Showing how history imprints itself on private lives, this memoir presents the author's sensuous, harrowing, and remarkable life. It moves from Berlin during the Great War to the artists' set on the Cote d'Azur, through lovers, mentors, seducers and friends, and from genteel yet shabby poverty to comfort in London's Chelsea.

The complete history, mysterious curse, and probable origin in India is explored in this book that also traces the gem stone's roster of owners. 24 illustrations, 4 in color.

"A stunning novel about childhood, marriage, and divorce by one of the most interesting minds of the 20th century, now back in print for the first time since 1969. Sophie Blind is starting a new life. She has left her husband Ezra and taken her three children to Paris. She has lovers there and another in New York. She is lecturing and writing. And she is compulsively reviewing her own history, having resumed the "lifelong struggle" of "coming into consciousness." The task of reclaiming her existence is all the more urgent because, even as Sophie Blind undertakes this necessary transformation-Sophie Blind is dead. Dream and reality overlap in Divorcing, a book in which divorcing is not just a matter of marital collapse but names a rift that runs right through the inner and outer worlds of its brilliant but desperate protagonist. Can the rift be mended? Perhaps in the form of a novel, one that goes back from present day New York to her childhood in pre-World War II Budapest, that revisits the divorce between her Freudian father and her fickle mother, and finds a place for a host of further tensions and contradictions of Sophie's life now. The question that haunts Divorcing, however, is whether any novel can be fleet and bitter and true and light enough to gather up all the darkness of a given life. Susan Taubes's startlingly original novel was published in 1969 but largely ignored; after the author's tragic early death, it was forgotten. Its republication presents a chance to rediscover a dazzling intense and inventive writer whose work in many ways anticipates the fragmentary, glancing, lyrical novels that Renata Adler and Elizabeth Hardwick would write in the 1970s"--

When a spaceship carrying Neil Armstrong accidentally time travels to 1869 Texas, cowboy Nat Love decides to trade in his horse for a trip to the Moon, and stepsiblings Abby and Doc must untwist history and get everyone back to their own time.

The career of Stefanie Powers is one of so many stage, screen, and television credits that her name alone recalls memories as varied as her roles. Groomed for show business at an early age, she began her career at the tail end of the Studio System, a dynamic education in star quality and Hollywood history she happily admits was "one hell of a ride." She tells of the time she broke down in tears at a party over her divorce from actor Gary Lockwood, only to be comforted with hard-won, been-there advice from two guests she had never met: Elizabeth Taylor and Ava Gardner. She is also an award-winning stage actress, fitness advocate, and an internationally recognized animal conservationist. But in a lifetime of dear friends, no other had such a significant effect on Stefanie as Oscar-winning actor William Holden. Here, she reveals for the first time the extraordinary nine-year relationship they shared.--From publisher description.

It should be no surprise that the various highly classified Operation Majestic 12 (or Majic-12 or MJ-12) documents have been attacked since their existence was first made public.Equally unsurprising is the fact that a number of phony or hoax or fraudulent MJ-12 documents have been released as well.But if the original documents, such as the Eisenhower Briefing Document of November 18, 1952, the Truman-Forrestal Memo of Sept. 24, 1947, and the Cutler Twining Memo of July 14, 1954 (found in July, 1985, in Box 189 of Entry 267 of Record Group 341 at the National Archives by Jaime Shandera and William Moore) are genuine, then the consequences are enormous: aliens are visiting Earth, the government has recovered at least one crashed saucer and several alien bodies,and a very significant group of outstanding American scientists and military leaders has collected, reviewed, evaluated, and kept secret all kinds of information about the visitors. Under such a scenario, mankind is NOT alone, and the government has covered up the biggest story of the millennium and perhaps history in general.Ten years after the 1984 receipt of a roll of exposed 35mm film by Jaime Shandera at his Burbank, California home, and his efforts with William Moore and Stanton Friedman to evaluate them, a new roll of film showed up in the mailbox of aviation and science writer (and longtime ufologist) Don Berliner.This contained many pages of SOM 1-01: Majestic 12 Group SPECIAL OPERATIONS MANUAL: "Extraterrestrial Entities and Technology, Recovery and Disposal." Ufologists and UFO buffs alike owe it to themselves to look seriously at the material gathered here by Friedman, and decide for themselves whether or not we need to continue pushing for Disclosure and the truth.

From his first feature film, Fear and Desire (1953), to his final, posthumously released Eyes Wide Shut (1999), Stanley Kubrick excelled at probing the dark corners of human consciousness. In doing so, he adapted such popular novels as The Killing , Lolita , A Clockwork Orange , and The Shining and selected a wide variety of genres for his films -- black comedy ( Dr. Strangelove ), science fiction ( 2001: A Space Odyssey ), and war ( Paths of Glory and Full Metal Jacket ). Because he was peerless in unveiling the intimate mysteries of human nature, no new film by Kubrick ever failed to spark debate or to be deeply pondered. Kubrick (1928-1999) has remained as elusive as the subjects of his films. Unlike many other filmmakers he was not inclined to grant interviews, instead preferring to let his movies speak for themselves. By allowing both critics and moviegoers to see the inner workings of this reclusive filmmaker, this first comprehensive collection of his relatively few interviews is invaluable. Ranging from 1959 to 1987 and including Kubrick's conversations with Gene Siskel, Jeremy Bernstein, Gene D. Phillips, and others, this book reveals Kubrick's diverse interests -- nuclear energy and its consequences, space exploration, science fiction, literature, religion, psychoanalysis, the effects of violence, and even chess -- and discloses how each affects his films. He enthusiastically speaks of how advances in camera and sound technology made his films more effective. Kubrick details his hands-on approach to filmmaking as he discusses why he supervises nearly every aspect of production. "All the hand-held camerawork is mine," he says in a 1972 interview about A Clockwork Orange . "In addition to the fun of doing the shooting myself, I find it virtually impossible to explain what I want in a hand-held shot to even the most talented and sensitive camera operator. " Neither guarded nor evasive, the Kubrick who emerges from these interviews is candid, opinionated, confident, and articulate. His incredible memory and his gift for organization come to light as he quotes verbatim sections of reviews, books, and articles. Despite his reputation as a recluse, the Kubrick of these interviews is approachable, witty, full of anecdotes, and eager to share a fascinating story. Gene D. Phillips, S.J., is a professor of English at Loyola University in Chicago, where he teaches fiction and the history of film. He is the author of many notable books on film and is a founding member of the editorial board of both Literature/Film Quarterly and The Tennessee Williams Journal . He was acquainted with Stanley Kubrick for twenty-five years.

Chronicles the history of hockey in America, at the Olympic Games and at international levels, and examines the structure of hockey--professional and nonprofessional--in the U.S. and Canada, and includes information on equipment, training, and more

We need to talk about the family. For those who are lucky, families can be filled with love and care, but for many they are sites of pain: from abandonment and neglect, to abuse and violence. Nobody is more likely to harm you than your family. Even in so-called happy families, the unpaid, unacknowledged work that it takes to raise children and care for each other is endless and exhausting. It could be otherwise: in this urgent, incisive polemic, leading feminist critic Sophie Lewis makes the case for family abolition. Abolish the Family traces the history of family abolitionist demands, beginning with nineteenth century utopian socialist and sex radical Charles Fourier, the Communist Manifesto and early-twentieth century Russian family abolitionist Alexandra Kollontai. Turning her attention to the 1960s, Lewis reminds us of the anti-family politics of radical feminists like Shulamith Firestone and the gay liberationists, a tradition she traces to the queer Marxists bringing family abolition to the twenty-first century. This exhilarating essay looks at historic rightwing panic about Black families and the violent imposition of the family on indigenous communities, and insists: only by thinking beyond the family can we begin to imagine what might come after." --inside front cover flap

Poet, philosopher, and sensitive misanthrope, a spectacular fly in the ointment of the refined eleventh-century Andalusian-Jewish elite, Solomon Ibn Gabirol comes down to us as one of the most complicated intellectual figures in the history of post-biblical Judaism. Unlike his worldly predecessor Shmuel HaNagid, the first important poet of the period, Ibn Gabirol was a reclusive, mystically inclined figure whose modern-sounding medieval poems range from sublime descriptions of the heavenly spheres to poisonous jabs at court life and its pretenders. His verse, which demonstrates complete mastery of the classicizing avant-garde poetics of the day, grafted an Arabic aesthetic onto a biblical vocabulary and Jewish setting, taking Hebrew poetry to a level of metaphysical sophistication and devotional power it has not achieved since. Peter Cole's selection includes poems from nearly all of Ibn Gabirol's secular and liturgical lyric genres, as well as a complete translation of the poet's long masterwork, "Kingdom's Crown." Cole's rich, inventive introduction places the poetry in historical context and charts its influence through the centuries. Extensive annotations accompany the poems. This companion volume to Peter Cole's critically acclaimed Selected Poems of Shmuel HaNagid presents the first comprehensive selection of Ibn Gabirol's verse to be published in English and brings to life an astonishing body of poetry by one of the greatest Jewish writers of all time.

Poet, philosopher, and sensitive misanthrope, a spectacular fly in the ointment of the refined eleventh-century Andalusian-Jewish elite, Solomon Ibn Gabirol comes down to us as one of the most complicated intellectual figures in the history of post-biblical Judaism. Unlike his worldly predecessor Shmuel HaNagid, the first important poet of the period, Ibn Gabirol was a reclusive, mystically inclined figure whose modern-sounding medieval poems range from sublime descriptions of the heavenly spheres to poisonous jabs at court life and its pretenders. His verse, which demonstrates complete mastery of the classicizing avant-garde poetics of the day, grafted an Arabic aesthetic onto a biblical vocabulary and Jewish setting, taking Hebrew poetry to a level of metaphysical sophistication and devotional power it has not achieved since. Peter Cole's selection includes poems from nearly all of Ibn Gabirol's secular and liturgical lyric genres, as well as a complete translation of the poet's long masterwork, "Kingdom's Crown." Cole's rich, inventive introduction places the poetry in historical context and charts its influence through the centuries. Extensive annotations accompany the poems. This companion volume to Peter Cole's critically acclaimed Selected Poems of Shmuel HaNagid presents the first comprehensive selection of Ibn Gabirol's verse to be published in English and brings to life an astonishing body of poetry by one of the greatest Jewish writers of all time.

""The Origins of Psychoanalysis: Letters to Wilhelm Fliess, Drafts and Notes, 1887-1902"" is a collection of letters, drafts, and notes written by Sigmund Freud to his close friend and colleague, Wilhelm Fliess. The book provides a fascinating insight into the early development of psychoanalysis, as Freud discusses his theories on sexuality, dreams, and the unconscious mind. The letters also reveal the personal struggles and conflicts that Freud faced during this period, including his own self-analysis and the breakdown of his friendship with Fliess. This edition includes an introduction by Peter Gay, a renowned Freud scholar, and a comprehensive index, making it an essential resource for anyone interested in the history of psychoanalysis or the life and work of Sigmund Freud.""This is a new release of the original 1954 edition.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...

Sid Caesar was the star & guiding force behind Your Show of ShowsÓ & Caesar's Hour,Ó two of the most innovative programs in the Golden Age of TV, & the writers & stars of those shows -- including Woody Allen, Mel Brooks, Imogene Coca, Nanette Fabray, Larry Gelbart, Howard Morris, Carl Reiner, & Neil Simon -- went on to create the plays, movies, & sitcoms that we now think of as classic American comedy. This is Caesar's artistic autobiography, an account of how these great routines were fashioned & performed, what he learned from his own life, & just what is funny. He takes us inside the famed Writers' Room, onto the stage, & into his life, to show us how some of the funniest moments in TV history came to be. Photos.

Delineates a number of aspects of Zionist thought, as expressed through the writings of selected central nineteenth and twentieth century individuals. Avineri presents a history of Zionist thought through profiles of some of Zionism's major thinkers. Each chapter is devoted to a specific personality and focuses on a particular topic or approach. By examining the stories of these men, how their ideas developed, and some of their writings, the reader becomes familiar with different aspects of Zionist thought.

"Sharona Muir's Heredity and Other Inventions radiate like elements discovered late at night after years of searching ... a rocket in a museum in another country is both public knowledge and family secret; a daughter's umbilical cord in her father's lab sparks questions about the uses of love; the body of an airplane holds the imagined gestures of humans in their fi nal moments of life ... Muir renders the physical world so unfl inchingly that the metaphysical blows back, in equal and opposite reaction ... these poems are an act of postmortem collaboration: daughter as witness to history, using language to weld and spark familial bonds and to summon up their mysteries." --Rebecca Klaver, author of Empire Wasted "... Muir has a gift for conjuring beauty in the least expected places, dazzling audiences with rich imagery ... While the speaker's narrative is particular to her unique experience, in many ways this chapbook's poems transcend place and time, and resonate with all who have looked to the past for a way of understanding the present." --Mary Biddinger, author of Small Enterprise

Drawing on hundreds of richly textured interviews conducted from one end of the country to the other, veteran journalist Sanford J. Ungar documents the real-life struggles and triumphs of America's newest immigrants. He finds that the self-chosen who arrive every day, most of them legally, still enrich our national character and experience and make invaluable political, economic, social, cultural, and even gastronomic contributions. "First-class journalism, a book scholars will use decades from now to find out what it 'felt like' to be an immigrant in the 90s. I do not know of a better description and analysis of contemporary immigration." -- Roger Daniels, author of Coming to America: A History of Immigration and Ethnicity in American Life "An excellent overview of contemporary immigration issues set within the context of developments in the past fifty years. Ungar makes a strong case for the contributions of recent immigrants and for maintaining a relatively open door in the face of sometimes shrill opposition." -- Thomas Dublin, editor of Immigrant Voices: New Lives in America "Exactly the right book at the right time. [Ungar] looks at the national controversy over immigration policy with a clear eye, producing a history and a convincing argument why this is no time to reverse a liberal welcome to newcomers that has always--in good times and bad--made this a better and more prosperous democracy." -- Ben H. Bagdikian, author of Double Vision

Timeless Torah: An Anthology Of The Writings Of Samson Raphael Hirsch is a book that compiles the works of Samson Raphael Hirsch, a prominent rabbi and Jewish leader from the 19th century. The book includes a selection of his writings on a variety of topics, including Jewish law, philosophy, and ethics. Hirsch's teachings emphasize the importance of balancing tradition and modernity, and he argues that Judaism should be practiced in a way that is relevant and meaningful to contemporary life. The book is organized thematically, with sections on prayer, education, community, and other topics. It also includes a biographical introduction to Hirsch's life and work, as well as an overview of his contributions to Jewish thought and practice. Timeless Torah is a valuable resource for anyone interested in Jewish theology, history, and culture, and it offers insights into the enduring relevance of Hirsch's teachings for contemporary Jewish life.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

'I was wowed and moved' Tracy Chevalier Anne Brontë is the forgotten Brontë sister, overshadowed by her older siblings - virtuous, successful Charlotte, free-spirited Emily and dissolute Branwell. Tragic, virginal, sweet, stoic, selfless, Anne. The less talented Brontë, the other Brontë. Take Courage is Samantha's personal, poignant and surprising journey into the life and work of a woman sidelined by history. A brave, strongly feminist writer well ahead of her time - and her more celebrated siblings - and who has much to teach us today about how to find our way in the world.

Part memoir, part journalism, part history, part downright strange and hilarious, American Parent takes readers on a unique tour of the world of new mothers and fathers. As Sam Apple embarks on his own journey into parenthood, he decides to put his background in journalism to good use by talking to a wide range of experts. Along the way, Apple visits with the mohel who circumcised him, enters a trance with a childbirth hypnotist, goes on a stakeout with a nanny spy, and attends a lecture on Botox for new mothers. Apple is full of questions, and none is left unexplored: Is the Lamaze method a Stalinist plot? (Yes.) Are newborns really fetuses that are born too soon? (Sort of.) Is there a universal theory that can explain the origins of circumcision in many diverse cultures? (Maybe.) Does it sting when you pour baby shampoo into your own eyes? (Big-time!) And yet for all the unusual twists in this story-at one point Apple fantasizes about a father losing his mind and refusing to remove his BabyBjorn-the strangest twist of all might be that at its core American Parent is a deeply serious and personal book about the way emotionally vulnerable and confused new parents can get lost in the increasingly complex labyrinth of baby products, classes, and fads. Parenthood is the oldest subject of all. In American Parent, Sam Apple makes it feel entirely new.