This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Bret Harte was an American author and poet, best remembered for his accounts of pioneering life in California. Harte moved to California in 1853, later working there in a number of capacities, including miner, teacher, messenger, and journalist. His story, "The Luck of Roaring Camp," appearing in The Overland Monthly magazine, propelled Harte to nationwide fame. The Argonauts of North Liberty is a longer tale by Harte. Taking place in a staunchly reserved Presbyterian society, it illustrates in its heroine the revolt of an unruly and unregenerate nature against a Puritan society. North Liberty is a Connecticut town, and the "Argonauts" are a man and woman who migrate to California to begin life again, escaping the strictures of their earlier life, like the "Blue Law" setting of the opening. Once in California, Harte's feel for the time and setting can take full flower.

Like a Portuguese version of As I Lay Dying, but more ambitious, António Lobo Antunes's eleventh novel chronicles the decadence not just of a family but of an entire society - a society morally and spiritually vitiated by four decades of totalitarian rule. In this his masterful novel, António Lobo Antunes, "one of the most skillful psychological portraitists writing anywhere, renders the turpitude of an entire society through an impasto of intensely individual voices." (The New Yorker) The protagonist and anti-hero Senhor Francisco, a powerful state minister and personal friend of Salazar, expects to be named prime minister when Salazar is incapacitated by a stroke in 1968. Outraged that the President (Admiral Américo Tomás) appoints not him but Marcelo Caetano to the post, Senhor Francisco retreats to his farm in Setúbal, where he vaguely plots a coup with other ex-ministers and aged army officers who feel they've been snubbed or forgotten. But it's younger army officers who in 1974 pull off a coup, the Revolution of the Flowers (so called since no shots were fired, carnations sticking out of the butts of the insurgents' rifles), ending 42 years of dictatorship. Senhor Francisco, more paranoid than ever, accuses all the workers at his farm of being communists and sends them away with a brandished shotgun, remaining all alone - a large but empty shadow of his once seeming omnipotence - to defend a decrepit farm from the figments of his imagination. When the novel opens, Senhor Francisco is no longer at the farm but in a nursing home in Lisbon with a bedpan between his legs, having suffered a stroke that left him largely paralyzed. No longer able to speak, he mentally reviews his life and loves. His loves? In fact the only woman he really loved was his wife Isabel, who left him early on, when their son João was just a tiny boy. Francisco takes up with assorted women and takes sexual advantage of the young maids on the farm, the steward's teenage daughter, and his secretaries at the Ministry, but he can never get over the humiliation of Isabel having jilted him for another man. Many years later he spots a commonplace shop girl, named Milá, who resembles his ex-wife. He sets the girl and her mother up in a fancy apartment, makes her wear Isabel's old clothes, and introduces her to Salazar and other government officials as his wife, and everyone goes along with the ludicrous sham, because everything about Salazar's Estado Novo ("New State") was sham - from the rickety colonial "empire" in Africa to the emasculate political leaders in the home country, themselves monitored and controlled by the secret police. Once the system of shams tumbles like a castle of cards, Francisco's cuckoldry glares at him with even greater scorn than before, and all around him lie casualties. Milá and her mother return to their grubby notions shop more hopeless than ever, because the mother is dying and Milá is suddenly a spinster without prospects. The steward, with no more farm to manage, moves his family into a squalid apartment and gets a job at a squalid factory. The minister's son, raised by the housekeeper, grows up to be good-hearted but totally inept, so that his ruthless in-laws easily defraud him of his father's farm, which they turn into a tourist resort. The minister's daughter, Paula, whom he had by the cook and who was raised by a childless widow in another town, is ostracized after the Revolution because of who her father was, even though she hardly ever knew him. Isabel, the ex-wife, also ends up all alone, in a crummy kitchenette in Lisbon, but she isn't a casualty of Senhor Francisco or of society or of a political regime but of love, of its near impossibility. Disillusioned by all the relationships she had with men, she stoutly resists Francisco's ardent attempts to win her back, preferring solitude instead. We have to go to the housekeeper, Titina, this novel's most compelling character, to find hope of salvation, however unlikely a source she seems. Unattractive and uneducated, Titina never had a romantic love relationship, though she secretly loved her boss, who never suspected. She ends up, like him, in an old folks' home, and like him she spends her days looking back and dreaming of returning to the farm in its heyday. Old age is a great equalizer. And yet the two characters are not equal. Titina retains her innocence. But it's not the innocence of helpless inability - the case of João, Francisco's son - nor is it the pathetic innocence of Romeu, the emotionally and mentally undeveloped co-worker by whom Paula has a son. Titina isn't helpless or ingenuous, and she isn't immune to the less than flattering human feelings of jealousy, impatience and anger. But she never succumbs to baser instincts. She knows her worth and cultivates it. She is a proud woman, but proud only of what she really is and what she has really accomplished in life. At one level (and it operates at many), The Inquisitors' Manual is

E. Phillips Oppenheim's "A Millionaire of Yesterday" was first released in 1900. The book follows the story of a young man's struggle for fortune in colonial Africa and his quest for happiness there. Young Scarlett Trent, who is eager to become wealthy in the gold mines of Africa, must struggle with his own sense of good and evil while juggling the difficulties he faces and his desire to succeed. His buddy Monty, a dubious alcoholic with a murky past, accompanies him on his mission. The suspense is maintained throughout the novel, whether they will be successful in achieving their goals or whether Monty's past returns to haunt them both. Despite his best efforts, Trent is obstructed by several opponents who only bring him immense tragedy. The readers will find themselves immersed in the experience of the novel as it leads them towards a happy ending. The Long Arm of Mannister, The Great Impersonation, and The Moving Finger are some of Oppenheim's best known works.

Nachdem der Vater, ein Oberstleutnant mit italienischen Wurzeln, frühzeitig in den Ruhestand geschickt wird, zieht die Familie Fabiani nach Salzburg. Da trifft Therese auf Alfred Nüllheim, einen Schulkameraden von Thereses Bruder Karl, der ihre erste Liebe wird. Dieser zieht bald nach Wien, um Medizin zu studieren, bittet davor aber Therese, auf ihn zu warten, um ihn nach Studienabschluss zu heiraten. Thereses Vater erkrankt bald und wird in einer psychiatrischen Klinik hospitalisiert, wo er kurze Zeit später verstirbt. Die Mutter, von altem aber verarmtem kroatischem Adel abstammend, verdient daraufhin den Lebensunterhalt durch das Schreiben von kitschigen Feuilletonromanen. Um eine gesicherte Existenz zu haben, will sie die Tochter an einen alten Grafen verkuppeln, was Therese ablehnt. Als sich Therese in einen jungen Leutnant verliebt und sich mit diesem in eine Liebesbeziehung einlässt, erfährt das Alfred an seinem Studienort. Er beschimpft die Freundin brieflich. Bald entpuppt sich der Leutnant als untreuer Gefährte. Arthur Schnitzler (1862-1931) war ein österreichischer Arzt, Erzähler und Dramatiker. Er gilt als Schriftsteller als einer der bedeutendsten Vertreter der Wiener Moderne.

Immerse yourself in the vibrant world of 19th-century music with Elizabeth Sheppard's "Charles Auchester, Volume 1 of 2," a captivating work of historical fiction. Delve into a story where the passion for music intertwines with the complexities of human relationships, against a backdrop of rich historical detail. This volume explores themes of romance and artistic dedication within the lives of musicians, offering a glimpse into their world of creativity and personal struggles. Sheppard's meticulous prose captures the essence of the era, making this a timeless read for anyone fascinated by musical history and the enduring power of human connection. Discover a world where music and emotion intertwine in this beautifully rendered historical romance. Prepared for print republication, this edition offers a renewed opportunity to experience a classic of musical fiction. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In modern day Mexico City, a young graduate student of anthropology, Stefan Marquez Calle, hears a surprising confession from his dying aunt. Her revelation sends him on a journey of discovery that flings him backwards in time to fifteenth century Spain. He finds his own life entangled with that of Alfonso Calle, an ancestor immersed in a quest for religious survival within the intrigue of an underground world. Stefan is drawn into the terrifying realm of the Spanish Inquisition, of brutal torture and burning at the stake of living human beings. In ancient palaces, where King Ferdinand and Queen Isabella rule, black hooded Dominican monks plot murderous schemes in an effort to destroy all vestiges of beleaguered Judaism. Within the same corridors of power, Christopher Columbus, an ambitious explorer, makes harried appeals to the monarchs for help to launch his voyage. How the lives of Stefan and Alfonso, the two central protagonists, are intertwined and the outcome that even today affects many thousands of people, is the essence of this gripping story.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

iagos tale paperback

Richard Temperley arrives at Euston station early on a fogbound London morning. He takes refuge in a nearby hotel, along with a disagreeable fellow passenger, who had snored his way through the train journey. But within minutes the other man has snored for the last time-he has been shot dead while sleeping in an armchair. Temperley has a brief encounter with a beautiful young woman, but she flees the scene. When the police arrive, Detective Inspector James discovers a token at the crime scene: a small piece of enamelled metal. Its colour was crimson, and it was in the shape of the letter Z. Temperley sets off in pursuit of the mysterious woman from the hotel, and finds himself embroiled in a cross-country chase- by train and taxi - on the tail of a sinister serial killer. This classic novel by the author of the best-selling Mystery in White is a gripping thriller by a neglected master of the genre. J. Jefferson Farjeon (1883-1955) was the author of more than sixty crime and thriller novels that were highly acclaimed in his lifetime. Farjeon is the author of Number Seventeen, a play that was adapted for the big screen by Alfred Hitchcock. His Christmas crime novel, Mystery in White, was republished as a British Library Crime Classic and became a bestseller. Front cover (c) NRM/Pictorial Collection/Science & Society Picture Library

Reproduction of the original: Ambrose Lavendale, Diplomat by E. Phillips Oppenheim

"A Modern Exodus" by Violet Guttenberg is a compelling novel exploring the historical context of Jewish immigration to Palestine. This meticulously republished edition delves into themes of Zionism and the profound experiences of a people seeking a homeland. Categorized under historical fiction and Jewish fiction, the book examines the social and personal impact of a modern exodus. Guttenberg's work offers a window into a pivotal period, illuminating the challenges and hopes of those involved in this significant movement. As a work of fiction focused on the experiences of Jews in Palestine, "A Modern Exodus" resonates with enduring themes of identity, displacement, and the search for belonging. Its historical setting provides a rich tapestry for understanding the complexities of immigration and its lasting effects. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Felix Moscheles was the godson of Felix Mendelssohn. He was a painter, peace activist and keen fan of Esperanto.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.