"In a world where everyone is inventing a self, curating a feed and performing a fantasy of life, what does it mean to be a person? In his grandly entertaining debut memoir, playwright David Adjmi explores how human beings create themselves, and how artists make their lives into art.."--Publisher's description.

Tom Perkins had a dream. It wasn't to get rich, acquire power, or marry into fame. As the man most responsible for creating Silicon Valley, he had done all that. His venture-capital firm, Kleiner Perkins Caufield & Byers, remains the most celebrated money machine since the Medicis. He'd helped found Genentech and fund Google. And in 2006 his resignation from the Hewlett-Packard board triggered the revelation of a spying scandal that dominated the front pages. Along the way, he also managed to get himself convicted of manslaughter in France and become Danielle Steel's Husband No. 5. No, as he hit his seventies, Perkins wanted to create the biggest, fastest, riskiest, highest-tech, most self-indulgent sailboat ever—the "perfect yacht." His fantasy would be a modern clipper ship—as long as a football field, forty-two feet wide, with three masts each rising twenty stories toward the heavens. This $130 million square-rigger—The Maltese Falcon—would evoke the era of magnificent vessels that raced across the oceans in the nineteenth century. But the Falcon is more than a tribute to the past. Gone are all the deckhands to climb the yardarms. Gone is the intricate rigging that helped give the square-riggers of yore their impressive look. Instead, the Falcon's giant carbon-fiber masts are entirely freestanding and rotate by computer. The bridge looks like something out of Star Trek. And the fifteen huge sails unfurl at the touch of a screen. In short, this is a revolutionary machine—the most significant advance in sailing in 150 years. With keen storytelling and biting wit, Newsweek's David A. Kaplan takes us behind the scenes of an extraordinary project and inside the mind of a larger-than-life character. We discover why any sane man would gamble a sizeable chunk of his net worth on a boat; we meet the cast of engineers who conspired with him; and we learn about the other two monumental yachts just built by gazillionaires that Perkins is ever eyeing. In a battle of egos on the high seas, Perkins loves to preen, "Mine's better! Mine's Bigger!" On the Falcon's climactic maiden voyage across the Mediterranean—sixteen hundred nautical miles from Istanbul to Malta to the Riviera—we revel with Perkins as his creation surges along at record-breaking speeds. This is the biography of a remarkable boat and the man who built it. More than a tale of technology, Mine's Bigger is a profile of ambition, hubris, and the imagination of a legendary entrepreneur.

Discusses a variety of feminist issues. Ch. 15 (pp. 375-410), "Holocaust Consciousness, " discusses attitudes of American Jews to the Holocaust. Many of them obsess and agonize about it, but do not try to analyze how and why it happened. After the war, American Jews harbored a rescue fantasy, refusing to face the fact that their government, and especially President Roosevelt, had obstructed efforts to save European Jews. From the 1960s, they have blamed their own leaders for inaction. Deplores the fact that the Holocaust is often the focus of Jewish identity in the U.S. Advocates analyzing the causes of the Holocaust and the changing conditions (e.g. economic upheaval, social desperation) that could have allowed a criminal party to attain power. Discusses the rise in antisemitic incidents in the U.S. in the 1990s. Claims that the cause of antisemitism lies in the patriarchal nature of society: pogroms and the Holocaust are examples of male violence against powerless humans, the Jews, who are seen as a personification of female values (nonviolence, compassion, altruism, cooperation) and a threat to patriarchal structures. Pp. 249-253 deal with the JAP stereotype.

Includes 12 science fiction stories that comprise various genres, from mystery to science fiction to autobiographical fiction. This book contains a Sherlock Holmesian mystery, a Walter Mitty-like escape into the world of software, and a Cthulhu Mythos tale in the Lovecraft tradition.

Stanley G. Weinbaum's classic horror novel, originally entitled "The Mad Brain". When an unassuming man's personality changes dramatically toward the sinister, the woman he loves seeks help from a psychologist, leading to a disturbing discovery.

Dear Former Campers, Do you recall your glory days at summer camp as some of the best months of your life? Was your camp experience *OK *fun *bunktastic! When you think about camp, what are your best memories? *singing "If I Had a Hammer" around the campfire *winning color war two years in a row *getting to third base with your camp crush Open Camp Camp and head back to the one place on earth where appropriated Native American terminology, competitive sports, social heirarchy, and libido-soaked nights lived in wholesome harmony. Here is your trip down memory lane, a trip so beautifully illustrated and fully remembered that you can almost smell the pine of the cabins when you open the pages. Camp Camp is a love letter to camp, a chance to relive every Champion sweatshirt-wearing, accidental-bed-wetting, sky-hook-wedgie-receiving, tie-dye-making golden moment via hundreds of photographs and stories straight from the source, including tall tales from AJ Jacobs, Rachel Sklar, Paul Feig, David Wain, Jamie Denbo, and Rodney Rothman. Do you miss... *camp friendships *camp freedom *camp fun If so, then Camp Camp is your one-way ticket back to this magical world in which Fantasy Island met Lord of the Flies.

“It is frightening to think the [Jon Wiener] teaches history at a university ... ”—Jacques Derrida “Wiener takes the modern university as his beat, and covers it like a police reporter ... Wiener’s mean streets are the think tank, the scholarly symposium, and the faculty lounge. And when he’s had enough of this academic low life, he listens to Elvis, Springsteen and the Beatles. He even listens to Frank Sinatra.”—John Leonard “In this book, Jon Wiener demonstrates his great skill as guerrilla sharpshooter in the forty-year war that the National Security State has been conducting against the American people. These reports from the field—the resistance—illuminate Nixon and Watergate as never before, reveal in fascinating detail the turbulence within Academe, invoke pity if not awe for that unexpected victim of state, Frank Sinatra.”—Gore Vidal “Wiener is good at spotting, and blasting, paranoid fantasy and incompetence in high (and low) places and his range of targets is impressively wide ... [his] surveys are lucid, trenchant and brief.”— Observer

Set in a Tel Aviv café in the moments before a suicide bomber enters, Iris Bahr’s 2008 Lucille Lortel Award–winning DAI (enough) courageously speaks to tragic current events. Bahr plays eleven different characters who span the ideological and class spectrum of Israeli society, including a Zionist kibbutznik, an evangelical from America funding an Armageddon fantasy, a West Bank settler, a snooty expat living in Long Island, and a Palestinian professor trying to keep her son from taking the path of extremism. Thanks to the emotional depth and honesty with which Bahr endows these characters and their individual stories, a complex portrait of the Israeli-Palestinian conflict emerges. Alternately very funny and tragic, DAI (enough) is a brave attempt to humanize the headlines.

This collection of original essays by economists and lawyers addresses important aspects of antitrust and regulation, such as the U.S. government's merger guidelines, antitrust in regulated industries, the connection between profitability and market share, and the question of what constitutes anticompetitive behavior. The book combines economic and legal analysis to inform policymaking with theory as well as the lessons of experience in the petroleum, electric power, computer, retail food, and telecommunications industries. Antitrust and Regulationopens with John McGowan's previously unpublished background paper, "Mergers for Power or Progress," for the merger guidelines taskforce which recommended the rules adopted by the Antitrust Division of the Justice Department in 1982. This is followed by "Competition and Antitrust in the Petroleum Industry: An Application of the Merger Guidelines," by George A. Hay and Robert J. Reynolds; "Anticompetitive Mergers: Prevention and Cure," by William J. Kolasky, Jr., Philip A. Proger, and Roy T Englert, Jr.; "Industrial Markets: Another Look at the SIC Approach," by James W McKie; "Profitability and Market Share," by Morris A. Adelman and Bruce E. Stangle; "Non-Price Anticompetitive Behavior by Dominant Firms Toward the Producers of Complementary Products," by J. A. Ordover, A. O. Sykes, and R. D. Willig; "Market Conduct: When is it Anticompetitive?" by Robin C. Landis and Ronald S. Rolfe; "Can Exclusive Franchises Be Bad?" by F. M. Fisher; "Mixing Regulatory and Antitrust Policies in the Electric Power Industry: The Price Squeeze and Retail Market Competition," by Paul L. Joskow; "Preferences of Policy Makers for Alternative Allocations of the Broadcast Spectrum," by Forrest Nelson and Roger Noll; "The Financial Interest and Syndication Rules in Network Television: Regulatory Fantasy and Reality," by F. M. Fisher; and "Borrowing from Peter to Pay Paul: More on Departures of Price from Marginal Cost," by Almarin Phillips and Gary L. Roberts. Franklin M. Fisher is Professor of Economics at MIT. He is a coauthor with John McGowan and Joen Greenwood of Folded, Spindled, and Mutilated: Economic Analysis and U.S. v IBM, an MIT Press paperback.