''A fascinating account of the trials and tribulations behind what turned into a triumphant South African production of Shakespeare's bloodiest tragedy, Titus Andronicus' (Independent). Shakespeare in Tarantino mode is how actor Antony Sher and director Gregory Doran describe Titus Andronicus, one of the most violent plays ever written. They decided to mount a production at the celebrated Market Theatre in Johannesburg with a top South African multi-racial cast. This is an account of their extraordinary journey- from the historic first visit of the Royal National Theatre Studio to South Africa in 1994, to the rehearsals and controversial opening of Titus at the Market, and the acclaim that greeted its subsequent performances in London, Leeds and Spain. This is not only a fascinating insight into how a director and actor approach a classic play, it is also a portrait of theatre in South Africa, emerging from the dark ages of apartheid, and a moving and often funny account of Antony Sher's professional debut in his homeland.''

"This book is the first authoritative analysis of the theory of translation in German Romanticism. In a systematic study of Herder, Goethe, Schlegel, Novalis, Humboldt, Schleiermacher, and Hölderlin, Berman demonstrates the importance of the theory of translation for an understanding of German romantic culture, arguing that never before has the concept of translation been meditated in such detail and such depth. Indeed, fundamental questions that arise again today, such as the question concerning the proper versus the literal, of the Other to a given culture, the essence of the work of art, and of language, all these issues, and many more, are shown to have been premeditated in a most important manner by these German Romantics.

Anka Muhlstein's lively biography, translated by Teresa Waugh, introduces American readers to Astolphe de Custine, a passionate literary figure, a poet, playwright, essayist, traveler, aristocrat and homosexual adventurer. Against the fascinating background of early-19th-century France, Anka Muhlstein presents the gifted if at times deplorable Custine with vivacity, elegance, and insight. It is a splendid introduction to the Marquis and his world and to his famous 1839 tour of autocratic Russia -- Daniel Aaron. Briliant, visionary, beautiful Astolphe -- man of letters and man of society -- finally gets his biography . . . -- French elle Magazine ... -- Amazon

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The story begins in the aftermath of a nuclear war that has reduced our world to ashes. Luckily, a few found their way to the stars and into immortality. In the year 3000, nostalgic for the past, they return to Earth in an effort to reconstruct the lives of the people who lived there.

Ben-Meir, Alon

"In this definitive and meticulously researched account of the Jewish experience in Canada, award-winning and critically acclaimed author Allan Levine documents a story that is rich, accessible, often surprising, and epic in its scope. Relying on an abundance of primary sources and first-hand documentation and interviews, Seeking the Fabled City chronicles the successes and failures, the obstacles overcome and those not conquered, of a historic journey and the people who travelled it. Seeking the Fabled City is a story that unfolds over 250 years--from the decade after the conquest of New France in 1759, when small numbers of Sephardic Jews of Spanish and Portuguese descent arrived in British North America, through the great wave of Russian and Eastern European Jewish immigration at the turn of the twentieth century, to the present, in which Canada's large Jewish community, no longer hindered by the anti-Semitism of the past, is free to flourish. This is a chronicle of a people that takes place at hundreds of locales across the country--mainly in the large urban centres of Montreal, Toronto, Vancouver, and Winnipeg, but also in west coast and maritime villages and tiny prairie towns--in a riveting drama with a cast of thousands."--

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"The Görlitz synagogue was inaugurated in 1911. The 600-seat Jewish house of prayer with its magnificent blend of neoclassical architecture and Art Nouveau interior was set on fire during the Night of Broken Glass, but not destroyed. The book tells the story of this architectural jewel, the players, problems, and finally the completion of its rescue."--Page 4 of cover.

In The Unveiling of the National Icons, Albert Boime analyses the creation and reception of several American national monuments as a means of understanding the politics of memory and national icons. In engaging, 'behind the scenes' accounts of several highly visible symbols, such as the American flag, the Statue of Liberty, and Mount Rushmore, among others, he demonstrates how these icons have been manipulated for patriotic purposes. Boime also shows how these monuments express individual and collective needs and how they are subject to contested readings, despite their origins in the creative imaginations of conservatives and privileged members of America. Examining these symbols as a group for the first time, this book is also the first serious investigation of visual artifacts that are too often taken for granted.

"In The Other Judaisms of Late Antiquity the late Alan F. Segal is at his very best. This reissued and expanded edition--now containing his celebrated "Heavenly Ascent in Hellenistic Judaism, Early Christianity, and Their Environment"--delineates the variegated nature of both Judaism and Christianity in their formative periods. As Segal demonstrates, it is more accurate to speak of Judaisms and Christianities. Through his deft deployment of social-scientific methods and due attention to Jewish primary sources from the Second Temple period, Segal is able to trace the intricate, internecine struggles among Jewish, Christian, and gnostic communities in the earliest days of the Common Era. In doing so, Segal masterfully validates the importance of inductive historical reconstruction and analytical comparative study for illuminating the complex religious world of the first three centuries"--back cover.

Looks at the common interests of Israel and Jordan, and traces their relationship during the last eighty years

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"In this controversial study, Aaron W Hughes breaks with received opinion that imagines two distinct religions, Judaism and Islam, interacting in the centuries immediately following the death of Muhammad in the early seventh century. Tradition describes these relations using tropes such as that of "symbiosis." Hughes instead argues that various porous groups--neither fully Muslim nor Jewish--exploited a shared terminology to make sense of their social worlds in response to the rapid process of Islamicization. What emerged as normative rabbinic Judaism on the one had, and Sunni and Shi'i Islam on the other were ultimately responses to such marginal groups. Even the spread of rabbinic Judaism, especially in the hands of Saadya Gaon (882-942 CE), was articulate Islamically. The emergence of the so-called "Golden Age" in places such as Muslim Spain and North Africa continued to see the articulation of this "Islamic" Judaism in the writings of luminaires such as Bahya ibn Paquda, Abraham ibn Ezra, Judah Halevi, and Moses Maimonides. Drawing on social theory, comparative religion, and original sources, Hughes presents a compelling case for rewriting our understanding of Jews and Muslims in their earliest centuries of interaction. Not content to remain solely in the past, however, he also examines the continued interaction of Muslims and Jews, now reimagined as Palestinians and Israelis, into the present"--