The author provides remarkable insight into the early development of organised Jewish life in the United States. this is a comprehensive, authoritative work about a Long-Neglected but Central figure of 19th century American Jewish

A biography of the American poet, activist for humane causes, and friend to immigrants, who wrote the words now inscribed on the Statue of Liberty.

"Emma Lazarus's most famous poem gave a voice to the Statue of Liberty, but her remarkable life has remained a mystery until now. She was a woman so far ahead of her time that we are still scrambling to catch up with her-a feminist, a Zionist, and an internationally famous Jewish American writer before thse categories even existed. Drawing upon a cache of personal letters undiscovered until the 1980, Esther Schor brings this vital woman to life in all her complexity. Born into a wealthy Sephardic family in 1849, Lazarus published her first volume of verse at seventeen and gained entree into New York's elite literary circles. Although she once referred to her family as "outlaw" Jews, she felt a deep attachment to Jewish history and peoplehood. Her compassion for the downtrodden Jews of Eastern Europe-refugees whose lives had little in common with her own-helped redefine the meaning of America itself. In this groundbreaking biography, Schor argues persuasively for Lazarus's place in history as a poet, an activist, and a prophet of the world we all inhabit today-a world that she helped to invent."--Publisher's website. A portrait of the iconoclastic poet and activist whose words are are set on the Statue of Liberty follows the complex life and times of Emma Lazarus, from her early literary success, to her roles as a feminist, Zionist, and renowned Jewish-American writer.

A clean, unmarked and unclipped copy in a Brodart jacket cover.

Élisabeth Roudinesco offers a bold and modern reinterpretation of the iconic founder of psychoanalysis. Based on new archival sources, this is Freud's biography for the twenty-first century--a critical appraisal, at once sympathetic and impartial, of a genius greatly admired and yet greatly misunderstood in his own time and in ours. Roudinesco traces Freuds life from his upbringing as the eldest of eight siblings in a prosperous Jewish-Austrian household to his final days in London, a refugee of the Nazis' annexation of his homeland. She recreates the milieu of fin de siecle Vienna in the waning days of the Habsburg Empire--an era of extraordinary artistic innovation, given luster by such luminaries as Gustav Klimt, Stefan Zweig, and Gustav Mahler. In the midst of it all, at the modest residence of Berggasse 19, Freud pursued his clinical investigation of nervous disorders, blazing a path into the unplumbed recesses of human consciousness and desire. Yet this revolutionary who was overthrowing cherished notions of human rationality and sexuality was, in his politics and personal habits, in many ways conservative, Roudinesco shows. In his chauvinistic attitudes toward women, and in his stubborn refusal to acknowledge the growing threat of Hitler until it was nearly too late, even the analytically-minded Freud had his blind spots. Alert to his intellectual complexity--the numerous tensions in his character and thought that remained unresolved--Roudinesco ultimately views Freud less as a scientific thinker than as the master interpreter of civilization and culture.

The Austro-Hungarian Empire was rife with ethnic tensions that undermined the possibilities for Jewish assimilation in Central Europe. The Jews were trapped between rising German nationalism and other nationalisms. Discusses various Jewish and non-Jewish attitudes toward the "Jewish problem", whereby Jews were often stereotyped (e.g. by Rosa Luxemburg) or were considered to need a solution separate from that of European majority peoples (e.g. Nathan Birnbaum and Max Nordau). Views Nietzsche as belonging more to the philosemites than the antisemites, for whom he had great scorn; however, his complexity and obscurity provided ammunition for antisemites, including the Nazis. Herzl believed that a Jewish state was needed to provide a home for Jews suffering from antisemitism. Freud's experience of antisemitism, combined with his negative view of human nature, left no room for illusions about Austrian and German acceptance of Jews. Karl Kraus exhibited elements of Jewish self-hatred when he identified the worst elements of contemporary journalism and capitalism with Jews. Karl Lueger used political antisemitism to become mayor of Vienna. He provided a model for Hitler, who imbibed antisemitic attitudes and stereotypes from the cauldron of nationalisms that was Austria-Hungary.

A definitive life of the flawed man who succeeded to the American presidency after Lincoln's assassination and who presided, disastrously, over the tumultuous first years of Reconstruction. Historian Hans L. Trefousse gives us "a brilliant, compassionate portrait of a dynamic era of social change and national healing, and of the tragic failure of an American leader" (LIBRARY JOURNAL). Photos.

Argues Emerson's representatives both as an American writer of his time and as a comprehensive human spirit. Emerson appears here in all his vital contradictions.

The Education of Fanny Lewald is the autobiography of the most popular and prolific German woman writer of her period (1811-1889). The author of more than fifty books of fiction, travel memoirs, and articles about current events, Lewald was a friend or acquaintance of many of the prominent intellectual, artistic, and political figures of nineteenth-century Europe. Her autobiography is clearly and engagingly written. We see her developing from the bright, oldest child of a middle-class Jewish family in East Prussia into a successful writer and financially independent woman. And we see her struggles with a patriarchal society along the way.

A narrative of Napoleon's final years in exile on the island of St. Helena and of a 20th century toxicologistdetective's efforts to prove that his death was caused by arsenic poisoning.

"Voltaire's Coconuts is a wonderfully engaging and witty combination of history and biography which looks at how Europeans have been fascinated by all that it means to be English. Dutch by birth, Buruma came to live in England in 1990 for the third time in his life and noticed a new mood of introspection. Englishness was a subject of endless discussion. Fox hunting was debated, loyalty to English cricket a hot issue, and the future of the monarchy rarely out of the news. This worrying over Englishness resulted, in Buruma's words, 'in great balls of intellectual wool', obscuring the more practical reasons why Europeans have admired (or hated) Britain in the past: its liberal institutions, its civil liberties, its delicate balance between social order and the free pursuit of self-interest. In this brilliant and elegantly written book Buruma examines these ideas about Englishness and what Europeans admired or loathed about Britain. Voltaire wondered why British laws could not be planted in France, or even Serbia, like the precious seeds of coconut trees. Karl Marx thought the English were too stupid to start a revolution; Goethe worshipped Shakespeare; Baron de Coubertin's idea of the modern Olympic Games was inspired by Tom Brown's Schooldays; Theodor Herzl's dream of the Jewish state was fuelled by his love of British aristocracy; and the German Kaiser was convinced that Britain was run by Jews. Combining biographical stories of these European Anglophiles and Anglophobes with memories of his own Anglo-Dutch-German-Jewish family, Ian Buruma has found a wholly original way of describing the relationship between Britain and Europe. This is a dazzlingly clever book which through its exploration of anglomania shows how much Englishness and people's view of it has shaped modern Europe." --Descripción del editor.

In 1818, with a single essay of vast scope and stunning detail, Leopold Zunz launched the turn to history in modern Judaism. Despite unending setbacks, he persevered for more than five decades to produce a body of enduring scholarship that would inspire young Jews streaming into German universities and alter forever the understanding of Judaism. By the time of his death in 1886, his vision and labor had given rise to a historical discourse and intellectual movement that devolved into vibrant sub-fields as it expanded to other geographic centers of Jewish life. Yet Zunz was a part-time scholar, at best, in search of employment that would leave him time to study. In addition to his pioneering scholarship, he was as deeply engaged in ending the political tutelage of German Christians as the civil disabilities of German Jews. And to his credit, these commitments did not come at the expense of his loyalty to the Jewish community, which he was ever ready to serve. Zunz once quipped that "those who have read my books are far from knowing me." To complement his books, Zunz left behind a treasure trove of notes, letters and papers, documents that the distinguished scholar of German Jewish culture, Ismar Schorsch, has zealously utilized to write this, the first full-fledged biography of a remarkable man

From horned devils to greedy money lenders, images have been used as weapons against Jews for thousands of years. Even photojournalist social reformers of the early twentieth century reinforced derogatory stereotypes of Jews as wretched, immoral, and dirty. Little attention has focused, however, on the ways in which Jews themselves have attempted to counteract these views and to construct their own ethnic and political identities. In The Jewish Self-Image in the West , Michael Berkowitz examines dozens of visual renderings from the fin-de-siècle to the beginning of the Second World War to argue that Jews have exercised some control over representations of their own national communities and aspirations. In the decades before the Holocaust, organized segments of Jewry enthusiastically appropriated modern media in order to exert a greater influence over their public images. Presenting photographs and graphic images by Jews as attempts to disrupt or undermine prevailing perceptions, Berkowitz reconstructs the development of the Jewish self-image in the West over a crucial half-century.

"With the wit and penetration well known to readers of Balzac's Omelette and Monsieur Proust's Library, Anka Muhlstein's PEN AND BRUSH revisits the delights of the French novel. This time she focuses on late 19th- and 20th-century writers--Balzac, Zola, Proust, Huysmans, and Maupassant--through the lens of their passionate involvement with the fine arts. She delves into the crucial role that painters play as characters in their novels, which she pairs with an exploration of the profound influence that painting exercised on the novelists' techniques, offering an intimate view of the intertwined worlds of painters and writers at the time. Muhlstein's deftly chosen vignettes bring to life a portrait of the nineteenth century's tight-knit artistic community, where Cezanne and Zola befriended each other as boys and Balzac yearned for the approval of Delacroix. She leads the reader on a journey of spontaneous discovery as she explores how a great painting can open a mind and spark creative fire"--

"Julia Howe (1819-1910) was a beautiful, studious New York heiress and aspiring poet when she married Bostonian Dr. Samuel Gridley Howe, a hero of the Greek war of independence against the Turks and an internationally acclaimed pioneer in the education of the blind. Their marriage united two exceptional people. Together the Howes knew many of the key figures of their era, from Charles Dickens and Florence Nightingale in England, to Margaret Fuller, Henry Wadsworth Longfellow, Horace Mann, Charles Sumner, and John Brown. But despite his philanthropic and abolitionist ideals, Dr. Howe did not support married women's work outside the home. He isolated Julia, opposed her literary ambitions, and wasted her inheritance. She defied him by continuing to publish poems and plays while raising their six children. She also secretly wrote a bold novel about a hermaphrodite, undiscovered until long after her death. And during the Civil War, she wrote the words to the most powerful and enduring anthem in the nation's history. Authorship of the 'Battle Hymn of the Republic' made her famous and revered. But she fought her own civil war at home, battling with her husband over her rights to equality, intellectual freedom, and a public voice. As soon as the war ended, she became a pacifist and suffragist leader. In the second half of her life, she came into her own as a tireless campaigner for women's rights and social reform. In this biography, Elaine Showalter tells the story of Howe's determined self-creation and vividly restores her to the pantheon of feminist intellectuals who changed the world"--Jacket