Examines the lives and careers of four distinguished Irish authors and analyzes the connections among them.

The description for this book, Linguistics and Literary History: Essays in Stylistics, will be forthcoming.

Jesus in the Jewish Wold represents some of the seminal aspects of the lifelong research of Geza Vermes focused on the Dead Sea Scrolls, Jewish Bible interpretation and the historical study of Jesus and the New Testament. Taken together the fifteen essays, the oldest of which dates from 1970 and the most recent from 2010, constitute an evocative cross section of the contribution to scholarship by Vermes who is equally celebrated as a pioneering Jesus In The Jewish World represents a synopsis of the most significant and Scrolls expert and, according to the Sunday Telegraph, the greatest Jesus scholar of his generation. Readers of the present volume are offered lively and often humorous accounts of the impact of Jesus the Jew on Christian and Jewish readers; of the value of Josephus as a historical source regarding John the Baptist, James the brother of the Lord, and Jesus; the historical implications of ancient Jewish biblical exegesis; of the inside story of the monumental recasting by Vermes and his friends of Emil Schurer's History of the Jewish People; and of the sacrifice of Isaac and the story of the first-century Galilean rabbi, Hanina ben Dosa. The final two essays, written in 2007 and 2010, are particularly noteworthy, the first propounding a fresh and revolutionary approach to methodology in the study of the historical Jesus and the second restating and reinforcing Vermes's stance in the half -a-century long Son of Man debate. Geza Vermes is Professor Emeritus of Jewish Studies and Emeritus Fellow of Wolfson College, Oxford but continues to teach at the Oriental Institute in Oxford.

"Throughout a unparalleled literary career that includes two National Book Awards (Goodbye, Columbus, 1959 and Sabbath's Theater, 1995), the Pulitzer Prize in fiction (American Pastoral, 1997), the National Book Critics Circle Award (The Counterlife, 1986), and the National Humanities Medal (awarded by President Obama in 2011), among many other honors, Philip Roth has produced an extraordinary body of nonfiction writing on a wide range of topics: his own work and that of the writers he admires, the creative process, and the state of American culture. This work is collected for the first time in Why Write?, the tenth and final volume in the Library of America's definitive Philip Roth edition. Here is Roth's selection of the indispensable core of Reading Myself and Others, the entirety of the 2001 book Shop Talk, and "Explanations," a collection of fourteen later pieces brought together here for the first time, six never before published. Among the essays gathered are "My Uchronia," an account of the genesis of The Plot Against America, a novel grounded in the insight that "all the assurances are provisional, even here in a two-hundred-year-old democracy"; "Errata," the unabridged version of the "Open Letter to Wikipedia" published on The New Yorker's website in 2012 to counter the online encyclopedia's egregious errors about his life and work; and "The Ruthless Intimacy of Fiction," a speech delivered on the occasion of his eightieth birthday that celebrates the "refractory way of living" of Sabbath's Theater's Mickey Sabbath. Also included are two lengthy interviews given after Roth's retirement, which take stock of a lifetime of work."--Amazon.

"'Emotions in Jewish Music' is an insider's view of music's impact on Jewish devotion and identity. Written by cantors who have devoted themselves to the study and execution of Jewish music, the book's six chapters explore a wide range of musical contexts and encounters. Topics include the spiritual influence of secular Israeli tunes, the use and meaning of traditional synagogue modes, and the changing nature of Jewish worship. The approaches are both personal and scholarly, describing the experiential side of Jewish music in both practical and philosophical terms. 'Emotions in Jewish Music' reveals much about the emotional aspects of Jewish musical expression"--Page 4 of cover.

The final installment of John Zorn's major series of new music theory, with Oren Ambarchi, Peter Blegvad, Annea Lockwood, Henry Threadgill and many more Initiated in 1997 and now in its tenth and final installment, John Zorn's acclaimed Arcana series is a major source of new music theory and practice in the 21st century. Illuminating directly via the personal vision and experience of the practitioners themselves, who experience music not from a cool, safe distance, but from the white-hot center of the creative crucible itself, Arcana elucidates through essays, manifestos, scores, interviews, notebooks and critical papers. Over 25 years the ten volumes of Arcana have presented the writings of over 300 of the most extraordinary musical thinkers of our time, who address composing, performing, improvising, touring, collaborating, living and thinking about music from diverse, refreshing and often surprising perspectives. Technical, philosophical, political, artistic and mystical in nature, these writings provide direct connections to the creative processes and hidden stratagems of musicians from the worlds of classical, rock, jazz, film soundtrack, improvised music and more. Contributors include : Susan Alcorn, Oren Ambarchi, Ran Blake, Peter Blegvad, Tyondai Braxton, Patricia Brennan, John Butcher, Ben Coniguliaro, Amir Elsaffar, Kenny Grohowski, Tom Guralnick, Mark Helias, David Hertzberg, Stefan Jackiw, Dan Kaufman, Derek Keller, Richard Kessler, Pauline Kim, Ulrich Krieger, Hannah Lash, Dan Lippel, Annea Lockwood, Dave Lombardo, Charlie Looker, Thomas Morgan, Stephen O'Malley, Laura Ortman, Alex Paxton, Alexandria Smith, Conrad Tao, Pat Thomas, Henry Threadgill, Anna Webber, Fay Victor, Christian Wolff and Miguel Zenon.

"The essays in this volume present interpretations of themes in major Jewish texts and thinkers, as well as treatments of significant issues in Jewish theology and ethics. It offers philosophical readings of biblical narratives, analyses of topics in the thought of Maimonides, Rabbi Abraham Isaac Kook and Rabbi Joseph B. Soloveitchik, and critical and constructive examinations of divine providence, religious anthropology, free will, 9/11, evil, Halakhah and morality, altruism, autonomy in Jewish medical ethics, and the epistemology of religious belief. The author frequently brings Jewish philosophy and law into dialogue with contemporary Anglo-American philosophy. The book serves scholars and students of Jewish philosophy and law, and is suitable for inclusion in syllabi of undergraduate and graduate courses''--Provided by the publisher.

How can you tell your Faulkner from your Franzen if you haven't actually read either? Schwartz expounds on the most important (aka white male) writers of western literature. From Shakespeare's greatest mystery to the true meaning of Kafkaesque, she tests your knowledge of which Jonathan-- Franzen, Lethem, or Safran Foer-- hates Twitter and lives in Brooklyn. So instead of politely nodding along next time you make an acquaintance at a housewarming party in Brooklyn, you can roll up your sleeves and get to work schooling them in character arcs and the experimental form of your next great American novel. -- adapted from back cover

This volume represents the final publication of the European Seminar in Historical Methodology. The volume reflects on the ground-breaking work of this prestigious seminar in the field of biblical history. In part one, long-term members of the seminar (Bob Becking, Ehud Ben Zvi, Philip R. Davies, Ernst Axel Knauf, Niels Peter Lemche, Thomas L Thompson) provide reflections on its work. Part two presents an opportunity for readers to benefit from contributions that have remained heretofore unpublished. This includes material on the Persian period, questions of orality and writing, and contributions on the Maccabean period. Bringing these papers together in a published form provides a fitting way to round out the work of this significant endeavour in historical methodology.

Proceeding by means of intensive readings of passages from an early midrash on Exodus, The Mekilta, Boyarin proposes a new theory of midrash that rests in part on an understanding of the heterogeneity of the biblical text and the constraining force of rabbinic ideology on the production of midrash. In a forceful combination of theory and reading, Boyarin raises profound questions concerning the interplay between history, ideology, and interpretation.

The Savage in Judaism exposes and challenges the opposition between Judaism and "savage" religions that has shaped the conceptualization of Judaism in the discourses of modernity. Since the Enlightenment, Judaism has typically been regarded as superior to other religions. This judgment gave rise to the conviction that interpreters of Judaism had little if anything to learn from either the discipline of anthropololgy or comparative inquiry. This book, by contrast, aligns itself with a growing trend that is seeking to collapse the distinction between Judaism and savage religions. It does so, by recounting the history of that opposition and by a series of studies showing how differently Judaism appears when passed under the gaze of anthropological inquiry and cross-cultural analysis. Topics includes circumcision, impurity, and dietary restrictions.

A Short History of Jewish Ethics traces the development of Jewish moral concepts and ethical reflection from its Biblical roots to the present day. Offers an engaging and thoughtful account of Jewish ethics Brings together and discusses a broad range of historical sources covering two millennia of writings and conversations Combines current scholarship with original insights Written by a major internationally recognized scholar of Jewish philosophy and ethics

The Sacrifice of Isaac is one of the most well-known stories in the Bible. It is also a shocking account of how Abraham's faith in God was demonstrated by a willingness to sacrifice his long-awaited son at God's command. This story has been a source of fascination for Jews and Christians for many centuries and here, Edward Kessler offers an enthralling account of Jewish and Christian interpretations of this biblical story. For understandable reasons, it has been assumed that Judaism influenced Christian interpretation but relatively little attention has been given to the question of the influence of Christianity upon Judaism. Kessler provides an insight into this absorbing two-way encounter and argues that neither Jewish nor Christian interpretations can be understood properly without reference to the other. As Jews and Christians lived, and continue to live, in a biblically orientated culture, Kessler shows how both were 'bound by the bible'.

The untold life story of All-of-a-Kind Family author Sydney Taylor, highlighting her dramatic influence on American children's literature.

At once a study of biblical theology and modern Jewish thought, this volume describes a participatory theory of revelation as it addresses the ways biblical authors and contemporary theologians alike understand the process of revelation and hence the authority of the law. Benjamin Sommer maintains that the Pentateuch's authors intend not only to convey God's will but to express Israel's interpretation of and response to that divine will. Thus Sommer's close readings of biblical texts bolster liberal theologies of modern Judaism, especially those of Abraham Joshua Heschel and Franz Rosenzweig. This bold view of revelation puts a premium on human agency and attests to the grandeur of a God who accomplishes a providential task through the free will of the human subjects under divine authority. Yet, even though the Pentateuch's authors hold diverse views of revelation, all of them regard the binding authority of the law as sacrosanct. Sommer's book demonstrates why a law-observant religious Jew can be open to discoveries about the Bible that seem nontraditional or even antireligious. (Publisher).

"The Christian discovery of the Babylonian Talmud is a significant landmark in the long and complex history of anti-Jewish polemic. While the Talmudic corpus developed in the same period as early Christianity, this post-biblical text was largely unknown to the Christians. Full awareness of the Talmud among Christian authors did not arise until the late 1230s, when the Jewish convert Nicholas Donin presented a Latin translation of Talmudic fragments to Pope Gregory IX. Though the Talmud was subsequently put on trial (1240) and burnt (1241/2) in Paris, the controversy surrounding it continued over the following years, as Pope Innocent IV called for a revision of its condemnation. The textual basis for this revision is the Extractiones de Talmud, that is, a Latin translation of 1.922 Talmudic fragments. The articles in this volume shed new light on this monumental translation and its historical context. They also offer critical editions of related texts, such as DoninÕs anti-Talmudic polemic. Authors of the contributions are: Wout van Bekkum, Piero Capelli, Ulisse Cecini, Enric Cort s, îscar de la Cruz Palma, Federico Dal Bo, Alexander Fidora, Gšrge K. Hasselhoff, MoisŽs Orfali, Ursula Ragacs and Eulˆlia Vernet i Pons."

How did ancient Jewish authors claim authority for their interpretations? How, after the a oeend of prophecya, could they claim the authority of revelation? Whom did one have to be, or aspire to be, in order to merit authority? Hindy Najman addresses these questions through close readings of ancient Jewish texts, e.g., Ezra-Nehemiah, Philo of Alexandria, 4Ezra, Dead Sea Scrolls, and Jubilees. In Seconding Sinai (Brill, 2003), Najman reconceived pseudepigraphy, developing the idea of a Mosaic discourse that comprised a series of ancient texts attributed to Moses. Here she develops the broader notion of a discourse tied to a founder, situating practices of pseudepigraphy and authoritative interpretation within a variety of ways of seeking perfection in ancient Judaism.

"Sepher Yosippon was written in Hebrew by a medieval historian noted by modern scholars for its eloquent style. This is the first known chronicle of Jewish history and legend from Adam to the destruction of the Second Temple, this is the first known text since the canonical histories written by Flavius Josephus in Greek and later translated by Christian scholars into Latin. Sepher Yosippon has been cited and referred to by scholars, poets, and authors as the authentic source for ancient Israel for over a millennium, until overshadowed by the twentieth-century Hebrew translations of Josephus. It is based on Pseudo Hegesippus’s fourth-century anti-Jewish summary of Josephus’s Jewish War. However, the anonymous author [a.k.a. Joseph ben Gurion Hacohen] also consulted with the Latin versions of Josephus’s works available to him. At the same time, he included a wealth of Second Temple literature as well as Roman and Christian sources. This book contains Steven Bowman’s translation of the complete text of David Flusser’s standard Hebrew edition of Sepher Yosippon, which includes the later medieval interpolations referring to Jesus. The present English edition also contains the translator’s introduction as well as a preface by the fifteenth-century publisher of the book. The anonymous author of this text remains unique for his approach to history, his use of sources, and his almost secular attitude, which challenges the modern picture of medieval Jews living in a religious age. In his influential novel, A Guest for the Night, the Nobel Laureate author Shmuel Yosef Agnon emphasized the importance of Sepher Yosippon as a valuable reading to understand human nature. Bowman’s translation of Flusser’s notes, as well as his own scholarship, offers a well-wrought story for scholars and students interested in Jewish legend and history in the medieval period, Jewish studies, medieval literature, and folklore studies." -- From publisher's website.