Surviving Auschwitz, 18-year old Elli leaves behind painful memories to start fresh in America in 1951. She faces challenges of creating a new life in hectic New York City. A powerful glimpse of immigrant America through the eyes of this teenager.

Over 2,000 years ago in Shushan, the capital city of the Persian Empire, a Jewish queen saved her people form a wicked man plotting against the Jews. Her name was Esther, and she outwitted the king's chief minister, Haman, who planned to rob and kill the Jews. This retelling of the biblical story, the basis of the Purim holiday, is beautifully presented for young readers.

At seventeen, Dorothea Lange knew she would be a photographer--even though she had never taken a picture. She had grown up observing the life of the poor people in the street with an artist's keen eye. As a young photographer, Dorothea focused that eye on the hungry and homeless people of the Great Depression. She traveled across the country, documenting their struggles. Today her pictured are treasured not only as works of art, but as testaments to human strength.

New York Times writer Ira Berkow presents a compelling account of the life and career of Hank Greenberg, the first Jewish ballplayer to be elected to the National Baseball Hall of Fame. (Ages 10 and up)

Caught in the Nazi trap in her native Poland, Rose Zar's father urged her to save herself by hiding in the mouth of the wolf -- within the enemy itself. She survived as a housekeeper for an SS commandant.

Who was the real John Henry? The story of this legendary African - American figure has come down to us in so many songs, stories, and plays, that the facts are often lost. Historian Scott Nelson brings John Henry alive for young readers in his personal quest for the ''''true story'''' of the man behind the myth. Nelson presents the famous folk song as a mystery to be unraveled, identifying the embedded clues within the lyrics, which he examines to uncover many surprising truths. He investigates the legend and reveals the real John Henry in this beautifully illustrated book. Nelson's narrative is multilayered, interweaving the story of the building of the railroads, the period of Reconstruction, folk tales, American mythology, and an exploration of the tradition of work songs and their evolution into blues and rock and roll. This is also the story of the author's search for the flesh - and - blood man who became an American folk hero; Nelson gives a first - person account of how the historian works, showing history as a process of discovery. Readers rediscover an African - American folk hero. We meet John Henry, the man who worked for the railroad, driving steel spikes. When the railroad threatens to replace workers with a steam - powered hammer, John Henry bets that he can drive the beams into the ground faster than the machine. He wins the contest, but dies in the effort. Nelson's vibrant text, combined with archival images, brings a new perspective and focus to the life and times of this American legend.

When Jacqueline met Anne on her way home from school in the 1940s, the two girls formed an instant friendship. But with every day came an increasing sense of fear, especially as the Nazis took over Amsterdam. Despite the impending war, the friendship between Anne Frank and Jacqueline van Maarsen would never be broken, even when Anne was forced into hiding. In this beautiful memoir, Jacqueline remembers Anne, their friendship, and the chilling Holocaust experience of barely escaping deportation by the Nazis, helplessly watching friends and family disappear, and starting her life again after the war. Through Jacqueline's memories and black-and-white photos, Anne Frank will come to life and continue to be remembered. "[A] fascinating account of Anne, her family, and her friends before she went into hiding . . . This absorbing book vividly portrays life in occupied Amsterdam and throws interesting sidelights on Anne Frank's story."— Booklist

The career of astronomer from a woman astronomer's point of view.

Illustrated with Nelly's original watercolors, this powerful memoir tells the true story of how a little girl's imagination helped her survive World War II. The Nazis come to Poland when Nelly is six. By the time she turns eight, the events of World War II have taken almost everyone she loves. Scared, lonely, and running from the Nazis, Nelly hides in the bedroom of a Gentile couple in Lwow, Poland. For over a year, she lives in fear of discovery, writing in her diary and painting pictures of a fantasy world filled with open skies and happy families. For 13 months during World War II, the author and her mother were hidden from the Nazis. Like Anne Frank, Nelly kept a diary and through that outlet transformed her grim reality into an enchanting fantasy world. "Without emphasizing horror and loss, Toll conveys the effects of human evil and human folly, summoning up the forces of tragedy and courage." -- Publishers Weekly "In Toll's remembrance, art equals hope: her happy family pictures, painted in the secret room where she and her mother hid from the Nazis and the Poles, show extraordinary preteen talent as well as the will to survive." -- Kirkus Reviews

Hetty was just twelve years old in 1943 when her family was torn apart by the Nazis. Rounded up from their home in Amsterdam, Hetty and her brothers were sent to the children's house at Bergen-Belsen concentration camp. There, Hetty became known as the 'Little Mother', helping to look after the babies, toddlers and children through those terrible years. In her direct and powerful style, Hetty recalls one of the remarkable, largely untold stories of the Holocaust.

A biography of the outspoken New York politician who became the first black person to the elected to Congress from Brooklyn and the first black Congresswoman in history.

Looks at the life and career of Sally Ride, who in 1983 became the first American woman to travel in space.

"Marcia Davenport tells vividly of the desperate struggle of years of guerilla warfare, the relentless determination of a leader dedicated to the cause of freedom, and the adoration of a grateful people."

Portraits of five Black women and the kind of music they sang during a period of social change. Includes Ma Rainey, Bessie Smith, Mahalia Jackson, Billie Holiday, and Aretha Franklin.

Describes The Events Leading Up To The Signing Of The Emancipation Proclamation That Freed Over Four Million Slaves In The United States.

The beloved Caldecott Honor artist now recounts a tale of vastly different kind -- her own achingly potent memoir of a childhood of flight, imprisonment, and uncommon bravery in Nazi-occupied Poland. Anita Lobel was barely five when the war began and sixteen by the time she came to America from Sweden, where she had been sent to recover at the end of the war. This haunting book, illustrated with the author's archival photographs, is the remarkable account of her life during those years. Poised, forthright, and always ready to embrace life, Anita Lobel is the main character in the most personal story she will ever tell.Anita Lobel was barely five years old when World War II began and the Nazis burst into her home in Krakow, Poland, changing her life forever. She spent the days of her childhood in hiding with her brother--who was disguised as a girl--and their Catholic nanny in the countryside, the ghetto, and finally in a convent where the Nazis caught up with her. She was imprisoned in a succession of concentration camps until the end of the war. Sent by the Red Cross to recuperate in Sweden, she slowly blossomed as she discovered books and language and art. Since coming to the United States as a teenager, Anita Lobel has spent her life making pictures. She has never gone back. She has never looked back. Until now. 00-01 Tayshas High School Reading List Anita Lobel was barely five years old when World War II began and the Nazis burst into her home in Krakow, Poland, changing her life forever. She spent the days of her childhood in hiding with her brother--who was disguised as a girl--and their Catholic nanny in the countryside, the ghetto, and finally in a convent where the Nazis caught up with her. She was imprisoned in a succession of concentration camps until the end of the war. Sent by the Red Cross to recuperate in Sweden, she slowly blossomed as she discovered books and language and art. Since coming to the United States as a teenager, Anita Lobel has spent her life making pictures. She has never gone back. She has never looked back. Until now.

To nine-year-old Willie Powell, there was no prettier sight than the smooth grass lawns of Edgewater Golf Cource. He had been so eager to see them that he'd run seven miles to where the course was situated outside of town. But his elation didn't last. When he asked two golfers if they'd teach him the game, one man responded by saying, 'Son, didn't anyone ever tell you that your kind is not welcome here?' In the 1920's there was no place for Willie, or any black person, on a golf cource. It was a game for white people only, at least in America. But his enthusiasm for golf and his belief in what he knew to be right drove Willie Powell to change that, and to change minds.

The man with the spats rolled up his sleeves and proceeded to pluck a polished red billiard ball out of thin air. Presto! It vanished. Abracadabra! It reappeared. It turned white. it blushed red again. VoiIá! Suddenly there were four billiard balls between this amazing man's fingers. I was stunned. All of this was happening right under my nose. And there was more. He flipped the deck into falling waterfalls of cards, spun them into fans, and thrust a sword through a shower of cards to impale the seven of diamonds -- selected a moment before. I was dazzled. The moment he finished his act and ushered us gawkers back onto the sidewalk, I knew what I wanted to be. Someone else could be president of the United States. I wanted to be a magician.

"To all those who have for several years sought to discredit the new American literature, Lawrence Ferlinghetti has just dealt a most powerful blow," wrote French critic Pierre Lepape in 1961 when Her was published in France as La Quatrième Personne du Singulier. Calling it "a masterpiece of the young American novel," Lepape declared it was "the confirmation of a great American writer who, in the hall of American literary glories, takes the place left vacant by the death of Hemingway." Lepape went on to speak of the "incredible verbal virtuosity" by which the reader is led through this "laby-rêve," and it is this image of the "labyrinth-dream" which relates Her to the anti-novels of the young French school of Robbe-Grillet and Butor. Being thus very far from the kind of novels produced by Ferlinghetti's immediate contemporaries (whether Beat or academic) this book has met with little but bafflement among American critics. With well over 50,000 now in print Her nevertheless continues to make its own way.