What Is Jewish Literature? is a richly thoughtful analysis and comprehensive overview of what defines Jewish literature. It is an international collection, featuring authors and scholars who write in different languages from different literary, spiritual, and personal perspectives.The book explores long-standing What are the criteria for identifying Jewish literature? Are they language, religious affiliation of the author, religious sensibility, a distinctive Jewish imagination, or literary tradition?If the writer is the criterion, do Sholem Aleichem and Nathanael West really inhabit a shared universe? Is a text by S.Y. Agnon part of the same literary tradition as a play by Arthur Miller?Is Yiddish or Hebrew or Ladino the defining element? If so, where do we place Franz Kafka, Primo Levi, Elie Weisel, Saul Bellow, Nellie Sachs?Is tradition the yardstick? Do we then classify Saul Bellow's Mr. Sammler's Planet as a Jewish novel... as Holocaust literature... as American fiction?What Is Jewish Literature? debates all these possibilities. It is a landmark collection that encourages the reader to participate in the quest for answers that defy simple responses.The contributors reflect the multilingual and multicultural nature of any discussion of Jewish literature. Their voices range from polemical to speculative, from scientific to lyrical.What Is Jewish Literature? is an enduring contribution to the literary resource for the scholar, the teacher, and the student and for any individual who strives to appreciate, evaluate, and understand the varied riches of Jewish writing.

Argues that the failure of the United States to create successful peace settlements when ending the major wars of the twentieth century has only led to subsequent conflicts and new wars which attempt to resolve the issues of the previous war.

Superheroes and villains do battle over the human heart in this delightful anthology featuring all-new stories from a wide range of contributors, all set in the Wild Cards universe, where an alien virus mutates some and grants superpowers to others, created by the #1 New York Times bestselling author of A Game of Thrones . An alien virus ravages the world, its results as random as a hand of cards. Those infected either draw the black queen and die, draw an ace and receive superpowers, or draw the joker and are bizarrely mutated. Nevertheless, human nature reigns supreme. And one of the most enduring human drives is the search for love. Aces and jokers alike both want to find it, or have lost it . . . or perhaps just want to use it for personal gain. Crazy, unconventional, touching, strange, and oh-so-familiar, this is love, Wild Cards-style. Within these stories: • A jewel thief seduces a popular actor just so she can track down a long-lost treasure. • A teenager trapped in the body of a giant snail attempts to win his love à la Cyrano de Bergerac. • A man discovers his purpose in life after meeting a beautiful butterfly woman. • A young hero who has been awarded the hideous name of Hero McHeroface finds some solace in the arms of an astrologer hiding her own unique powers. Pairing Up is the Wild Cards take on love—finding it, seeking it, losing it, or achieving it—as aces and jokers enter into the highest-stake game of all: gambling on their heart's desire. With stories by Kevin Andrew Murphy • Christopher Rowe • Marko Kloos • Melinda M. Snodgrass • Bradley Denton • Walton Simons • Peter Newman • Gwenda Bond • David Anthony Durham • Edited by George R. R. Martin

Daily Shipping-1983 Oxford University Paperback-Pages are crisp and unmarked with very little corner wear-Cover exhibits shelf wear-Owner stamp (X4)

After purgatory was officially defined by the Catholic Church in the thirteenth century, its location became a topic of heated debate and philosophical speculation: Was purgatory located on the earth, or within it? Were its fires real or figurative? Diana Walsh Pasulka offers a groundbreaking historical exploration of spatial and material concepts of purgatory, beginning with scholastic theologians William of Auvergne and Thomas Aquinas, who wrote about the location of purgatory and questioned whether its torments were physical or solely spiritual. In the same period, writers of devotional literature located purgatory within the earth, near hell, and even in Ireland. In the early modern era, a counter-movement of theologians downplayed purgatory's spatial dimensions, preferring to depict it in abstract terms--a view strengthened during the French Enlightenment, when references to purgatory as a terrestrial location or a place of real fire were ridiculed by anti-Catholic polemicists and discouraged by the Church. The debate surrounding purgatory's materiality has never ended: even today members of post-millennial ''purgatory apostolates'' maintain that purgatory is an actual, physical place. Heaven Can Wait provides crucial insight into the theological problem of purgatory's materiality (or lack thereof) over the past seven hundred years. --Provided by publisher

Focuses on authors: Nahman of Bratslav, Isaac Meir Dik, I.L. Peretz, Sholem Aleichem, Der Nister, Itzik Manger, and Isaac Bashevis Singer.

"Established the way in which Christian cultures has been regarded as "threatened" by Judaism and describes how arts of representation legitimated themselves as Christian by defending themselves against this threat"--

A commander in the Israeli Army from its inception in 1948, and a politician whose tenure bridged numerous governments, as both a general and a politician Ariel Sharon championed the construction of Israeli settlements in the West Bank and Gaza. But in his later years, as prime minister, he took a dramatic turn, and became the driving force behind Israel’s unilateral disengagement. In this first truly comprehensive biography, David Landau, the former editor-in-chief of Haaretz, paints a vivid picture of the most dramatic and imposing Israeli political and military leader of the last forty years—and takes a penetrating look at how Sharon transformed his country like no one else.

Film critic and author Kimmel outlines 15 of what he considers to be the greatest romantic comedies and shows how they came together, detailing the casting, controversies, script changes, edits, and ironies that came into play. He also discusses how each movie was received and the subsequent career turns for those involved.

A collection of essays, biographical profiles, and critical analyses by one of the twentieth century's leading jazz writers includes commentary on the work of jazz entertainers, including Duke Ellington, Ella Fitzgerald, John Coltrane, Dizzy Gillespie, and Louis Armstrong, as well as assessment of the role of jazz in contemporary culture and its influence on modern music. 20,000 first printing.

The Constitution states that "no religious test" may keep a candidate from aspiring to political office. Yet, since John F. Kennedy used the phrase to deflect concerns about his Catholicism, the public has largely avoided probing candidates' religious beliefs. Is it true, however, that a candidate's religious convictions should be off-limits to public scrutiny? Damon Linker doesn't think so, and in this book he outlines the various elements of religious belief--including radical atheism--that are simply incompatible with high office, and sometimes even active citizenship, in a democracy. In six forceful chapters he enlightens us to the complicated interrelations between churches and states, consistently applying a political litmus test to a range of theological views. Along the way, he clearly explains, among other topics, why the government in a religiously tolerant society must not promote a uniform, absolute code of ethics and behavior; why the conviction that America is worthy of divine attention is dangerous; and why the liberal position on the political deregulation of sex is our nation's only hope for conciliation. In this provocative, hard-hitting manifesto, Linker exhorts both believers and atheists to behave better in the public sphere, and he offers a carefully charted road map for doing so.

On the motion-picture front, no other publication of our age has achieved the stature, vitality, or magic of Vanity Fair. In its coverage of the film industry, the magazine prides itself on assigning the world's top photographers, writers, and illustrators to explore the brightest stars in the Hollywood firmament. Now, for the first time, the most memorable renderings of this illustrious pantheon have been assembled in one volume: Garbo and Swanson, Fairbanks and Pickford, Gable and Grant, Tracy and Hepburn, Taylor and Burton -- along with today's cinematic giants, including Cruise and Kidman, Nicholson and Streep, De Niro and DiCaprio, Tom Hanks and Julia Roberts, and scores more. As this sweeping, lavish book makes clear, Vanity Fair's stable of photographers (Cecil Beaton, Annie Leibovitz, Helmut Newton, Herb Ritts, Edward Steichen, Mario Testino, Bruce Weber, and many others represented here) have helped define modern portraiture. Likewise, Vanity Fair's Hollywood includes Vanity Fair contributors of the past (D.H. Lawrence, Clare Boothe Luce, Dorothy Parker, Carl Sandburg, Walter Winchell, and P.G. Wodehouse) and of the present.

Essays in feminist criticism look at the fiction of Katherine Mansfield, Virginia Woolf, Jane Austen, George Sand, George Meredith, Thomas Hardy, and others

Princess Lenora sets out to conquer a giant causing problems in the northern countries and soon realizes that her real battle is actually going to be trying to keep the Balance, the source that keeps the alternative worlds in their place, from falling apart. Reprint. SLJ.

To predict likely policy developments around the world over the next thirty years, Bruce Bueno de Mesquita uses game theoretic models as described in Predicting Politics. The tools used in this book have found wide application in business and in the development of significant American foreign policy initiatives over the years. The author uses data from 1948 to show the ability of models to predict the end of the Cold War. He then turns to data from 1980 for about one hundred countries and simulates future states of the world, especially with regard to further democratization. In the process he shows strong evidence that the burst of democratization that occurred at the end of the 1980s and the beginning of the 1990s was predictable based on replicable data known in 1980. While delving into rather gloomy predictions about likely developments in Russia and China's domestic affairs, he offers a novel explanation for the failure of Russia to attract more investment and to achieve the higher growth rates commonly associated with democratic government. Although Russia is certainly more democratic in an absolute sense today than it was in 1980, it has fallen farther behind the rest of the world in terms of democratization and so lacks the comparative advantages of property rights, rule of law, and transparent governance that are essential for attracting investment. Bueno de Mesquita shows how policy situations and game theoretical analyses can explain the past, illuminate the present, and forecast future events. At the same time he provides the tools necessary for others to create their own rigorous estimates of future foreign policies.

"Mark Rothko was not only one of the most influential American painters of the twentieth century; he was a scholar, an educator, and a deeply spiritual human being. Born Marcus Yakovlevich Rotkovitch, he emigrated from the Russian Empire to the United States at age ten, already well educated in the Talmud and carrying with him bitter memories of the pogroms and persecutions visited upon the Jews of Latvia. Few artists have achieved success as quickly, and by the mid-twentieth century, Rothko's artwork was being displayed in major museums throughout the world. In May 2012 his painting Orange, Red, Yellow was auctioned for nearly $87 million, setting a new Christie's record. Author Annie Cohen-Solal gained access to archival materials no previous biographer had seen. As a result, her book is an extraordinarily detailed portrait of Rothko the man and the artist, an uncommonly successful painter who was never comfortable with the idea of his art as a commodity"--

Could an alien organism really survive a centuries-long trip on a meteor and remain virulent enough to attack a human being? How would a scientist know she was peering at a microbe from another planet? What's the possibility of a genetically mutated monster actually developing? In a gripping exploration of the facts behind the science fiction that has enthralled millions of X-philes, Anne Simon -- the respected virologist who comes up with the science for many intriguing episodes -- discusses telomeres, cloning, the Hayflick limit, nanotechnology, endosymbionts, lentiviruses, and other strange phenomena that have challenged the intellect and threatened the lives and sanity of America's favorite FBI agents. With Simon's extraordinary gift for explaining complicated, cutting-edge science in a light, accessible style, and her behind-the-scenes commentary on the development of various plot lines, The Real Science Behind the X-Files will appeal to science buffs and X-Files aficionados alike.

Humorist Amy Krouse Rosenthal's hilarious and nail-on-the-head writing has struck again. Her latest book, The Same Phrase Describes My Marriage and My Breasts, spotlights the lighter side of parenting with a sharp wit reminiscent of the late Erma Bombeck, but with a modern twist. Rosenthal reassures parents that the insanity that comes with raising a child is perfectly normal. It is a delightful book for any parent who has realized that stain-free baby clothes and perfectly behaved children only exist on commercials for Kodak and Downy. Rosenthal's endearing collection of humorous anecdotes and reflections is drawn from her illuminating first years as a mother of three. Being a pregnant working mom means occasionally having a urine specimen hidden in your briefcase for your mid-day checkup. No matter how anal you get, no matter how methodically you put away the toys, the Candyland cards end up in the Lego bin, and Lion King puzzle pieces turn up in your shoes. Daylight savings means that on one Sunday, when it's 7:30 A.M., you still have something like 80 more hours until they go to bed. Forget the instructions of Dr. Spock and open your heart to a woman who proudly survives life with three kids-granted not a single glass from her bridal registry remains intact-and relishes being a mom. At times touching, at other times hysterical, The Same Phrase Describes My Marriage and My Breasts is a must for parents who long ago realized that parenting is just like The Brady Bunch if you eliminate the neatly-wrapped solutions and toss in complete unpredictability and random vomiting.