Whether viewed as a brave crusader or a power-mad villain, Oliver Cromwell (1599--1658) is irrefutably a key figure in one of the most troubled periods of British history. By examining his performance as a military commander in the widest sense, this intriguing volume offers a new perspective on an intensely religious man who used both soldiering and politics to achieve his underlying goals, as well as insight into the world in which he lived. Whether viewed as a brave crusader or a power-mad villain, Oliver Cromwell (1599--1658) is irrefutably a key figure in one of the most troubled periods of British history. By examining his performance as a military commander in the widest sense, this intriguing volume offers a new perspective on an intensely religious man who used both soldiering and politics to achieve his underlying goals, as well as insight into the world in which he lived.

Spinoza's 'Political treatise' constitutes the very last stage in the development of his thought, as he left the manuscript incomplete at the time of his death in 1677. On several crucial issues - for example, the new conception of the 'free multitude' - the work goes well beyond his 'Theological political treatise' (1670), and arguably presents ideas that were not fully developed even in his 'Ethics'. This volume of newly commissioned essays on the 'Political treatise' is the first collection in English to be dedicated specifically to the work, ranging over topics including political explanation, national religion, the civil state, vengeance, aristocratic government, and political luck. It will be a major resource for scholars who are interested in this important but still neglected work, and in Spinoza's political philosophy more generally

Steven Nadler presents a collection of essays on the problem of causation in seventeenth-century philosophy. Occasionalism is the doctrine, held by a number of early modern Cartesian thinkers, that created substances are devoid of any true causal powers, and that God is the only real causal agent in the universe. All natural phenomena have God as their direct and immediate cause, with natural things and their states serving only as "occasions" for God to act. Rather than being merely an ad hoc, deus ex machina response to the mind-body problem bequeathed by Descartes to his followers, as it has often been portrayed in the past, occasionalism is in fact a full-blooded, complex and philosophically interesting account of causal relations. These essays examine the philosophical, scientific, theological and religious themes and arguments of occasionalism, as well as its roots in medieval views on God and causality.

Feminist analyses identify contemporary Western ideas of the gendered and racialized self as originating in the seventeenth century. Naomi Zack examines the writings of key "bachelors of science"--Bacon, Descartes, Hobbes, Locke, Newton, Gassendi, and Boyle--and locates their reputations within the framework of the de facto "masculinization of science" and "scientizing of masculinity." Zack takes on issues such as pre-racial conceptions of slavery, witchcraft trials and their connection to homosociality, and the highly sexualized nature of women's identity in the seventeenth century. She suggests a link between elite bachelorhood, the profession of philosophy, and scientific pursuit as recreational activity. This book is central to understanding the precedents of modern scientific identity, race, and gender. --From publisher's description.

The "Scientific Revolution" of the sixteenth and seventeenth centuries continues to command attention in historical debate. What was its nature? How did it develop? Controversy still rages about the extent to which it was essentially a "revolution of the mind," or how far it must also be explained by wider considerations--social, economic, political and cultural. In this volume, leading scholars of early modern science argue the importance of specifically national contexts for understanding the transformation in natural philosophy between Copernicus and Newton. Distinct political, religious, cultural and linguistic formations shaped scientific interests and concerns differently in Italy, France, Britain, the Germanies, Spain, and so on, and explain different levels of scientific intensity. Questions of institutional development, and of the transmission of scientific ideas, are also addressed. The emphasis on national determinants makes this volume an entirely original contribution to the study of the scientific revolution.

Focusing on an epoch of spectacular demographic, political, economic, and cultural changes for European Jewry, Cultural Intermediaries chronicles the lives and thinking of ten Jewish intellectuals of the Renaissance, nine of them from Italy and one a Portuguese exile who settled in the Ottoman empire after a long sojourn in Italy. David B. Ruderman, Giuseppe Veltri, and the other contributors to this volume detail how, in the relative openness of cultural exchange encountered in such intellectual centers as Florence, Mantua, Pisa, Naples, Ferrara, and Salonika, these Jewish savants sought to enlarge their cultural horizons, to correlate the teachings of their own tradition with those outside it, and to rethink the meaning of their religious and ethnic identities within the intellectual and religious categories common to European civilization as a whole. The engaging intellectual profiles created especially for this volume by scholars from Israel, North America, and Europe represent an important rereading and reinterpretation of early modern Jewish culture and society and its broader European intellectual contexts.

Art in History/History in Art: Studies in Seventeenth-Century Dutch Culture considers the potential for a reciprocally illuminating relationship between art history and history in light of recent methodological developments in both fields. The volume opens with contributions from a historian and an art historian; they examine the weaknesses of an art history without a social or economic history and lay the groundwork for the ensuing discussions of how the procedures and methods of each discipline may serve the aims of the other. A wide critique of approaches to the interpretation of realism in Dutch pictures forms the second section of the book. Included are critical views of recent iconographic developments, as well as contributions by a plant taxonomist and a marine historian. In the volume's third section new statistical and numerical models for the study of Dutch art in Dutch society are presented by three economic historians. The concluding essay provides a constructive critique of existing methodologies within each field. Art in History/History in Art: Studies in Seventeenth-Century Dutch Culture offers the most secure basis to date for future work on the interaction between the two disciplines and between the content of pictures and the cultures that produce them.

"A wave of plague ravaged the cities of northern Italy in 1630-31, ravaging Christian and Jewish communities alike. In Writing Plague Susan L. Einbinder explores the Hebrew texts that lay witness to the event. These Jewish sources on the Great Italian Plague have never been treated together as a group, Einbinder observes, but they can contribute to a bigger picture of this major outbreak and how it affected people, institutions, and beliefs; how individuals and institutions responded; and how they did or did not try to remember and memorialize it"-- Provided by publisher.

The essays in this collection investigate the ways in which the past was exploited to meet the concerns of the present in early modern England. The understanding of the past in this period was characterized by a deepening and more fully articulated conception of time and history, with its roots in impassioned religious and political controversies. The discourses that arose from this dialogue informed and drew together a daunting range of genres and activities: prose accounts, polemical tracts, poems, plays, romances, secret histories, novels. Although many of these genres are no longer recognized as history, early modern writers and readers treated them as such. In assessing the uses of the past, therefore, these essays consider “literary” and “factual” writings side by side, avoiding traditional chronological and disciplinary divisions and the artificial separation of secular from ecclesiastical history. Cumulatively, they supply the context and provide a vast array of evidence for the way in which the deployment of history for political, religious, moral, aesthetic, or commercial purposes shifted between the mid-sixteenth century and the late eighteenth. Contributors include Ian W. Archer, Eve Tavor Bannet, David Cressy, Richard Dutton, Martin Dzelzainis, Felicity Heal, Christopher Highley, John N. King, Mark Knights, Karen O’Brien, Paul Seaward, John Spurr, Andrew Starkie, Arthur H. Williamson, David Womersley, Daniel R. Woolf, and Blair Worden. Paulina Kewes is a fellow and tutor in English literature at Jesus College, Oxford, and a fellow of the Royal Historical Society. Her publications include Authorship and Appropriation: Writing for the Stage in England, 1660–1710 (1998), and a number of articles on Renaissance, Restoration, and eighteenth-century drama and politics. She has also edited a volume of essays, Plagiarism in Early Modern England (2003), and is completing a book on the staging of history in Elizabethan England.

The Time Is Out of Joint handles the Shakespearean oeuvre from a philosophical perspective, finding that Shakespeare's historical dramas reflect on issues and reveal puzzles which were taken up by philosophy proper only in the centuries following them. Shakespeare's extraordinary handling of time and temporality, the difference between truth and fact, that of theory, and that of interpretation and revelatory truth are evaluated in terms of Shakespeare's own conjectural endeavors, and are compared with early modern, modern, and postmodern thought. Heller shows that modernity, which recognized itself in Shakespeare only from the time of Romanticism, found in Shakespeare's work a revelatory character which marked the end of both metaphysical system-building and a tragic reckoning with the inaccessibility of an absolute, timeless truth. Heller distinguishes the four stages found in constantly unique relation in Shakespeare's work (historical, personal, political, and existential) and probes their significance as time comes to fall "out of joint" and may be again set aright. Rather than initially bestowing upon Shakespeare the dubious honorary title of philosopher , Heller probes the concretely situated reflections of characters who must face a blind and irrational fate either without taking responsibility for the discordance of time, or with a responsibility which may both transform history into politics, and set right the time which is out of joint. In the ruminations and undertakings of these characters, Shakespeare's dramas present a philosophy of history, a political philosophy, and a philosophy of (im)moral personality. Heller weighs each as distinctly modern confrontations with the possibility of truth and virtue within a human historical condition no less multifarious for its momentariness.

In September 1791, two years after the Revolution, French Jews were granted full rights of citizenship. Scholarship has traditionally focused on this turning point of emancipation while often overlooking much of what came before. In Rites and Passages, Jay R. Berkovitz argues that no serious treatment of Jewish emancipation can ignore the cultural history of the Jews during the ancien régime. It was during the late seventeenth and eighteenth centuries that several lasting paradigms emerged within the Jewish community—including the distinction between rural and urban communities, the formation of a strong lay leadership, heightened divisions between popular and elite religion, and the strain between local and regional identities. Each of these developments reflected the growing tension between tradition and modernity before the tumultuous events of the French Revolution.Rites and Passages emphasizes the resilience of religious tradition during periods of social and political turbulence. Viewing French Jewish history through the lens of ritual, Berkovitz describes the struggles of the French Jewish minority to maintain its cultural distinctiveness while also participating in the larger social and economic matrix. In the ancien régime, ritual systems were a formative element in the traditional worldview and served as a crucial repository of memories and values. After the Revolution, ritual signaled changes in the way Jews related to the state, French society, and French culture. In the cities especially, ritual assumed a performative function that dramatized the epoch-making changes of the day. The terms and concepts of the Jewish religious tradition thus remained central to the discourse of modernization and played a powerful role in helping French Jews interpret the diverse meanings and implications of emancipation. Introducing new and previously unused primary sources, Rites and Passages offers a fresh perspective on the dynamic relationship between tradition and modernity.

The Tudor era has long been associated with the rise of nationalism in England, yet nationalist writing in this period often involved the denigration and outright denial of Englishness. Philip Schwyzer argues that the ancient, insular, and imperial nation imagined in the works of writers such as Shakespeare and Spenser was not England, but Britain. Disclaiming their Anglo-Saxon ancestry, the English sought their origins in a nostalgic vision of British antiquity. Focusing on texts including The Faerie Queene, English and Welsh antiquarian works, The Mirror for Magistrates, Henry V and King Lear, Schwyzer charts the genesis, development and disintegration of British nationalism in the sixteenth and early seventeenth centuries. An important contribution to the expanding scholarship on early modern Britishness, this study gives detailed attention to Welsh texts and traditions, arguing that Welsh sources crucially influenced the development of English literature and identity.