A visually dynamic homage to the paperback. In 1968, John Leonard, then editor of The New York Times Book Review , listed the many merits of mass-market paperbacks: "They can be stuffed in purses, left in buses, dropped in toilets, used as coasters, eaten and thrown away. Their covers can be ripped off! Their spines can be broken! To buy a paperback today is to buy the means of revenging oneself on Western culture." Fast-forward forty years. Leonard’s affectionately flippant assessment may need to be revised as the explosion of digital media threatens the livelihood of the printed word. More than an act of revenge on Western culture, to buy a paperback may be a means of preserving one of its more charismatic—and socially, politically, and aesthetically influential—species. Breathless Homicidal Slime Mutants celebrates the mass-market paperback and gives it its due. A vibrant tour that starts with books from the late nineteenth century up to today, examining the most popular genres—mystery, romance, Westerns, how-to, cooking, and diet, and highbrow literature packaged for the broader audience—it focuses on the history of the art and design of the format and how it is inseparable from the history of American literacy, tastes, and mores of the twentieth century.

In this retelling of the biblical story, King Solomon commissions Ethan the Scribe to write the official history of King David. In return for the finest cooking in the land and the wages of a minor prophet, Ethan must write a proper record, full of glory and battles, statecraft and honor--a tribute to David and, of course, to Solomon, his heir. But as Ethan explores the story, he finds another life hidden behind the iron curtain dividing past from present: the story of a David who seduced, lied, bragged, and plundered his way to power. Ethan wonders: which life should be reported in the King David Report? Written by one of Germany's most acclaimed dissident authors, The King David Report is both an analysis of the writer's obligations to truth, and an astute satire on the workings of history and politics in a totalitarian state.

Introducing the Selected Works of Simone Weil Weil's many essays written over her short life cover a very wide range of topics. This important collection contains several that have been long unavailable. There is deep integrity in this diverse collection. Many are directed to social and political topics, written in Weil's distinctive way of commenting on contemporary issues through historical writing. Weil wrote in her great work The Need for Roots that humans beings need roots in the universe; this rootedness comes through their lived history. Often Weil is treated as if she were constantly trying to posit timeless truths, but as these essays make evident, Weil offers to her readers a sense of truth as we discover it and live with it in our concrete historical circumstances. This analogical and historical thinking is particularly clear in the several essays that come from her last days while working for the Free French in London, during which she meditated on the philosophical renewal of France after the war. SELECTED WORKS: First and Last Notebooks: Supernatural Knowledge / ISBN 978-1-4982-3919-6 Seventy Letters: Personal and Intellectual Windows on a Thinker / ISBN 978-1-4982-3920-2 Selected Essays, 1934-1943: Historical, Political and Moral Writings / ISBN 978-1-4982-3921-9

"The House of Twenty Thousand Books is journalist Sasha Abramsky's elegy to the vanished intellectual world of his grandparents, Chimen and Miriam, and their vast library of socialist literature and Jewish history. A rare book dealer and self-educated polymath who would go on to teach at Oxford and consult for Sotheby's, Chimen Abramsky drew great writers and thinkers like Isaiah Berlin and Eric Hobsbawm to his north London home; his library grew from his abiding passion for books and his search for an enduring ideology. The books, documents, and manuscripts that covered every shelf at 5 Hillway were testaments to Chimen's quest -- from the Jewish orthodoxy of his boyhood, to the Communism of his youth, to the liberalism of his mature years. The House of Twenty Thousand Books is at once the story of a fascinating family and chronicle of the embattled twentieth century. The House of Twenty Thousand Books includes 43 photos. "--

From multiple Hugo and Nebula Award-winning author Robert Silverberg, Roma Eterna takes an in-depth look at an alternative history in which the Roman Empire survives into the twenty-first century and beyond. What would happen if Imperial Rome never fell? Roma Eterna, spanning fifteen hundred years of global history, follows the reign of the Roman Empire from its inception to the present day. Empire continues to expand, creeping across the globe and through the annals of history from the conquest of the Mayans to the first circumnavigational voyage, and finally the attempt of the Hebrews to flee Rome's tyranny by escaping to another planet. Originally published as a series of short stories, Roma Eterna presents a powerful new world written by an endlessly imaginative writer.

"With his usual wit and élan, esteemed historian Peter Gay enters the contentious, long-standing debates over the romantic period. Here, in this concise and inviting volume, he reformulates the definition of romanticism and provides a fresh account of the immense achievements of romantic writers and artists in all media. Gay's scope is wide, his insights sharp. He takes on the recurring questions about how to interpret romantic figures and their works. Who qualifies to be a romantic? What ties together romantic figures who practice in different countries, employ different media, even live in different centuries? How is modernism indebted to romanticism, if at all? Guiding readers through the history of the romantic movement across Britain, France, Germany, and Switzerland, Gay argues that the best way to conceptualize romanticism is to accept its complicated nature and acknowledge that there is no "single basket" to contain it. Gay conceives of romantics in "families," whose individual members share fundamental values but retain unique qualities. He concludes by demonstrating that romanticism extends well into the twentieth century, where its deep and lasting impact may be measured in the work of writers such as T. S. Eliot and Virginia Woolf"--

The ancient world through the eyes of a young Jewish woman—Mary of Nazareth. Mary was born into a Palestine oppressed by Herod the Great; she is accustomed to living with uncertainty and unrest. But when her beloved father is wrongly imprisoned by the Romans, she takes action. She calls upon a well-known rebel by the name of Barabbas, and together they set out to save her father. A daring escape is planned. And against staggering odds, Mary’s father is saved from crucifixion. Barabbas—flush with his success—is intent on leading a full-scale rebellion against Herod and the Romans. But as he speaks before Jewish leaders, Mary feels great frustration as the men endlessly debate morality, rebellion, and God's will. She has almost lost her father, but she is nevertheless compelled to speak out against violence. To her surprise, one man listens: Joseph. He makes Mary an offer that will change her life—and the history of the Jewish people—forever.

"Climate Change and the New Polar Aesthetics considers the way artists, filmmakers, and activists use polar art to illustrate our current environmental crises as well as to reimagine our world and the ways we engage with it. Examining a wide range of contemporary art, photography, and film, Lisa E. Bloom shows how these works demonstrate the ways that our planetary crises are linked to climate change as well as a long history of colonialism and capitalism. Bloom insists on linking racial, sexual, and gendered discriminatory violence to wider environmental destruction, and she engages feminist, Black, indigenous, and non-western perspectives to address the exigencies of what we are experiencing now as the Anthropocene, or the new geological period characterized by ecosystem failures, rising sea levels, and climate-led migrations"--

Louis Armstrong, Duke Ellington, Billie Holiday, Ella Fitzgerald, Count Basie, Lester Young, Charlie Parker, Norman Granz, Oscar Peterson, Ray Charles, Don Ellis, and Miles Davis-these are the dozen jazz figures whom Leonard Feather chose to describe the development of jazz. This is the first Feather book to examine in-depth the innovative figures who have led the way throughout the music's history. As composer, producer, and for almost half-a-century one of its leading critics, Feather has a unique perspective of these jazz immortals. He has worked with and known all of them. "These are portraits of human beings first, analyses of musicians or musical history only peripherally if at all," says Feather in his new foreword. A warm, affectionate, and perceptive inside account of twelve originals, the book is packed with wonderful stories. As Feather says: "Most of all I am grateful for the inspiration and friendship of the artists themselves. Armstrong and Ellington were directly responsible, through their records, for drawing me to jazz. After their magic had worked on me, the others, one by one, sustained and refreshed and invigorated my interest in, an involvement with, this liveliest of twentieth-century arts."

Some ancient civilizations, notably the Babylonians and the Israelites, held fast to the belief that their particular god (or gods) were stronger than all other heavenly powers and gods combined, supremely able to protect their well-being and success as a nation. This belief (which resounds in the modern-day rallying cry "God is on our side") led to some foolhardy and rash decisions, particularly when it came to war. For a nation defeated or conquered by a foreign power inevitably faced the profound, perplexing question: "Why did our God, who has sworn to protect us, allow this to happen?" Jonathan A. Goldstein turns to the religious literature of these ancient peoples to discover how they reconciled their beliefs with the realities of history. In a magnificent blend of several academic disciples (literary criticism, political theory, biblical and classical history), he compares and contrasts the responses of different eras and nations–from the Israelites, Babylonians, and Egyptians to the Zoroastrians, Iranians, and Persians under Alexander the Great. Goldstein’s close readings of literature written following such devastating events as the fall of the Israelites to the Assyrians and the Babylonians demonstrate that theology, far from being a static and unchanging set of beliefs, evolves with the course of history. Revealing how each defeat helped to shape and define the religious beliefs of the conquered, Peoples of an Almighty God clearly demonstrates that no belief can remain unchanged or untouched by the beliefs of other people.

"HARRY HARRISON IS ONE OF SCIENCE FICTION’S MOST PROLIFIC AND ACCOMPLISHED CRAFTSMEN." —The New York Times Book Review In the midst of Civil War, a stunned North and South join forces to combat a sudden attack of British troops. Though the Americans are victorious, three years later a new threat emerges. Her Majesty’s Army is massing for a possible attack through Texas. Into the gauntlet Lincoln sends his chosen angel of death, General Ulysses S. Grant—while his top soldiers, including Robert E. Lee and William Tecumseh Sherman, plan the most daring naval invasion ever launched: an assault on British soil itself. Stars and Stripes in Peril is the new masterwork from one of the world’s most provocative authors. Venturing beyond a fascinating question of what if? Harry Harrison brilliantly examines the people and passions that make up nations both great and small—and shows how technology and politics had the power to shape history’s first great World War . . . half a century before it began . . . "Lovers of novels of alternate history hold Harry Harrison in high regard and his latest book can only enhance that esteem." —Abilene Reporter News

In England, Irish-born citizens are being herded into prison camps. On the high seas, a furious British Navy is seizing American cargo ships bound for Europe. And on the Thames, a new weapon of unparalleled destructive force is sailing toward an impregnable city–spearheaded by a daring act of espionage. For U.S. president Abraham Lincoln, Britain’s Queen Victoria, Lord Palmerston, and a loyal opposition, a day of reckoning is at hand . . . and so is history’s most astounding battle. Harry Harrison’s series of alternate history, based on the U.S. Civil War, stands as a provocative work of imagination, drama, and brilliant historical insight. Now in the thrilling finale, Harrisontells a stunning, action-packed story of America’s rapidly growing military might being locked, loaded, and aimed at the heart of England itself. For the two countries that share a language and a heritage, the conflict began at the dawn of the U.S. Civil War. Just as America was about to tear itself to pieces, Britain itself committed an act of war by seizing a U.S. packet ship. In retaliation, the Confederate States rejoined the Union and took up arms against England. Repulsing a British invasion, and defeating her majesty’s army first in Canada, then in Mexico, then in Ireland, American pride and power swelled. Britain, like a wounded lion, howled in shame and anger. Now, Queen Victoria’s empire is more dangerous than ever before, turning against the Irish on her own soil, flexing her naval might, and all but forcing a weary President Lincoln to authorize the next step in a headlong journey toward war. A tale of daring and strategy, Stars and Stripes Triumphant explores how arrogance turns superpowers into victims, how regional conflicts can explode into world wars, and how the personalities of a few men and women can change the course of history itself–for better or for worse. From the Hardcover edition.

Philosophical Essays is a pivotal volume in the collected works of Hans Jonas (1903-1993), one of most important German-American philosophers of the last half of the 20th century. Of the four books published in English during his lifetime, it is the only one to include contributions from his three primary areas of achievement: philosophical reflection on gnosticism, on biology, and on technology - hence the subtitle, "From Ancient Creed to Technological Man." The three sections of the book are, however, given in reverse order with essays on "Science, Technology, and Ethics" preceding papers on "Organism, Mind, and History" and "Religious Thought of the First Christian Centuries." The temporally ultimate project is that which Jonas sees as having philosophical priority. This collection of 18 essays originally published between 1965 and 1974 - that is, after completion of The Phenomenon of Life (1966) but before The Imperative of Responsibility (1984) - manifests the most intensive integration of Jonas's three projects. As such, this volume provides special witness to the inherent unity of what might otherwise be seen as more episodic work. In the Introduction Jonas himself argues for both a biographical and a philosophical unity, the latter of which is emphasized in a new foreword by Carl Mitcham of the European Graduate School.

Novel Gazing is the first collection of queer criticism on the history of the novel. The contributors to this volume navigate new territory in literary theory with essays that implicitly challenge the "hermeneutic of suspicion" widespread in current critical theory. In a stunning introductory essay, Eve Kosofsky Sedgwick delineates the possibilities for a criticism that would be "reparative" rather than cynical or paranoid. The startlingly imaginative essays in the volume explore new critical practices that can weave the pleasures and disorientations of reading into the fabric of queer analyses. Through discussions of a diverse array of British, French, and American novels—including major canonical novels, best-sellers, children’s fiction, and science fiction—these essays explore queer worlds of taste, texture, joy, and ennui, focusing on such subjects as flogging, wizardry, exorcism, dance, Zionist desire, and Internet sexuality. Interpreting the works of authors as diverse as Benjamin Constant, Toni Morrison, T. H. White, and William Gibson, along with canonical queer modernists such as James, Proust, Woolf, and Cather, contributors reveal the wealth of ways in which selves and communities succeed in extracting sustenance from the objects of a culture whose avowed desire has often been not to sustain them. The dramatic reframing that these essays perform will make the significance of Novel Gazing extend beyond the scope of queer studies to literary criticism in general. Contributors . Stephen Barber, Renu Bora, Anne Chandler, James Creech, Tyler Curtain, Jonathan Goldberg, Joseph Litvak, Michael Lucey, Jeff Nunokawa, Cindy Patton, Jacob Press, Robert F. Reid-Pharr, Eve Kosofsky Sedgwick, Melissa Solomon, Kathryn Bond Stockton, John Vincent, Maurice Wallace, Barry Weller

This book has been written with the narrow conviction that if Native American literature is worth thinking about at all, it is worth thinking about as literature. The vast majority of thought that has been poured out onto Native American literature has puddled, for the most part, on how the texts are positioned in relation to history or culture. Rather than create a comprehensive cultural and historical genealogy for Native American literature, David Treuer investigates a selection of the most important Native American novels and, with a novelist's eye and a critic's mind, examines the intricate process of understanding literature on its own terms. Native American Fiction: A User's Manual is speculative, witty, engaging, and written for the inquisitive reader. These essays--on Sherman Alexie, Forrest Carter, James Fenimore Cooper, Louise Erdrich, Leslie Marmon Silko, and James Welch--are rallying cries for the need to read literature as literature and, ultimately, reassert the importance and primacy of the word. --Publisher.

"The Empire and the Five Kings is a cri de coeur that draws upon lessons from history and the eternal touchstones of human culture to reveal the stakes facing the West as America retreats from its leadership role, a process that did not begin with Donald Trump's presidency and is not likely to end with him. The crisis is one whose roots can be found as far back as antiquity and whose resolution will require the West to find a new way forward if its principles and values are to survive."--Jacket flap.

"Extremely readable recollections of the author... A rare testimony of a period of the history of 20th century mathematics. Includes very interesting recollections on the author's participation in the formation of the Bourbaki Group, tells of his meetings and conversations with leading mathematicians, reflects his views on mathematics. The book describes an extraordinary career of an exceptional man and mathematicians. Strongly recommended to specialists as well as to the general public." EMS Newsletter (1992) "This excellent book is the English edition of the author's autobiography. ... This very enjoyable reading is recommended to all mathematicians." Acta Scientiarum Mathematicarum (1992)

On Saturday, August 2, 1941, the Washington Post reported that President Franklin D. Roosevelt would depart the next day for a fishing vacation aboard his yacht, Potomac. By the morning of August 5, the Potomac was sailing toward the fishing waters off Cape Cod -- but the president was not on board. Having quietly disembarked in the middle of the night, the president, now joined by his top military advisors, was headed for Newfoundland, where the U.S. and British governments would meet in a secret summit to coordinate their military efforts, although the United States had yet to declare war on Germany. The British were appalled at the state of American preparedness, one British colonel remarking, "They have a long way to go before they can play any decisive part in the war." But ready or not, the United States would be catapulted into World War II within a matter of months. Alan Schom's superb histories and biographies have been lauded for their dramatic sweep, their focus on extraordinary personalities, and their refreshingly iconoclastic perspective. Schom begins this magisterial account of World War II in the Pacific by demonstrating an ironic paradox: on one hand, the American government and people were as inadequately prepared for war as any major power ever has been; on the other, the Japanese high command plunged headlong into the Pacific campaign despite clear evidence -- from their own analysts -- that Japan had too little oil and too feeble an economy to prevail against the United States. It was a war that should not have been fought. Schom recounts a tense saga of diplomatic maneuvering, strategic blunders, and pivotal successes played out in the halls of the White House, Downing Street, and the Imperial Palace, as well as on the seas and shores of the Pacific. Key figures in the war come vividly to life in a series of brilliant biographical sketches: Emperor Hirohito, a devotee of Western pursuits such as golf and jazz, who hungered to expand Japan's global reach; the destructively egotistical General Douglas MacArthur, whose splendid achievements in World War I stood in stark contrast to his incompetent leadership in the Philippines; Rear Admiral Kelly Turner, whose realism and tactical savvy played a crucial role in turning the tide of the war; and the cool-headed Admiral Tanaka Raizo, who repeatedly slipped through the Allied net, transporting troops and supplies to and from Guadalcanal. The Eagle and the Rising Sun embraces the broad strategic concerns of the war and the telling details and turning points of individual engagements. As Rear Admiral Thomas Marfiak, Ret., CEO and publisher of the U.S. Naval Institute, writes in the Foreword: "From time to time, we are privileged to be given extraordinary insights into the history of our age. Alan Schom has given us a tapestry, into which he has woven figures of immense proportions, yet he has not lost sight of their humanity. He writes ... in the grand tradition of Barbara Tuchman's The Guns of August." Book jacket.

"If an umpire could steal the show in a Major League game, Al Clark might well have been the one to do it. Tough but fair, in his thirty years as a professional umpire he took on some of baseball's great umpire baiters, such as Earl Weaver, Billy Martin, and Dick Williams, while ejecting any number of the game's elite--once tearing a hamstring in the process. He was the first Jewish umpire in American League history, and probably the first to eject his own father from the officials' dressing room. But whatever Clark was doing--officiating at Nolan Ryan's three hundredth win, Cal Ripken's record breaker, or the "earthquake" World Series of 1989, or braving a labor dispute, an anti-Semitic tirade by a Cy Young Award winner, or a legal imbroglio--it makes for a good story. Called Out but Safe is Clark's outspoken and often hilarious account of his life in baseball from umpire school through the highlights to the inglorious end of his stellar career. Not just a source of baseball history and lore, Clark's book also affords a rare look at what life is like for someone who works for the Major Leagues' other team"--

Hollywood calls it the "shoot out"... the point during the making of a movie when star-fits and power struggles turn into standoffs, walk-outs, and clashing egos. How a film ever gets made is a wonder. Leave it to two industry icons to unreel the true story...