"In Ginger Kid, popular comedian Steve Hofstetter grapples with life after seventh grade . . . when his world fell apart. Formatted as a series of personal essays, Steve walks his readers through awkward early dating, family turbulence, and the revenge of the bullied nerds. This YA nonfiction is sure to be the beloved next volume for the first generation of Wimpy Kid fans who are all grown up and ready for a new misfit hero"--

"There's a little Jewish mother in every mother," as comedienne Judy Gold reveals in her achingly hilarious and poignant book For a Jewish girl who remembers the first book ever read to her as a child was the pop-up version of The Diary of Anne Frank, learning how to be a Jewish mother who wasnt a carbon copy of HER Jewish mother wasnt easy. Here, Emmy Awardwinning comedienne Judy Gold asks, "Are there any Jewish mothers out there like me, or are they all, G-d forbid, like my mother" In 25 Questions for a Jewish Mother, she incorporates her own adventures in Jewish motherdom and her memories of growing up Jewish in suburban New Jersey -- communicating with her mother by putting Ann Landers articles on the fridge ("Dear Ann, My mother wont let me walk alone to school and Im 16! Please help." "Dear Ann, The crossing guard drinks. Please help.") -- with the voices of the fifty other Jewish mothers, she and her co-author, Kathleen Moira Ryan, interviewed. They asked homemakers, lawyers, Holocaust survivors twenty-five questions, including: --Who's your favorite Jewish mother (Judy's is Barbra Streisand.)? --How many times a day do you talk to your children or mother (for Judy, it's anywhere from one to the high double digits)? --Are Jewish mothers really more paranoid (or, "Why do I have to write an entire itinerary with names, addresses, and phone numbers every time I leave the house")? And so on. The culmination of these extraordinary stories confirms that there is ultimately something strong, courageous, and loving in every Jewish mother -- a hopeful -- and very funny -- message to mothers and their children everywhere.

"NOT FUNNY is a FUNNY, whipsmart essay collection on gender, politics, the entertainment industry, and work. Jena Friedman is an acclaimed writer and performer, with multiple credits to her name in the fields of tv comedy (The Daily Show and The Late Show with David Letterman), film (an Academy Award nomination for writing on Sacha Baron Cohen's 2020 blockbuster Borat Subsequent Moviefilm), humor writing (The New Yorker), and live performance. More recently, her skill for keen social observation is seen in her acclaimed tv series Indefensible-a comedic takedown of the true-crime tv craze. With incisive cultural criticism, acerbic wit, and an interdisciplinary mind, Jena sheds light on her life as a millennial woman, treated as too smart, brash, and fearless for her own good through this collection of essays. We see her at her highest highs and lowest lows. We see her struggle to accept mistreatment in exchange for career advancement. We see her cope with "cancel culture" first-hand, as mentors she trusts are called to account for misdeeds she herself did not witness. We watch her unpack the roots of humor, and her lifelong goal to change minds through political incitement. And we see a bright-lights big-city version of a classic young women's career struggle; an immensely talented creative who refuses to soften herself for others. In her debut essay collection NOT FUNNY, Friedman fearlessly jousts with a label so often placed on women like her-perceptive, opinionated, ready to call out hypocrisy wherever she finds it, and... funny! Friedman pushes just past the edge of comfort on matters of gender, politics, decency, and class: Why do we look to celebrities to decide whether other celebrities deserve forgiveness? Why don't we ask men whether their careers might get in the way of starting a family? What does it mean to still hold admiration for a mentor you learn in hindsight to have been a predator? And what's so wrong with telling a dead baby joke? As she notes, one of the first jokes in recorded history was just that. Friedman challenges us to reconsider why we do and do not laugh, with whom we choose to empathize, and when we decide to grant attention in a world that demands we laugh to keep from crying. At once brainy, insightful, and absurd, NOT FUNNY reclaims power using the sharpest tool in bold satirist's arsenal: humor"--

"In the ten years since her beloved, groundbreaking Encyclopedia of an Ordinary Life, New York Times bestselling author Amy Krouse Rosenthal has been quietly at work on this modest but mighty magnum opus, creating a spectacular literary experience that is unprecedented, unforgettable, and explosively human. Amy Krouse Rosenthal has cultivated a distinct blend of nonlinear memoir, observational humor, wistful reflections, and interactive connections with readers. A decade after Encyclopedia of an Ordinary Life, she's back with a sublime new work, a timeless collection of insights, memories, and moments that are at once intimate and universal. Why the title Textbook Amy Krouse Rosenthal? Because each piece of prose is organized into classic subjects such as Social Studies, Music, and Language Arts. Because textbook would accurately describe a book with a first-of-its-kind interactive text messaging component. Because textbook is an expression meaning "quintessential"--Oh, that wordplay and unconventional format is so typical of her, so textbook AKR. Because if an author's previous book has the word encyclopedia in the title, following it up with a textbook would be rather nice. Textbook Amy Krouse Rosenthal speaks to the awe, bewilderment, and poignancy of being alive"--

Written with biting wit, Confessions of a Pretty Lady is a dazzling, no-holds-barred collection of autobiographical anecdotes and short fiction by an icon of pop culture. Illustrated.

A funny and evocative coming-of-age memoir by Robert Klein, the beloved and award-winning comedian who has entertained audiences for more than four decades. Best known for his unique brand of observational humor—seen on Broadway and in film and television—Klein details his life from ages nine to twenty-five as seen “through the gauze of time.” Klein’s theme park of memories alternates dark moments with sunlit humor. Teenage frustrations prompted a visit to a Harlem prostitute, which filled Klein with “shame and triumph and guilt.” He encountered individual and institutional anti-Semitism at Alfred University, yet led the frat house fun, moving on to the Yale School of Drama, Chicago’s Second City, New York theater and a variety of romances. Along the way, Klein had successes and failures, both in bed and on stage. Probing not only his own psyche but also the evolution of sexual mores during the 1950s and ‘60s, he unfurls an array of captivating anecdotes, writing with wry wit and honesty.

While there are people who actually embrace getting older (although we confess not to know any) most try to deny it. Rita Rudner is no exception. When she reached 50, she couldn't even bear to admit it: "It was more comfortable getting a laugh and telling people I was filthy than having to say the word fffiffffty," she writes. In her hysterically dead-on book I Still Have It...I Just Can't Remember Where I Put It , she relates her absurd adventures as a woman of a certain age navigating the strange and terrifyingly funny world of "near-sighted insights." In chapters such as "Artificially Hip"; "Older Than Springtime, Younger Than Angela Lansbury"; "I Won't Blog, Don't Ask Me"; and "The Advantage of Vintage," Rudner tackles body issues, style, and technology, and looks at the wonders and surprises of life on the dark side of 50. So put on your bifocals and get ready to laugh. Just don't blame Rita if your laugh lines become visibly deeper. "Sexy deadpan is comedian Rita Rudner's trademark style, never more in evidence than in I Still Have It ... I Just Can't Remember Where I Put It ... Pure vaudeville, a kick at any age."-- O, The Oprah Magazine

"You're not doing it right." Writer/comedian Michael Ian Black has been hearing these five words all his life. And now--on the eve of his fortieth birthday--he is finally beginning to wonder why. As a husband and father living in the suburbs, Michael asks the question so many of us ask ourselves at one point or another: How did I end up here? (And also: If Fat Kevin Federline succumbs to his own wasted potential, what does that mean for the rest of us?) The answers to these questions, and others that you probably would have never thought to ask, are painstakingly detailed in Black's debut memoir. Darkly humorous and told with raw honesty, Michael shares his neuroses as he takes on his childhood, his marriage, his children, and his career with candor and deadpan wit in this funny-because-it's-true essay collection.--From publisher description.

From This American Life alum David Rakoff comes a hilarious collection that single-handedly raises self-deprecation to an art form. Whether impersonating Sigmund Freud in a department store window during the holidays, climbing an icy mountain in cheap loafers, or learning primitive survival skills in the wilds of New Jersey, Rakoff clearly demonstrates how he doesn’t belong–nor does he try to. In his debut collection of essays, Rakoff uses his razor-sharp wit and snarky humor to deliver a barrage of damaging blows that, more often than not, land squarely on his own jaw–hilariously satirizing the writer, not the subject. Joining the wry and the heartfelt, Fraud offers an object lesson in not taking life, or ourselves, too seriously.

A "collection of essays from ... Annabelle Gurwitch about her own family of scam artists and hucksters, as well as the sisterhoods, temporary tribes, communities, and cults who have become surrogates along the way"--Amazon.com.

Documents comedian Jeff Garlin's hilarious journey to lessen both his physical and carbon footprint. Garlin dedicated the filming of an entire season of Curb Your Enthusiasm to completely make over his lifestyle in two major ways--by lightening his physical and his ecological footprints. After many false starts, he believes that writing a book about the experiment is the only possible way to help him lose weight and go green. The hardest part of the endeavor is overcoming his food addiction--especially when craft services has a constant buffet on set. In addition to cutting calories, Jeff falls into a love affair with Pilates, sweats with Richard Simmons, and twice visits the Pritikin Longevity Center for "rehab." Larry David's rooting for him, Jerry Seinfeld's plotting against him, and his wife is just plain annoyed. As far as going green, Jeff has always been a big recycler, but he has a lot to learn.--From publisher description.

Fragile, raw, daring, brilliant...Sandra Bernhard rocks. The actress, philospher, comedian, and cult goddess is definitely back -- and feeling fabulous -- with a labor of love that'll knock her followers off their feet and draw new ones to her like a magnet. Stage, film, music, television -- in every performance, Bernhard has shocked and amused, titillated and broken every rule. With her first two books, Confessions of a Pretty Lady and Love, Love, and Love Bernhard's electrifying talent took to the page and burned it up with flashes of true brillance -- the kind of writing that separates the powerful from the good. And now, in this new book, Sandra returns with a deeply personal collection of spicy tales, fiercely witty riffs, and sweet doses of wisdom. Here is Sandy as we know and love her -- and as we've never quite seen her before: heartrenderingly honest, with the mouth of a diva, the soul of a fighter, and the insight of a girl who has lived life big. Like a whisper in your ear, Sandy opens up her world: from her friendship with her loyal housepainter to her imagined history as as one of Jack Kennedy's lovers; from the sensual streets of Mogador to the comfort of her pristine L.A. bungalow; from her own poetry of romantic yearning and reflective prayer to dead-on truths brought to light in the heartbreaking and hilarious glow of fashion, celebrity, rock and spirituality. There is nothing Sandra Bernhard offers that doesn't deliver a pungent snap of truth and the surprise of unexpected emotion in this, her most revealing and entertaining book yet.

A hilarious, razor-sharp debut memoir about the moment when you realize that your friends have all grown up and left you behind, for readers of Caitlin Moran’s How To Be A Woman, Jenny Lawson’s Let’s Pretend This Never Happened, and Kelly Williams Brown’s Adulting. Isy Suttie wakes up one day in her late twenties to discover that the deal she’d struck with her friends, to put off growing up for as long as possible, had been entirely in her head. Everyone around her is suddenly into mortgages, farmers’ markets, and going off the Pill, rather than running naked into the sea or getting hammered in a country pub with eighty-year-old men. After a particularly crushing breakup precipitated by Isy’s gifting of a human-size papier-mâché penguin to her boyfriend, her dearest friend advises Isy not to worry: the next guy she meets will be The Actual One. Heartened by this promise, Isy decides to keep delaying the onset of adulthood, whether that means standing on the side of a highway in nothing but an old fur coat and sneakers, dating a man who speaks only in rhyme, or conquering her fears of Alpine skiing by wildly overestimating her athletic ability. Insightful and laugh-out-loud funny, The Actual One is an ode to the confusing wilderness of your late twenties, alongside a quest for a genuinely good relationship . . . or at the very least, a good story to tell.

George Washington was said to be "First in War, First in Peace." In The Making of the President 1789, humorist Marvin Kitman argues that our first president was also the first American leader to ride his personal foibles to political greatness. Kitman lampoons the modern "campaign insider" books, asking: "How is it possible that a man with no military experience becomes a general? He loses more battles than he wins and becomes a war hero? He has absolutely no political opinions in the most sophisticated intellectual period of our history? He has no ambitions, and he wins?" Through careful research, Kitman exposes Washington's weaknesses for social climbing and high-stakes whist and his relationships with the Founding Girlfriends.

One woman's misguided quest for love, sex, and as much airtime as possible Lisa G. baked cookies for men for all the wrong reasons, but she got it right in radio, eventually landing her dream job as a reporter on The Howard Stern Show. Recipe for Sex, Lies & Cookies 1 oz. dysfunctional Long Island Jewish childhood 3 tbsp. sheer determination 2 cups of double-Ds 1 spoonful of hip-hop A few pinches of sex and a dash of radio reporting Combine ingredients in a large bowl and mix well. Salt-n-Pepa to taste, and season with Flavor Flav. Yields: 1 unrated memoir 25+ delicious cookie recipes Lisa G.’s guide to planning the perfect cookie party

As emotional as it is funny, Swish is the moving account of one man's journey from stereotype to truth.Joel Derfner is a knitter, an aerobics instructor, a cheerleader, a go-go dancer, and a musical theater composer, but when he realizes one day that he's a walking gay cliché, he embarks on a quest for deeper meaning. Confronting the demons of his past at an LGBT summer camp, using the Internet to "meet" men (many, many men), or going undercover to a conference of ex-gays, he discovers that what he's looking for--and sometimes even finds, hidden under the surface of everyday life--is his own identity.

The world of comedy and comedians of the last five decades. By the man the New York Times calls a comic institution himself, the only comedian (twenty-six years in stand-up) to have made Elie Wiesel laugh, as well as having appeared on The Tonight Show (140 times, second only to Bob Hope, but who's counting). From the director of TV comedy series Mad About You, Seinfeld, Friends, Weeds and Curb Your Enthusiasm . Larry David: "I'm lucky. I know and love David Steinberg. You don't. Now's your chance. Don't blow it! "David has always been a comedy hero to me. One of his many gifts is the ability to inspire funny people to be even funnier, as you will discover in this truly hilarious, insightful book." --Martin Short From David Steinberg, a rabbi's son from Winnipeg, Canada, who at age fifteen enrolled at Hebrew Theological College in Chicago (the rabbinate wasn't for him) and four years later, entered the master's program in English literature at the University of Chicago, until he saw Lenny Bruce, the Blue Boy of Comedy, the coolest guy Steinberg had ever seen, and joined Chicago's Second City improvisational group, becoming, instead, the comedian's comedian, director, actor, working with, inspired by, teaching, and learning from the most celebrated, admired, complicated comedians, then and now--a funny, moving, provocative, insightful look into the soul, wit, and bite of comedy and comedians--a universe unto itself--of the last half-century. From the greats: George Burns, Lenny Bruce, Sid Caesar, Lucille Ball, Mel Brooks, and Carl Reiner, et al., to the newer greats: Carol Burnett, Steve Martin, Lily Tomlin, Billy Crystal, Bob Newhart, and the man for all comedy, Martin (Marty) Short; to the greats of right now: Chris Rock, Dave Chappelle, Julia Louis-Dreyfus, Wanda Sykes; and more . . . Steinberg, through stories, reminiscences, tales of directing, touring, performing, and, through the comedians themselves talking (from more than 75 interviews), makes clear why he loves comedy and comedians who have been by his side in his work, and in his life, for more than sixty years. Here are: Will Ferrell, Eric Idle, Whoopi Goldberg, Mike Myers, Groucho himself and the greatest of them all (at least of the last half century), Jonathan Winters . . .

'Darkly Funny' according to The Chicago Tribune. Royal Blue (Simon & Schuster 1998) is a memoir of half fact half fiction chronicling the early years of Christina Oxenberg's extraordinary life.