Pauline Wengeroff, the only nineteenth-century Russian Jewish woman to publish a memoir, sets out to illuminate the "cultural history of the Jews of Russia" in the period of Jewish "enlightenment," when traditional culture began to disintegrate and Jews became modern. Wengeroff, a gifted writer and astute social observer, paints a rich portrait of both traditional and modernizing Jewish societies in an extraordinary way, focusing on women and the family and offering a gendered account (and indictment) of assimilation. In Volume 1 of Memoirs of a Grandmother, Wengeroff depicts traditional Jewish society, including the religious culture of women, during the reign of Tsar Nicholas I, who wished "his" Jews to be acculturated to modern Russian life.Pauline Wengeroff's Memoirs of a Grandmother offers a unique first-person window into traditionalism, modernity, and the tensions linking the two in nineteenth-century Russia. Wengeroff (1833–1916), a perceptive, highly literate social observer, tells a gripping tale of cultural transformation, situating her narrative in the experience of women and families. In Volume Two, Wengeroff claims that Jewish women were capable and desirous of adopting the best of European modernity but were also wedded to tradition, while Jewish men recklessly abandoned tradition and forced their wives to do the same. The result was not only marital and intergenerational conflict but also catastrophic cultural loss, with women's inability to transmit tradition in the home leading to larger cultural drift. Two of Wengeroff's children converted when faced with anti-Jewish educational and professional discrimination, unwilling to sacrifice secular ambitions and visions for the sake of a traditional culture they did not know. Memoirs is a tale of loss but also of significant hope, which Wengeroff situates not in her children but in a new generation of Jewish youth reclaiming Jewish memory. To them, she addresses her Memoirs, giving an "orphaned youth"―orphaned of their past and culture―a "grandmother."

Miriam Gross, as a journalist and editor, has worked with some of the most influential figures of the 20th century poets, philosophers, playwrights and politicians. This book offers recollections from 40 years at the heart of English cultural life. Brought up in wartime Jerusalem, she was deposited by her parents, speaking no English, at the bohemian Dartington Hall School; and then continued her education at Oxford where eschewing her quiet, tea-drinking contemporaries at St Anne s she found her way into more glamorous academic circles. From there it was a short hop to pre-spell-check Fleet Street. Her descriptions whether she is having to mend her boss's bra on her first day at work, or rewriting Angus Wilson's slapdash book reviews, or being asked to make the women s pages of the Observer more raunchy show a merciless eye for the bogus and the absurd. Alongside reflections on everything from feminism and motherhood to education and anti-semitism, she recounts her numerous infatuations, both requited and unrequited, with the sort of self-deprecating candour that makes this memoir a classic of its kind.

"Marcia was instrumental in introducing so many artists throughout her career, and I was one of them."—Bruce Nauman "I know of no other curator who has left a major museum and said, 'I'll start a new museum.' Marcia was for me a mentor, then a beacon, and later a role model. I consider myself fortunate."—John Baldessari "Marcia was a rebel with a cause: shaking up the staid world of art museums. She did it with vision, guts, and humor. We are forever indebted to her example."—Guerrilla Girls " A Short Life Of Trouble —gossipy and delicious, smart and often deeply moving—takes us through Marcia Tucker's tough but fascinating days as a young, adventurous curator at the Whitney Museum to her ambivalent triumphs and constant challenges as the visionary founder of the New Museum, and beyond. The author emerges as a fierce, outspoken champion of contemporary artists, especially the risk-takers who are often marginalized and overlooked or not an easy sell. Her intelligence, passion, immense generosity of spirit, and wry, witty observations on the battles and machinations of the New York art world of the 1980s and 1990s are alive on every page. Although in her quest to live a just, meaningful existence she was often hardest on herself, Marcia Tucker clearly knew how to have fun and made every minute count. This poignant memoir lets us glimpse the all-too-brief but rich and remarkable life of an extraordinary human being."—Jessica Hagedorn, author of Dream Jungle

Acclaim for Leo Melamed Escape to the Futures "A well-written, fascinating memoir of a remarkable man of many parts, who arrived in the United States at age 9, fleeing the Holocaust. Almost single-handedly, he transformed a minor commodity exchange into the leading futures market in the world. His influence was and remains worldwide." —Milton Friedman Senior Research Fellow Hoover Institution, Stanford University "There are only a few people who have revolutionized big portions of the business world. Warren Buffett did it in investing, Bill Gates in software. Leo Melamed, author of this book, is in that same league. He truly revolutionized futures trading in the United States, and in the world. This book tells how." —Ambassador Clayton Yeutter Past President of the Chicago Mercantile Exchange Former U.S. Trade Representative "A grizzled old Merc trader once assured me that nobody ever lost by being long on Leo. Why that's so, this endlessly fascinating personal history makes clear. It shows how an immigrant boy, after surviving unimaginable horrors, drew on the 'elan, combativeness, and sophisticated conviction' learned from his equally remarkable father to build the CME and to lay the foundations of the modern, Chicago-based, financial services industry." — Merton H. Miller 1990 Nobel Laureate Emeritus Professor University of Chicago Graduate School of Business "Leo tells it all. To say there would not have been a financial futures industry without Leo is probably only a slight exaggeration!!!" — John Damgard President Futures Industry Association "Escape to the Futures tells the remarkable story of a young boy's escape from the Nazis and the impact of his life on the financial markets of the world. It also serves as yet another poignant reminder of the immeasurable losses —in the arts, sciences, professions, and everyday life—humanity suffered because of the Holocaust." — Benjamin Meed President American Gathering of Jewish Holocaust Survivors He is one of the most powerful figures in the world of finance—a visionary who pioneered the modern futures industry and launched the International Monetary Market (IMM). Yet, Leo Melamed was not born to wealth and influence. His is an extraordinary rags-to-riches tale of intelligence, drive, savvy, timing, and the overpowering force of a uniquely charismatic personality. Now the inside story of the remarkable life and career of Leo Melamed is revealed in this long-awaited autobiography. A Holocaust survivor, Leo Melamed had barely begun the first grade in 1939 when he and his parents fled their native Poland one step ahead of the oncoming Nazi juggernaut. Crossing Siberia en route to a brief stay in Japan—just months before Pearl Harbor—the family arrived in the United States to begin life anew. They settled in Chicago, where young Leo became a product of the inner city and embraced his new country and its culture. Seeking part-time employment while attending law school, Leo Melamed answered a classified ad that would change his life. Hired by what he presumed was a law firm named Merrill, Lynch, Pierce, Fenner & Bean, he found himself on the floor of the Chicago Mercantile Exchange. "I was Alice stepping through the Looking Glass into a world of not just one Mad Hatter, but hundreds. The shouting among the traders, the movement of their bodies and hands, captivated me like nothing before . . . there was a life force on that floor that was magical and exciting, and though I didn't understand what was going on, I wanted to be a part of it." Leo Melamed became much more than just a part of it. From modest beginnings as a pork belly trader, he led the Chicago Merc for the next quarter of a century, introducing finance to an industry that was the exclusive domain of agriculture. As his reputation as a financial genius grew, so did the tales of his larger-than-life personality. In Leo Melamed: Escape to the Futures, you'll meet the man behind the legend. Written with the assistance of award-winning journalist Bob Tamarkin, this enthralling memoir deftly weaves intimate personal details with behind-the-scenes accounts of some of the most momentous financial events of our century—including Leo's role as advisor to the White House after the Hillary Rodham Clinton cattle futures trading episode. You'll read fascinating accounts of his dealings with political powerhouses like Bob Dole, Tip O'Neill, Dan Rostenkowski, and others. Offering penetrating insights into the workings of a multibillion dollar industry, this is a story that has as much to say about human nature as it does about the nature of today's markets. Hailed as both hero and tyrant, Leo Melamed is undeniably one of the most colorful and intriguing personalities of our time. This intimate, revealing personal account is not to be missed.

Notes from the Other Side of Night is a diary-memoir written upon Juliana Geran Pilon's return to her native Romania in 1975, which she had left along with her family when she was just fourteen. Poetically weaving together modern insight and realities with childhood perceptions, Pilon tells the haunting stories of her parents, grandparents, neighbors, and friends. Although the scenery of her native home had remained essentially unchanged since her childhood, Pilon recalls streets that are no more, homes and churches that have been demolished. Yet, the hills and forests, the flowers and mountains, the heat of old Bucharest, remained the same. The scenes and characters described in this book are simply unforgettable. Despite the many tragedies it describes--anti-semitism, political imprisonment, and judicial execution were ruthless realities under communism--Notes from the Other Side of Night is not a depressing book. Pilon writes with a detached melancholy about events and characters that illustrate Hannah Arendt's terrifying "banality of evil." But she remembers, as well, those few who managed to remain human beings until the end. Ultimately, hope triumphs in this memoir. This edition includes a new foreword, which discusses the initial writing and publication of this and previous editions.

In an autobiographical memoir directed to his young son Dylan, the film and theater critic uses stories and anecdotes to present the story of his life and the life lessons he has learned.

Over the course of his career, Jeff Corey (1914-2002) educated movie, television, and theater stars from James Dean to Jane Fonda in the art of acting. Though he worked with some of the most famous talents of his day, one of Corey's greatest pleasures was teaching regular people - accountants, schoolteachers, and lawyers - who had a secret desire to act. In his eyes, anyone could nurture his or her innate "mimetic impulse." Jack Nicholason, one of Corey's most famous students, said, "Acting is life study, and Corey's classes got me into looking at life as an artist." In Improvising Out Loud: My Life Teaching Hollywood How to Act, Jeff Corey narrates his life story first as a successful young actor in Hollywood and later as one of the industry's most revered acting instructors. Corey made a name for himself as a strong character actor in films like The Killers (1946), Home of the Brave (1951). However, everything changed in 1951, when he was summoned before the House Un-American Activities Committee (HUAC). Corey refused to name names before the committee and was promptly blacklisted, forcing him to walk away from his vibrant career as an actor. Later that year, Corey began work as an acting teacher in a small studio, and almost overnight, he became one of the most sought-after instructors in Hollywood, with students such as Kirk Douglas, Rob Reiner, and Tony Perkins. In 1962, when the blacklist ended, Corey was one of the industry's first trailblazers to seamlessly reboot his acting career and he secured roles in some of the classic films of the era, including Butch Cassidy and the Sundance Kid (1969), True Grit (1969), and Little Big Man (1970), in which he starred as the legendary Wild Bill Hickok. The major action of Corey's life was to capture the human heart: in conflict, in terror, in love, and in all of its small triumphs. His memoir, which he wrote with his daughter Emily Corey, provides a unique and personal perspective of the man whose teaching inspired some of Hollywood's biggest names to excel in the roles that made them famous--Dust jacket

"This memoir of a radical Jew follows Jack Nusan Porter's journey from his birth in Ukraine during the Holocaust, through the radical 60s and 70s, to the present day, and details his experiences fighting anti-Semitism, anti-Zionism, xenophobia, and hate"--

Amy Sedaris meets Woody Allen in an uproarious memoir of self discovery. In her critically acclaimed memoir Dork Whore, Iris Bahr finally lost her virginity in the summer between high school and Brown University. In this book, she’s ready for love a year later—but not much wiser. Through all of her uproarious capers, she tries to reconcile her craving for mindblowing sex with her desire for a meaningful relationship—all in an attempt to become an adult. Sort of.

'In the Lower Saxony region of northwestern Germany sits the city of Osnabrück. This is where, in 1648, the Peace of Westphalia was signed, bringing the Thirty Years' War and one of the most calamitous periods of European history to an end. But the city was later to witness another calamity. Today, as one walks through Old Synagogue Street in a rich neighborhood of Osnabrück, one might miss noticing a pile of pale stones held together by chicken wire that sits between two fashionable homes. These are the well-kept ruins from behind which stares a gaping space--a place of memory and oblivion. Four polished plaques tell the tale of the horror-filled night of November 9, 1938--today known as Kristallnacht--when the synagogue that had stood on this spot was desecrated, looted, set on fire, and eventually demolished by Hitler's forces. On the same day, ninety parishioners were imprisoned by the Gestapo and eventually sent to the Buchenwald concentration camp. Osnabrück was also home to Eve Klein, a member of the city's early-twentieth-century Jewish community and the mother of author Hélène Cixous. In Well-Kept Ruins, Cixous returns to the historic city in 2019 and reflects on the remains of the synagogue that "express the life lost, the life kept." Walking the streets of the city, plumbing the depths of the past along with her own family's history, looking deep into the future, and punctuating her poetic prose with haunting photographs, Cixous explores the ruins at the heart of humanity. Part memoir, part philosophical meditation, Well-Kept Ruins is a genre-defying and timely reflection of the contemporary human condition.'--Publisher description.

This memoir, a young poet's tragicomic account of crossed loves and rebellions as he grows from boy to man under the vigilant eyes of the state in the Soviet Union between the 1950s and 1970s, can be approached as a bildungsroman. It is set in Tallinn, Riga and Moscow (with episodes in Uzbekistan, Moldavia, and the Ukraine) and, apart from this author's own story, deals with the experiences of young people of that period, their friendships and attempts to form erotic/romantic attachments, as well as their search for national--Baltic, Jewish, Russian--identity while being watched and sometimes interrogated by the secret police. It also includes some reconstruction of the author's family history: expulsion from Spain, the Magician of Prague, the renowned historian Simon Dubnov. The volume progresses from the demonstration of two seven-year-old boys' against Stalin and Lenin, in Tallinn, in the mid-1950s to a dramatic and doomed love affair with a woman married to an army colonel who attempts to shoot the author as the latter is about to make his final exit from the country, with the KGB on his tail, in the early 1970s. While raising a number of important historical and contemporary issues, the memoir is also an involving narrative, a visually descriptive story, varied and engrossing, involving philosophical, theological, and detective elements; popular and literary culture; countries and languages; high seriousness and undercutting irony.

" A no-holds-barred memoir that charts the rise and fall - and rise - of one of Australia's most iconic music performers. You think you know Deborah Conway? You think seeing her striding and scowling down Sydney's back streets in an oversize coat or galavanting around a golf course wearing a close approximation of plus fours means you know who Deborah Conway is? She figures you probably don't know the half of it. And there's a lot to know. If you have listened to any of Deborah Conway's songs and were half curious about the origins; if you have ever wondered whatever happened to that chick who covered herself in Nutella and was photographed shovelling cream cakes in to her mouth; if you gave a nanosecond of thought to whose bare arse adorned the giant Billboard ads for Bluegrass jeans in the 1980's and how much someone could get paid to do that; if you liked Tracey Mann's vocals in The Takeaways but asked yourself, ""did she really sing them?""; if you were a movie buff who thought Running On Empty was a classic BEFORE it became a cult phenomenon and need behind the scenes gossip, now's your chance to find out all this and so much more. Conway pulls back the curtain on the fevered world of a 1980's post punk band, the spectacular rise and fall and rise of one of the more obstreperous women working inside Australia's music industry, a woman who has straddled the high arts and the low without losing her footing or her mind and whose fierce independence has seen her produce her best work. Book Of Life : the good, the bad, and the ugly of being alive in the 20th and 21st centuries from the vantage point of a music insider (and outsider) with a deep need to tell the truth about it all. "

The name of Cyril Ornadel may not be known to many outside the musical theatre. The back of his head, however, was for many years the most famous on television, for Cyril Ornadel was the conductor in the orchestra pit for ITV's immensely popular programme, Sunday Night at the London Palladium. But this efficient and unassuming man was the musical director for numerous West End 'hit' shows: Kismet, Call Me Madam, Pal Joey, Wonderful Town, The King and I and My Fair Lady, to name but a few. He is also a composer in his own right. His song 'Portrait of My Love' is a standard, known and loved by an entire generation, while 'If I Ruled the World' from Pickwick, the musical he wrote with Wolf Mankowitz and Leslie Bricusse, became a world-class hit and turned into what was virtually the late Sir Harry Secombe's theme tune. Now, in this rich and illuminating memoir, Cyril Ornadel shares the fruits of his experience in almost every aspect of the music business - theatre, films, recording, composing, orchestrating, conducting, producing. With wit, wisdom and humility he candidly discusses the triumphs and disasters of his lifelong love affair with Show Business.

When Cosmo Landesman's American parents decided to move their young family to London in the swinging sixties, it was not to pursue a quieter life on this side of the pond. Quite the reverse: it was out of unbridled, unashamed lust for fame and fortune. But things did not go according to plan, and as a child Cosmo found himself charged with raising his starstruck parents and trying to cope with the publicity stunt of their 'open marriage'. Over the years he wrote press releases, blurbs and proposals for their plays, film treatments, novels, book ideas and demo tapes. He found himself playing the roll of creative midwife, personal manager, publicist, psychoanalyst and apologist. Not any more. In this hilarious memoir he finally lays bare his extraordinary childhood and the twists and turns of his parents' bizarre desire for the spotlight - and how they were always doomed to failure.

Memoirs of motion picture director, Sergei Eisenstein, 1898-1948; translated from Russian text.

Milton Shulman has been a much-loved and outspoken arts critic for the Express and then the Evening Standard for forty years. These are his witty, anecdotal memoirs on the careers, interviews and encounters over the years. His broadcasts on Stop the Week as well as frequent radio and TV appearances have made him a nationwide figure.

Memoirs of a Jew who was born in 1927 in Borisław, Poland. Pp. 31-132 deal with the Holocaust period, based on information found in a diary she kept at the time. Wolanski survived in hiding, at first with a Christian family and then in a bunker in the forest, until the liberation.

"Shoreline, a creative-nonfiction memoir, melds tales of intergenerational wandering, the joys and challenges of raising children in multiple countries, historical and literary figures from within their cultural contexts, and an exploration of deep friendships and family relations. In bringing together all these strains, the book brings to life ways in which our own personal identity is inextricably intertwined with the people who matter to us as well as with our familial and cultural histories"--