"In Catbird: The Ballad of Barbi Prim, the world meets an insightful, opinionated eight-year-old who's already taken a few steps toward becoming a pioneer--but also a shadow of her quirky self. Although she's corroded--sometimes literally--by a toxic but familiar social atmosphere, her love of singing propels her to become the first ordained woman cantor in 3,000 years of Jewish history. A family crisis exposes old and enduring wounds, but she begins to rescue herself--by diligently going to therapy--and embarks on an imperfect but perpetual metamorphosis, becoming the well-coiffed heroine of her own story. Barbara Ostfeld shows us that we are all brave pioneers--at becoming our true selves." -- Amazon.com.

Preface / S. Dillon Ripley -- Foreword / Wilton S. Dillon -- Introduction / Allan J. Lichtman -- Essays on the Family -- Lessons from Nature? Monogamy among Humans and Other Mammals / Devra G. Kleiman -- The First Americans: Migrations to a New World / T. Dale Stewart -- Continuity across Generations: The Adams Family Myth / David F. Musto -- The Depression Experience in Mens Lives / Glen H. Elder, Jr. and Richard C. Rockwell -- Changing Risks, Changing Adaptations: American Families in the Nineteenth and Twentieth Centuries / John Modell -- Aging Patterns in Black Families / Jacquelyne Johnson Jackson and Bertram Emmanuel Walls -- Kinship, Community, and Locality in American Culture / David M. Schneider -- The Making of a Community: The Role of Women in an Agricultural Setting / Seena B. Kohl -- Caring for the Insane in Ante-Bellum Massachusetts: Family, Community, and State Participation / Barbara G. Rosenkrantz and Maris A Vinovskis -- Roots of the American Family: From Noah to Now / Francis L.K. Hsu -- Workshops and Colloquia -- Family Photo Interpretations (Participants: Joan R. Challinor, Jonathan Garlock, Judith Mara Gutman, Amy Kotkin, Catherine Hanf Noren, Amalie Rothschild, Jamil Simon, William Stapp, Elisabeth Weis) -- Collecting Oral History (Participants: Robert Byington, E. Culpepper Clark, Susan Kalcik, Robert McCarl, Beverly Robinson, Ralph Rinzler, Steven Zeitlin) -- Family Documents (Participants: Allen F. Davis, Richard S. Lackey, Bill R. Linder, Sylvia Wright Mitarachi, James Walker) -- Whither Families? (Participants: Wilton S. Dillon, Jared Hoffman, Francis L.K. Hsu, A. Sidney Johnson III, Rosabeth Moss Kanter, Margaret Mead) -- Epilogue / Joan R. Chandler.

Written by Alexander Trachtenberg in 1935, The History of May Day is an invaluable asset for any Marxist-Leninist student. In this classic pamphlet Alexander Trachtenberg delivers a concise history of the origins of May Day. The origin of May Day is indissolubly bound up with the struggle for the shorter workday--a demand of major political significance for the working class. This struggle is manifest almost from the beginning of the factory system in the United States. Although the demand for higher wages appears to be the most prevalent cause for the early strikes in this country, the question of shorter hours and the right to organize were always kept in the foreground when workers formulated their demands against the bosses and the government. As exploitation was becoming intensified and workers were feeling more and more the strain of inhumanly long working hours, the demand for an appreciable reduction of hours became more pronounced.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

From a height of almost 100,000 members during the Depression, when politicians, workers, and intellectuals were drawn into its orbit, the American Communist Party has descended into irrelevance and isolation, failing even to run a presidential candidate in 1988. Indeed, as Guenter Lewy writes in this critical account of American Communism, despite decades of feverish activity and ferocious discipline, it was a cause doomed to fail from the very beginning. In The Cause that Failed, Lewy offers an incisive narrative of the American Communist Party from the days of John Reed to the advent of glasnost. He traces its origins and development, underscoring how its devotion to Moscow and inflexible Marxist ideology isolated it from the American scene--in fact, most of its first members were Eastern European immigrants. During the left wing tide of the Depression the Communist Party reached the peak of its influence, as it joined labor unions and progressive organizations in a "Popular Front." But Lewy reveals the deceptive, antidemocratic, self-defeating tactics the Communists pursued even then, as they manipulated front organizations, seized control of political parties, peace groups, and labor unions, and enforced political conformity among members and sympathizers. He follows the Party through its inexorable decline in the succeeding decades, up to its current position as one of the last Stalinist parties left in a world of glasnost and perestroika. Lewy also provides a sharply critical discussion of the encounter between Communism and liberal and mainstream America

For The Louisana Territory. While white men toyed with the future of nations in the gilded drawing rooms of Europe, black men fought a bloody and desperate battle for independence on a small Caribbean island... a struggle which held the key to Napoleon's Empire of Louisiana And as the world trembled, destiny brough 3 leaders together in the most staggering collision of power since the American Revolution.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"In 1909 Francisco Ferrer founded La Escuela Moderna with a curriculum based on the natural sciences and moral rationalism, freed of all religious dogma and political bias. Although students received systematic instruction, there were no prizes for scholarship, no marks or examinations, indeed no atmosphere of competition, coercion, or humiliation. The classes, in Ferrer's words, were guided by the "principle of solidarity and equality." For this he was murdered in 1909 by the combined forces of Spain's ruling Church and State." "Outraged by Ferrer's execution and influenced by his teaching methods, anarchists, artists, and educators joined forces to carry on his work. Between 1910 and 1960 anarchists across the United States established more than twenty schools where children might study in an atmosphere of freedom and self-reliance in contrast to the formality and discipline of the traditional classroom. These "Modern Schools" sought to abolish all forms of authority, political and economic as well as educational, and to usher in a new society based on the voluntary cooperation of free individuals. Their object, during an era of war, social ferment, and government repression, was to create not only a new type of school, but also a new culture, a new life, a new world." "Among the participants in the Modern School Movement were anarchists Emma Goldman and Alexander Berkman, feminist Margaret Sanger, authors Will and Ariel Durant, and groundbreaking artists Robert Henri, George Bellows, and Man Ray. Based on extensive interviews with former pupils and teachers, this work is an investigation into the potential of educational alternatives."--BOOK JACKET.

"The American Federationist, Volume 18" offers a comprehensive look into the activities and perspectives of the American Federation of Labor (AFL) during a pivotal period in American labor history. Featuring contributions from prominent figures such as Samuel Gompers, John McBride, and William Green, this volume provides invaluable insights into the key issues, debates, and strategies that shaped the labor movement in the early 20th century. Readers will find detailed coverage of topics ranging from workers' rights and wages to union organizing and legislative advocacy. The writings and reports included in this volume reflect the AFL's commitment to advancing the interests of American workers and promoting social and economic justice. This historical record serves as an essential resource for scholars, students, and anyone interested in understanding the evolution of labor relations in the United States. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Unrhymed verses and line drawings tell the story of a little girl who finds many places to hide.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In 1975, at the age of forty, Richard Raskind, a renowned eye surgeon and highly ranked amateur tennis player, "died," and Renée Richards was "born," in what was to become the most public and highly scrutinized sex reassignment to date. It was not until Renée Richards was discovered playing in an amateur tennis tournament that the world took notice. Extensive media coverage and criticism thrust Renée reluctantly into the spotlight, sparking an intense public debate over her private life. Now, at seventy-two, Richards looks back and speaks frankly about all aspects of her complicated and often notorious life in this eye-opening, thought-provoking memoir. Richards' honest and compelling narrative explores the dichotomy between the successful life she lived as Dr. Richard Raskind, who seemed to have everything (devoted friends, a beautiful wife and son, a stellar record of academic and professional achievement, and outstanding athletic ability), and a secret life of struggle with a drive that could not be suppressed, even by years of psychotherapy and the force of a considerable will. Richards takes readers through her difficult decision to undergo surgery and the complex mixture of relief and continued frustration that came with the realization of her new identity. Discussing life after her transformation, Richards candidly relates the details, trials, and pleasures of her romantic life as well as fascinating stories about her tennis career, including her experiences as Martina Navratilova's coach. She also provides an intimate account of her difficult but rewarding relationship with her rebellious son: runaway teenager, high-stakes Vegas gambler, karate champion, and entrepreneur. She describes the deterioration of a once-loving marriage and the challenges of reclaiming her place at the forefront of her demanding medical specialty. Having lived as a woman almost as long as she lived as a man, Richards draws on a personal history that illuminates thirty years of remarkable change in society's attitude toward gender issues. Her absorbing and inspiring story, at once heartbreaking and uplifting, is a testimony to how far we have progressed in our ability to discuss and accept sexuality in all its iterations, as well as a reminder of how far we still must travel.

A Memoir of Creativity chronicles one woman's life journey as she derives a theory, revealing meaning in abstract painting, from varied personal and professional experiences, and tells how she locates this theory within a broader social context. In 1966, Piri Halasz became the first woman within living memory to write a cover story for Time (and not just any cover story, either: the notorious one on "Swinging London"). With wit and wisdom, she provides a glimpse into her "red-diaper" childhood, as well as reporting on her climb at Time from research to the writing staff. Vividly, she describes her controversial career as a female journalist during the sixties, offering an inside view of newsweekly rivalries during that tempestuous decade. Halasz then moves on to her initiation into the art world, her lively interaction with some of its most distinguished denizens and her immersion in graduate school. She concludes with what she has learned about art, art history, and history itself since the early eighties, applying that knowledge to better understand the twenty-first century. Through sharing her life story, Halasz encourages others to remain open to new experiences, to try different ways of seeing, and to use creativity to tackle hurdles.

This is a revised version of the original Polish edition; the author collected six more tapes of interviews with Alex and wrote a large portion of the book anew. At the time of printing, Alex still refused to reveal his last name for the book.

"Internationally recognized scholar David Ellenson shares twenty-three of his most representative essays, drawing on three decades of scholarship and demonstrating the consistency of the intellectual-religious interests that have animated him throughout his lifetime. These essays center on a description and examination of the complex push and pull between Jewish tradition and Western culture. Ellenson addresses gender equality, women's rights, conversion, issues relating to who is a Jew, the future of the rabbinate, Jewish day schools, and other emerging trends in American Jewish life. As an outspoken advocate for a strong Israel that is faithful to the democratic and Jewish values that informed its founders, he also writes about religious tolerance and pluralism in the Jewish state. The former president of Hebrew Union College-Jewish Institute of Religion, the primary seminary of the Reform movement, Ellenson is widely respected for his vision of advancing Jewish unity and of preparing leadership for a contemporary Judaism that balances tradition with the demands of a changing world. Scholars and students of Jewish religious thought, ethics, and modern Jewish history will welcome this erudite collection by one of today's great Jewish leaders"--

"In the late nineteenth and early twentieth centuries, both Muslim and non-Muslim Turks went to try their luck in the New World. [...] Drawing upon eyewitness testimony, Rifat N. Bali tells the story of a century of Turkish immigrants to the USA."--Back cover.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.