Provides a systematic examination of process themes in Jewish theology. After tracing process motifs in the writings of contemporary Jewish thinkers, the text analyzes process theology as a form of postmodernism, discussing the tensions between it and more orthodox theologies.

Book by Neusner, Jacob

Arnold Eisen here calls for a fundamental rethinking of the story of modern Judaism. More than simply a study of Jewish thought on customs and rituals, Rethinking Modern Judaism explores the central role that practice plays in Judaism's encounter with modernity.

From the ancient Book of the Dead to Dante's Divine Comedy , the living have attempted to describe the world of the dead. Tours of Hell focuses on one form of that attempt: the tours of hell found in Jewish and Christian apocalypses of late antiquity and the early Middle Ages. Himmelfarb examines seventeen texts, preserved in five languages and spanning a thousand years of human history. These include Hebrew texts and Christian texts in Greek, Latin, Ethiopic, and Coptic, such as the Apocalypse of Peter and the Apocalypse of Paul family. Muslim texts, medieval visions, and other related literatures are also discussed. Himmelfarb details the common elements of the tour tradition, including such features as a hero or heroine figure, a heavenly revealer, and descriptions of the punishments awaiting those who arrive in hell. She convincingly refutes the accepted nineteenth-century critical view of the earliest of these tours, the Apocalypse of Peter, as a Christian form of an "Orphic-Pythagorean" descent to Hades. She place the work instead on the family tree of the tour apocalypse, a genre she traces back to the third century B.C.E. Book of the Watchers (1 Enoch 1-36). Linking the Apocalypse of Peter with later Jewish tours of hell, Himmelfarb reveals significant sin-and-punishment combinations that seem to point to a common source, which she theorizes to be a lost Jewish Tour work of the late Second Temple period. Rich and fascinating texts seldom before brought to light are treated in detail in this pioneering study. A comprehensive work on the apocalyptic tradition, Tours of Hell will be of great interest to scholars and students of religion, history, ancient and medieval literature, and Dante studies.

The topic of this book is 'creation'. It breaks down into discussions of two distinct, but interrelated, questions: what does the universe look like, and what is its origin? The opinions about creation considered by Norbert Samuelson come from the Hebrew scriptures, Greek philosophy, Jewish philosophy, and contemporary physics. His perspective is Jewish, liberal, and philosophical. It is 'Jewish' because the foundation of the discussion is biblical texts interpreted in the light of traditional rabbinic texts. It is 'philosophical' because the subject matter is important in both past and present philosophical texts, and to Jewish philosophy in particular. Finally, it is 'liberal' because the authorities consulted include heterodox as well as orthodox Jewish sources. The ensuing discussion leads to original conclusions about a diversity of topics, including the limits of human reason and religious faith, and the relevance of scientific models to religious doctrine.

The book describes in detail the ritual purity system of the Hebrew Bible, and its development into the system of the rabbis. Certain human conditions require purification before contact is made with holy foods or areas. Recent scholarly theories (Milgrom, Neusner, Douglas) are discussed, and new theories are proposed for the origin of the Red Cow and Scapegoat rites. It is argued that the impurities concerned all derive from the human cycle of generation, birth and death, from which the Sanctuary is to be guarded; not because it needs protection from demonic powers (as in other ancient purity systems), but because of the reverence due to the divine presence. While the priestly code of holiness displays traces of earlier conceptions, its ritual has lost urgent salvific force, and has become a protocol for the Temple and a dedicatory code for a priestly people; the sources distinguish it from universal morality.

How should religions disagree with one another today? How might they properly engage in dialogue concerning theory central beliefs when these radically contradict concerning the faith of others? In this book for the first time in Jewish-Christian discussions, a Jewish theologian investigates contemporary Christian doctrines of the Christ and responds to them out of his faith in God's continuing covenant with the people of Israel. Under the guidance of Christian colleagues, he responds to a wide range of Christological theory - Catholic and Protestant, liberal, neo-orthodox, evangelical and post-liberal - and probes the meaning of the Christ not only for the salvation of individual Christians but for their ethics and relations to society as well. In this unique perspective, Judaism Christianity both emerge in a new light. By pointing out the often subtle agreement of the faiths exile not flinching from a direct confrontation with matters in dispute, the unique characteristics of each religion are laid bare. And in carrying out this new form of definition by negation, the logic of inter-religious disagreement is worked out.

The first few decades of the eighteenth century witnessed an important moment in Jewish-Christian relations, as influential Christian scholars increasingly looked to Jewish texts to reveal the truths of their own faith. To what extent could postbiblical writings help them better understand the New Testament? And who would best be able to explicate these connections?Connecting the Covenants focuses on two separate but entwined stories, the first centering around the colorful character of Moses Marcus. The English-born son of wealthy parents and the grandson of the famous autobiographical author Glikl of Hameln, Marcus was a prominent Jew educated in the Ashkenazic yeshivah at Hamburg. On New Year's Day, 1723, Marcus was baptized as a Christian, later publishing a justification of his conversion and a vindication of his newly discovered faith in a small book in London. A trophy convert, he was promoted by figures at the highest levels of the Anglican Church as a cultural mediator between Judaism and Christianity. His modest successes in the world of the elite clerical establishment were followed, however, by conspicuous failures, both intellectual and material.The second story that David Ruderman tells emerges against the background of Marcus's professional decline. In the end, the prize convert proved to be a theologian of limited ability, far outstripped in sophistication and openness to rabbinic learning by a circle of Enlightenment Protestant scholars. It was not the Jew who had abjured Judaism who was willing or able to apply the Mishnah and Talmud to Christian exegesis, but figures such as William Whiston, Anthony Collins, William Wotton, and the Dutch scholar William Surenhusius who seized upon the ways to connect the covenants.

The biblical prohibition of images sets Judaism apart, together with Islam, from all other religious systems. This book attempts to explain the reasons for the prohibition - as well as its limits - and then shows how influential it has been in determining aspects of Jewish thinking in relation to such key concepts as holiness, symbolism, mediation between man and God, aesthetics and the role of memory in religion. Why is music the one art to which Judaism is hospitable? Is Judaism a religion of the ear rather than the eye? What is the real issue at stake in the age-old debate between Jerusalem and Athens? How do these issues relate to the iconoclastic movements in Byzantine Christianity and the Reformation? Lionel Kochan makes clear that to the prohibition of the graven image there is more than meets the eye.

This is a study of the ancient Jewish and Christian apocalypses involving ascent into heaven, which have received little scholarly attention in comparison to apocalypses concerned primarily with the end of the world. Recent developments like the publication of the Aramaic Enoch fragments from Qumran and interest in questions of genre in the study of the apocalypses make this a particularly appropriate time to undertake this study. Martha Himmelfarb places the apocalypses in relation to both their biblical antecedents and their context in the Greco-Roman world. Her analysis emphasizes the emergence of the understanding of heaven as temple in the Book of the Watchers, the earliest of these apocalypses, and the way in which this understanding affects the depiction of the culmination of ascent, the hero's achievement of a place among the angels, in the ascent apocalypses generally. It also considers the place of secrets of nature and primeval history in these works. Finally, it offers an interpretation of the pseudepigraphy of the apocalypses and their function.

About the Author Jacob Neusner is Research Professor of Religion and Theology Bard College Annandale-on-Hudson, NY. Product description