join other readers of"writers.net for an unmoderated online forum. E-mail [email protected]. In the message body put "subscribe writersnet." Prepublished and published writers are equally welcome. Discussion topics will span the subjects covered in the book and beyond. This is a free service to the writing community. Visit the author's web site for //updates to the book The title of this book is not intended to suggest any affiliation or sponsorship of any particular web site. It should be noted, however, that Writers.Net is a trademark of Internet Concepts, an internet hosting and content provider. This book is not affiliated with, sponsored or licensed by Internet Concepts.