Who's Who in Nazi Germany looks at the individuals who influenced every aspect of life in Nazi Germany. It covers a representative cross-section of German society from 1933-1945, and includes: * Nazi Party leaders; SS, Wehrmacht and Gestapo personalities; civil service and diplomatic personnel * industrialists, churchmen, intellectuals, artists, entertainers and sports personalities * Resistance leaders, political dissidents, critics and victims of the regime * extensive biographical information on each figure extending into the post-war period * analysis of their role and significance in Nazi Germany * an accessible, easy to use A-Z layout * a glossary and comprehensive bibliography.

July 13th 2014, World Cup Final, the last ten minutes of extra time: Germany forward Mario Gotze, receiving a floated pass from his international teammate Andre Schurrle, jumps slightly to meet the ball and cushion it with his chest. Landing on his left foot, he takes a step with his right, swivels, and in one fluid motion, without the ball touching the ground, volleys it past the onrushing Argentine goalkeeper into the far corner of the net. The goal wins Germany the World Cup for the first time in almost thirty years. In the aftermath, Gotze looks dazed, unable to comprehend what he has done. In "Das Reboot," "Guardian" journalist and television pundit Raphael Honigstein charts the return of German soccer from the international wilderness of the late nineteen-nineties to Gotze's moment of genius and asks, how did this come about? How did German soccer reinvent itself away from its efficient but unappealing and defensively-minded past to the free-flowing, attack-minded soccer that was on display in 2014? The answer takes him from California to Stuttgart, from Munich to the Maracana, via Dortmund and Amsterdam. Packed with exclusive interviews with the key protagonists, Honigstein's book lifts the lid on the secrets of German soccer's success.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Merry Widow: New Musical Play Adapted From The German Of Victor Leon And Leo Stein Franz Lehár, Victor Hirschfield, Leo Stein Chappell, 1907 Music; Genres & Styles; Musicals; Music / Genres & Styles / Musicals; Musicals

Explores the paradox inherent in the German fascists' rejection of the rationalism of the Enlightenment while fully embracing modern technology. By associating technology with the Germans rather than the Jews, with beautiful form rather than the formlessness of the market, and with a strong state rather than a predominance of economic values and institutions, right-wing intellectuals reconciled Germany's strength with its romantic soul and national identity. Includes discussion on the transformation of anti-capitalist rhetoric to anti-Jewish rhetoric. See the index for references to antisemitism, and especially ch. 6, "Werner Sombart: Technology and the Jewish Question".

National bestseller: This "harrowing" true story of two Jewish families who survived hiding in the heart of the Nazi capital "honors the human spirit" (Andrea Dworkin). In January 1943, unable to flee Germany, the four members of the Arndt family went underground to avoid deportation to Auschwitz. Ellen Lewinsky and her mother, Charlotte, joined them; a year later, Bruno Gumpel arrived. Hiding in a small factory near Hitler's bunker, without identification cards or food-ration stamps, they were dependent on German strangers for survival. When Russian soldiers finally rescued the group in April 1945, the families were near death from starvation. But their will to live triumphed and two months later, four of the survivors--Erich Arndt and Ellen Lewinsky, and Ruth Arndt and Bruno Gumpel--reunited in a double wedding ceremony. Survival in the Shadows chronicles the previously untold story of the largest group of German Jews to have survived hiding in Berlin through the final and most deadly years of the Holocaust. Relayed to Barbara Lovenheim by three survivors from the group, the riveting story is a touching portrayal of the bravery of these seven Jews, and a heartfelt acknowledgment of the fortitude and humanity of the compassionate Germans who kept them alive.

Originally published in 1976, Clausewitz and the State presents a comprehensive analysis of one of the significant thinkers of modern Europe. Peter Paret combines social and military history and psychological interpretation with a study of Clausewitz's military theories and of his unduly neglected historical and political writing. This timely new edition includes a preface which allows Paret to recount the past thirty years of discussion on Clausewitz and respond to critics. A companion volume to Clausewitz's On War, this book is indispensable to anyone interested in Clausewitz and his theories, and their proper historical context.

The Jewish Museum in Berlin tells the story of German-Jewish history from the fourth century to the present. It consists of two buildings: the first, a former courthouse, was built in the eighteenth century, and the second, a massive extension that opened to the public in 2001, was designed by the world-renowned architect Daniel Libeskind (born 1946). Libeskind's building is comprised of a zinc façade and a set of three underground allegorical roads. The first leads to the main stairs, and by implication to the continuation of Berlin's history in the Museum; the second leads outdoors into the E.T.A. Hoffmann Garden, representing the exile and emigration of the Jews from Germany; and the third road leads to a dead end, representing "the Holocaust void." This road cuts through the ensemble as a whole, and evokes, in the architect's words, "that which can never be exhibited when it comes to Jewish Berlin history: humanity reduced to ashes." For Libeskind, a Polish Jew raised not far from Berlin who lost many relatives in the Holocaust, this extraordinary building was an intensely personal undertaking with numerous responsibilities. This volume details this most freighted and complex of buildings.

Jeffrey Herf, a leading scholar in the field, offers the most extensive examination to date of Nazi propaganda activities targeting Arabs and Muslims in the Middle East during World War II and the Holocaust. He draws extensively on previously unused and little-known archival resources, including the shocking transcriptions of the "Axis Broadcasts in Arabic" radio programs, which convey a strongly anti-Semitic message.

A landmark, now classic, study of the rich cinematic history of the Weimar Republic, From Caligari to Hitler was first published by Princeton University Press in 1947. Siegfried Kracauer--a prominent German film critic and member of Walter Benjamin's and Theodor Adorno's intellectual circle--broke new ground in exploring the connections between film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer's pioneering book, which examines German history from 1921 to 1933 in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis , and The Blue Angel , has never gone out of print. Now, over half a century after its first appearance, this beautifully designed and entirely new edition reintroduces Kracauer for the twenty-first century. Film scholar Leonardo Quaresima places Kracauer in context in a critical introduction, and updates the book further with a new bibliography, index, and list of inaccuracies that crept into the first edition. This volume is a must-have for the film historian, film theorist, or cinema enthusiast. In From Caligari to Hitler , Siegfried Kracauer made a startling (and still controversial) claim: films as a popular art provide insight into the unconscious motivations and fantasies of a nation. In films of the 1920s, he traced recurring visual and narrative tropes that expressed, he argued, a fear of chaos and a desire for order, even at the price of authoritarian rule. The book has become an undisputed classic of film historiography, laying the foundations for the serious study of film. Kracauer was an important film critic in Weimar Germany. A Jew, he escaped the rise of Nazism, fleeing to Paris in 1933. Later, in anguish after Benjamin's suicide, he made his way to New York, where he remained until his death in 1966. He wrote From Caligari to Hitler while working as a "special assistant" to the curator of the Museum of Modern Art's film division. He was also on the editorial board of Bollingen Series. Despite many critiques of its attempt to link movies to historical outcomes, From Caligari to Hitler remains Kracauer's best-known and most influential book, and a seminal work in the study of film. Princeton published a revised edition of his Theory of Film: The Redemption of Physical Reality in 1997 .

Dr. Peikoff identifies the cause of Nazism--and the ominous parallels between the intellectual history of Germany and of the United States. He demonstrates that there is a science which has been all but obliterated in the modern world. "Yet this science determines the destiny of nations and the course of history ...," he writes. "It is a science which has to be destroyed, if the catastrophes of our time were to become possible. The science is philosophy."

The author discusses the issue of "inherited guilt" as he interviews the children and grandchildren of former Nazis.

Henry Ford and Charles Lindbergh have long been exalted as two of the greatest American icons of the twentieth century. Now award-winning journalist Max Wallace uncovers groundbreaking and astonishing revelations about the poisonous effect these two so-called American heroes had on Western democracy and how the two of them---acting in league with the Nazis---almost brought democratic Europe to the verge of extinction. With unprecedented access to declassified FBI and military intelligence files, Wallace reveals how the close friendship and ideological bond between automotive pioneer Ford and aviator Lindbergh culminated in an abuse of power that helped strengthen Hitler's regime and undermined the Allied war effort. Devastating, thoroughly researched, and engagingly written, The American Axis is not only a mesmerizing, cautionary tale, but a compelling historical exposé.

These two volumes are designed to explain the origins of World Way II by focusing on the role of German foreign policy under Hitler. New light is shed on German rearmament, on the efforts of Britain and France to avert war, on the annexation of Austria, on the Munich Agreement, and on the final steps to war in 1939. Both specialists and general readers will find much of interest in these two volumes. The German foreign policy, as determined by Adolf Hitler, is analyzed on the basis of comprehensive research in German, British, and American archives. The published documents of France, Italy, Russia, and numerous other countries as well as the extensive literature on the subject and the papers of many participants have been researched to present what still remains the only comprehensive study in any language of the road to way in 1939. This edition adds a new preface relating these volumes to the evidence, the controversies, and the literature of the years since they were first written.

"When his family are deported to concentration camps in 1942, twenty-year-old draftsman Cioma Schonhaus goes under-ground. Recruited to a network dedicated to rescuing Jews from the gas chambers. Schonhaus discovers a life-saving talent for falsifying identity cards. While working on his forgeries, he changes address every night, relying on girl-friends and the friendship of anti-Nazi Germans to keep him one step ahead of the Gestapo. But when his face finally appears on Gestapo wanted posters all over the city, he decides the time has come to attempt a breathtaking escape from Berlin to Switzerland by bicycle."--Back cover.

"A moving and unsettling exploration of a young man's formative years in a country still struggling with its past As a Jew in postwar Germany, Yascha Mounk felt like a foreigner in his own country. When he mentioned that he is Jewish, some made anti-Semitic jokes or talked about the superiority of the Aryan race. Others, sincerely hoping to atone for the country's past, fawned over him with a forced friendliness he found just as alienating. Vivid and fascinating, Stranger in My Own Country traces the contours of Jewish life in a country still struggling with the legacy of the Third Reich and portrays those who, inevitably, continue to live in its shadow. Marshaling an extraordinary range of material into a lively narrative, Mounk surveys his countrymen's responses to "the Jewish question." Examining history, the story of his family, and his own childhood, he shows that anti-Semitism and far-right extremism have long coexisted with self-conscious philo-Semitism. But of late a new kind of resentment against Jews has come out in the open. Unnoticed by much of the outside world, the desire for a "finish line" that would spell a definitive end to the country's obsession with the past is feeding an emphasis on German victimhood. Mounk shows how, from the government's pursuit of a less "apologetic" foreign policy to the way the country's idea of the "Volk" makes life difficult for its immigrant communities, a troubled nationalism is shaping Germany's future"--

A comprehensive historical survey of the Jewish presence in Central Europe from the seventeenth century to the Holocaust, German-Jewish History in Modern Times is a four-volume collective project by a team of leading scholars, offering a vivid portrait of Jewish History. The series is sponsored by the Leo Baeck Institute, established in 1955 in Jerusalem, London, and New York for the purpose of advancing scholarship on the Jews in German-speaking lands. Integration in Dispute 1871-1918 comprises the third volume and focuses on a period of political, economic, and social change that fundamentally transformed German Jewry. Eminent scholars consider a broad range of topics: religious and cultural life, demographics, political, legal, and socioeconomic status, relations between Jews and non-Jews, and Jewish participation in the larger context of European history. Volume 3 begins with the establishment of civil equality for Jews in Germany and Austria-Hungary and describes the complexities of their economic and social integration. The contributors explore the challenges that confronted Jews as they encountered both unprecedented opportunities and continued resistance to their full emancipation and participation in public life. The book discusses their standing as a minority group within German political and professional life and as a differentiated portion of the German middle class; how they coped with successive waves of political antisemitism; how they continued to adapt traditional religious practices to modernity; and how urban middle-class life transformed Jewish families as well as the role of Jewish women in the domestic and public spheres. The forces of social change, coupled with the persistence of antisemitism formed the context for the emergence of Zionism, which posed a powerful challenge to the dominant principle of integration. This volume also seeks to understand the nature and timing of the exceptional contributions of German Jews to the thriving modern culture of such cities as late imperial Vienna and Berlin as well as to the specific religious culture of Judaism. Each volume includes a bibliographical essay referring readers to the most important secondary literature, a chronology covering the major events discussed, and a series of maps and illustrations. Encompassing the most up-to-date research on the topic, German Jewish History in Modern Times is an achievement to be valued by historians, educators, and any reader seeking to understand the singular heritage of the Jewish people in Central Europe.

A collection of essays written between 1985-92. Contents:

This is the first comprehensive book in English on the fate of the homosexuals in Nazi Germany. The author, a German refugee, examines the climate and conditions that gave rise to a vicious campaign against Germany's gays, as directed by Himmler and his SS--persecution that resulted in tens of thousands of arrests and thousands of deaths .In this Nazi crusade, homosexual prisoners were confined to death camps where, forced to wear pink triangles, they constituted the lowest rung in the camp hierarchy. The horror of camp life is described through diaries, previously untranslated documents, and interviews with and letters from survivors, revealing how the anti-homosexual campaign was conducted, the crackpot homophobic fantasies that fueled it, the men who made it possible, and those who were its victims, this chilling book sheds light on a corner of twentieth-century history that has been hidden in the shadows much too long. --

"The New York Times-bestselling author of A Fierce Radiance and City of Light returns with a new powerful and passionate novel--inspired by historical events--about two women, one European and one American, and the mysterious choral masterpiece by Johann Sebastian Bach that changes both their lives. In the ruins of Germany in 1945, at the end of World War II, American soldier Henry Sachs takes a souvenir, an old music manuscript, from a seemingly deserted mansion and mistakenly kills the girl who tries to stop him. In America in 2010, Henry's niece, Susanna Kessler, struggles to rebuild her life after she experiences a devastating act of violence on the streets of New York City. When Henry dies soon after, she uncovers the long-hidden music manuscript. She becomes determined to discover what it is and to return it to its rightful owner, a journey that will challenge her preconceptions about herself and her family's history--and also offer her an opportunity to finally make peace with the past. In Berlin, Germany, in 1796, amid the city's glittering salons where aristocrats and commoners, Christians and Jews, mingle freely despite simmering anti-Semitism, Sara Itzig Levy, a renowned musician, conceals the manuscript of an anti-Jewish cantata by Johann Sebastian Bach, an unsettling gift to her from Bach's son, her teacher. This work and its disturbing message will haunt Sara and her family for generations to come. Interweaving the stories of Susanna and Sara, and their families, And After the Fire traverses over two hundred years of history, from the eighteenth century through the Holocaust and into today, seamlessly melding past and present, real and imagined. Lauren Belfer's deeply researched, evocative, and compelling narrative resonates with emotion and immediacy"--

About the effects of Post-Communism on Czechoslovakia, Poland, and Germany.