96 vivid creations by leading avant-garde artist, reproduced directly from two rare portfolios. Revolutionary designs for textiles, women's fashions, theatrical costumes, sets, more.

French Dressing looks at the ancien régime's scenarios of libertine seduction--unsafe sex and its consequences for women's lives. It places the gender performances of male and female-authored novels in dialogue in order to recover the complexity of a century obsessed, as we are today, with writing and living plots of desire. French Dressing exposes the erotic anxieties behind a national culture of sexual self-display--French undressing.

Originally published in Algiers in 1943, Joseph Kessel's Army of Shadows is one of the first books to have been written about the French Resistance. Now available in paperback, Contra Mundum Press is proud to present the first new translation in over 70 years, and the first edition since Jean-Pierre Melville's iconic 1969 film. "What, then, when it comes to recounting the story of France, an obscure, secret France, which is new to its friends, its enemies, and new especially to itself? France no longer has bread, wine, fire. But mainly it no longer has any laws. Civil disobedience, individual or organized rebellion, have become duties to the fatherland. The national hero is the clandestine man, the outlaw. Nothing about the order imposed by the enemy and by the Marshal is valid. Nothing counts. Nothing is true any more. One changes home, name, every day. Officials and police officers are helping insurgents. One finds accomplices even in ministries. Prisons, getaways, tortures, bombings, scuffles. One dies and kills as if it's natural. France lives, bleeds, in all its depths. It is toward the shadow that its true and unknown face is turned. In the catacombs of revolt, people create their own light and find their own law. Never has France waged a nobler and more beautiful war than in the basements where it prints its free newspapers, in its nocturnal lands, and in its secret coves where it received its free friends and from where its children set out, in torture cells where, despite tongs, red-hot pins, and crushed bones, the French died as free men."

In this book world-renowned scholar of Jewish mysticism Gershom Scholem (1897-1982) describes the three extraordinary lives of Moses Dobrushka. Beginning his life as a Bohemian Jew in the antinomian cult of Sabbataean Frankism, Dobrushka first re-invented himself as the Catholic Austrian nobleman Franz Thomas von Schönfeld, before abandoning this identity to become the Jacobin "Junius Frey." On the 5TH of April 1794, Dobrushka was guillotined alongside such luminaries of the French Revolution as Danton and Desmoulins. In the course of this biography, the author explains critical historical links between revolutionary liberalism, Freemasonry, and Judaism.

The greatest living writer of espionage fiction (Houston Chronicle) returns with his most suspenseful and stylish novel yet, in which an international news correspondent's secret life leads him to become a target for assassination.

A.J.Liebling, is an American Cyril Connolly whose passion, which kept him away from the typewriter, was eating. Liebling describes his life and the people he met by comparing them to the food he was eating.

"A rare eyewitness account by an important author of fleeing the Nazis' march on Paris in 1940, featuring a never-before-published introduction by Antoine de Saint-Exupery. In June of 1940, Leon Werth and his wife fled Paris before the advancing Nazis Army. 33 Days is his eyewitness account of that experience, one of the largest civilian dispacements in history. Encouraged to write 33 Days by his dear friend, Antoine de Saint-Exupery, author of The Little Prince, Werth finished the manuscript while in hiding in the Jura mountains. Saint-Exupery smuggled the manuscript out of Nazi-occupied France, wrote an introduction to the work and arranged for its publication in the United States by Brentanos. But the publication never came to pass, and Werth's manuscript would disappear for more than fifty years until the first French edition, in 1992. It has since become required reading in French schools. This, the first-ever English language translation of 33 Days, includes Saint-Exupery's original introduction for the book, long thought to be lost. It is presented it here for the first time in any language. After more than seventy years, 33 Days appears--complete and as it was fully intended"--

Traces the story of the mixed-race swordsman and father of novelist Alexandre Dumas, discussing his rise to the French aristocracy, his military triumphs ,and the adventures that inspired such classics as "The Three Musketeers" and "The Count of Monte Cristo."

Film Studies, Literary Studies

WINNER OF THE NOBEL PRIZE IN LITERATURE, 2014 Haunted by the fate of Dora Bruder - a fifteen-year-old girl listed as missing in an old December 1941 issue of Paris Soir - Nobel Prize-winning author Patrick Modiano sets out to find all he can about her. From her name on a list of deportees to Auschwitz to the fragments he is able to uncover about the Bruder family, Modiano delivers a moving survey of a decade-long investigation that revived for him the sights, sounds and sorrowful rhythms of occupied Paris. And in seeking to exhume Dora Bruder's fate, he in turn faces his own family history. Translated by Joanna Kilmartin 'Absolutely magnificent' Le Monde

Reflects on the interrelationship between war, genocide, and identity in the 20th century. Contends that World War I provided a pattern for the industrial killing that reached its apex in the Nazi Holocaust. Comparing France and Germany, both of which looked for an "elusive enemy" to help them cope with the trauma of World War I, notes that Germany found it in the Jews. This perception allowed the Germans to see themselves as victims and their actions against the Jews as self-defense. The search for "elusive enemies" (to blame for perpetrating the genocide) and "elusive victims" (e.g. the French or German people) continued after the war. Compares the French, German, and Jewish postwar discourses of the Holocaust. Presenting themselves as the main victims of Nazism, the French and Germans have tended to neglect Jews as the main victims. Criticizes writings by Hannah Arendt, Ka-Tzetnik, and some other postwar writers on the Holocaust and its roots.

"The Iron King--Philip the Fair--is as cold and silent, as handsome and unblinking as a statue. He governs his realm with an iron hand, but he cannot rule his own family: his sons are weak and their wives adulterous; while his red-blooded daughter Isabella is unhappily married to an English king who prefers the company of men. A web of scandal, murder and intrigue is weaving itself around the Iron King; but his downfall will come from an unexpected quarter. Bent on the persecution of the rich and powerful Knights Templar, Philip sentences Grand Master Jacques de Molay to be burned at the stake, thus drawing down upon himself a curse that will destroy his entire dynasty..."--Page [4] of cover.

In December 1894, Captain Alfred Dreyfus, a brilliant French artillery officer and a Jew of Alsatian descent, was court-martialed for selling secrets to the German military attaché in Paris based on perjured testimony and trumped-up evidence. The sentence was military degradation and life imprisonment on Devil's Island, a hellhole off the coast of French Guiana. Five years later, the case was overturned, and eventually Dreyfus was completely exonerated. Meanwhile, the Dreyfus Affair tore France apart, pitting Dreyfusards - committed to restoring freedom and honor to an innocent man convicted of a crime committed by another - against nationalists, anti-Semites, and militarists who preferred having an innocent man rot to exposing the crimes committed by ministers of war and the army's top brass in order to secure Dreyfus's conviction.

A unique combination of philosophy, biography, and art history. The philosopher, the priest, and the painter investigates the remarkable individuals and the circumstances behind a small portrait.

After the fall of France, colorless Joseph Bridet determines to go to Vichy and ingratiate himself with the regime there as a first step towards escaping to England, only to discover that he agrees with the suspicious and pitiless world of the Petainists.

"Brilliant, crisp, and cogently argued. Joan W. Scott's novel and trenchant discursive analysis exposes the prejudices of the reductionist French versions of secularism and feminism regarding Islam and French Muslims from North African and Arab origins. The study is illuminating far beyond the French case, as former colonial and/or working subjects struggle for integration and recognition of their difference." --Abdellah Hammoudi, Princeton University "Carefully argued, insightful and humane, Joan Scott's The Politics of the Veil is far and away the best account of France's identity crisis that was signaled by the famous headscarf affair. The final chapter, on the symbolic meanings of the headscarf/veil, is the most original and brilliant piece of writing that I have read on this topic. This is an indispensable book, transcending the particularity of French obsessions and forcing the reader to think about wider political problems that concern us all." --Talal Asad, author of On Suicide Bombing "Scott traces the history and politics of veil controversies in France and draws apart intertwined strands, starting with the legacy of racism from the colonial past. She persuasively argues for the negotiation of cultural and religious differences rather than their negation. This book will be required reading for all those concerned with the integration of Muslims into Western Christian societies." --Beth Baron, author of Egypt as a Woman: Nationalism, Gender, and Politics "This is an important and timely book that will challenge the dominant terms used to debate the French government's ban on the veil in public schools. Through a careful analysis of historical and contemporary French discourse on Muslims and Arabs, Scott helps us see how the controversy over the veil is indexical of a deep paradox that haunts the ideology of French Republicanism of which the principle of la�cit� is a crucial part." --Saba Mahmood, author of Politics of Piety: The Islamic Revival and the Feminist Subject

The notion of battles as the irreducible building blocks of war demands a single verdict of each campaign--victory, defeat, stalemate. But this kind of accounting leaves no room to record the nuances and twists of actual conflict. In Somme: Into the Breach, the noted military historian Hugh Sebag-Montefiore shows that by turning our focus to stories of the front line--to acts of heroism and moments of both terror and triumph--we can counter, and even change, familiar narratives. Planned as a decisive strike but fought as a bloody battle of attrition, the Battle of the Somme claimed over a million dead or wounded in months of fighting that have long epitomized the tragedy and folly of World War I. Yet by focusing on the first-hand experiences and personal stories of both Allied and enemy soldiers, Hugh Sebag-Montefiore defies the customary framing of incompetent generals and senseless slaughter. In its place, eyewitness accounts relive scenes of extraordinary courage and sacrifice, as soldiers ordered "over the top" ventured into No Man's Land and enemy trenches, where they met a hail of machine-gun fire, thickets of barbed wire, and exploding shells. Rescuing from history the many forgotten heroes whose bravery has been overlooked, and giving voice to their bereaved relatives at home, Hugh Sebag-Montefiore reveals the Somme campaign in all its glory as well as its misery, helping us to realize that there are many meaningful ways to define a battle when seen through the eyes of those who lived it.--