"Demetrio Rota, a garbage collector from Buenos Aires, sleeps in the afternoons and assembles puzzles at night before leaving for work. His daily life is mediocre and he keeps his balance through sheer exhaustion. However, through the puzzles, Demetrio inspects and sorts through his own memories. At the end of the journey through his history, the present seems to devour him, until he's left with only the emptiness of himself and his daily misery. A parable of memory and deterioration, Andrés Neuman's Bariloche juxtaposes the astonished memories of youth with a skeptical conscience; the impossible idealization of nature or first love with the moral and physical suffocation of the big city; being uprooted with returning to one's origins, with a language fascinated by both lyricism and rottenness"--

Covering the how and why of etymology (along with generous helpings of who, what when and where) Word Origins explains the science behind the word histories we take so much for granted. With this book, you'll not only learn the origins of hundreds of words, you'll understand how true word histories are actually uncovered. Part history, part how-to manual, Word Origins draws back the curtain to show how etymologists perform amazing feats of word archaeology.

Review "To see why Gregorio became a folk hero, one only has to remember that in practice there was one law for Anglo-Texans, another for Texas Mexicans. The chase, capture, and imprisonment of Cortez are high drama.... This is an extraordinary book." (Tennessee Folklore Society Bulletin) Product Description Gregorio Cortez Lira, a ranchhand of Mexican parentage, was virtually unknown until one summer day in 1901 when he and a Texas sheriff, pistols in hand, blazed away at each other after a misunderstanding. The sheriff was killed and Gregorio fled immediately, realizing that in practice there was one law for Anglo-Texans, another for Texas-Mexicans. The chase, capture, and imprisonment of Cortez are high drama that cannot easily be forgotten. Even today, in the cantinas along both sides of the Rio Grande, Mexicans sing the praises of the great "sheriff-killer" in the ballad which they call "El Corrido de Gregorio Cortez." Américo Paredes tells the story of Cortez, the man and the legend, in vivid, fascinating detail in "With His Pistol in His Hand," which also presents a unique study of a ballad in the making. Deftly woven into the story are interpretations of the Border country, its history, its people, and their folkways.

"A multidisciplinary appraisal of who the Pharisees were, what they taught, and how they have been understood and depicted throughout history"--

'The PLO: The Struggle Within' is a comprehensive and up-to-date history of the PLO and the development of Palestinian political thinking. Based on access to the PLO's own documents and numerous interviews with the readers of its various groups and factions, the author recounts the major debates that have taken place within the movement over the past two decades. Alain Gresh illustrates how the PLO has made the difficult transition from the original idea of the destruction of the state of Israel to the current notion of recovering at least some part of occupied Palestine and creating there a separate and independent Palestinian State alongside Israel. The breakdown of Palestinian power in Lebanon following the Israeli invasion, Arafat's clash with Syria, the siege of the refugee camps and the attempt to create a new united Palestinian strategy for the next decade are crucial elements in the evolution of the Middle East conflict. In this updated and revised second edition, Gresh covers the impact of these changes and draws out their implications for the final decade of this century.

Agnes de Mille's wide-ranging knowledge of the history of dance informs this authoritative examination of early Indian dancing rituals, the contributions of Balanchine, Robbins, and Kidd, contemporary ballet, and even the recent disco phenomenon

"This book collects some two dozen pieces from bestselling author Adam Hochschild, written over the past 25 years. All have been published before, most in the New York Review of Books but also in the New Yorker, Harper's, Mother Jones, and elsewhere. They are a mixture of essays about books, authors, one film, and the writing of history and on-the-ground journalism based on reporting from India, Africa, and elsewhere"--Provided by publisher.

This is a representative collection of the work of the late A.J. Ayer, one of the most influential contemporary philosophers. It includes his Whidden lectures on freedom and morality, which were presented at McMaster University in 1983, a previously unpublished essay on J.L. Mackie's Theory of Causal Priority, and seven other essays which cover such topics as references and identity, the causal theory of perception, the prisoner's paradox, self-evidence and certainty, and the history of the Vienna Circle.

Deep in the heart of history's most infamous concentration camp, a man lies dreaming. His name is Shomer, and before the war he was a pulp fiction author. Now, to escape the brutal reality of life in Auschwitz, Shomer spends his nights imagining another world - a world where a disgraced former dictator now known only as Wolf ekes out a miserable existence as a low-rent PI in London's grimiest streets. An extraordinary story of revenge and redemption, A Man Lies Dreaming is the unforgettable testament to the power of imagination

"A broad panorama in brilliant prose." -- American Historical Review In this groundbreaking work of labor history, Irving Bernstein uncovers a period when industrial trade unionism, working-class power, and socialism became the rallying cry for millions of workers in the fields, mills, mines, and factories of America. With an introduction by Frances Fox Piven.

The Military History of the Soviet Union and The Military History of Tsarist Russia treat Russian military history from the rise of the Muscovite state to the present, even peeking briefly into the future. The two volumes will cover Russia's land forces extensively, but will also cover the development of the Russian Navy, and the creation and development of the Russian Air Force, parts of the Russian military machine which are frequently neglected in general writings. The historical analysis will address the development and function of the Russian military whether in peace or in war, as well as the impact of war and changes in the military upon Russian society and politics.

Western Europe is in a strangely neurotic condition of being smug and terrified at the same time. On the one hand, Europeans believe they have at last created an ideal social and political system in which man can live comfortably. In many ways, things have never been better on the old continent. On the other hand, there is growing anxiety that Europe is quickly falling behind in an aggressive, globalized world. Europe is at the forefront of nothing, its demographics are rapidly transforming in unsettling ways, and the ancient threat of barbarian invasion has resurfaced in a fresh manifestation. In The New Vichy Syndrome , Theodore Dalrymple traces this malaise back to the great conflicts of the last century and their devastating effects upon the European psyche. From issues of religion, class, colonialism, and nationalism, Europeans hold a "miserablist" view of their history, one that alternates between indifference and outright contempt of the past. Today's Europeans no longer believe in anything but personal economic security, an increased standard of living, shorter working hours, and long vacations in exotic locales. The result, Dalrymple asserts, is an unwillingness to preserve European achievements and the dismantling of western culture by Europeans themselves. As vapid hedonism and aggressive Islamism fill this cultural void, Europeans have no one else to blame for their plight.

Pre-eminent author and art historian - Simon Schama has written widely on art for many years to great acclaim. In "Hang-Ups", a personal selection of his articles from, amongst others, The New Yorker, appears in Britain for the very first time. Brilliantly and lucidly written by one of the most singular voices in non-fiction, this volume of provocative and often idiosyncratic essays makes hugely satisfying reading for lovers of both art and social history. It contains pieces on artists as diverse as David Hockney, Rembrandt and Charles Rennie Mackintosh, and on such subjects as the 'unforgettable peculiarity' of Stanley Spencer. From the author whose writing has been called 'sublime' and whose ability to bring art and history vividly to life has earned him admiration worldwide, "Hang-Ups" is Schama's rallying cry for the art lover to look at familiar works of art and their artists - and embrace a new way of seeing.

The essays in this volume deal with political ethics; morality and international relations; the meaning of liberalism; the philosophy of history; the nature of totalitarianism; the responsibility of intellectuals in a free society; and the contemporary crisis of democratic theory and practice.

The Asatir (Samaritan Book of the Secrets of Moses), was translated by Dr. Gaster and published in 1927. He claims it was compiled around the middle or end of the third century B.C., and is the "oldest book in existence of this kind of literature." This edition also contains The Pitron (Samaritan Commentary) and the Samaritan Story of the Death of Moses. "The best way to describe the Asatir is to call it a Midrash, Aggadah, or legendary supplement to the Pentateuch. Unlike other Apocrypha with which it has much in common, the author does not attempt to retail anew the sacred history and to present it in a specific form, and with a deliberate tendency. He is content to leave the sacred scripture as it stands, without meddling with its narrative and without trying to readjust the events recounted therein, according to a certain preconceived system either legal or astronomical."

"To confront American culture is to feel oneself encircled by a thin but strong presence. I call it Emersonian, an imprecise term but one that directs us to a dominant spirit in the national experience." Thus Irving Howe, America's distinguished social critic and a longtime reader of the Sage of Concord, begins this illuminating discussion of Emerson and his disciples and doubters. What is the Emersonian spirit? What inspired it, what propelled it? And what does it mean to us today? History gave Emerson his opportunity and then took it away. Coming to manhood during the 1830s and 1840s, the time of "the newness" when Americans beheld the world with unbounded expectations, Emerson became the spokesman for the self-reliant new man he believed had arisen, ready to thrust aside mossy traditions and launch a new revolution of freewheeling thought. But the rapid pace of the American experience overtook the Emersonian vision; in the 1850s, the rising problems of slavery, a boom-and-bust economy, the vulgarity of mass culture overwhelmed the idealist. His satellite spirits wavered and shrouded the Emersonian optimism: Hawthorne, with his stories of moral breakdown; Thoreau, rooted in nature yet inclined to the cranky and fanatical; Melville, his fathomless blackness waiting beneath archetypal fables of innocence and evil also Walt Whitman, Orestes Brownson, Twain--all were influenced by, yet reacted against, the Emersonian "newness." Howe identifies three kinds of response: the literature of work (Melville and Mark Twain), the literature of Edenic fraternity (James Fenimore Cooper, Whitman, Twain again), and the literature of loss (all the post-Civil War writers). He lays before us the intellectual and personal tragedy of the first great American man of letters, yet also shows that Emerson's belief in the untapped power of free men pervades not only the lives and works of his contemporaries but is also a permanent part of the American psyche.

Here for the first time ever... JFK Assassination evidence suppressed for 12 years...The actual documents and pictures! - The end of the cover-up - official lies exposed - The actual official documents the Warren Commission did not have and did not want - reproduced here. - The actual scientific proof that Oswald could not have killed JFK - suppressed to now. - The actual TOP SECRET Commissioner deliberations when they learned Hoover and the FBI had them boxed in to prevent real investigation and their decision to destroy that record - reproduced here. - The actual suppressed proof of a conspiracy and how it was hidden by both the Commission and the FBI. - The autopsy evidence, medical evidence, ballistics evidence, not previously known - officially suppressed. - This is the report of a decade-long investigation like no other, giving the real documentary proofs, telling how they were obtained and where. - It must - it will - cause a new investigation for which it provides hundreds of pages of evidence suppressed until now. It will go to the Congress. - Never in history such proofs as here for the first time are reproduced - the documents themselves!

An important work by 20-century philosopher Hans Blumenberg, here translated into English for the first time, The Laughter of the Thracian Woman describes the reception history of an anecdote best known from Plato's Theaetetus dialogue: while focused on observing the stars, the early astronomer and proto-philosopher Thales of Miletus fails to see a well directly in his path and tumbles down. A Thracian servant girl laughs, amused that he sought to understand what was above him when he was not mindful of what was right in front of him. Variants of this story recur in texts by Diogenes Laertius, Church Fathers Tertullian and Eusebius, medieval and Renaissance-era preachers, Enlightenment figures Voltaire, Montaigne, Bacon, and Kant, and later in works by Feuerbach, Nietzsche, Heidegger, and Blumenberg's own colleagues. Some of these philosophers sympathize with Thales' ambitions while others chastise his negligence. Blumenberg sees the story as a highly sought substitute for our missing knowledge of the earliest historical events that would fit the label ?theory.? By retelling the anecdote, philosophers reveal their distinctive values regarding absorption in curiosity, philosophy's past, and the demand that theorists abide by sanctioned methods and procedures. In this work and others, Blumenberg demonstrates that philosophers' most beloved images and anecdotes have become indispensable to philosophy as metaphors; that is, as representations whose meanings remain indefinite and invite frequent reinterpretation.