Provides the first broad introduction to feminist work in classical studies. Including lesbian theory, black feminist theory, American and French feminist theory, classics will never be the same again.

This book sets forth a new area in the study of extraordinary individuals in religious traditions. It develops the category of “Religious Genius” as an alternative to existing categories, primarily “saint.” It constructs a model by which to appreciate these individuals, suggesting key characteristics such as love, humility, and self-surrender. Religious geniuses transform their traditions and their legacies endure through these very transformations. They also inspire changes across religious boundaries and traditions. The study of religious geniuses in various faith traditions therefore advances interfaith engagement today. The book complements existing, primarily historical, studies of saints by offering a phenomenological approach that seeks to touch the subjectivity of these individuals, and how they have affected the unfolding of their religious traditions.

Explore the foundations of modern thought with Charles S. Peirce's "Chance, Love, and Logic: Philosophical Essays." This collection showcases Peirce's groundbreaking contributions to philosophy, logic, and metaphysics, revealing the roots of pragmatism and semiotics. Peirce, a pivotal figure in American intellectual history, delves into the nature of scientific inquiry, the role of chance in the universe, and the power of love as a cosmic principle. These essays offer a window into Peirce's complex and influential ideas, demonstrating his commitment to rigorous reasoning and his innovative approach to understanding the world. Spanning a range of topics central to philosophical discourse, "Chance, Love, and Logic" presents Peirce's enduring insights in a clear and accessible manner. Perfect for anyone interested in the history of philosophy, the development of logic, or the intersection of science and metaphysics, this volume is a valuable resource for both students and seasoned scholars. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

What, After All, Is a Work of Art? directs our attention toward historicity, the inherent historied nature of thinking, and the artifactual, culturally emergent nature of both art and human selves. While these are familiar themes in Margolis's well-known studies of art and culture, they are largely neglected in English-language aesthetics and even philosophy in general. Margolis brings these primary themes to bear on a number of strategically selected issues: the modernism/postmodernism dispute; the treatment of modernist and "post-historical" painting in Clement Greenberg and Arthur Danto; the coherence of relativism in interpreting art and the relevance of cultural relativity; the difference between artworks and persons as culturally constituted entities in contrast to natural entities and with regard to the logic of interpretation; the import of film on the theory of the relationship between understanding ourselves and understanding art, with special attention to the views of Walter Benjamin; and the propriety of the analogy between artworks and selves, as cultural entities, by way of treating the arts (also history, action, and language) as a form of human "utterance." Although the argument is largely focused on certain particularly strenuous puzzles in the philosophy of art, the validity of Margolis's claims are more far reaching. If, through incorporating the reality of physical and biological nature, the emergence of art and human selves cannot rest satisfactorily on exemplars selected from nature alone, then certain fashionable views of science, of canons of understanding, conceptual resources, logic, rationality, and the like may well have to yield ground to ampler models that have been largely marginalized or overridden. In particular, the admission of historicity, the nerve of Margolis's argument, invites a decisive conceptual reorientation. What, After All, Is a Work of Art? is based on a series of lectures Margolis delivered at various universities in Japan in the Spring of 1997, while serving as a fellow of the Japan Society for the Promotion of Science.

Fifty years ago when Jacques Hadamard set out to explore how mathematicians invent new ideas, he considered the creative experiences of some of the greatest thinkers of his generation, such as George Polya, Claude Lévi-Strauss, and Albert Einstein. It appeared that inspiration could strike anytime, particularly after an individual had worked hard on a problem for days and then turned attention to another activity. In exploring this phenomenon, Hadamard produced one of the most famous and cogent cases for the existence of unconscious mental processes in mathematical invention and other forms of creativity. Written before the explosion of research in computers and cognitive science, his book, originally titled The Psychology of Invention in the Mathematical Field , remains an important tool for exploring the increasingly complex problem of mental life. The roots of creativity for Hadamard lie not in consciousness, but in the long unconscious work of incubation, and in the unconscious aesthetic selection of ideas that thereby pass into consciousness. His discussion of this process comprises a wide range of topics, including the use of mental images or symbols, visualized or auditory words, "meaningless" words, logic, and intuition. Among the important documents collected is a letter from Albert Einstein analyzing his own mechanism of thought.

We are honored to present this timeless collection, African Proverbs by Charlotte Leslau-an extraordinary work that preserves and uplifts the enduring brilliance of African oral tradition. These proverbs are more than words; they are echoes of Ancestors, distilled wisdom, and cultural affirmations carried through generations. In a world often quick to overlook or erase African contributions, this book stands as a powerful reminder of the intellect, wit, and deep philosophy embedded in everyday African speech. These proverbs offer guidance, laughter, clarity, and community-if only we stop and listen. STILL. WE. RISE. Through rhythm, metaphor, and truth-telling, the voices of the past reach out to shape the present. Let this work remind us that our stories, our languages, and our lessons are sacred. We are committed to sharing with all who are ready to receive them.

Kant and the Problem of History [Hardcover]

"I try to believe that everything I have read has contributed some small ingredient to the melting pot of my mind." In On the Ivory Stages , Theodore Dalrymple continues the genre he established with These Spindrift Pages by capturing the thoughts inspired by his recent reading. These passages serve as small essays that are part literary criticism, historical analysis and philosophical musings, sometimes all at once. The breadth of writers and subjects he addresses are both cause and effect of an expansive and curious mind. Readers will benefit, as Dalrymple has, from the volume and quality of his reading and from the wisdom it inspires. Theodore Dalrymple is a retired doctor and psychiatrist who has written many books, including Life at the Bottom, Admirable Evasions and These Spindrift Pages.

Preliminary Material /Samuel Belkin --The Oral Law in Alexandria /Samuel Belkin --The Terminology of the Oral Law in Philo: His Knowledge of Hebrew /Samuel Belkin --The Temple Ritual /Samuel Belkin --The Priesthood /Samuel Belkin --Civil and Criminal Law /Samuel Belkin --Oaths and Vows /Samuel Belkin --The Judiciary /Samuel Belkin --The Calendar /Samuel Belkin --The Family /Samuel Belkin --Sexual Morality /Samuel Belkin --Bibliography /Samuel Belkin --Index I /Samuel Belkin --Index II /Samuel Belkin.

With his suicide in 1903, at the age of 23, Otto Weininger became a central figure in the mythology of "fin-de-siecle" Vienna. This volume of essays, published posthumously, is a sequel to his book, "Sex and Character", which was banned by Nazi censors. This is its first translation into English.

This book is based on four live talks given by Dr. Marc Gafni on the weekly One Mountain, Many Path podcast in the first weeks of the Russian-Ukrainian war. They are complemented with an essay by Dr. Elena Maslova-Levin to provide a deeper insight into Russia's motivations and the history of relationships between Ukraine and Russia, which made this war impossible and unavoidable at the same time.Dr. Marc Gafni's analysis of this fateful moment is profound, multidimensional, and meaningful. Rather than being lost in the overwhelming emotions of the moment, or caught up in the seemingly rational confabulations of purely political analysis, it is rooted in a deep, unshakeable connection to intrinsic values of reality. What's more, he sees not only the tragedy, but also the incredible evolutionary potential of this moment - in his words, the moment of "this great arousal, this stunning coming together, of the postmodern West." The path forward he is showing is not just about the immediate needs of the moment - but about our collective future, and what we need to do (and, no less importantly, understand) for this future even to be possible.The guiding question of this book is: how do we respond? Although a lot has changed since the first weeks of the war, and a lot has changed, this book is no less relevant now (and in the foreseeable future) than Marc's talks were back then, in March 2022.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

More than any other topic, prophecy represents the point at which the Divine meets the human, the Absolute meets the relative. How can a human being attain the Word of God? In what manner does God, when conceived as eternal and transcendent, address corporeal, transitory creatures? What happens to God's divine Truth when it is beheld by minds limited in their power to apprehend, and influenced by the intellectual currents of their time and place? How were these issues viewed by the great Jewish philosophers of the past, who took the divine communication and all it entails seriously, while at the same time desired to understand it as much as humanly possible in the course of dealing with a myriad of other issues that occupied their attention? This book offers an in-depth study of prophecy in the thought of seven of the leading medieval Jewish philosophers: R. Saadiah Gaon, R. Judah Halevi, Maimonides, Gersonides, R. Hasdai Crescas, R. Joseph Albo and Baruch Spinoza. It attempts to capture the `original voice' of these thinkers by looking at the intellectual milieus in which they developed their philosophies, and by carefully analyzing their views in their textual contexts. It also deals with the relation between the earlier approaches and the later ones. Overall, this book presents a significant model for narrating the history of an idea.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Carlo Michelstaedter (1887-1910) committed suicide at the age of 23, days after completing this devastating treatise on the human condition and the course of Western civilization. This work was deemed to be so radically nihilistic, or so radically idealistic, that publishers shied away from it for decades. This new English translation brings to life the heartfelt text of the precocious Italian-Jewish writer, poet, and painter, who, refusing to compromise with life, remained loyal to his ideal of a perfect world. Keenly aware of the inevitable catastrophe that the values of his time held in store for humanity, Carlo Michelstaedter, with Persuasion and Rhetoric, also provides a pithy - albeit idiosyncratic - synthesis of the major currents of philosophical thought that held sway at the beginning of the 20th century. Its searing honesty and mordant critique have not lost any immediacy, almost a century after the work was completed as a university thesis. The reader is challenged to re-examine the dull norms, conventions, and patterns of thought all too readily adopted as humanity willingly, pathetically courts its own demise. And yet, amidst this gloomy vision, Michelstaedter forces the reader to re-appraise the here-and-now, to summon the courage to live a life worthy of being lived.

A provocative collection of essays by one of the foremost thinkers of second-wave feminism In a career spanning four decades, Alix Kates Shulman has written on issues ranging from marriage, sex, and divorce to religious identity, age, and family devotion. Throughout her diverse body of work runs a staunch advocacy of equal rights and social justice. Beginning with her provocative essay "A Marriage Agreement," written in 1969, and continuing through to the heartrending "Caring for an Ill Spouse, and Other Caregivers," written in 2011, this collection provides a window into the social movements that defined an era. Witty, stirring, and poignant, A Marriage Agreement and Other Essays illustrates how each generation, in Shulman's words, "can do no more than add its bit to the endless river of consciousness and change."