"A darkly comic memoir about being a working creative person in a world that is growing ever more dysfunctional, by acclaimed New Yorker cartoonist and television writer Bruce Eric Kaplan In January of 2022, Bruce Eric Kaplan found himself confused and upset by the state of the world and the state of his life as a television writer in Los Angeles. He started a journal to keep from going mad. That journal is now They Went Another Way. The book's through line traces his trying to get a television project set up in the increasingly Byzantine world of Hollywood. But as he details the project's ups and downs, Kaplan finds himself not only ruminating on show business, but also on today's political and social issues, on old movies and TV shows and music, on his family, on his friends, on his past, on his failing heating system, and on all the dead birds that kept showing up in his backyard. This hilarious and surprisingly moving book is about life-about art, about love, about alienation, about connection, about ugliness and beauty, about disappointment and wonder and hope. In short, it is about everything. And if it's not, it almost is"--

Rothbard opens with a theoretical treatment of business cycle theory, showing how an expansive monetary policy generates imbalances between investment and consumption. He proceeds to examine the Fed's policies of the 1920s, demonstrating that it was quite inflationary even if the effects did not show up in the price of goods and services. He showed that the stock market correction was merely one symptom of the investment boom that led inevitably to a bust. The Great Depression was not a crisis for capitalism but merely an example of the downturn part of the business cycle, which in turn was generated by government intervention in the economy. Had the book appeared in the 1940s, it might have spared the world much grief. Even so, its appearance in 1963 meant that free-market advocates had their first full-scale treatment of this crucial subject. The damage to the intellectual world inflicted by Keynesian- and socialist-style treatments would be limited from that day forward.--Amazon.com

From the depression of the 1890s through World War I, construction tradesman held an important place in San Francisco's economic, political, and social life. Michael Kazin's award-winning study delves into how the city’s Building Trades Council (BTC) created, accumulated, used, and lost their power. He traces the rise of the BTC into a force that helped govern San Francisco, controlled its potential progress, and articulated an ideology that made sense of the changes sweeping the West and the country. Believing themselves the equals of officeholders and corporate managers, these working and retired craftsmen pursued and protected their own power while challenging conservatives and urban elites for the right to govern. What emerges is a long-overdue look at building trades as a force in labor history within the dramatic story of how the city's 25,000 building workers exercised power on the job site and within the halls of government, until the forces of reaction all but destroyed the BTC.

From Library Journal A penetrating expose of the case of Pollard, an American Jew who worked for U.S. Naval Intelligence and spied for Israel. Blitzer, the Washington correspondent for The Jerusalem Post , interviewed Pollard (now in federal prison) and also made use of many contacts in the Israeli government. The tale Blitzer tells is of a bright but unstable man, a dedicated Zionist but questionably loyal American, who offered his services to the Israelis, who in turn mounted a poorly organized intelligence operation in the United States. Blitzer raises many issues about the case that will be debated for years--the harsh sentence given to both Pollard and his wife, the question of dual loyalties, and the possibility of a third party involvement. A thoroughly provocative tale that needed to be told and was done so with a great deal of passion. - Sanford R. Silverburg, Catawba Coll. , Salisbury, N.C . Copyright 1989 Reed Business Information, Inc.

Raymond Aron's In Defense of Decadent Europe was first conceived at a time of great uncertainty for the Western democracies. The postwar economic boom had been interrupted by "stagflation," while communist and socialist parties in Italy and France were powerful factors in Europe's political landscape. Aron's book has a threefold purpose: the analysis of the Soviet Russian regime and its Marxist-Leninist theoretical foundation; the detailed empirical comparison between liberal democracies and collectivist regimes of the East; and, above all, the exploration of what might be termed the "problem" of democracy the tendency of democratic regimes to undermine themselves unless checked in their most extreme tendencies. Aron denounces the clash between democracy and the Marxist-Leninist mystification and explains how Marxism leads to Soviet-style ideology. The second part of the book constitutes a defense of liberal Europe. The author makes comparisons in terms of productivity, technical innovation, living standards, scientific progress, and human freedom. But Aron also notes there are important ways in which the West must put her house in order by cultivating authority in the church, in universities, in business, and even in the army. This paradox is conveyed by the title of the book, the juxtaposition of the words In Defense of and Decadent Europe. In the new introduction, Daniel Mahoney and Brian Anderson discuss the disenchanted conservative liberalism of Raymond Aron that set him apart. Among the topics they cover are: the challenge of ideocracy, the decadence of democracy, and Aron as a civic philosopher. In Defense of Decadent Europe combines ideological debate with economic and social analysis. Its thorough examination of Western freedom versus the Eastern communism of the recent past extends well beyond parochial debates into a basic vision of Western societies. The book will be compelling for historians, political scientists, economists, and philosophers.

This thought-provoking book offers the most insightful critique of the relationship among the press, politics, and public life in decades. Disdain for politics today in the United States is almost universal. Condemnation of the press is rampant as well. Until we understand the modern condition of politics and journalism--and the cultural context in which they interact--says Michael Janeway, there's small hope of either recovering its standing. Drawing on years of experience at the top levels of the news business and in politics and government, Janeway provides an integrated, insider's critique of the profound changes in each of these professional worlds, showing how trends in each have contributed to deepening public alienation. From its confident post-World War Two era of world leadership, the United States entered a difficult period of turbulence and reversals in the 1960s and 1970s. With wit, clarity, and an eye for offbeat cultural indicators, Janeway examines the full complex of forces that have corroded our press, politics, and public life since then. The result, he argues, is a loss of substance and structure in public life as well as citizen connection to it, a vacuum all too easily filled by political entertainers, shallow coverage of "character," and--engulfing the nation in convulsive crisis for a year of its history--the politics of scandal. None of today's proposed remedies for the failings of our press or politcal system is adequate, Janeway argues, for none take full account of the integral relationship between the two spheres. In the absence of recognition of its buried democratic crisis, Janeway concludes, the United States has become a "republic of denial."

An overview of generations of Italians in the Big Apple, weaving together numerous stories from different epochs and different backgrounds. "If you want to learn something about Italian creativity, come to New York. Here, you will find the pride of flying the Italian colors at the Fifth Avenue Columbus Day Parade, the American patriotism of those who perished at Ground Zero, the courage of firefighters and marines on the frontline of the war against terrorism, the babel of dialects at the Arthur Avenue market, portrayals of social change in the writings of Gay Talese, stories of successful business ventures on the TV shows of Maria Bartiromo and Charles Gasparino, political passion in the battles of Mario Cuomo and Rudy Giuliani, creative imagination in the works of Gaetano Pesce, Renzo Piano and Matteo Pericoli, and provocation in the attire of Lady Gaga... The Midtown top managers, whoarrived in the past twenty years, operate in the XXI century, while on Fresh Pond Road in Ridgewood the panelle are still prepared according to the Sicilian recipes transmitted from one generation to the next." (From the "Introduction")

"Diplomacy is essential to the conduct of foreign policy and international business in the twenty-first century. Yet, few international actors are trained to understand or practice effective diplomacy. Poor diplomacy has contributed to repeated setbacks for the United States and other major powers in the last decade. Drawing on deep historical research, this book aims to 'reinvent' diplomacy for our current era. The original and comparative research provides a foundation for thinking about what successful outreach, negotiation, and relationship-building with foreign actors should look like. Instead of focusing only on failures, as most studies do, this one interrogates success. The book provides a framework for defining successful diplomacy and implementing it in diverse contexts. Chapters analyze the activities of diverse diplomats (including state and non-state actors) in enduring cases, including: post-WWII relief, the rise of the non-aligned movement, the Nuclear Non-Proliferation Treaty, the U.S. opening to China, the Camp David Accords, the reunification of Germany, the creation of the European Union, the completion of the North American Free Trade Agreement, and relief aid to pre-2001 Afghanistan. The cases are diverse and historical, but they are written with an eye toward contemporary challenges and opportunities. The book closes with systematic reflections on how current diplomats can improve their activities abroad. Foreign Policy Breakthroughs offers rigorous historical insights for present policy"--

There is a missing page in Jewish history. We tend to assume that Jewish history is to be found in the Middle East, Europe, North Africa, and the Americas - but not in the Far East. "Pepper, silk & ivory" has discovered that missing page, revealing the amazing stories of Jews who both benefitted from and contributed to the Far East. Consummate storyteller Marvin Tokayer, Lifetime Honorary Rabbi of Japan's Jewish community, draws on half a century of personal experiences and a wealth of knowledge as he, in concert with writer and television producer Dr. Ellen Rodman, weaves together the characters and history of the Jews of the Far East into this fascinating book.

Book by Fiedler, Leslie

From Publishers Weekly Sault Ste. Marie's Jewish community in the 1930s, where Torgov grew up, is evoked in this Canadian memoir. Containing many mirthful moments, the book is deeply moving as well. Holding center stage is the author's profane, choleric, intolerant father. There is little about the boy's mother, who died when he was only 10, or the stepmother whom Torgov Sr. wed and then quickly divorced. Most of the fun as well as the sadness arises from duels between father and son and the latter's childhood escapades, such as conniving with a sympathetic maid to feast on forbidden foods. Torgov also brings to life members of the insular town's Jewish and Christian communities in his endearing anecdotes. Copyright 1986 Reed Business Information, Inc.

There was a time not very long ago when "going out" was only for the rich and the reckless. At the turn of the century, "going out" became part of everyday life as vaudeville halls, photograph parlors, penny arcades, nickelodeons, nightclubs, dance halls, world's fair midways, amusement parks, ballparks, and movie palaces opened their doors to the people of the city. The new amusement centers welcomed women, men, and children, native-born and immigrant, rich, poor, and middling. Only African Americans were excluded or segregated in the audience, though they were overrepresented on stage. Going Out chronicles the twentieth-century entertainment revolution that changed forever the ways we live, work, and play. In a matter of decades, a new public world of amusements was created where ethnic, class, and neighborhood differences were subordinated to the common pursuit of a good time. Clerks and bankers, sales girls and society ladies "turkey trotted" to ragtime in nightclubs and dance halls; "shot the chute" and clutched one another in "barrels of love"; visited "Darkest Africa" on the world's fair midways; and sat together in the dark watching pictures move on a screen. In Going Out, we meet the colorful characters who invented show business: Thomas Alva Edison, who was astonished when his phonograph made money playing music (he had designed it to take business dictation); Benjamin Franklin Keith, the circus grifter who opened a dime museum in Boston in the 1880s and within a decade owned the world's largest vaudeville theater circuit; Adolph Zukor and Marcus Loew, the New York furriers who made millions in the early picture-show business; and the dozens of small-time show businessmen who rode the rails with their "shows" in their trunks. And we hear the stories of the early black performers and their struggles to maintain their dignity and livelihood while audiences demanded their public humiliation. Going Out is a history of twentieth-century show business and of the new American public that assembled in the city's wondrous pleasure palaces, parks, and theaters. The book concludes with an account of the fall or relocation of this entertainment world, as central city amusement parks, movie palaces, and ballparks were uprooted and transported to the suburbs in the decades following World War II.

A mother and daughter of Puerto Rican and Jewish ancestry, the Moraleses express their radical and feminist views in diary-like poetry and prose that echo the rhetoric of the '60s. Yet the mixed origins of this pair lend an international, even universal feeling to the sentiments. They seem to speak for many women of many places and times. Titles of their pieces include "Concepts of Pollution," "Distress Signals," "Getting Out Alive," "Class Poem" and "I Am the Reasonable One." Both authors are literary, serious, socially concerned and passionate, and their anger is about injustices that plague them and other people. There is much vivid imagery and heartfelt emotion, and the reader may well long for causes that stir them as these women are stirred. Copyright 1986 Reed Business Information, Inc.

" It's a book less on what I did than on what others, mainly my parents, did to me " Taking in a vast gallery of extraordinary characters from Paris' post-war years, Pedigree is an autobiographical portrait of Post-War Paris and a tumultuous childhood - a childhood replete with insecurity and sorrow that informed the oeuvre of France's Nobel Laureate. With his sometime-actress mother and shady businessman father barely functioning in any parental role, the young Modiano spent his childhood being packed off to the care of others, or held at a safe distance in a grimy boarding school - which he ran away from several times. His impecunious mother had "a heart of stone"; his womanising father once called the police when his son asked him for money, and later ceased all contact with him. But for all his parents' indifference, it is the death of his younger brother when Modiano is eleven that cuts deepest, leaving a wound that can never be healed.

The place of poetry in modern democracy is no place, according to conventional wisdom. The poet, we hear, is a casualty of mass entertainment and prosaic public culture, banished to the artistic sidelines to compose variations on insipid themes for a dwindling audience. Robert Pinsky, however, argues that this gloomy diagnosis is as wrongheaded as it is familiar. Pinsky, whose remarkable career as a poet itself undermines the view, writes that to portray poetry and democracy as enemies is to radically misconstrue both. The voice of poetry, he shows, resonates with profound themes at the very heart of democratic culture. There is no one in America better to write on this topic. One of the country's most accomplished poets, Robert Pinsky served an unprecedented two terms as America's Poet Laureate (1997-2000) and led the immensely popular multimedia Favorite Poem Project, which invited Americans to submit and read aloud their favorite poems. Pinsky draws on his experiences and on characteristically sharp and elegant observations of individual poems to argue that expecting poetry to compete with show business is to mistake its greatest democratic strength--its intimate, human scale--as a weakness. As an expression of individual voice, a poem implicitly allies itself with ideas about individual dignity that are democracy's bedrock, far more than is mass participation. Yet poems also summon up communal life.. Even the most inward-looking work imagines a reader. And in their rhythms and cadences poems carry in their very bones the illusion and dynamic of call and response. Poetry, Pinsky writes, cannot help but mediate between the inner consciousness of the individual reader and the outer world of other people. As part of the entertainment industry, he concludes, poetry will always be small and overlooked. As an art--and one that is inescapably democratic--it is massive and fundamental.

Tin Lizzie: The Story Of The Fabulous Model T Ford is a book written by Philip Van Doren Stern. The book is a comprehensive history of the Model T Ford, one of the most iconic cars in American history. The book covers the development of the Model T, its impact on American society, and the people who drove and worked on the car. The book is divided into several sections, each of which covers a different aspect of the Model T. The first section covers the early history of the automobile and the development of the Model T. The second section covers the impact of the Model T on American society, including its role in the growth of the middle class and the expansion of the American economy. The third section of the book covers the people who drove and worked on the Model T, including the assembly line workers who built the car and the farmers and businessmen who used it for transportation. The fourth section covers the Model T's impact on American culture, including its appearance in popular music and literature. Overall, Tin Lizzie: The Story Of The Fabulous Model T Ford is a fascinating and informative book that provides a comprehensive history of one of the most important cars in American history. The book is well-researched and well-written, making it an enjoyable read for anyone interested in the history of the automobile or American culture.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Gerald Feldman's history of the internationally prominent insurance corporation Allianz AG in the Nazi era is based largely on new or previously unavailable archival sources, making this a more accurate account of Allianz and the men who directed its business than was ever before possible. Feldman takes the reader through varied cases of collaboration and conflict with the Nazi regime with fairness and a commitment to informed analysis, touching on issues of damages in the Pogrom of 1938, insuring facilities used in forced labor camps, and the problems of denazification and restitution. The broader issues examined in this study--when cooperation with Nazi policies was compulsory and when it was complicit, the way in which profit, ideology, and opportunism played a role in corporate decision making, and the question of how Jewish insurance assets were expropriated--are particularly relevant today given the ongoing international debate about restitution for Holocaust survivors. This book joins a growing body of scholarship based on open access to the records of German corporations in the Nazi era. Gerald D. Feldman is Professor of History at the University of California at Berkeley. His book, The Great Disorder (Oxford, 1993) received the DAAD Book Prize of the German Historical Association and the Book Prize for Central European History from the American Historical Association. He was an invited expert at the London Gold Conference in December 1997 and at the U.S. Conference on Holocaust Assets in Washington, D.C. in December 1998 and served as an advisor to the Presidential Commision on Holocaust Assets in the United States. --

The Production And Distribution Of Knowledge In The United States is a comprehensive book written by Fritz Machlup that explores the ways in which knowledge is produced and disseminated in the United States. The book covers a wide range of topics related to knowledge production and distribution, including the role of universities, scientific research, and intellectual property rights. Machlup also examines the impact of technology on knowledge production and distribution, as well as the ways in which knowledge is used in various sectors of the economy. The book provides a detailed analysis of the complex processes involved in the creation and dissemination of knowledge, and offers insights into the challenges and opportunities facing knowledge-based industries in the United States. Overall, The Production And Distribution Of Knowledge In The United States is a valuable resource for anyone interested in understanding the dynamics of knowledge production and distribution in modern society.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Robert Maxwell was driven by an obsession to be remembered by posterity, to create and re-create his own life in order to become part of the Establishment. Tom Bower's compelling portrait, the subject of numerous libel suits brought by Maxwell in Britain before his death, is now published for the first time--in a thoroughly updated edition--in the United States. It provides a fascinating look at the man who was relentless in his attempts to obtain media power and respectability, attempts that would eventually destroy him. Born into a life of poverty, an outsider forever trying to get in, Robert Maxwell was plagued by a deep sense of alienation. His career as publisher, printer, politician, financier, industrialist, and tycoon extraordinary was charged with both magnificent coups and controversial setbacks. He built his fortune on a mixture of engineered leaks and secrecy at the expense of long-term stability. Accused of everything from creative bookkeeping to outright fraud, Maxwell withstood each debacle until the end, surviving troubles that would have felled a less determined personality. Bower describes the many suspect strategies of Maxwell's business dealings while he was alive and the disintegration of his empire after his death, focusing along the way on Maxwell's often nebulous business dealings and his immense skills at bullying and deception. Beginning with Maxwell's early years, Bower describes in depth the period after World War II during which Maxwell made a fortune out of barter deals and the export of scientific journals from Germany, which became the basis for his Pergamon Press flagship; the Pergamon-Leasco affair in the late 1960s (involving two millionaires, Maxwelland Saul Steinberg), an ill-fated takeover deal that fell apart with Maxwell declared unfit to hold office in a public company; and his revival of the loss-making British Printing Corporation. The author explains Maxwell's numerous acquisitions and his competitive obsession with Rupert Murdoch. We learn of the mysteries surrounding Maxwell's private banking in Liechtenstein, his strange links with the Soviet Union and Eastern Europe, the notorious "Mirrorgate" affair and Maxwell's close relationship with Israel. Going beyond recent media coverage, the author provides up-to-the-minute facts on missing corporate assets and pension funds as well as the nefarious share-support schemes. In this powerful biography, Tom Bower comes as close as anyone ever will to understanding Robert Maxwell and his demons.